Bill Alexander's
The Magic of Oil Painting
Season 3, Episode 6, Haystack Rock - AVAILABLE
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It's a black canvas Vaden for you and
be really firing or mighty sunset.
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You see black, I put that
clear varnish on again.
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The, that looks so nice that makes it
so even nice and dark and sad magic.
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Right.
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We put that, uh, that, uh, clear Von
Nyshawn and we fire into the sunset.
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There are nice songs written about
sunsets and sunsets zones that makes
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you, you know, it's always nice.
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When you think about the sunset you
Vish, you could see on the Vata edge,
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somewhere on the Lake or on the ocean,
so let's sing it along that thing.
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Um, so we would have that three-year
varnish on our D not too much, obviously.
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Just normal, just normal magic.
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Right?
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Even less than you paint a white canvas.
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So
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that is fun there for now.
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Think about a clear, I will
use a clear alizarin Crimson.
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Have it, I brush it clean, brush
it, clean wonderful transparency,
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alizarin, Crimson, and the dark hand
with the red, you can see how light
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that looks on the vide cannabis would
look really light, but on the black
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canvas, it looks like this it's dark.
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So I paint the whole canvas like that.
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Now the whole canvas like that.
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Hey
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canvas, but alizarin Crimson,
alizarin Crimson is transparent
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and watch what happened there.
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So actually, If it had land
here, if it had C I just
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definitely wants to have water.
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That means the sky will reflect in
avoider, but all of us, I put that
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Elizabeth Crimson on the whole canvas,
but if I would have pain, land and houses
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and all that, then I would use maybe
rather blue it, the transparency blue
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because blue and yellow turns green.
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Then, then I still would
have my, my sunset.
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Call us up there and have the bottom other
colors, but by doing a water down there.
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So I've, uh, I will, I will, I will.
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I will.
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I will.
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I will, with all our lives in
Crimson or the whole canvas
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over that on mighty canvas.
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No, spread it out.
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Nice.
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No, we will wash the brush
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and we really plan a little bit.
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We were spaced.
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We have a dank.
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So we would say make a biggest
sky, maybe, eh, Not in the middle.
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I would say two or three
inch stone, maybe here.
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That would be, that would
be the beginning there.
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Zebras.
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I used red.
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Can you see beautiful that red
pops up and that's the joy.
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Now you can plan your sky.
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You can.
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I have it there in chefs.
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You can have it like this.
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See no good that, Oh God.
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By the power.
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It's not nice to, to see this, uh,
this, and then you put it together
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to the sun, this unreal being the
middle here or somewhere there.
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And then they let it get darker around
DACA around, see dark around that.
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But otherwise it's always nice to
have, uh, I might see if you're
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scattered all over the sky, you
lose the power of your painting.
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When you really watch the old
masters, they're all created.
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There's a hammerhead, you know,
it's like that that'd be the hammer
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dead or the fist firing tear.
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That's the beginning of that whole
camp and fires right into the water.
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Can you see how you're bedded?
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It is a beautiful painting.
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Can you see it?
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A beautiful painting?
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see, that is creative power.
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That is good living.
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That is not copying.
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And that is you grow, you grow into
yourself, you get to know yourself, you
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get to know your unpopular and living
with that power is not only on the canvas.
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It is in, it is on everything you do.
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They had Isabelle tomorrow.
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There is life.
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I mean, I think this hearing the news
there's droughts and this it's misery and
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houses burned down and whatever, whatever.
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And I think if wherever
I lived, I did big pools.
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I had always water.
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But I, I know, I know
that power is so great.
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You prepare for tomorrow.
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There could be something bad.
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I even had a hand pump and
other people came to my, to my
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home and they bought the house.
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You need a hand pump, gab water running.
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As the electricity comes out.
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I pumped my water, but
otherwise living power.
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It's not just, I have a home.
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I sit there and I become
fat and lazy and no good.
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Nobody, but you see what creative power
and good canvas starts right there.
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And Zhou, you become a powerful artist.
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You save your work.
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People are proud of you because you, you
are not copying you that you bring it out.
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You bring it out.
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You give the message, you put the power
in and you show the world how to do it.
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Right.
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And a nice that's an artist
is our mighty artist.
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Okay.
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So we were firing the, make it
darker there, but you can see
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watch, you can just look at that.
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Uh, Oh God, it's just so nice.
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It is so nice already.
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I hope the camera can pick that
up here in the dark to see.
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Then, then, then it looks so powerful.
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Start ours off in the middle of there.
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And then you're, you're
extending nice and clean.
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Is that a clean video of
doing things you over there,
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then you can do it like this.
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See if you want to, okay, we will
go on like this and now the next
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step will be the, in the water.
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You can do the same thing in the water
there that has get darker there, but in
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the middle is where the power is, but we
will go on with other colors there too.
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I just bring it.
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So this is not just so dark,
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but now you use our mighty fan
brush that our mighty fan brush.
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And I will go into the yellow,
the take it off their load.
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Your brush here.
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Fire into that sunshine there and around,
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but you know what I learned here right
now, again, sometimes when you put too
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much paint on you are in trouble and I
put too much, every time I put a dread
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on a pounded up too much red when it's
happened to your canvas Gerberas or
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mighty knife, and take that paint off.
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See, I don't take after colors.
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I just take off that too much.
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Paint it.
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It's easier working with less pain.
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See all that paint on the knife here.
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The C no, I have it easier as far
easier to, to do what I want to
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do the again, go into the yellow,
went into that scared color.
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And if I didn't, can you
see all of us are no.
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It's far easier to get what I want to get.
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And, uh, and, uh, and
then wash your brush.
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He so much dirt on the brush.
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You GRA wash your brush
again into the hallow.
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Take that yellow half-life in the sun,
there a N N a F uh, Wherever you want
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us to go wherever the, the dirt, the
brush full of paint, wash the brush.
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I use opposite a little paper
towel year and , and again, into
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there, you know, it built up yellow
more, but I have the color I won.
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I won, but see, go around
and around and around.
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And, uh, whatever, whatever
you feel, that's good.
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lot of Washington do.
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And then you fire in again into is now
just on, is coming brighter and brighter.
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D.
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Wash you brush that makes it a bit bad.
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Sometime you got to have a clean brush.
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Otherwise it will not work again
until, you know, I come really
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clear and then you can just.
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Vigorous in there that the sun dance
in there, clean your brush constantly.
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And again,
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Wash your brush again into the sun?
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No, I come to the point.
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I have most again in Nevada.
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I leave a little dark in between.
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Yeah.
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Now you can use a big brush.
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And you, you, you can
pull it all together.
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Nice.
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Clean brush.
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I brush now you'll pull it out.
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Look what coming up now, dad.
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No, you can see the desires
the by hypnotizing it, can you
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see what's happened by the sun?
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No, it's become so soft and, and.
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And the light comes off.
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Nice.
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C
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Y C a garage clean it.
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I like to clean it here on my day.
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I know you can, if you want,
you can do it like this.
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He ended up becoming like glass.
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Can you see.
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It's like class, all of a sudden,
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nice and clean.
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Think about the sun, the
race, and nothing gets dirty.
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It's just beautiful.
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See, here you can, uh, I
will let it go into dark.
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The, I work it in like this.
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Yes like this, another just bones,
like the sun is bouncing on the water
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and you have that distance there
that makes it very, very romantic.
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I love it.
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And it's all, let's see,
the paint is all the time.
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Now you can step back and you
can make your own decision.
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He wants to leave it like that.
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Or you want us to add more
red round or whatever?
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I think it would like to add
a bit more red all around.
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See, that's what it might
be a little bit too dark.
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So I add a bit of red just here, maybe,
but that's just your decision you make up
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your mind, whatever you think it would be.
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It would look nicer.
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The, I think it would
look nicer like that.
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But that's fine.
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And you don't have to worry because
there's no dirt underneath, no dark.
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If you have to paint on the Vite canvas,
you had all that dark and all that dirt.
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And every time you touch it,
you have a black, this is a
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cleaner steadily clean brush.
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What I show you here still to clean.
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Can you see clean brush?
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It's crooked.
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That brush is Kroger's for
my almighty power or gravity.
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Oh.
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No mercy, mercy,
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no mic you on mine up.
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No, I think it looks better if it
has a bit more red at that, into the
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sun, again, be here a bit more red.
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You feel, you like to
have a dog like that?
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Keep it like that.
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Uh, I learned when I, I paint on
TV a lot, TV will pick a better
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if I have a bit more color.
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So just what I add, just automatically
do that just to compliment you, see it
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better whom to they, but then, then I
wish sometime I could leave it to doll
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because it looks beautiful November.
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See how it looks the, when you
see it like that, that is violent.
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But soon, soon I do it like this.
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You see, look what happened.
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No, that red shirt was different.
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See, maybe that's why they want.
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Good.
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I hope you enjoy that.
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It's just kind of a different
vibe of approaching a painting.
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When you paint on black
canvas, you get push it back.
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You can push it out.
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If I needed more out, I push it out.
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If I needed back here, push it in.
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But obviously the same day action.
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The no, then I would the magically,
I would add that thread here to
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see it would be nice if I had it.
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That all reflects in
this, in the water too.
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Boy, I enjoyed this kind of paintings.
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It's a clean, you have
no dirt to push around.
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Just clean colors, just clean colors.
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Try it.
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Try it, you like it to right?
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You're like, eh,
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he just, just fired a little bit
of whatever you see up there.
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I like to have that bouncing dark and
the tree and really makes it nice.
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Makes a nice evening.
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Yeah.
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So no, we will, we will, we will.
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Push that the, this you push along
like this, what is always nice when you
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stretch it out and you see how powerful
that card, that paint is so powerful
243
00:17:35,505 --> 00:17:38,445
and thick, you can it's very stick.
244
00:17:39,075 --> 00:17:46,905
No, we were very tried to get the vote,
the lines and it was the lines and
245
00:17:51,005 --> 00:17:53,495
see, and it becomes water.
246
00:17:53,495 --> 00:17:53,705
No.
247
00:17:54,205 --> 00:17:58,485
He was on Taft of audio, but
dirt because there's no dirt on,
248
00:17:58,485 --> 00:18:01,305
there's just the dirt is dried on.
249
00:18:01,305 --> 00:18:03,255
That's just, it's on forever.
250
00:18:05,055 --> 00:18:05,805
He know.
251
00:18:06,165 --> 00:18:09,565
Maybe I give him a little more yellow.
252
00:18:11,295 --> 00:18:12,345
That would be nice.
253
00:18:12,345 --> 00:18:17,805
Just, just that lighten up that
yellow maybe here in the sun too.
254
00:18:18,275 --> 00:18:18,825
Yeah.
255
00:18:19,455 --> 00:18:21,615
You could add a bit of a even.
256
00:18:22,305 --> 00:18:24,885
And the son there, he see
what, what happened here?
257
00:18:25,274 --> 00:18:31,815
Theo, I take it off bit of white
and yellow E something like that.
258
00:18:33,435 --> 00:18:33,705
Yeah.
259
00:18:33,945 --> 00:18:36,855
And then you, that, that
gives you the brightest now.
260
00:18:36,885 --> 00:18:42,635
That's but I just, you can get
and fires right in there too, to
261
00:18:49,534 --> 00:18:50,965
clean it off a little bit.
262
00:18:51,554 --> 00:18:55,034
And they would give him a new, right.
263
00:18:57,284 --> 00:19:04,965
And then we had her there and
again, with the big brush and dry
264
00:19:05,504 --> 00:19:09,465
chest, just threw it in like this.
265
00:19:12,705 --> 00:19:16,215
And here you use, you
know, the water comes up.
266
00:19:19,844 --> 00:19:21,125
Whatever you dream up.
267
00:19:21,125 --> 00:19:24,635
No, you can put rocks and you can.
268
00:19:25,024 --> 00:19:30,844
I thought about the haystacks and
Oregon and Oregon, the haystacks,
269
00:19:31,445 --> 00:19:33,725
you know, they're very romantic.
270
00:19:34,084 --> 00:19:38,495
They're standing there for thousands
of heres and waiting for what
271
00:19:39,094 --> 00:19:40,655
they're waiting for something.
272
00:19:40,985 --> 00:19:44,225
And when you paint them on,
I always like to paint them.
273
00:19:48,200 --> 00:19:54,840
they're dreaming about whatever, whatever
having the black canvas, you usually
274
00:19:54,840 --> 00:20:03,120
could even just scrape it off because
this scrape it off and it makes it
275
00:20:03,120 --> 00:20:07,800
easier to put in what you want to put in.
276
00:20:08,129 --> 00:20:12,600
I ever say I use black passionate blue.
277
00:20:12,960 --> 00:20:16,380
And is in Clemson, that's
a very dark, dark color.
278
00:20:16,470 --> 00:20:19,710
It will look like this and you fire in.
279
00:20:19,790 --> 00:20:19,970
Yeah.
280
00:20:21,260 --> 00:20:23,780
Whatever the form shape does.
281
00:20:23,780 --> 00:20:33,320
So many of them standing there
reading forever into the water, like
282
00:20:33,320 --> 00:20:35,150
you can make up your own stories.
283
00:20:35,570 --> 00:20:39,140
You know, this is a wonderful
thing because poor Marietas
284
00:20:39,440 --> 00:20:41,000
or people, but right.
285
00:20:42,450 --> 00:20:49,280
Stories, they can make up stories
about that particular one VATE and its
286
00:20:49,280 --> 00:20:54,860
database and all the thousands of years
had gone by, and that stone is there.
287
00:20:55,730 --> 00:20:57,980
Now it's two things happen.
288
00:20:58,370 --> 00:20:59,780
Is it a reflection?
289
00:21:01,130 --> 00:21:02,480
Is it a reflection?
290
00:21:05,990 --> 00:21:09,890
You put the reflection in, but you also.
291
00:21:10,334 --> 00:21:12,465
Put your shadow in that's a funny thing.
292
00:21:12,745 --> 00:21:16,264
That's, Annville draws a shadow and
that stone will have a shadow there.
293
00:21:19,125 --> 00:21:19,304
Yeah.
294
00:21:19,365 --> 00:21:23,445
Two things, all of a sudden in that
particular evening, the, this is the
295
00:21:23,445 --> 00:21:30,074
shadow and we will work that out, but
that's a shadow there because it was going
296
00:21:30,074 --> 00:21:35,504
like this and here's one of them and fine.
297
00:21:36,105 --> 00:21:39,584
No, you, you, you, you, you.
298
00:21:40,125 --> 00:21:51,254
Make a cousin, half, they make boys or
other that he like this and that's nice.
299
00:21:52,034 --> 00:21:56,825
And then, yeah, no, before we go
on, we let the sun hit that stone.
300
00:21:57,215 --> 00:22:04,385
She had reviews a yellow and red
and let the sun hit that stone.
301
00:22:05,794 --> 00:22:06,995
Yeah, I see.
302
00:22:11,225 --> 00:22:14,255
Spots, you know, like
you dream it up yourself.
303
00:22:14,705 --> 00:22:15,605
Yes.
304
00:22:22,595 --> 00:22:25,565
That stone is get taught.
305
00:22:25,895 --> 00:22:27,465
You'd think that stone gets hot.
306
00:22:27,515 --> 00:22:31,055
All of a sudden that beautiful.
307
00:22:36,555 --> 00:22:40,955
Finance right into water
to Pfizer, into the water.
308
00:22:41,015 --> 00:22:41,715
You have to
309
00:22:50,115 --> 00:22:51,855
leave a dark as dark as you can.
310
00:22:53,685 --> 00:22:56,175
No, we will make water of that too.
311
00:22:56,175 --> 00:22:57,465
Again, here.
312
00:22:58,649 --> 00:23:02,850
And no, we were, we were, we were, we were
313
00:23:05,850 --> 00:23:06,600
watch this year.
314
00:23:07,080 --> 00:23:12,060
I was used to Gallo and the Tetra,
Fred, and mix yourself, unattached,
315
00:23:12,060 --> 00:23:21,600
your fight, and maybe more yellow and
Mexico serve a kind of a sunlight color.
316
00:23:22,020 --> 00:23:24,600
And you do it like this.
317
00:23:37,790 --> 00:23:38,360
Wonderful.
318
00:23:38,990 --> 00:23:40,820
How would that bounces up?
319
00:23:41,810 --> 00:23:47,540
But here in a voter, you say at
this, maybe this is the height.
320
00:23:47,690 --> 00:23:48,890
This is the height here.
321
00:23:49,460 --> 00:23:53,810
The, you give them a beginning
where the stone hits that water.
322
00:23:54,540 --> 00:24:00,020
And let that the sun dance there
too, a little bit like this, see,
323
00:24:08,000 --> 00:24:16,490
look at that, ah, so much power, so
much excitement, but then he around
324
00:24:17,400 --> 00:24:19,190
get the darker, you can make it.
325
00:24:19,190 --> 00:24:23,480
So this is the dark and
the blue is mixing in and.
326
00:24:23,865 --> 00:24:25,425
And there's a shadow color there.
327
00:24:25,425 --> 00:24:28,305
He see that's a shadow
car instead of water.
328
00:24:35,675 --> 00:24:39,875
E unify gives your daughter power.
329
00:24:40,865 --> 00:24:42,455
Is the law the power?
330
00:24:47,915 --> 00:24:48,245
No.
331
00:24:48,425 --> 00:24:50,375
How many stones she wants to put in?
332
00:24:50,405 --> 00:24:51,305
That's up to you.
333
00:24:52,425 --> 00:24:57,315
You can put one in that's just one part
you can put three in, you can put too
334
00:24:57,315 --> 00:25:00,255
many in how, how stone happy you are.
335
00:25:00,285 --> 00:25:01,425
That's the main thing, you know,
336
00:25:04,595 --> 00:25:08,075
I ever maybe put one little one in here.
337
00:25:15,845 --> 00:25:16,325
They were here.
338
00:25:16,325 --> 00:25:20,705
Remember the haystacks, they
call it haystacks and art again.
339
00:25:21,570 --> 00:25:28,980
Wherever you are wherever you see the, did
this show you really, uh, not to forget
340
00:25:28,980 --> 00:25:36,629
the haystacks and Oregon and Oregon as
the wonderful country, nice to live here.
341
00:25:39,170 --> 00:25:42,530
And again, that the sun on this side
hit the display by you see you're
342
00:25:42,530 --> 00:25:49,490
fired and like this, and all of a
sudden gives you all the power again.
343
00:25:49,830 --> 00:25:56,970
Fires right into the water there too,
and make water other that he just make
344
00:25:57,720 --> 00:26:07,800
that again and dance it in like this
and do the same thing with this color.
345
00:26:07,800 --> 00:26:12,120
But we mixed up before you
see and cut it in like this.
346
00:26:13,350 --> 00:26:13,889
They'll get that.
347
00:26:15,990 --> 00:26:19,320
And naturally there should be a
little shadow in the back too.
348
00:26:19,860 --> 00:26:22,470
He don't forget that,
Chad, I nearly forgot it.
349
00:26:23,790 --> 00:26:26,130
See, there we are.
350
00:26:26,790 --> 00:26:32,850
And straighten it out with the big,
big brush and maybe one more here.
351
00:26:33,690 --> 00:26:34,800
One more here.
352
00:26:43,420 --> 00:26:43,870
Good.
353
00:26:45,770 --> 00:26:49,190
He stacks in Oregon on the black canvas.
354
00:26:49,460 --> 00:26:50,930
I hope you enjoyed it.
355
00:26:51,920 --> 00:26:53,540
I had fun when I did it.
356
00:26:54,500 --> 00:26:55,670
Thank you for watching me.
357
00:26:55,820 --> 00:26:56,240
Bye bye.
End .srt file.
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