Sunday, December 13, 2020

S06E03 Lower Falls I - AVAILABLE

Bill Alexander's
The Magic of Oil Painting



Season 6, Episode 3, Lower Falls I - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

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What can I show you?


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I try to use a black canvas as much

as I can, because we didn't do too


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much on the black canvas and the black

canvas can be a joy to do things.


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So in my mind, very simple, I

would go a little bit lower than


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the middle and have a waterfall.


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And just some green coming.


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I powered into the middle of the trees in

the back and, and big boarders of stones


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and the water comes down and runs off.


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But on the black have tons of many

water fuckers already, but I think on


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the black canvas and it's really giving

you a new ID, but Farrin, I put that


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your honor again.


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That's clear that call it

clear that makes it even black.


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It's not nice now.


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I hope you, there are always some

newcomers they're there they come in and


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I have to say it over and over again.


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The canvas is prepared, but, but latex,

uh, black latex, make sure it's not shiny.


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It is dollar.


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And let it dry.


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It got to be dry.


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And then you just dry so fast.


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And then you just fire in like this SI


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that mixes it's like magic

ideas to have it like magic.


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Right.


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And it wouldn't look good if I put invite

and then a cover up the whole thing.


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So I need that plaque.


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I need that.


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Like, I need that or

mighty black good bread.


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It's quite nice like this.


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And they already have, I have decided

what we will do and use it down and


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enjoy his surf and helped me dreaming.


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Become the greatest artist ever lived.


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Dang vague here, mighty pilot.


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And I thought it transparent's paid.


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I didn't wash my brush.


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I left it all like this.


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I will use SAP green SAP.


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Green is transparence

and I filed it on top.


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There.


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The, it makes it nice and dark.


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And when I touch it with the

gal or Vite, it, it varies.


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Show the colors.


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See, dang Arvis on a black canvas.


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Start off with the transparent colors,

not the color, but this opaque, you know,


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the different between transparent and pig.


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And then we are our friends yeah.


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Are in good, good shape and keep

your mood and your spirit high up.


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So.


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The top, because I planned the top.


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There will be trees, dead

trees standing there.


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Can you see them?


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I see it in my mind.


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There are three standing there.


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No on the bottom, I would

have washed the brush.


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I will use Prussian blue and

present blue is transparency to E


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fresh and blue.


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If I try to do it, take it off here.


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And you friends in there,

you can see hardly nothing.


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But now I know there's blue on.


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And when I attach it with the

other color, if I use on this


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Gallo, I have a green water fights.


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So I have to avoid that.


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If you try, it tries to paint like that.


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You have to really know

first what paint do.


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See you don't see nothing, but I know

on top of the screen, SAP green, and


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every show you, I will show you right.


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Is every week.


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Talk so much rather show it.


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And then, you know, every show

you're wrong on the right.


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If I use the, if I use gala, now

take some gala in the green up there.


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Z.


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Beautiful.


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See, I wants to have it.


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There's a kind of all

kinds of girls there.


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That's beautiful.


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And let it get darker underneath

there, but can you imagine


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I go over that same yellow.


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Every wash.


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See this green on already.


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I go with the same yellow now

into the blue you Mustang.


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Now that is blue.


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That's not black because

the black is in the back.


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I ever used the yellow here

and I just go on the side here


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because either they get green.


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So avoid that.


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I just want you.


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It takes a ride.


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As long as you're paying us more,

you'll have made your mistakes.


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See, I only learned from mistakes

as the more mistakes you make.


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As Morgan said, I really not do it again.


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There is no teacher, a really can

I just bombed you blue and green.


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See here, here's this guy.


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Good.


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Here's what I need green,

because it's automatically there


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because they put transparency.


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that's good.


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The no watch, but if I put a Vite

on here, he ever used a bit to


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Vite Dave, how that looks blue.


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No, we got this, but then I

want water can look bluesy.


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That was a very deep blue.


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Can you see that as you're

playing this game there?


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That's what I, I am very excited about

the black canvas, because I know if I


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wish I could explain it to goodness, you.


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Don't make those mistakes, but try

to see a yellow and blue turns, green


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D and I, now here's yellow or green.


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That's green, green, and gala.


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That's most that's no

problem, but a blue and white.


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That's fine.


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That's a nice water color.


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Okay, good.


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No, we can fire him.


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Yes.


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Uh, I have to wash that off.


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I have to wash it off.


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They don't want to leave that on.


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That doesn't matter.


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I ever get rid of that


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water.


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That's good.


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No problem.


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Good.


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So we very rarely get that green on there.


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First, he had a low, and if I want, if I

want more light, I use the Tetro fight in


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it, watch this, see, then go get that C

and I have in my mind to have some green,


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some trees, there's some trees they're

there and they are not they're there.


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They come out and I

like to have it all in.


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And over that you think

it's just green trees.


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You look into the villainous there.


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And then what I do know, I just

conditioned that canvas and admitted here.


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It should be there.


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The light is there should be

delight just around there.


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Yeah.


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And then let us go dogs or a

dog  on the Dutch course, then


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that green was in, I guess, the

darker green and eh, That was good.


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And then let it disappear there.


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Then underneath the, before we had that,

bought the files before we had that


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void that now you got to see finishing

your mind, and I have no problem.


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It takes a lifetime, but, uh, you start

off where I end up and that is easy.


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See you, you are in good shape.


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Actually.


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I wish someone, I wish someone

had shown me that, but I know no.


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See it takes really.


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Long time to, to get that going.


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Right.


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You know, I just do that in like,

you would think dark and light


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talking, light talking light.


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And I tried to, uh, you

know, when you see this.


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Tried to get the punch in.


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And the punches this here in the

middle of the light comes really


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where the light comes from.


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You've worked with light.


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You create that light.


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You are next to God, you

know, next to the creator.


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And God said to you, I give you all the

power Crick, a crate lead the light.


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And I lead it on my team right.


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In one spot.


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And, and, you know, and we

start vibrating over there.


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He is not wonderful.


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Use it.


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That's why use it.


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That's why.


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And then here darker, darker, but

there, instead of branches, see, you


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could do it like this branches hanging

in there and out, but that would


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have been later on able to do that.


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I the data on first, I wanted to

condition that I know I can see what


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maybe the stems coming up there too.


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And so that's fine.


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Maybe a bit more, bit more

light and a bit more fight.


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You see how I do that here?


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There's white and yellow, and then you

try to give your, your that's the same


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in a lot of the paintings you create.


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A power coroner, you know, like I, we

call it the fist, you know, you, you


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you've done it in there and then let it

go light, darker, darker, darker, darker.


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You can punch it up here again here again.


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See, now I will, I will, I will use

my, my hypnotize, the whole thing.


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He, that, that gives you that gives you.


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Kind of a glue there, all of a

sudden start all going through my,


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okay.


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Yeah.


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Then you can work on top of that

again, the details, if you want.


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Phoebe.


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We have kind of a power there.


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No, if you want.


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No, you can.


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You can watch.


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I wear, use clear.


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You can use a clear, clear you it then

down that white and yellow with that


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clear, clear, and you create branches.


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There they come out here.


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Yeah.


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Yeah.


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About leave, leave dark in between.


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Can you see, can you see now the

advantage is coming out there.


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If you fire  coming far West


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that's nice.


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That's why I, uh, hypnotize

it and that makes it deep.


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And that comes in front all

of a sudden, and then you


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really get the power coming up.


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And if you want to be, we'll see later on.


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But in the meantime I ever, uh,

dreaming in my, my waterline


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and I had a knife somewhere.


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There is.


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I ever used some bright ever used some.


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I lived in Crimson, some passion, blue,

some black, and I create a kind of a dark.


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I want you to have it very

dark, dark, bit more Vite.


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The something, watch this.


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Kind of, uh, it it's there

and it's not too hard on you.


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The, and I will, I will think there vote.


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The line is here.


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I give him, I have a distance

there because there'll be something


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to trunk standing there, but

then here, here he is there.


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There's not there.


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I don't know if you can see it.


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He is, you know, it does art Mazda

piece is when you see this art


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paintings, this they're selling for

thousands and thousands of dollars.


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Can you see, I don't know if

the camera can pick it up.


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Good.


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Did the test beautiful detail?


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And I would get the voter coming soon

over there that they had some other lifts


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and, and see that against the dog, maybe

here in the middle, we leave it all pen.


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And here I find in the other,


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I wish the camera would pick it up.


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see, there's just details.


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They're very, very dark and crowded

and there will be some top green,


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very vibrant on top, but this

is there's this just beautiful.


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the, and you know, that heavy, heavy,

heavy, thick paint as they get at


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paint comes as easy as it breaks.


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He all does live with us.


228

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These days is, is, is, uh, could

you make a close up shot on that?


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Is it possible?


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Am on this kid?


231

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The camera will not pick it up.


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The, the, the details are the details.


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This, she has beautiful, beautiful there.


234

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She was into too young

for the board, this idea.


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And that's it.


236

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That's it?


237

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No.


238

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See the, the, that breaks.


239

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Nice.


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It gives you all the details is one

of them it stroke and it's wonderful.


241

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One.


242

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There was no, yet we very . I

will use a fan brush.


243

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It's got the fan brush here.


244

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I'm going to have to get the clean canvas.


245

00:15:06,155 --> 00:15:10,565

Totally see, you know, watch, I use

a little bit to the right there.


246

00:15:12,335 --> 00:15:13,115

take a right.


247

00:15:13,625 --> 00:15:17,285

And I flattened it out on my fan brush.


248

00:15:17,760 --> 00:15:19,350

Flattened it out on my family.


249

00:15:19,350 --> 00:15:21,300

See how I do it, flatten it out.


250

00:15:21,300 --> 00:15:23,100

Nice hair.


251

00:15:23,490 --> 00:15:26,830

And then say the water,

the water's coming.


252

00:15:26,850 --> 00:15:30,330

Just slipped me off that, off that.


253

00:15:34,110 --> 00:15:36,240

I think that should pick it up quite nice.


254

00:15:39,555 --> 00:15:46,335

E again, take the top off and pick up

new paint and no, we really need to


255

00:15:46,335 --> 00:15:49,455

be saying it just running down there.


256

00:15:56,075 --> 00:15:56,165

Okay.


257

00:15:56,915 --> 00:15:59,525

Take it off and use new paint.


258

00:16:00,125 --> 00:16:01,445

Nice and flat.


259

00:16:01,925 --> 00:16:05,525

And I ever say here we

were, we were think.


260

00:16:10,070 --> 00:16:12,680

that's what show I am sure

that we're showing the camera


261

00:16:18,560 --> 00:16:22,730

so, you know, you can create,

you can create your own.


262

00:16:23,570 --> 00:16:28,270

I would say dyad is the border come

y'all with them going down the.


263

00:16:30,900 --> 00:16:32,760

Can you see how nice that works?


264

00:16:33,240 --> 00:16:37,770

That black canvas can give you

so much power, so much power.


265

00:16:38,040 --> 00:16:45,180

And maybe here we let the fuzzy long and

here and here and here a bit more power


266

00:16:48,060 --> 00:16:51,329

and maybe here we have it coming that dry.


267

00:16:58,220 --> 00:16:59,300

He'd be like this.


268

00:17:00,120 --> 00:17:05,190

Then his arms, I was at

dog as beautiful feet.


269

00:17:05,310 --> 00:17:08,220

And Dan, you Frere in

there all of a sudden


270

00:17:15,599 --> 00:17:16,890

see how would that does?


271

00:17:17,400 --> 00:17:17,609

No.


272

00:17:17,609 --> 00:17:20,400

By having that blue on,

can you see what happened?


273

00:17:21,089 --> 00:17:21,750

Z?


274

00:17:21,869 --> 00:17:23,310

I am a Fox.


275

00:17:24,089 --> 00:17:26,790

See, there are a lot of us on that.


276

00:17:26,790 --> 00:17:28,290

Blue starts working for me.


277

00:17:38,990 --> 00:17:41,060

no, we really, really well.


278

00:17:41,510 --> 00:17:42,830

I get all excited.


279

00:17:43,399 --> 00:17:45,770

That is nice to know nicer.


280

00:17:47,449 --> 00:17:52,669

You know, you plan, you have to plan

it always nice with, with before


281

00:17:52,669 --> 00:17:56,510

you start and now we will highlight.


282

00:18:02,025 --> 00:18:03,255

Maybe here it is, but


283

00:18:09,555 --> 00:18:12,495

it's nice if you have

those dark, dark, eh,


284

00:18:18,315 --> 00:18:18,615

maybe.


285

00:18:18,695 --> 00:18:18,865

Yeah.


286

00:18:18,885 --> 00:18:24,335

Just like you see, by having that

blue, it gives me that blue, blue.


287

00:18:28,680 --> 00:18:36,660

Blue student bought that that's boiling,

they're running off and it's more, you're


288

00:18:36,660 --> 00:18:39,030

attached as more, just steer up that blue.


289

00:18:39,570 --> 00:18:40,710

And that makes it nice.


290

00:18:41,490 --> 00:18:50,070

You know, you, you, you, you, you, you

can use yellow and attach with green and


291

00:18:50,070 --> 00:19:01,335

you can think on top of this, uh, That's

that stones see there's Moss fee and


292

00:19:01,335 --> 00:19:05,775

as London, and then you can bet it up.


293

00:19:06,615 --> 00:19:11,325

So does she get that that's

feeling you can even run in here?


294

00:19:12,165 --> 00:19:16,425

The, you can split it up there


295

00:19:19,995 --> 00:19:21,045

and again,


296

00:19:26,600 --> 00:19:27,500

Oh, I love it.


297

00:19:27,949 --> 00:19:31,580

That's nice to cut it down as you feel.


298

00:19:31,909 --> 00:19:35,540

That's the stone and the Moss and

the grass, whatever it's grown on


299

00:19:35,540 --> 00:19:40,939

top and you got your waterfalls and

the deep, deep dogs, just beautiful


300

00:19:41,629 --> 00:19:48,979

there's beauty for, they know we

can do the same thing on this side.


301

00:19:50,175 --> 00:19:51,285

See look how I do it.


302

00:19:51,435 --> 00:19:52,485

Can we see the brush?


303

00:19:53,205 --> 00:19:56,265

Try to break your fan brush, look at that.


304

00:19:56,925 --> 00:20:04,875

And you see you touch it that I'm

vigilant little bit and say E like that.


305

00:20:05,025 --> 00:20:05,535

Okay.


306

00:20:06,645 --> 00:20:10,745

It's see, because that gives you

already that grass spit it up there.


307

00:20:13,655 --> 00:20:14,975

Good, good, good.


308

00:20:15,335 --> 00:20:17,945

You don't have to say, you can say E.


309

00:20:20,670 --> 00:20:25,550

what's wrong with that, but have fun.


310

00:20:25,850 --> 00:20:27,680

Enjoy serve.


311

00:20:28,100 --> 00:20:29,139

Enjoy.


312

00:20:31,910 --> 00:20:32,360

Oh gosh.


313

00:20:32,360 --> 00:20:35,710

I hope I can show you all

kinds of, I really did.


314

00:20:36,440 --> 00:20:40,940

I always think the showers there in

my last house now, and I would love to


315

00:20:41,149 --> 00:20:46,370

leave with such a powerful impression

that you see what can be done.


316

00:20:46,890 --> 00:20:51,480

And it's just fantastic, but, but, but

I do something with the black canvas.


317

00:20:51,750 --> 00:20:53,430

It just gives such a power.


318

00:20:56,630 --> 00:20:57,200

Okay.


319

00:20:57,380 --> 00:21:05,870

So if we were to go on no comes to point,

no comes to that point up here better.


320

00:21:05,870 --> 00:21:07,850

The little bit of Reggie's like this.


321

00:21:08,270 --> 00:21:09,920

See you March in your what's.


322

00:21:09,920 --> 00:21:15,800

The other thing that stolen separates,

and maybe he hit and then he bit me.


323

00:21:16,245 --> 00:21:16,515

Yes.


324

00:21:16,515 --> 00:21:16,785

Thanks.


325

00:21:16,795 --> 00:21:17,055

Yes.


326

00:21:19,685 --> 00:21:20,885

That's up to your tastes.


327

00:21:20,885 --> 00:21:24,215

No, whatever you want,

you can make more, less.


328

00:21:24,665 --> 00:21:28,145

Usually when I started off,

I always make too much.


329

00:21:28,385 --> 00:21:33,635

And then I lose that dark feeling

that that's the test to be there.


330

00:21:33,875 --> 00:21:35,075

You just cannot lose it.


331

00:21:36,185 --> 00:21:41,795

So what do I hear a little bit

here, a bit here, a little bit.


332

00:21:42,305 --> 00:21:45,405

You always must think in the, in

between it's always grass grown.


333

00:21:45,825 --> 00:21:47,025

No Veeva.


334

00:21:47,085 --> 00:21:53,205

We were, we were using a little

brush, the leaden brush, the


335

00:21:53,205 --> 00:21:57,735

liner brush and that greens.


336

00:21:57,735 --> 00:21:59,415

Yeah, cut it off here.


337

00:22:00,255 --> 00:22:03,285

And we will create, uh, uh,


338

00:22:08,735 --> 00:22:09,095

SI.


339

00:22:11,445 --> 00:22:14,504

Creates a little bit of stamp stare


340

00:22:19,805 --> 00:22:23,014

either by the few ones.


341

00:22:33,575 --> 00:22:34,325

makes it nice.


342

00:22:37,710 --> 00:22:46,260

And, but more maybe here as you can have

a bit of a, they get three there sometime


343

00:22:46,270 --> 00:22:49,170

you get double it, a power like this


344

00:22:53,070 --> 00:22:56,850

dry, dry brush does a good, good job.


345

00:23:06,245 --> 00:23:11,975

so, so, so, so, so, so, so, and then

me on this site, you can have one desk


346

00:23:11,995 --> 00:23:15,935

coming in like this and let it hang over.


347

00:23:23,195 --> 00:23:26,105

tea makes it are nice.


348

00:23:26,105 --> 00:23:26,375

And.


349

00:23:27,540 --> 00:23:28,740

Maybe hear one.


350

00:23:31,640 --> 00:23:34,760

So as, as many as you want, that's it?


351

00:23:35,120 --> 00:23:45,500

That is it C and D you, you, you

find your little thrush and yellow


352

00:23:45,770 --> 00:23:49,160

and white, yellow, and right.


353

00:23:49,820 --> 00:23:54,710

And you can add a little bit of C.


354

00:23:57,360 --> 00:24:00,510

Like benches in front, then


355

00:24:04,980 --> 00:24:13,560

maybe here there's a bit more, the

there's a bit more, an art of a sudden


356

00:24:13,560 --> 00:24:22,920

it grows and grows and grows to a point

where you start smiling and you're happy.


357

00:24:28,410 --> 00:24:35,010

Maybe I should explain it again

before we I'd have to show up


358

00:24:36,660 --> 00:24:42,820

at BB wise, because it's a bit

difficult sometime to understand.


359

00:24:47,690 --> 00:24:52,370

So how about I repeat the whole

thing before I say goodbye to you?


360

00:24:52,800 --> 00:24:55,650

If you really understand

it is a black canvas.


361

00:24:55,650 --> 00:25:08,540

Again, latex black latex painted black

leather dry, and then you planned it.


362

00:25:08,690 --> 00:25:09,020

No.


363

00:25:09,170 --> 00:25:12,760

If I want to sunset, I

should do the next attribute.


364

00:25:12,780 --> 00:25:13,520

Sunset.


365

00:25:13,670 --> 00:25:19,700

I would put a lizard in Crimson up

there in this case I wanted three stare.


366

00:25:19,910 --> 00:25:20,870

So what I did.


367

00:25:21,915 --> 00:25:29,375

I use SAP green because trees are

green plan, head on a black canvas is


368

00:25:29,425 --> 00:25:34,875

other planning to do before you start

in this case, that would be green.


369

00:25:35,055 --> 00:25:37,905

And that I put that green is transparent.


370

00:25:38,115 --> 00:25:42,405

He was always a transparent color

and they put it on half of it.


371

00:25:42,645 --> 00:25:43,065

The top.


372

00:25:43,770 --> 00:25:48,840

And the other half did put blue

on passion blue and that made


373

00:25:48,840 --> 00:25:51,120

it, that made it by the desert.


374

00:25:51,120 --> 00:25:51,659

I know.


375

00:25:52,310 --> 00:25:52,610

Hm.


376

00:26:00,050 --> 00:26:04,820

And then naturally by attaching

it Revit, it is what you see here.


377

00:26:04,850 --> 00:26:07,100

You see now ever stare up the blue.


378

00:26:07,699 --> 00:26:09,830

I will steer up that

blue a little bit more.


379

00:26:10,485 --> 00:26:12,254

And then you see what happened.


380

00:26:12,555 --> 00:26:16,815

I hope you understand

what I wants to show you.


381

00:26:17,445 --> 00:26:20,835

So it will be, we'll just finish

up here to the bit on the side.


382

00:26:21,345 --> 00:26:25,605

That's the easy Z that

this does appear like this.


383

00:26:26,105 --> 00:26:30,754

If you wanted more blue than just

work in busy, the blue comes up.


384

00:26:31,295 --> 00:26:32,675

It's already all there.


385

00:26:33,629 --> 00:26:33,870

Yeah.


386

00:26:33,870 --> 00:26:38,220

And then, then, and if you really

wants to give them that almighty


387

00:26:38,310 --> 00:26:42,000

power, that's a mighty hit in

the center, just fire in there.


388

00:26:42,000 --> 00:26:43,470

And that is the brightest.


389

00:26:43,500 --> 00:26:45,540

And, and then go from there.


390

00:26:46,230 --> 00:26:46,560

Good.


391

00:26:47,610 --> 00:26:48,179

Is it good?


392

00:26:49,169 --> 00:26:51,870

It was different and

I hope you enjoyed it.


393

00:26:52,620 --> 00:26:53,790

Thank you for watching me.


394

00:26:54,209 --> 00:26:54,780

Bye bye.


End .srt file.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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