Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 11, Still Life and Grapefruit - AVAILABLE
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Hi, mighty and powerful to be
with you again, another wonderful.
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And you can blow yourself up like
peacock and he say, boy, I ever
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fire Andrea on mighty canvas.
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Now, today I planted a still life.
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It's still life.
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There's so many things you can do.
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You use even I started
painting long, long back.
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There was obviously you had
to draw it on that canvas.
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I would have to draw the bees or bottle
or whatever, whatever he wants to do.
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I had to draw it in.
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I tell you this certain things,
if huge speak you canvas in
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your mind, but I do right now.
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I see that canvas.
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And as a sample, I would say very rough.
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I cut it.
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And I just use a dark paint.
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I would say, don't go too high.
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Don't go too low.
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Nice.
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Good.
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Still alive is if you keep
it compact in the middle.
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Yeah.
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Compact, you know, not, not as you
scattered aloud and it has no meaning.
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Then if you keep it weighing
together, then it's like a hammerhead.
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Bring the, I would say, try to follow
me, know how the, how that can be done.
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I would say I've been
making movies big or joke.
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That would be the right time.
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Right.
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And I think here would be
the ending right of the ways.
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See if you, if you make it like
that, then it would be easy to say.
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I cut my reason like this and maybe
here the unit or making home, remind
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you hump the mighty around and.
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And have it, right?
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Whatever you want, you can have
with the big curve, or you can
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have, it just depends on it's
beautiful to create your own.
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Then you are a designer.
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It is original.
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It is all yours.
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What you have done there, you designed it.
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You.
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Pushed it in the way you wanted that and
you put the colors in the way you want it.
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It's not wonderful.
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When you put your name on then, like,
I always like to say, then you hear
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the thunder in the sky, the echo from
mountain to mountain in new baby's born,
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the new painting is there and what a joy.
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I did it.
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I did it on the phone.
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I live like that.
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Good.
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I hope you can.
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I can.
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Inspire you in spirits.
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Joan says the Frenchman in spirits yawn.
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Now we will put that, but before we do
that, I have to have a background in GC.
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There we are.
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Now we are stuck.
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What kind of background?
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Depends on what mood you set or depends
on what kind of a room you, sometime you
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say there are purple curtains or there.
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What kind of carpet, the sometime
you're harmonized with something what's
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around you, but I will make a simple
move or that, that is a nice color and
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blue and black and alizarin Crimson.
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And then we will see who we will see.
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So I would say the visas coming from
there, there, and it's going around
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like this, and then I was just fired.
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And you see, look at that.
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See how fast you can get that.
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The rather cut it in.
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Cut it in a little bit.
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Cut it in a little bit closer.
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It's so easy.
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Easy to paint one side, but it's
hard to paint the other side.
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Can you see how, how do you have to raise?
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Has to be perfect.
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I am a traditional artist and I love to
see beauty and I like to see it right.
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It got to be right.
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I don't want to be done.
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Want to have that feeling.
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Someone is laughing about me the
little bit that he cut it in.
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I hope you learn something this time.
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He cut it in.
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Cut it in.
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Think you draw on your mind.
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I draw in my mind now
just dark first doc first.
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Where's the light coming from?
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How are we ever see reversi let's see.
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We will see.
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Let's see they here.
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Uh, there, see there.
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You can correct it after
you can take it off.
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The one side is no problem, but
both side, both side, the one side
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is easy to handle, but both side is
the same and your pain eyeglasses.
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It's just easy one eye glass, but
the other has to harmonize with that.
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And that's before we are in trouble.
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See, but I do it rough, very rough here.
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I push it together.
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I push it together and I really,
with that, those colors you
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can, you can harmonize later on.
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See, there are already a good stars.
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See, then you can see
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the gut.
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It's a beautiful how you
can make it around already.
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See.
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Do you pull it out, pop it up, stare
you on, look at that coming to life
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already, but I'd even known it that
there's this you can make, you can
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miss it even no matter what you do.
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And it makes it so nice here.
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I would like to have a bit of a red fish,
red fish, red fish, uh, but a table.
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And then you just fire it in like
this and let it disappear into yonder.
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that you can use a bit of yellow.
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It gives you a nice touch, a nice color.
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See how nice you can fly with colors.
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It's beautiful, good living.
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And I bet she could learn
that since I do that.
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I'm so happy and everything
is, everything is go my way.
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Beautiful.
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No naturally, this can be
reflected in the table.
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I already have the table disappearing,
but then you can go to other via watch.
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You can go this way now you can go all the
dark colors, maybe move, move, move, move.
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That's a nice color.
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I see.
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You've watched this.
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Okay.
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Come out of that into the top
and then darker and lighter,
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lighter, lighter, lighter.
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See, can you see others at dark again?
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Moves here.
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He ever paint something in front
of that, so that there's a peer.
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There would be some leaves
and never be something.
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Excited man.
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That's some nice, happy colors.
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Maybe we fire in with doc from decide.
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That means the darkest
coming in from this side.
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And you have the light floating
in from the other side.
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It's just dark, but make it,
so this is not in one block.
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Is this just moving in?
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Is this moving in, dance it in,
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maybe we could make it a bit more.
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That gives you a bit more sharp,
you know, uh, you design your
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own glass now, uh, for that neck.
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Nice together.
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In a nice to draw like that
before I always had to draw it in.
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And the time then the lines on your right.
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Oh no, that's no good delivery.
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That's no good living.
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He ever put the bit of yellow and.
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Maybe here, here, here,
we put the bit of red and
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then here, here, here,
we put the inside in.
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The insight and insight in Wanda for
us, we put the insight in inside and
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make it a bit tire, maybe a bit more
around, uh, like, uh, you have it nice.
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It takes a little bit of finagling
there and others to get it nice.
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And the ride and that's the inside.
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Push it in like this.
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See, now, then this is the light
side in order to have it right there.
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Ew.
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Ew, Ew, Ew, Ew, yellow and red, and a
touch of white something like tears.
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And then thank the light.
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They just come to me from here and
the fire into the inside there.
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See.
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And that's caught around into
the dark, the light flows
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and it got a float in there.
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There's no other way of tanking
and there is no arguments for it.
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You know, it's nice when you
can be so sure about what do
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Hey, ah, that's the stove.
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That's on my distro.
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They no, no, no, but I want us to have it
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and on this side I will use blue rather.
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he?
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No, here, here, here, here.
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You have to step back in order to
see if it's just all just all right.
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Uh, just all right.
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Uh, just right.
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and a nice when you see your own
on creation ground coming up.
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So nice.
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Now on this side.
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On this side, U U U U U U U U U U.
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This is the dark side.
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That means the inside, but then
the outside is dark here again.
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You see, can you understand that?
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So there's this, the dark side.
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This right there, right there.
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Yeah.
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see, and then you come together there
and you create that, that are mighty from
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the bottom up bottom up by them as yes.
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Beautiful.
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I see.
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Can you see already how we get that, that,
that big jug coming up now on this side
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and this side, you can use big brushes.
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It's wrong to fit around
with small brushes.
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The no on this side is opposite.
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See.
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Oh, wonderful.
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Isn't that wonderful.
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It's nice.
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When you can talk to yourself and you're
happy with what you're doing and, and
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it's coming, it's coming your way.
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I love it.
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Thank you.
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No cause that over there now, if he
was giving him kind of different colors
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you can work with with, uh, maybe we
give him this kind of a color, make
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sure you have both sides, right.
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see now, you, you, you, you
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Give him a nice fat rim.
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Give him a nice fat rim up there.
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See how you do it.
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Watch pick your favorite color.
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Can use the little brush, the liner brush.
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And it depends, the paint will stick on
the ticket paint then down that paint
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the, and then you really, really get it.
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He has it gone.
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00:14:08,819 --> 00:14:09,540
You're right.
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00:14:09,840 --> 00:14:11,970
That rim has to be done quite right.
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See what I do.
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00:14:13,980 --> 00:14:19,949
I lean on my palette titled thinking
that direction, laying on your palate.
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See and that our mighty stroke
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beautifying,
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I don't make it too fine, you know,
and just get to, to find, and it is,
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00:14:48,395 --> 00:14:51,120
uh, The one side, let us pop up here.
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00:14:51,120 --> 00:14:57,780
Maybe then it does appear dead
and it doesn't have to be, so
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00:14:59,130 --> 00:15:03,000
that's a bit crooked, but it's
easy to straighten it out.
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00:15:03,570 --> 00:15:04,740
There's no problem.
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00:15:05,660 --> 00:15:07,710
You just pull it down a bit more here.
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00:15:08,240 --> 00:15:10,590
Just pull it down, pull it down there.
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00:15:11,580 --> 00:15:11,850
Yeah.
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00:15:15,194 --> 00:15:17,984
So I have to renew my stroke.
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I should have pulled it down right in
the beginning, but this are the little
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targets you have and they have nothing.
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00:15:24,354 --> 00:15:25,995
There's no problem there.
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He didn't know.
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I really wants to get a
nice clean, Oh, that's true.
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Fuck.
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Clean paint again,
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clean paint again, clean paint again.
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Hey, you're as more strokes
you do as more you ruin it.
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You see what I show you?
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What you shouldn't do.
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One stroke, clean your breath.
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00:16:07,250 --> 00:16:11,595
And then again, One
stroke, clean your brush.
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00:16:12,845 --> 00:16:15,575
If you will, over the second
time I showed you how you
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00:16:15,575 --> 00:16:17,345
shouldn't do it, then you ruin it.
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00:16:19,325 --> 00:16:21,995
I would like to have a little
bit more red in the middle.
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00:16:21,995 --> 00:16:27,125
Here I go twice because I
wanted to have it in the dark.
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00:16:27,125 --> 00:16:29,135
Anyway, you see it should go darker.
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00:16:29,315 --> 00:16:31,925
Then you use the polluted brush.
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There's a certain thinking always
called and of course, visit
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No over that.
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Good.
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Clean your brush done.
249
00:16:46,760 --> 00:16:49,220
Go and make the second stroke
because then you ruin it.
250
00:16:53,240 --> 00:16:54,020
Okay.
251
00:16:54,440 --> 00:16:57,290
No, I will add that to rim.
252
00:17:02,930 --> 00:17:06,230
First, first, you, you.
253
00:17:11,040 --> 00:17:17,960
See first, you make sure that
yeah, that's what I needed.
254
00:17:18,319 --> 00:17:19,730
That's around now.
255
00:17:19,760 --> 00:17:21,439
I'm really in it now.
256
00:17:21,439 --> 00:17:25,929
I just can extend my RA, my, my
ride, but that the slides coming
257
00:17:25,929 --> 00:17:27,859
in there, it goes from this side.
258
00:17:28,790 --> 00:17:31,490
There's so many, many
things you can do now.
259
00:17:32,270 --> 00:17:33,889
Oh man, let's finish this.
260
00:17:34,754 --> 00:17:35,504
This up here.
261
00:17:35,504 --> 00:17:36,344
First
262
00:17:42,455 --> 00:17:44,314
I finish up this here first,
263
00:17:53,645 --> 00:17:57,685
so yeah, yeah, yeah, yeah.
264
00:17:57,935 --> 00:17:58,445
I see.
265
00:17:59,440 --> 00:18:01,740
Then you can really work with dots.
266
00:18:02,340 --> 00:18:03,360
They be on my team.
267
00:18:03,889 --> 00:18:09,200
There they'd ever be on my team there.
268
00:18:13,670 --> 00:18:21,530
And then you really, really can watch
this movements, white and yellow.
269
00:18:21,649 --> 00:18:22,970
I always forget.
270
00:18:22,970 --> 00:18:24,500
I forget to show you.
271
00:18:25,280 --> 00:18:26,960
I hate myself for doing that.
272
00:18:28,125 --> 00:18:29,385
Why didn't you holler?
273
00:18:31,185 --> 00:18:31,754
I see.
274
00:18:35,104 --> 00:18:39,425
I think we worked together
offer to take like that.
275
00:18:40,925 --> 00:18:41,195
Yeah.
276
00:18:41,915 --> 00:18:43,064
This is a beautiful movie.
277
00:18:47,314 --> 00:18:52,534
See, that brings the light and
her that they're in the middle.
278
00:18:59,465 --> 00:19:04,385
and if you want, you can have some red
and you fire in that red on the bottom.
279
00:19:16,475 --> 00:19:21,995
move Vite, the ever have a
little bit of a other side there.
280
00:19:22,395 --> 00:19:22,635
No way.
281
00:19:22,645 --> 00:19:23,505
That's beautiful.
282
00:19:24,045 --> 00:19:25,905
Just the malls, malls.
283
00:19:25,935 --> 00:19:26,985
Beautiful color.
284
00:19:26,985 --> 00:19:27,405
There.
285
00:19:27,975 --> 00:19:29,595
You can have it from this side here.
286
00:19:34,065 --> 00:19:34,475
see.
287
00:19:35,045 --> 00:19:38,435
And you can have it floating
in from this side here.
288
00:19:45,600 --> 00:19:46,050
SI.
289
00:19:46,670 --> 00:19:47,720
No, that's fine.
290
00:19:48,050 --> 00:19:49,970
So we wouldn't worry too much.
291
00:19:50,480 --> 00:19:51,950
We wouldn't worry too much.
292
00:19:52,010 --> 00:19:56,090
I just get the bottom darker.
293
00:19:56,900 --> 00:20:02,120
See, and then we get the beginning of that
and now we can reflect it right into that
294
00:20:02,120 --> 00:20:05,780
table reflected right into that table.
295
00:20:11,235 --> 00:20:14,805
Same colors, same colors
with you over here.
296
00:20:16,605 --> 00:20:20,355
See gives you a shiny table.
297
00:20:20,355 --> 00:20:21,195
All of a sudden
298
00:20:46,560 --> 00:20:59,629
See are no, you can, you can make like, we
paint water D you just painted like this.
299
00:20:59,990 --> 00:21:01,399
It gives you a certain shine.
300
00:21:13,085 --> 00:21:16,774
and if you want to know,
you can put the big bag.
301
00:21:16,835 --> 00:21:16,895
Yeah.
302
00:21:20,195 --> 00:21:24,605
Right in front of this, see right
in front of it to have that bit
303
00:21:24,605 --> 00:21:27,875
of extra color there and leave.
304
00:21:27,875 --> 00:21:30,455
That's all you really
wanted on that painting.
305
00:21:31,035 --> 00:21:40,665
That's a nice, big grapefruit and,
and, and, and the light coming
306
00:21:40,665 --> 00:21:42,375
from here, do the same thing.
307
00:21:47,255 --> 00:21:47,885
And then we'll get that.
308
00:21:48,895 --> 00:21:51,085
Let's get dog, dog, dog, dog.
309
00:21:51,675 --> 00:21:54,695
It does appear that it
does appear in the, on the
310
00:21:58,205 --> 00:21:58,625
C.
311
00:22:00,240 --> 00:22:02,820
He was potential for red on this side.
312
00:22:04,090 --> 00:22:08,310
He, that, that gives you a nice,
happy ending with that grapefruit
313
00:22:18,150 --> 00:22:21,990
How easy it was to cut that in so
we can have a happy little ways.
314
00:22:22,470 --> 00:22:27,570
You have a mighty grapefruit, make
it a bit more powerful, make it
315
00:22:27,570 --> 00:22:31,470
a bit more power powerful here.
316
00:22:32,340 --> 00:22:36,060
So there's, it has nice around
and let it disappear into nothing.
317
00:22:36,480 --> 00:22:40,440
And here you . He let
that pop up here again.
318
00:22:40,920 --> 00:22:43,170
That does pop up here again on the table.
319
00:22:43,900 --> 00:22:46,710
It was just habit, something like this.
320
00:22:59,450 --> 00:23:01,700
that lights fire right in there too.
321
00:23:05,150 --> 00:23:07,850
That mentioned all the ones
you got, the nice, shiny TB.
322
00:23:10,470 --> 00:23:15,990
It's a very simple painting, very simple,
but I think it was a good, good lesson.
323
00:23:16,620 --> 00:23:20,490
There was a good lesson, your
song, how easy you caught, then
324
00:23:21,149 --> 00:23:27,480
you cut in without drone without
doing all that baloney there.
325
00:23:28,020 --> 00:23:32,460
And you have a nice, even if it is a
very simple painting, but it's a very.
326
00:23:33,209 --> 00:23:34,260
Powerful one.
327
00:23:35,040 --> 00:23:36,270
No, no.
328
00:23:36,300 --> 00:23:42,929
If you want, you can, you can, you can
use your magic knife and a bit of red
329
00:23:42,929 --> 00:23:45,810
and white and yellow, powerful paint.
330
00:23:45,810 --> 00:23:52,820
And you cut in kind of see, watch
this, like what is lying on the table?
331
00:24:01,100 --> 00:24:02,150
Yeah, yeah, yeah.
332
00:24:02,450 --> 00:24:05,450
See, he was just lying on the table.
333
00:24:17,960 --> 00:24:18,290
see.
334
00:24:18,380 --> 00:24:20,840
And that brings that whole
painting back up again.
335
00:24:24,315 --> 00:24:26,535
Maybe a bit more yellow
on top of that here.
336
00:24:27,585 --> 00:24:31,215
Let's give me that little
bit of extra, but I need it.
337
00:24:44,195 --> 00:24:47,345
SI SI SI SI Senora.
338
00:25:12,170 --> 00:25:14,390
no in front, we have extra blub.
339
00:25:15,570 --> 00:25:21,630
You have an extra blood you've
missed mixed yellow, red, and just
340
00:25:21,630 --> 00:25:26,360
to kind of a color, but you think it
would, yeah, let's go over that one
341
00:25:26,360 --> 00:25:28,490
because I don't see that it's better.
342
00:25:29,220 --> 00:25:29,950
You may be here.
343
00:25:29,980 --> 00:25:32,630
You have all the big block line there.
344
00:25:32,640 --> 00:25:34,310
I can bring it far back.
345
00:25:36,770 --> 00:25:38,870
He, that whole pain get adapt.
346
00:25:38,900 --> 00:25:41,840
All of a sudden you push it back there.
347
00:26:00,695 --> 00:26:08,195
um, maybe we, me a little extra light,
little bit of extra light on then.
348
00:26:09,245 --> 00:26:12,905
And then, and then here, maybe two.
349
00:26:13,890 --> 00:26:14,880
And it doesn't matter.
350
00:26:14,880 --> 00:26:17,760
That little bit of block of paint is good.
351
00:26:17,760 --> 00:26:21,240
There, it looks like it's the tablets vet
352
00:26:35,540 --> 00:26:37,310
So what'd you think about that?
353
00:26:38,270 --> 00:26:41,420
It was charged first.
354
00:26:42,629 --> 00:26:43,200
Powerful.
355
00:26:50,070 --> 00:26:51,330
And that is it.
356
00:26:52,290 --> 00:26:53,100
You enjoyed it?
357
00:26:54,300 --> 00:26:55,440
I think it was a good lesson.
358
00:26:56,220 --> 00:26:56,940
Thank you for watching.
359
00:26:57,360 --> 00:26:57,720
Bye bye.
End .srt file.
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