Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 3, Autumn Dreams - AVAILABLE
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The bill on Xander show is brought
to you by Alexander art, create
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beautiful oil paintings faster and
easier than you ever thought possible.
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Even if you've never picked
up a paint brush in your life,
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Alexander art, you can paint.
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We promise Alexander art.com.
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Pharmacy is seen in my mind,
an obvious you have some songs.
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You know, and some ideas and the buy,
the farm is gone and what is going
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on there and what time of the year.
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And I thought I painted maybe an
autumn time and the leaves on the
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road and a happy little road going by
and the couple of farm houses there.
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And, and so, so in that direction
first, like ever say to you, you
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have to have it ready in your
mind, then there's no problem.
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Fire.
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Right.
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Our mighty Candace, uh,
already started the magic bite.
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I went out to run the cameras.
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I thought before they are
ready, I'm already gone.
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And everyone's that.
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Okay, let's go fire off.
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No mercy.
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There we are.
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Again, don't put too much magic right on.
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And I like to say it over and over because
on all my classes, the main headache
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I was was to vet the brushes obvious,
too bad to clean that brush is always
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a headache, especially for your goats.
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I love the girls, but problem is they
should have more bump on their hands
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to get rid of that paint dinner.
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That's why we invented that you
have to shake it up somewhere
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and when you paint, you cannot
just spend time to get that off.
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And so I have that as in my technique
is always you knock it off you rough.
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And I know when we can do it too good.
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So make sure you shake
it off or knock it off.
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And, and this is the best way for
me to get rid of that paint dinner
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by having a little post, the end
that that's, that's quite dry.
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You couldn't do it with the Victoria.
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So again, happy blue.
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This time, the happy blue sky on the farm.
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And the farm happy.
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This guy,
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blue, red, and blue.
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You got the blues.
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I got the blues.
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The against the blue.
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I wants to pull it even down
a bit more against the blue.
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The colors are sometime nice,
even if I lose a little bit of
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perspective, but in order to get
perspective, I show you what I do.
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I will use my knife in this
case, and I will cut in kind
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of a floating cloud there.
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Yeah, doesn't matter, you know, clouds,
they come, you see them in all kinds
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of shapes and forms gone off to yonder.
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Okay, leave it like that.
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It's still a nice cloud.
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And if you want now clean your brush,
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your mighty breath, make sure you
have a clean brush and you can just
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put a little bit vent into that.
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But you see it's nice and dry.
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Now out of that, we will fire in the very,
very far and kind of a little mountain
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again, I put over here, some white,
some black, some passionate blue, some.
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Alizarin Crimson deer.
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The mountain called us.
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Actually, you can have it lighter.
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You can have a dock or you
can have it more in gray.
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You can have it, whatever you want in
this case is a bit too dark already.
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I would ask for a bit more red and there
are lives in Crimson and it touched you.
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Right.
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Makes it like Marber.
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Can you see how I guess together?
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Good.
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That's I think that's
what I want you done.
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You're hanging on there.
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What type of a mountain can be Holy
mountain, but I would like to show this
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maybe in mountains, coming from you.
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See, something like that,
where you can go up here,
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let that side be the mountain side.
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And this is the farm side there.
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They put it down and all the
excitement, the excitement, it.
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No you say, what is the light coming from?
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Never forget.
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Where is the light coming from?
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I would say I would add the little touch
of red in to that little touch of red.
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Can you see what I do here?
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Can you see what I do here?
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A little touch of red, red.
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The sunshine is love this
excitement and this life, and
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maybe we cut it in like this.
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And the scenes, the
details, the movements.
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That's the nice part because of
that heavy paint, you have to use a
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solid, solid, strong, no good dad.
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That's fantastic.
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That's fantastic.
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Detailed with a couple of strokes.
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This is what makes it painting.
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Maybe give this a little
bit of attached there.
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Put that to life.
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And now we will use white touch of white
to put over here and a touch of blue, but
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yes.
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Nice.
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Maybe this already, but to maybe
not ever try it first, try it.
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And then you see.
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Yeah.
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And the shadow side.
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Beautiful.
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That little bit of blue does a low look.
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That does fantastic.
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Okay.
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That's a nice, happy mountain already.
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Now we will be very
creative, far away, far away,
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whatever.
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Is there.
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A little bit too close.
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I was far away
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the done work like that.
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It will work like that.
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It works like that.
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I use my little brush and I use right.
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There's so much blue already
and I just wants to shed it off.
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Like this far away I move, man.
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I move, man.
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Maybe a bit more light in there.
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More light in there,
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this little corner there.
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See, that's good move, man.
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And now you start firing in dark
first dog ever cleaned my brush
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and caught up on my mighty paper
Piper, so, and blue and black.
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And.
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And I couldn't use a bit of that
paint here, that mountain paint
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and SAP green and have it like
that's good bit of a distance.
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Now it's a tree.
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Yeah, how nice it comes.
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Leave that little hole open, open
up that little hole there because
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it gives you a kind of a XR for,
by whatever has happened in the.
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No, I have August steps.
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They're beautiful sky, nice blue,
beautiful mountain line up there.
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And the four way, this is whatever it is.
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And now you, you, you fire in you fire in.
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I think what I have really, I lose
all of a sudden, I get that feeling.
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I got to have a big two right here,
a big get rid of a tree there.
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You will see, it will make
that painting a bit more.
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Hey, I see you.
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Haven't that mountain there in the
power of a big tree in front here
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and now we were squeezed a nice
little farm in here, right in there.
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Right.
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And
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the bands, it gives you a nice band stare.
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Okay.
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You know, there's a lot, a lot of
the tunes in your ear are the sun.
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They didn't care about the farm.
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There's all this lot of the happiness
going on there and sadness to the farmers.
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The farmer has to be very
solid to go through this other
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times, cows die and there.
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Animals are not going to write
or whatever, whatever, but in
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younger is always good food there.
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And it's not a lot of the happy,
happy things going on there.
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Okay.
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That blue with that reds.
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Yeah.
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I tied to tune down the thread to kind
of, uh, Um, maybe that bit more, right.
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Let's see what it is here.
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The, we were
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very great and we're happy three
chunks, but what I do is just a push up.
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D, and then you have a big on
the bottom and smaller on top,
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like this here, and you don't
have to have it all be straight.
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You can set it up like this.
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He has a big tree
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making it a bit croaky.
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That's good.
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Could be this, that
branch is broken long ago.
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We've been cut off that side and
that side growed up this up to you.
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You can make up your little stories
about whatever was happening, because
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the time you are the artist, you are
the creator you are next to God and you
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can create all those wonderful things.
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Light is coming from this side, but
a bit of highlights in here and there
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the beautiful scratches for the does.
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Okay.
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don't worry.
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You can do all those things.
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Those things you can do.
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No, we will have, we will have,
uh, what kind of a roof, maybe a
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greenish don't have to be obvious.
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Uh, red roof, the green roof.
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go from there now, have you ever go into
the magic Vite and make a dinner paint?
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And I create a Vite.
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And red and Indian, yellow, and I created
kind of a raid, uh, autumn colors.
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And then I really highlight
some trees in that direction.
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Leave that side dog and have
this side, light it up like that,
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that little rust color or red.
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It does so much to you.
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Amy here actually, before I got that house
going, I would rather get the trees first.
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You want to start scholars can do for you.
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Red, Indian, yellow, and white.
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And then you just hit the trees.
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You think they didn't have any dark here?
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Maybe I like it a bit more Sammy and like
this, and always think the sun is coming
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from this side to survive, to do it.
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He's a Bush in front nurse.
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I was headed from the sun.
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You say Sunday sizes number of one day.
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No, we were, we were, I go into magic
white again, why should I do Merrick?
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Right.
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Take a bit of the ticker.
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Right?
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It's always easy to make pain
dinner, but it's hard to make
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a Dick when you need a dinner.
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No problem.
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Then I went to the magic, right.
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And right alone.
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Or we have.
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You can buy other paint with this
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dinner.
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See, look at that sometime.
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You see, when you see the
brush, you see the dark on top.
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Can you see it here?
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Then I usually what I do, I don't
want to lose all that insight paint.
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I just brush it off on Z.
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What I do, I brush it off on the
CA on the paper here, and then I
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can use the paint in the inside.
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Again.
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I hate to lose that.
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See, you can only use it so long.
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Again, the dinner pen
sticks on the ticket paint.
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I didn't sit down with magic.
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Right?
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And then we fire up.
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Um, maybe here, I believe that dark.
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I have one
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see against a dock and you build
it up to, are you on, Hey here
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you can have a yellow, right?
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Indian yellow.
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Right.
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And the Tetra green, the
lighter color look like this.
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And then you can highlight this here.
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Okay.
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Oh, that's nice.
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00:19:04,274 --> 00:19:05,985
That is nice.
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Maybe hear your highlights a little bit
on the sunny side, then you got that to
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your eye, to it all comes to life here.
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Maybe like, like that.
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Hey hit this brush light.
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This
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light hits into the road like that.
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00:19:31,635 --> 00:19:39,075
And on this side, you have a
darker blue and yellow turns green.
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00:19:39,435 --> 00:19:41,235
But I want us to have darker there.
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00:19:41,235 --> 00:19:45,225
I use zap green and pressure
and blue together, and I
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roll in the dark color there.
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Dark side.
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Can you see how you lead it to the light?
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The light is coming this way and you
light up one side and the other side,
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I have to have more, more light.
249
00:20:08,185 --> 00:20:11,785
Power light power
250
00:20:17,655 --> 00:20:18,495
maybe here.
251
00:20:18,945 --> 00:20:19,425
Right.
252
00:20:19,575 --> 00:20:20,625
Go into the magic.
253
00:20:20,625 --> 00:20:21,135
Right.
254
00:20:23,085 --> 00:20:23,595
Magic.
255
00:20:23,595 --> 00:20:24,255
Right.
256
00:20:25,245 --> 00:20:29,195
And whatever you got here,
you see, and just light it up.
257
00:20:29,655 --> 00:20:31,065
Touch of Indian yellow.
258
00:20:31,665 --> 00:20:32,355
Now you've got it.
259
00:20:32,355 --> 00:20:33,495
Really pitching.
260
00:20:33,525 --> 00:20:33,915
Nice.
261
00:20:33,945 --> 00:20:34,485
Watch this.
262
00:20:34,965 --> 00:20:36,555
Do you even highlight this now?
263
00:20:36,585 --> 00:20:37,335
Can you see.
264
00:20:38,475 --> 00:20:39,524
Yes, that's beautiful.
265
00:20:40,784 --> 00:20:46,335
I liked all the things she
really wants to be here.
266
00:20:46,335 --> 00:20:51,855
I would like to highlight a bit
more, let, let the sun be there and
267
00:20:51,855 --> 00:20:54,495
ever fired in every bit of light.
268
00:20:56,475 --> 00:21:01,905
You are the leader of light, use
it to your best, use it the way
269
00:21:01,905 --> 00:21:03,885
you think it is your cup of tea.
270
00:21:04,395 --> 00:21:07,995
The, I do it my way and
you got to do it your way.
271
00:21:08,835 --> 00:21:13,245
And sometime as the same, like
you put too much sugar in your
272
00:21:13,245 --> 00:21:18,735
coffee or you, you put too much
salt on your bacon, eggs, whatever.
273
00:21:19,245 --> 00:21:24,960
Um, There's a certain
vibe, a certain, certain.
274
00:21:25,710 --> 00:21:27,330
By this, you like it.
275
00:21:27,330 --> 00:21:30,139
And a certain vibe you don't like so good.
276
00:21:30,139 --> 00:21:31,110
Do it your way.
277
00:21:31,409 --> 00:21:32,760
I like it this way.
278
00:21:32,940 --> 00:21:36,750
Now you can say I don't, I wouldn't
like to paint it that way, but do it.
279
00:21:36,750 --> 00:21:37,560
You're right.
280
00:21:37,830 --> 00:21:38,850
It got live.
281
00:21:38,850 --> 00:21:40,409
Has to be you're right.
282
00:21:40,740 --> 00:21:42,420
Otherwise it never was good.
283
00:21:43,379 --> 00:21:43,860
It's nice.
284
00:21:43,860 --> 00:21:47,399
When you come to the time you
sit down and look back on your
285
00:21:47,399 --> 00:21:50,040
life and you say it was my way.
286
00:21:50,670 --> 00:21:52,260
I did it my way.
287
00:21:53,615 --> 00:21:55,534
And that is a nice feeling.
288
00:21:55,774 --> 00:22:06,485
The I do it, my right, uh, how
I was here, standing there,
289
00:22:11,764 --> 00:22:13,264
give him a game land
290
00:22:17,254 --> 00:22:21,754
and the tire here.
291
00:22:22,455 --> 00:22:24,285
See this perspective, right.
292
00:22:25,425 --> 00:22:28,395
I was hired here and that is
when you see the game and there.
293
00:22:33,895 --> 00:22:35,325
Yeah, yeah, yeah.
294
00:22:35,605 --> 00:22:35,875
Yeah.
295
00:22:39,785 --> 00:22:45,515
And now you can use the white with
the touch of blue, what looks good?
296
00:22:46,295 --> 00:22:47,465
And you can have.
297
00:22:54,005 --> 00:22:55,445
Thank the lights coming from there.
298
00:22:55,445 --> 00:22:57,335
Draws a shadow and a need there.
299
00:22:57,995 --> 00:23:00,815
And then we're light up here again.
300
00:23:19,590 --> 00:23:20,430
Right up here.
301
00:23:29,340 --> 00:23:33,960
So now put the door in there.
302
00:23:36,420 --> 00:23:43,920
And we put some windows in by using
invite and the you of Taylor green, that
303
00:23:43,920 --> 00:23:48,660
green is like, it has a glass feeling Z.
304
00:23:48,660 --> 00:23:53,700
What I do here, they just use
a kind of a last feeling there.
305
00:24:00,800 --> 00:24:02,629
They can cut in half if you want.
306
00:24:12,530 --> 00:24:17,270
And you can give it a
bit of a shine like this,
307
00:24:22,280 --> 00:24:31,220
like this and like this, and then you,
you, you, but happy chimney on there.
308
00:24:36,255 --> 00:24:37,275
And that house
309
00:24:41,955 --> 00:24:42,615
that's good.
310
00:24:44,295 --> 00:24:46,785
And then you create a
couple of other roofs.
311
00:24:46,785 --> 00:24:48,615
There could be a red roof.
312
00:24:50,595 --> 00:24:52,695
Maybe we go from here to here.
313
00:24:53,355 --> 00:24:54,265
There's a house, right.
314
00:24:54,275 --> 00:24:56,355
And behind here, the smaller one.
315
00:24:57,100 --> 00:25:00,810
He is he this part of her
roof there, maybe we make it.
316
00:25:00,810 --> 00:25:06,510
So does it has all kinds of color
stare, uh, makes it more painting
317
00:25:07,380 --> 00:25:13,980
D and then you, you, there's a
shadow side, the shadow side.
318
00:25:13,980 --> 00:25:14,430
There
319
00:25:17,680 --> 00:25:20,940
you create a little bit
of dark in between there.
320
00:25:26,445 --> 00:25:32,325
And then you, you, you,
you highlighted like this
321
00:25:38,685 --> 00:25:45,555
and then you, you, you can have a
little shed there, standing there
322
00:25:46,725 --> 00:25:48,465
it's a woodshed, whatever it is.
323
00:25:49,800 --> 00:25:59,550
The, and it has an, it has a roof
there cause flatten the back and it
324
00:25:59,550 --> 00:26:07,740
has a door wide open door you seen
created all the thank you on a phone
325
00:26:07,740 --> 00:26:10,170
with you, you know, as far as the need.
326
00:26:10,544 --> 00:26:18,284
On the farm, looking into that, we'll
have a little bit of a C in that, by
327
00:26:18,435 --> 00:26:26,145
a little bit of that, that side here,
you can have that C and then you,
328
00:26:26,145 --> 00:26:30,945
you, you, you, you can have, yeah,
329
00:26:34,985 --> 00:26:35,824
this has happened.
330
00:26:35,834 --> 00:26:38,554
Happy little out house was good too.
331
00:26:43,110 --> 00:26:47,940
And then you, you, you, you run the
hackathon in the road and they're
332
00:26:51,870 --> 00:26:53,820
happy the road in there.
333
00:26:56,100 --> 00:27:01,500
And that is that on my painting.
334
00:27:03,480 --> 00:27:05,580
So how you like that?
335
00:27:06,300 --> 00:27:06,780
You'll see.
336
00:27:11,190 --> 00:27:11,970
There we are.
337
00:27:13,140 --> 00:27:13,860
You enjoyed it.
338
00:27:14,250 --> 00:27:15,450
I thank you for watching.
339
00:27:15,720 --> 00:27:16,200
Bye bye.
340
00:27:17,640 --> 00:27:19,410
One more beautiful oil paintings.
341
00:27:20,160 --> 00:27:20,820
Bill's paint.
342
00:27:21,410 --> 00:27:26,210
Oh, your art supply needs are only
a click away@alexanderart.com.
343
00:27:27,050 --> 00:27:28,820
Just click on the online store link.
344
00:27:29,840 --> 00:27:30,470
You can paint.
345
00:27:30,860 --> 00:27:33,800
We promise Alexander art.com.
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