Bill Alexander's
The Magic of Oil Painting
Season 6, Episode 8, Tumalo Trail - AVAILABLE
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When is spring time in the Rockies,
spring time on a farm spring time
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and the Creek springtime in a forest.
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When it's springtime, I want to
paint something about springtime.
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You see, again, we start
out with that whole idea.
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I got to bother myself up.
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I had to convince myself.
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That is what I will do.
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And I don't copy anything.
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I just put myself in a certain mood
and a certain spot of this world.
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And then I fire off an arm
is a beautiful painting.
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And top of that, you get paid for that.
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Isn't that wonderful.
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I hope, I hope I convince
you to live right.
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There is volume of living you're
wrong and there's one way of living.
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You're right.
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If you get out of your band, you're
miserable, you do something wrong
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to laugh about your life.
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I really have learned to live right.
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I used to be the shoe cleaner
of divorce in the army, wherever
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I always was, do shoot cleaner,
bring the food to the captain.
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And I always thought I was born for that.
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I got to be, I was always do
shoe cleaner until I made up
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my mind the hell with that.
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I was to be something like you too.
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And I learned to do it and I
tell you I'm so successful.
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And I think what I do here
now, I want to see you.
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Especially for people about
really are down an hour.
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There is a write up if you believe in
yourself and you do what, especially
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with art, we can do it so wonderful.
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You can express yourself, creative power.
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I grow.
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You hurt no one.
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That's a nice part.
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You hurt no one.
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You only live with God and bit yourself,
and it's such a beautiful family.
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God never been hurt you and you naturally
wants to live with him or with the big
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spirits, but the big power, then do that.
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So again, I put my on my 80 magic
right on that our mighty canvas.
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This is not our mighty canvas on TV.
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I have obviously a little Mickey
mouse canvas, but I think it
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is big because I dang big.
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Right?
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No, it's spring time.
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Oh, the springtime in the fields.
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I would say what I think what I do here to
show this spring, the there's four trees.
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They don't shout the spring
too much as a fresh green, but
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they're still there in winter.
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Green is a dirt degree in the four trees.
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But the need, did they leave
trees that changed their jacket?
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They're tender and they break
up this spring, the spring
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blossom, this and all that.
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I wants to bring out in that.
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But in order to the power,
the, as more you paint as
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more, you become a Fox as more.
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You learn to use the
colors too with each other.
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So what I want you to do, I
think you put the big foot tree
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in right there in the middle.
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And have a very simpler runoff of
the land and show a little bit of
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almighty distance, therefore by
and, and against a dark foot tree.
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Now I can show all the spring colors
all around the big four, three users,
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odd Aldous and birches, a named
named as beautiful spring trees.
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What the joy to be with them.
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Okay.
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Fire off.
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I got the magic right on too much magic.
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Right.
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Please don't do that.
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Cause you hurt yourself.
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Have a mighty clean brush.
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I've been making a mighty Springs sky.
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See what I do here?
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The touch of.
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Uh, Taylor gree and one corner I
start off with, can you see already
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to call us come you're up there.
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One is on the bottom, that
green and on top of the blue,
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but I mix it nicely first.
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That wants to have the darker on top.
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That gives me a beautiful spring,
spring color, spring color.
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Ah, there's such a, kind of
a breath in there and it's
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kind of, you can breathe deep.
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You go out and stretch your arms and,
and bend down and mix some massages
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and, and, and breathe the air in.
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Can you imagine when you live in
Los Angeles, poor Los Angeles.
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I lived there for what was 20 years?
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No, no.
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Most people from Los
Angeles, they move out.
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It is too smoggy, too, too much.
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Oh, watch, watch what they have.
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Nice weather there.
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Yeah.
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I liked that
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attach off.
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Maybe I will use a different
color, a touch of Rose matter.
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It doesn't matter.
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It is Rose matter.
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A touch of Rose madder.
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I will see spring, give me that
Rose matter, feeling this kind
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of a feeling kind of a Rose
matter for me is born again.
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New is new and the bottom, the dang,
the mother earth gives you that fresh
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red, red, red, red Rose mad rush tune.
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The outfit that Rose mad that
I go into the blues up there.
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You got the blues, you got the blues beer.
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It's still a beautiful, beautiful, happy.
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Yeah.
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And I will put a happy bond during cloud.
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Then here's the wandering
cloud, uh, happy.
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And he was my mighty fan brush.
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I always make sure that brush is
dry and I will use the tick bites.
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He's like I do.
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Particularly that often just stayed
there and said this, the happy
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little cloud wandering off and
that cloud is humming and singing
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and just a wonderful to be alive.
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Then you think about spring.
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Daniel was praying.
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Daniel was praying saying it
was spraying the light on top.
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that's all on clouds.
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They're just breaking loose and
they're wandering, uh, one day.
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Yeah.
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Yeah.
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That's beautiful.
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I will give him a little bit of a.
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It always matters.
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I said the dude Rose and a bit of the, I
just creep, creep the K-pop for a little
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bit there and have it on the bottom.
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See that, that, uh, can you see it kind of
a raid Rosemary, the two in the air it's
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spraying all got spring mixes are happy.
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Can, can you still spot
it on the canvas here?
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That little bit of a shadow on the bottom?
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Usually shutters are always on the bottom
because mother earth fires back to them.
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So they leave it just like that.
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Good.
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Good, good.
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No, V V we gave her, he either.
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We will foreign watch.
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I take 10 green and I load my brush.
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My brush is loaded and SAP green, SAP,
green and Taylor green and SAP green.
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And everybody wants to fire and burn
love black or right into the old thing.
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I want that very dark tree standing there.
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To give the, like I said, as more,
you paint as more mistakes you made
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and some paintings you never like,
and some things you always like,
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this is a pain you're always like.
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So I was firing my D three standing
there and a dog one, he had dog dog tree.
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Have it as dark as you can.
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He has dog.
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Cause you can be lots
of painting your brush.
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Lots of painting your brush.
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Don't start off with, because you cannot
get the, the movements of the branches.
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You see, I, I wants to show
the branches flying out there.
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You see, they could fly out
now by having so much paint on.
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Good.
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Good, good being here that wants to have
a dog and I can see it already gone.
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no, you can play.
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You're happy to have a game.
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Maybe here, a little bit of whatever
you need darkness to show light.
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I just fly with colors more or less.
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And spring colors, spring quarter,
I said coming soon in order to
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have light, I have to have dark.
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See what I do.
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I know I load that whole canvas.
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It's dark.
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She zeroed or canvas
the dog, and now you Ew.
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Ew, Ew, Ew.
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For the, like that that's
the right way to do it.
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You know, you can see, I, I mentioned the
pain, like a dog, Paul, you see like your
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core and then I, you to have some loose.
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Cause I would stare
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see how nice shower, the shower, the
canvas, shower, the background, shower
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them that they've been got through.
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And all of us have having your
feeling that on my dish sprain.
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Yes, spring again, this spring, again,
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it's always dark.
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Before I get the light.
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I cannot have any lights.
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If I don't have any dog
and make, make those trees.
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Crumbling up or turning MatriStem.
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Can you see if you couldn't
make it close up there?
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There's not a lot of little
bench movements going on.
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No, I don't know.
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Paint, put more paint on here.
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You know, I really leave out
a darker Eddie, maybe touch
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with blue would be good.
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Maybe here, here.
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see, that's the kind of a
green I shot and all of that.
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The, and maybe he a happy green.
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You lose those branches are flying there.
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They, that makes it nice.
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And then you come in.
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I don't care here.
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I, to be lighted up.
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No, you go in and fill
up the whole canvas.
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Fill up on my canvas
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and keep that on my disparate stuff.
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Now, John.
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Get sour and don't get bitter and don't
think about things happen, the farming, or
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sometime I know there's armors, wonderful.
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Their family used to have no problem,
but then their is because I sometime
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I'm a, what you said, people cry
on my shoulder very often and I
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hear a lot of the stories and.
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And, and sometimes they're so sad.
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And if you take that sadness right
onto your canvas, you cannot live, you
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cannot live with what you really, what
really, what you really should live with.
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The, you know, already the
beginning of a painting, there's
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a happy spring feeling there.
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And no, I will have that dog in front
and I will, I will use my knife.
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And I put the tree trunk and the big one
maybe start off that's right from the top.
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Dawn is always the best like
this E and then here you can,
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see, create those lines.
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That doesn't matter.
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The knife is such a wonderful.
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Thing.
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If you just choose it right here and
here, I just want to show spring.
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And you know, funny thing is, as you
get older, I didn't know to get old.
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It's not easy.
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It's really not easy.
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No matter what people say, they said
they can, you can have sunshine.
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You can sure.
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But your body is sometime against
you and that's just not too good.
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That's not too good.
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Not too good.
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So whatever do I add a little bit of red?
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Think about spring and add
a bit, read the good Lord.
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He, it got the money good to me because
he really gave me a steady hand.
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When you in the seventies and you still
can paint like that, that's not bad.
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That's not bad at all.
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So, so, so, so no, I will, I will
use my admin or here it is here other
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than little one inch brush and I will.
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First make the docs, the title, dang
about the long line cut off here and there
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in order to it doesn't look too good.
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If you have the long lines going all
through you see, and now comes the
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spring colors, wash your mighty brush,
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and I will, I will.
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Right yellow, a touch of Taylor green.
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The, this is the spring green.
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Can you see this kind of a green,
maybe I tend to down a bit.
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That gives you a beautiful, beautiful.
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He, that is a nice green,
uh, elder spraying.
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you know, police, I lived as a kid.
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We had the lilac time when the line
looks bloom, I tell you that was our
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hedges was light locks, all lilacs
and the lilac smell is everywhere.
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Everywhere the nine locks and what
a beautiful, happy summary, the
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yellow, white, and the touch of
Taylor green gives you a spraying
242
00:16:29,250 --> 00:16:37,020
me spring green, spring green, maybe
you're you're you're you're here.
243
00:16:37,030 --> 00:16:37,530
You, you.
244
00:16:48,500 --> 00:16:50,000
the all around that dog tree.
245
00:16:50,000 --> 00:16:52,849
Now, can you see what I planted?
246
00:16:53,569 --> 00:17:03,589
I will use the blue and, and
the, I mix myself a darker for
247
00:17:03,589 --> 00:17:07,069
three highlight the Tasha yellow.
248
00:17:07,785 --> 00:17:09,645
Need that that is for the foot tree.
249
00:17:09,645 --> 00:17:12,764
Now I will highlight that
four, three, two a little bit.
250
00:17:17,075 --> 00:17:17,464
Hey,
251
00:17:23,524 --> 00:17:27,244
can you see, I dunno if the camera
will let you see all the details
252
00:17:27,244 --> 00:17:35,250
there, that little bit of, uh, of, uh,
Green, if you left for three years and
253
00:17:35,250 --> 00:17:37,379
then you can bring it out a bit more.
254
00:17:37,860 --> 00:17:39,179
Maybe watch.
255
00:17:39,540 --> 00:17:42,030
Maybe I give them a little
bit for the peaks here.
256
00:17:42,990 --> 00:17:44,100
Little bit excess.
257
00:17:44,159 --> 00:17:44,610
You see?
258
00:17:47,600 --> 00:17:47,689
Okay.
259
00:17:48,080 --> 00:17:50,300
Extra stare excess there.
260
00:17:50,959 --> 00:17:52,879
And the tree is talking to you.
261
00:17:54,980 --> 00:18:00,050
Hey, from the sunny side, that's the
other side being the dog as beautifying.
262
00:18:01,679 --> 00:18:03,479
Then we fever.
263
00:18:03,570 --> 00:18:13,080
We were we'll use the same green we can
use, uh, here in the shadow, in the shadow
264
00:18:13,080 --> 00:18:17,489
of this big tree, that tree it's not.
265
00:18:17,489 --> 00:18:23,159
So has not all this done ever
show you ever show you do it
266
00:18:23,239 --> 00:18:25,860
right then it's so much fun.
267
00:18:26,909 --> 00:18:29,070
It is so much fun.
268
00:18:32,865 --> 00:18:35,105
And do, you know, creating
paintings like that?
269
00:18:35,375 --> 00:18:38,675
I feel so good after I
have done the painting.
270
00:18:38,855 --> 00:18:40,115
Usually I go fishing.
271
00:18:40,505 --> 00:18:41,945
I have not reached a painting.
272
00:18:41,945 --> 00:18:43,565
You know what I really did.
273
00:18:43,565 --> 00:18:49,595
Like I paint so many, many, many thousand
paintings, but the drive is obvious.
274
00:18:49,625 --> 00:18:52,865
Oh God, is something better out
there, something better out.
275
00:18:53,135 --> 00:18:57,605
And I hope, I hope one day I
will get my on my team Mazda, B.
276
00:18:58,110 --> 00:19:01,890
My, uh, my, the little bit that,
ah, that nice green here a little
277
00:19:01,890 --> 00:19:06,960
bit on top and let it disappear,
then let it pop up again.
278
00:19:06,960 --> 00:19:08,340
You see that there.
279
00:19:08,550 --> 00:19:13,740
That's what I like to show you this
beautiful dark tea against a dark three,
280
00:19:13,740 --> 00:19:19,650
the power of light firing in that's a
different type of relight again, and
281
00:19:19,800 --> 00:19:27,300
have that use your colors now in order
to make that painting, make that happen.
282
00:19:28,725 --> 00:19:29,025
Okay.
283
00:19:33,095 --> 00:19:35,165
Always let her disappear in the dog.
284
00:19:35,465 --> 00:19:37,745
Obviously there's a pier in the dog.
285
00:19:38,225 --> 00:19:40,175
D no, I will Z.
286
00:19:40,715 --> 00:19:41,105
Okay.
287
00:19:41,195 --> 00:19:41,615
Okay.
288
00:19:41,795 --> 00:19:42,785
Oh, okay.
289
00:19:43,145 --> 00:19:48,185
The, I take my Curtis off
here again, and I am there.
290
00:19:48,545 --> 00:19:50,195
Uh, yeah, that's a good color.
291
00:19:50,735 --> 00:19:52,235
Don't have to be always the same.
292
00:19:52,235 --> 00:19:53,465
Just make it the different.
293
00:19:55,110 --> 00:19:58,080
A different type of a tree
has a different type of green.
294
00:20:02,120 --> 00:20:08,540
Ah, but the joy he is
purring again is purring.
295
00:20:08,540 --> 00:20:12,860
Again, I feel deliberate of me.
296
00:20:12,860 --> 00:20:18,830
There's a man, you know, I would say this
a happier road come, you're all done.
297
00:20:19,070 --> 00:20:23,180
And the other side of the road,
there's a kind of a grout there.
298
00:20:31,430 --> 00:20:34,280
that is a wonderful, that is wonderful.
299
00:20:34,550 --> 00:20:35,840
It makes you so itchy.
300
00:20:36,620 --> 00:20:38,090
It makes you so itchy.
301
00:20:42,050 --> 00:20:48,800
You know, it's nice when you,
uh, have the time you want the,
302
00:20:48,800 --> 00:20:50,600
I use the, your flight here.
303
00:20:51,090 --> 00:20:53,490
The light growth there against a dark.
304
00:20:53,490 --> 00:20:57,630
Again, you see there, then you
can have time for yourself.
305
00:20:57,960 --> 00:21:01,260
It's always hard for young people
when they have to go to work and,
306
00:21:02,150 --> 00:21:07,580
and the time is the most important
thing that you can spend for yourself.
307
00:21:08,280 --> 00:21:16,100
The device I got all the
time for myself and I make a
308
00:21:16,100 --> 00:21:18,290
living with art with painting.
309
00:21:18,770 --> 00:21:19,100
God.
310
00:21:19,905 --> 00:21:20,175
Z.
311
00:21:20,175 --> 00:21:23,355
That's what I come out here and I
wish I could really help you too,
312
00:21:23,895 --> 00:21:29,504
because it's, it's the value of
doing it is the value of doing it.
313
00:21:30,875 --> 00:21:36,274
Try to listen to Papa because
I think I, I have experienced
314
00:21:36,274 --> 00:21:38,135
the height and the laws of life.
315
00:21:38,165 --> 00:21:44,795
And I think that the arts, my,
my home is a happy home and.
316
00:21:45,600 --> 00:21:47,610
And my daughter's happy.
317
00:21:47,610 --> 00:21:48,960
The chickens are happy.
318
00:21:56,780 --> 00:22:03,200
no, we teach us on my team knife and
we very create a happy little road.
319
00:22:03,350 --> 00:22:07,040
I will use alizarin Crimson
ever use tandem green.
320
00:22:07,250 --> 00:22:13,550
It used black and I make myself look what
I do, kind of a, uh, color like Marver.
321
00:22:13,919 --> 00:22:16,590
But you can see what you mix.
322
00:22:16,590 --> 00:22:16,919
Now.
323
00:22:17,250 --> 00:22:18,810
I need a bit more red.
324
00:22:19,139 --> 00:22:21,840
I use a kind of an orangy red they're
325
00:22:27,300 --> 00:22:28,260
more light.
326
00:22:29,159 --> 00:22:33,419
See, and now I hope no more yellow.
327
00:22:37,500 --> 00:22:41,100
He ain't no B I think that's
a shadow color, but I use now.
328
00:22:41,504 --> 00:22:45,284
And I will pull out as
a happy little comment.
329
00:22:45,905 --> 00:22:46,325
Uh,
330
00:22:50,555 --> 00:22:58,685
had been in the roads coming off of
your hair, let it disappear in yonder.
331
00:22:58,685 --> 00:23:05,675
There is this, and then
get Vida, Vida and visor.
332
00:23:06,155 --> 00:23:07,655
I just coming off to him.
333
00:23:08,520 --> 00:23:13,470
You always try to aim to dark
colors first, or I like to do
334
00:23:13,470 --> 00:23:17,310
it like that, then it's easy to
pull the light colors over it.
335
00:23:17,850 --> 00:23:23,160
And then if the roads up somebody
they show, you know, he was white
336
00:23:23,370 --> 00:23:30,540
and yellow and the sexual Fred D
and Rick, myself like orangy, but
337
00:23:30,600 --> 00:23:34,170
with all kinds of movement, you
see all the movements in there.
338
00:23:34,800 --> 00:23:36,120
And no, I would think.
339
00:23:39,300 --> 00:23:40,680
See though it breaks.
340
00:23:41,250 --> 00:23:42,240
That's what it is.
341
00:23:42,720 --> 00:23:43,500
Habit pain.
342
00:23:43,500 --> 00:23:44,700
What breaks on you?
343
00:23:45,090 --> 00:23:49,440
See the pain is what would make you
and the pain is what will break you.
344
00:23:50,760 --> 00:23:55,680
Ain't no good that, uh, joy pull
it off and you have all of the
345
00:23:55,680 --> 00:23:57,690
details and the pain breaks.
346
00:23:57,720 --> 00:24:02,040
You see if you have this pain,
but smears don't use that.
347
00:24:02,820 --> 00:24:05,280
There's some paint that
will do a fantastic job.
348
00:24:05,625 --> 00:24:07,545
And some pain just very not do it.
349
00:24:08,085 --> 00:24:11,965
He, this particular pain
I have it's absolutely.
350
00:24:13,725 --> 00:24:15,765
I look at that beautiful road.
351
00:24:16,005 --> 00:24:20,835
Now you can add even more
highlights by, by putting the extra
352
00:24:20,835 --> 00:24:22,605
bits right into the same thing.
353
00:24:23,025 --> 00:24:28,075
And I maybe like to have some extra,
did you see that little extra here?
354
00:24:28,135 --> 00:24:29,075
Extra there.
355
00:24:30,485 --> 00:24:34,025
So sunshine, maybe on the
sunny side and the sunny side.
356
00:24:35,189 --> 00:24:40,260
On the street Sunnyside on the street now
357
00:24:45,590 --> 00:24:56,090
three trunks and no, you, you, you
spring colors, spring corridors, white.
358
00:24:57,915 --> 00:24:59,504
And are those happy?
359
00:24:59,655 --> 00:25:03,585
You see your eyes tell
you I don't have to.
360
00:25:04,065 --> 00:25:10,685
I see already the colors on here, and this
is a nicer than the yellow, but this is a
361
00:25:10,925 --> 00:25:16,685
different type of a color again, because
he gives me the beginning of harmonizing
362
00:25:16,685 --> 00:25:21,905
there and all this, the dark against
light that gives us nice mix is nice.
363
00:25:31,040 --> 00:25:35,990
No you're on the down the hair sometime
it doesn't come out like that or not.
364
00:25:35,990 --> 00:25:36,350
Right.
365
00:25:36,350 --> 00:25:41,780
And you go over and tighter
to make it stronger or lower.
366
00:25:42,530 --> 00:25:47,300
But in other words, that is, but it is me.
367
00:25:48,140 --> 00:25:49,640
He, I go along the road.
368
00:25:50,534 --> 00:25:55,095
And then you leave the, the,
some dark holes in there because
369
00:25:55,095 --> 00:25:57,764
then that makes it easier.
370
00:25:58,655 --> 00:26:03,245
No, I've really, maybe I use the
other power again against that.
371
00:26:03,485 --> 00:26:04,445
The, how I mix it.
372
00:26:05,284 --> 00:26:10,264
And I will say here again, a lighter
color against the darker there.
373
00:26:10,955 --> 00:26:11,044
Okay.
374
00:26:11,465 --> 00:26:14,585
I gave you a new
beginning, a new beginning.
375
00:26:21,635 --> 00:26:28,445
now I will use white and a touch of
blue and mix this kind of a color.
376
00:26:29,014 --> 00:26:31,985
So you happy blue, kind of a happy blue.
377
00:26:31,985 --> 00:26:32,764
Watch this.
378
00:26:33,185 --> 00:26:34,565
See what that blue does.
379
00:26:35,135 --> 00:26:35,405
See.
380
00:26:39,844 --> 00:26:42,754
mingled and wherever you think
it would look at that blue, it
381
00:26:42,754 --> 00:26:44,675
gives me that extra, whatever.
382
00:26:45,540 --> 00:26:51,150
And you have a beautiful little bit
here, little bit there, like some bluish
383
00:26:51,180 --> 00:26:56,010
colors and you've got the beautiful,
happy little spring scene there.
384
00:26:57,150 --> 00:26:58,080
You enjoyed it.
385
00:26:59,100 --> 00:27:02,820
I hope you learn to use your mighty power.
386
00:27:02,910 --> 00:27:04,620
And I thank you for watching me.
387
00:27:05,280 --> 00:27:05,820
Bye bye.
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