Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Wind River Range - AVAILABLE

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Hi, it's so wonderful

to be with you again.

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I just sit next to you and I tell you

all kinds of wonderful stories right now.

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I plan to kind of a winter on

mighty icy shivery, winter,

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but it's coming out anyway.

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We talked about Minnesota

and Oh God, Toronto Montreal.

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When I lived in Odyssey.

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Parts of the world and, and it's,

it's, uh, it's winter is winter.

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And I thought today I paint a Venter

and I mean, winter that's just standing

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stir and there's no came down to lose

and lies right on the branches under the

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trees and everything is hanging down.

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You know, when the trees get all

the snow, the branches of us up like

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this, they're going down, down, down.

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And finally, when the song starts

heading, then all of a sudden the

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trees start shaking and shakes.

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The branches of the branch has

come up again and, Oh God, I

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wish it would be spring again.

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I visually would be spraying and

they tried to make up little stories.

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What you want, see winter and winter this

time, I really wants to make a vendor now.

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Let me do it on the head, this serious.

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What I do it, I know I try to avoid

mountains because I, I painted

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too many mountains because I lived

there and I think you always can

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leave the mountains out, but at

least one painting with mountain.

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Forget if you have no more and leave

them out and just make a little bit

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trees in the background you have it made.

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So there's no problem there.

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Okay.

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Then C divide, canvas.

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Every time I start, I

wish you would understand.

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I don't want to put that Vite on.

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It takes me so long and I'd rather talk to

you and, and, and then we can understand

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what we want to paint the, but I put magic

red on the canvas is vet is pitch vet.

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All of us, there is no such thing.

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Every painting I paint,

the canvas is always vet.

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That is my technique.

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And the art is what put the Vite on

the canvas and mixing the canvas.

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Like I do.

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That is my technique.

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And I sometimes feel there

are so many strangers.

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They come out now and they say,

Oh, I show you my technique.

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And I laugh.

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I did it for 25 years, you

know, show this technique.

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And I'm 14 years on TV.

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I wish they would say it would honor

me if they would say that's bill stay

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Nique because it is really my thing.

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I invented that and, but I put divide,

especially for this kind of landscapes.

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Okay, good.

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Now I cried on your shoulder.

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I shouldn't really, but maybe I

should have a little bit of glory.

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I know you would give me that then that's

something sometime you have to complete.

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Okay.

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A dry brush, a powerful

brush, the colors on the sky.

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Again, I literally Crimson bit of her

red with this time range of a raid.

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Look how they do more alizarin

Crimson this time, and then

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we will taste it or test it.

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Even bit more red.

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Think about frozen cheeks, frozen noses.

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It looks like red there's

blue noses, blue, red.

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And I tried to get that color in the sky.

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Uh, that's guys hanging down,

everything is hanging down there.

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Light, light, light strokes,

light strokes, light strokes.

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This prevent you do that best.

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But when you do that,

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How easy, the beautiful sky.

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And by this dancing in like that, sometime

it wants to have a very snowy mountain.

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Then I push a little bit more harder

than the background there that I give

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him a bitten with dogs bed because the

mountain would stand up a bit more.

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Can you understand this thinking all

the time, the year where you need dog

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is better, you add it or that the sea.

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And it will still be a deep sky.

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Good, good, good.

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See here I cleaned my brush.

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I need some doctor.

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Anyway, what I do, this is always,

I cleaned my brush because I

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need colors and it should be vet.

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Good.

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See there.

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And if I need water, I got water there.

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So make sure you have a dye brush.

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No, I will use my own mighty knife.

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And I will, I will put that

heavy, strong vitamin here.

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Yes.

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Nice.

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And, uh, I can lift up that parrot.

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That's the way to do it.

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And the touch of blue and red.

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More than the red this time and I mix it,

grab it or whatever you got there and see

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that it's a bit too light, bit more blue.

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Ain't got the blues.

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I got the blues.

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Okay.

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Bit more red.

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With more blue.

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They now I think I got it.

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Yeah, I got it.

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I got it.

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That's good.

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And it's just what I just need.

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Gotcha.

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I have a friend, Margie Harris.

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We went to mountain, uh, hanging

down there, have even done mountain.

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Away the species, whatever you,

I feel that's enough sky on top.

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It will be just perfect.

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Just perfect.

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now use your, a mighty big brush.

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Here's your mighty big brush

and JS brush it in like this.

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So then you fed it in

better than into do that.

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That's good.

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That's beautiful.

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You know, against that mountain.

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Then the Florida threes we will have,

we will have, uh, we will have, we

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will have, I use fresh and blue and

in Crimson and grab a little bit

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of this and see how that new there.

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And I really have on my

decree coming down there.

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But two blue, but two blue.

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Okay.

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I add a little bit of a

little Crimson to that.

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So that would be all right.

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That will be this perfect.

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So I wouldn't want it any more because

I want you to really pack snow.

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I want to have some trees you're.

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Now, when we think about the guy

was drunk, you know, he's standing

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like this and he's laying like

this and he's laying like this.

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He tried to make those threes all drunk.

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Poor little trees.

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Durong Oh, I got bad ID.

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Maybe sometime you should

get plastic, forget plastic.

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But you know, when I was young, I could

do that, the light coming from somewhere

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here and I packed this new one back.

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Cause I'm VN and there, I see that pain.

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How it breaks.

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Can you see the movements?

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Uh, uniform.

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Can you see, can you make a close up

how that breaks and cracks and, and

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that's, that's the way it should be.

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Here we go.

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Like this, I pack this new one

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back.

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That's no, on that mountain.

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Back up the whole inside of

there that's full of snow.

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Pull it just down.

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It's pull it down.

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pack that snow on here.

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Maybe we let us run here

up there and up there.

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Good here.

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You put a little bit, no Vite

on and a bit of blue Ru and

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invite too much the too much.

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Then put it over there

and start from scratch.

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When there's two blue.

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There's no good.

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Said that that would be more

like it that's more like it's, he

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didn't know I ever, I ever pushed

that snow on the back there.

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Is it kind of a bluish tune?

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E he does the blue actually

what they use for this here.

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That means the shadows I'd

have the snow, but the blue.

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That's beautiful.

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He is to that.

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Oh, that's nice.

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That's nice to here.

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Maybe you mix it in a little

bit with that blue there.

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That would be better.

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See?

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No, you, you, we talked

about snow, lots of snow.

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How about we pack a pack?

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See what I do.

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Look at my palate.

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You'll get the brush slewed.

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No, I, I just think, look, it's

all standing there as I was

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standing up there, up to here.

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See there again.

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Yeah, you can.

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That's good.

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Sometimes you make some up movements like

upstrokes, it makes, it creates little

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pig standing up like little trees far

by far by tree standing in the snow.

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See that little bit of movement

with the, uh, uh, uh, uh, but no,

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if the funny part is you need dark,

you need dark and all the shorter

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Trisha lights, there is no light.

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If you don't have dark, it's no light.

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If you don't have dark, I would say

that's just the snow fields, snow fields

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for my, if you want, you can come up

here with a little bit of that blue.

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The far right and into here.

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Yeah.

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See, it looks like that

tree standing there.

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Can you see it?

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Like little trees going up to her?

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Okay.

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Good.

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Good.

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Good, good.

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I have the docs.

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When you got dark, then you get the light.

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There's no problem.

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They are.

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But no, we would think, we would think

how about we build a tree there and

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that's having a big tree standing there.

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Fall of snow, every stars at my hair.

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see.

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I hang it down.

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Uh, hanging out Dawn.

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Let it all, hang down,

everything is hanging down.

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I use a bit more black.

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The, that the snow goes on top,

but you have to show a bit dark.

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You have to show the document.

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The inside the index is what

I used a little bit black.

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There did a black holes.

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You create that.

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And I get rid of the peaks of the

three because the, the heaviest has

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bended all down has bended are down.

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So let's power up some snow.

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The sunny side is on this side.

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I will, I will.

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I really, she was white on this aside.

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See how it is like Z botch.

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Watch this, the movement.

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I, I use the peak of my brush like

this and it gives me a benches.

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Can you see it?

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Branches are flying out this way.

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No, on the other side,

this is the sunny side.

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It has the sun inside.

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Make them a nice snowy crown.

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Nice snowy.

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More more wherever I can get light there.

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See, having that blue

down there makes it nice.

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But then on the other side, every view

is blue and white, blue and white.

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See here, blue and white.

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See.

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Okay.

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No, you've got the beautiful, you had the

shadow side and the sunny side of that.

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I'm married three years.

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Just the three stairs sleeping.

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Uh, stairs, winter, still

winter, still winter.

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And we ever think, I tell

you what I see sometime.

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And I bet you have seen our, that.

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I don't have to tell you that

even there's just a tree, the

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rest as a tree, as a tree there.

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the vendor has pushed that three down.

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It's just a hump of snow.

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All of a sudden, um, of snow let's

do it like that because let's really

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get it very, very dramatic this time.

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Uh, dry winters are, we was

to have the toughest winter.

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They, you know, the

three is lying like that.

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the, uh, when the has left this Mark,

same with animals sometime, but can

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you see how loose satisfied it is?

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That's what it is, what makes it so nice?

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All that lose that.

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If we never had that pain, that heavy,

strong paint, that thick paint, it wasn't

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a lifetime job for me to get that paint.

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Really.

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I wish you would understand that because

that pain we'll break we'll make branches.

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We'll make roads, but crack.

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This, this is my life, that paint

and the technique is my life.

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And I really have it now.

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I wish I would teach teaching is

so easy, you know, can you see

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how beautiful then you go on the

other side and have that blue CNO.

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You put that blue, just hanging on

that blue again, they on this side.

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Okay.

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00:16:45,365 --> 00:16:49,715

Isn't it wonderful how he

can, how he can make that.

257

00:16:50,819 --> 00:16:54,209

Oh, that poor little tree,

you know, I never had the guts

258

00:16:54,209 --> 00:16:55,589

to cut the Christmas tree.

259

00:16:56,895 --> 00:17:00,405

I live in a country, a loss of

Christmas trees ground there.

260

00:17:00,615 --> 00:17:04,775

What I do to Christmas, I dig

a tree out the height with the

261

00:17:04,775 --> 00:17:09,765

Rouge, put me in a big pot and put

the tree, all the ornaments on.

262

00:17:10,005 --> 00:17:13,785

And after Christmas I smile at

the two years and my son, we go

263

00:17:13,785 --> 00:17:15,315

back to the two mother earth.

264

00:17:15,525 --> 00:17:19,155

I put it back in the land

and I am so happy about that.

265

00:17:19,665 --> 00:17:22,335

I have not to gods to kill a tree.

266

00:17:22,935 --> 00:17:24,375

I talk to the trees.

267

00:17:25,274 --> 00:17:27,764

They wouldn't listen to me.

268

00:17:29,254 --> 00:17:30,095

Do they listen?

269

00:17:30,544 --> 00:17:31,985

I bet they're listen.

270

00:17:32,915 --> 00:17:33,995

I bet they listen.

271

00:17:34,625 --> 00:17:35,284

Okay.

272

00:17:35,824 --> 00:17:40,475

The, this kind of vendors, I, I get

sometimes too excited about doing those

273

00:17:40,475 --> 00:17:42,814

kind of not having that hung there.

274

00:17:43,054 --> 00:17:45,725

They would be nice to nice.

275

00:17:45,935 --> 00:17:48,995

The, what I want to show

here, make it very dramatic.

276

00:17:49,475 --> 00:17:53,314

There's a kind of a water coming out

and that three gave me the shadow there.

277

00:17:54,479 --> 00:17:57,449

And then I make water out of that there.

278

00:18:00,469 --> 00:18:00,679

Yes.

279

00:18:01,739 --> 00:18:06,530

Little bought run off and,

and that's what, that's what

280

00:18:07,600 --> 00:18:09,889

the, you know, here, here.

281

00:18:29,660 --> 00:18:35,180

see now on this side and this side of

that Creek that gets altogether there,

282

00:18:36,050 --> 00:18:38,750

C and this side, you put the blues.

283

00:18:39,629 --> 00:18:46,379

So then you have, you have, uh, the,

the blues on the blues, on the snow.

284

00:18:46,950 --> 00:18:49,439

That's the shadowed draws a shadow there.

285

00:18:50,100 --> 00:18:51,300

This three draws a shadow.

286

00:18:51,300 --> 00:18:52,740

No, that's not the shadow.

287

00:18:53,040 --> 00:18:55,439

I showed you how you should not do it.

288

00:18:55,870 --> 00:19:04,080

It has a shadow, right from that tree

going in the back there makes it a nice,

289

00:19:04,080 --> 00:19:07,379

happy little winter, happy little winter.

290

00:19:08,385 --> 00:19:13,835

They, and then you could use the knife.

291

00:19:13,865 --> 00:19:14,855

If you want to.

292

00:19:16,085 --> 00:19:19,895

Maybe if we use a knife here, become

just, I was, I was just snowing here and,

293

00:19:20,155 --> 00:19:23,314

and pilasters up there into the water.

294

00:19:24,455 --> 00:19:24,935

Hey,

295

00:19:30,845 --> 00:19:33,004

see, there's in the shadows

that just get darker.

296

00:19:33,635 --> 00:19:34,804

Let's get darker.

297

00:19:36,480 --> 00:19:40,380

It has a darker, it will be

we'll use the knife that makes

298

00:19:40,380 --> 00:19:42,810

it better, better snow hair.

299

00:20:09,980 --> 00:20:14,120

he, can you see our daddy

record record of the land there?

300

00:20:15,470 --> 00:20:21,380

The here, maybe the B Corp over

to right into the Creek corridor.

301

00:20:21,380 --> 00:20:23,660

It's right into our mighty Creek.

302

00:20:29,600 --> 00:20:29,990

Good.

303

00:20:30,140 --> 00:20:30,470

Good.

304

00:20:30,590 --> 00:20:31,370

Good, good.

305

00:20:31,790 --> 00:20:33,860

No, let's see how we work that out.

306

00:20:34,490 --> 00:20:36,110

That has to be done, right?

307

00:20:36,410 --> 00:20:40,110

That has to be done the right, eh, eh,

308

00:20:47,030 --> 00:20:47,660

watch this.

309

00:20:53,585 --> 00:20:54,965

See what I create here.

310

00:20:56,015 --> 00:20:58,835

I create kind of a water enough.

311

00:20:59,735 --> 00:21:01,685

They pulled the paint around the best.

312

00:21:08,375 --> 00:21:10,595

D N the knife.

313

00:21:12,000 --> 00:21:13,350

And you can say it is nice.

314

00:21:13,350 --> 00:21:14,190

That's beautiful.

315

00:21:14,460 --> 00:21:19,380

Then, then you, you, you, you,

you, you come out like this

316

00:21:23,360 --> 00:21:24,800

again on the shadow side.

317

00:21:25,280 --> 00:21:30,890

See, but then watch, watch, watch

what happened now here on the hair

318

00:21:30,920 --> 00:21:35,060

again, there is what is new pack?

319

00:21:35,990 --> 00:21:37,100

Snow pack back.

320

00:21:38,120 --> 00:21:38,930

No was back.

321

00:21:39,480 --> 00:21:40,780

And it was down.

322

00:21:40,800 --> 00:21:46,200

This was down in the shadow, the

own business shadow there and down.

323

00:21:46,230 --> 00:21:47,430

There's a shadow there.

324

00:21:47,760 --> 00:21:50,100

See, there's a shadow there.

325

00:21:55,490 --> 00:21:56,540

Um,

326

00:22:06,155 --> 00:22:10,505

I liked that kind of a

good deep D vendor there.

327

00:22:10,515 --> 00:22:16,685

You can put animals and, you know,

uh, lived in Montreal, live in

328

00:22:16,685 --> 00:22:23,465

Toronto, you know, and the car

displays was really Montreal and.

329

00:22:24,540 --> 00:22:26,820

The squirts would be all underneath.

330

00:22:26,820 --> 00:22:31,409

They had all kinds of, it runs underneath.

331

00:22:31,409 --> 00:22:35,639

They came from some of them under the

snow up there was hiding all the time

332

00:22:35,639 --> 00:22:40,980

under the snow as we needed something

to watch us beautiful animals.

333

00:22:41,340 --> 00:22:47,639

So here we were, we were, we were firing,

we were firing the other three again.

334

00:22:48,330 --> 00:22:51,510

All the tree again here, maybe.

335

00:22:51,810 --> 00:22:57,630

And that tree is laneing lane

name, landing the vendor.

336

00:22:57,630 --> 00:22:59,760

The vendor has really given that poetry.

337

00:23:00,290 --> 00:23:00,770

Uh,

338

00:23:04,010 --> 00:23:05,150

Hey Laney,

339

00:23:10,700 --> 00:23:15,710

that one says tire tire pro three.

340

00:23:16,335 --> 00:23:22,095

It's tired, standing there, maybe a little

wander and we have already the paint on

341

00:23:22,425 --> 00:23:23,955

the little one that's happening here.

342

00:23:24,540 --> 00:23:29,639

It's bending around to usually always

have one side band because the vent

343

00:23:29,670 --> 00:23:34,020

depends on what the wind vein comes from.

344

00:23:34,379 --> 00:23:38,100

There's obviously certain vent, but

it's the PA is a powerful event in

345

00:23:38,100 --> 00:23:45,290

every tree and every, every country,

this are there any here, we have

346

00:23:45,290 --> 00:23:48,050

a little bit of buildup on three.

347

00:23:49,375 --> 00:23:52,004

See and now make it beautiful.

348

00:23:52,035 --> 00:23:58,185

Three other them with blue

on this side, you got blue.

349

00:23:58,185 --> 00:23:59,835

How nice that works there.

350

00:24:01,065 --> 00:24:01,455

You got that.

351

00:24:01,455 --> 00:24:05,655

Blue would have it on the brush by

not just putting it on there too.

352

00:24:06,725 --> 00:24:07,115

Hey,

353

00:24:10,145 --> 00:24:13,625

um, the shadow side from the shadow side.

354

00:24:16,605 --> 00:24:17,235

I need more.

355

00:24:17,235 --> 00:24:17,625

Right?

356

00:24:17,655 --> 00:24:19,605

All of a sudden on my pallets.

357

00:24:21,275 --> 00:24:21,605

Hm.

358

00:24:22,685 --> 00:24:24,545

I hit her on the canvas.

359

00:24:24,605 --> 00:24:26,315

Could someone bring me some right.

360

00:24:29,135 --> 00:24:31,625

But no one is listening to me.

361

00:24:36,275 --> 00:24:39,095

You know, sometimes we go run

out I'd paint and I should always

362

00:24:39,095 --> 00:24:42,005

prepare myself, have more, have more.

363

00:24:42,675 --> 00:24:43,095

Okay.

364

00:24:43,095 --> 00:24:44,325

Is there some invite left?

365

00:24:44,685 --> 00:24:45,405

Thank you.

366

00:24:46,665 --> 00:24:47,805

See, there you are.

367

00:24:47,805 --> 00:24:49,845

We have all this good friends around us.

368

00:24:50,145 --> 00:24:51,135

Thank you, my friend.

369

00:24:53,175 --> 00:24:57,285

No, we will highlight the sunny side.

370

00:24:57,705 --> 00:25:00,525

I will new in the use of new brush.

371

00:25:01,845 --> 00:25:04,485

Don't have to sit if you lift time.

372

00:25:04,605 --> 00:25:04,665

Yeah.

373

00:25:04,745 --> 00:25:08,945

But you see what, what I want to show

you having that tick Dick paint, put

374

00:25:08,975 --> 00:25:11,195

lots of, lots of paint on the brush.

375

00:25:11,435 --> 00:25:12,395

Then we get this.

376

00:25:12,395 --> 00:25:13,655

What I show you here.

377

00:25:14,195 --> 00:25:14,585

See?

378

00:25:15,845 --> 00:25:18,875

And I tell you, this

is not only for trees.

379

00:25:19,235 --> 00:25:20,705

When I paint lilacs.

380

00:25:20,735 --> 00:25:26,075

When I paint certain tree flowers, you

won't believe what I get out of this kind

381

00:25:26,075 --> 00:25:29,495

of movements with a heavy, thick paint.

382

00:25:32,340 --> 00:25:33,060

let it bend.

383

00:25:33,060 --> 00:25:33,930

Just hang down.

384

00:25:39,800 --> 00:25:40,580

That's beautiful.

385

00:25:41,240 --> 00:25:43,129

That is a happy winter there.

386

00:25:43,129 --> 00:25:47,360

I tell you, but it's wonderful if

it is not so fresh and you walk to

387

00:25:47,360 --> 00:25:51,050

those forest, it is absolutely a joy.

388

00:25:51,080 --> 00:25:53,440

It is really a joy to, to.

389

00:25:58,705 --> 00:26:00,795

See see what I do there.

390

00:26:01,005 --> 00:26:02,235

That's a bit in front.

391

00:26:03,705 --> 00:26:04,125

Good.

392

00:26:04,935 --> 00:26:09,555

Dan here again are less

powerful right against the dark.

393

00:26:09,855 --> 00:26:10,965

Bring it out there.

394

00:26:11,715 --> 00:26:16,965

Put in this one over

to the, and here, here

395

00:26:23,585 --> 00:26:25,145

Oh, I liked that.

396

00:26:25,805 --> 00:26:26,705

The happy.

397

00:26:27,315 --> 00:26:28,995

Happy winter there.

398

00:26:29,925 --> 00:26:31,775

Now get that snow.

399

00:26:32,165 --> 00:26:37,085

No, make sure you have the snow

bending down there, bending down there.

400

00:26:37,175 --> 00:26:37,625

I see.

401

00:26:38,675 --> 00:26:45,605

And, and, uh, then in between, in

between, you see you put the vide

402

00:26:45,625 --> 00:26:51,005

on there where the sun is and let

that just disappear in the blue.

403

00:26:51,545 --> 00:26:54,665

And then, and then sometimes you

put the whole bridge together.

404

00:26:54,695 --> 00:26:55,835

All of a sudden there is a.

405

00:26:56,145 --> 00:26:59,955

Bridge the winter has

put that together there.

406

00:27:00,514 --> 00:27:03,395

You see, and that's happened.

407

00:27:03,905 --> 00:27:05,225

Just happen very often.

408

00:27:05,615 --> 00:27:09,125

The idea would like to show you

that because you see it sometime,

409

00:27:09,754 --> 00:27:13,264

he just gives you that extra

little bit, that extra little bit.

410

00:27:16,275 --> 00:27:17,715

See there you are.

411

00:27:18,105 --> 00:27:18,435

No.

412

00:27:18,435 --> 00:27:20,055

What you say about that?

413

00:27:20,055 --> 00:27:24,435

Nice to go to that winter Wonderland

and have that little bit of

414

00:27:24,945 --> 00:27:26,625

reflection in the water there.

415

00:27:26,895 --> 00:27:29,355

That gives you a beautiful,

beautiful window.

416

00:27:30,285 --> 00:27:31,155

You enjoyed it.

417

00:27:31,635 --> 00:27:33,165

Did you freeze shiver?

418

00:27:34,005 --> 00:27:34,845

Thank you for watching.

419

00:27:35,115 --> 00:27:35,265

Bye.

420

00:27:35,265 --> 00:27:35,535

Bye

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Wind River Range - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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