Bill Alexander's
The Magic of Oil Painting
Season 6, Episode 2, Fall Touches - AVAILABLE
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falling.
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Dawn, autumn leaves are the martyrdom.
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I like to paint a happy art scene
and I have to bother as over began.
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I have to go right to the roads
where the leaves on the floor.
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And I have to dream up with art
and color, lots of colors now.
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And I think what I will do.
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I would create a little bit of a sky
there and maybe a little Hill is coming
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down me and little bit of a far by Haley
there and then honored autumn leaves,
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all colors of plans and grows and, and
that all fires, Andrea of water there.
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And that's the happy ending.
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How would you fire off a happy,
happy, happy the blues guy or the ms.
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Guy.
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guy.
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Really nice to have some art, the melodies
in your heart too, as it's just beautiful.
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That's good.
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Nothing more.
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No, I would have far like, kind of a
far away the blues, the blues, the blue,
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that's a bit too blue that he cooled
off your blue with alizarin Crimson.
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Our rice, I live in campus and
blue has a beautiful distance.
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The that's the nice, nice, distant.
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No, can have it.
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You retire, but have a hair.
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I wanted to see dare
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he, he wouldn't bother too much about
this down here, but down here into yonder
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and no, we were, I was a, I just outlined
it roughly come down to here to there.
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Uh, fire hinge of water.
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Good.
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It's odd.
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There are dead.
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Maybe I use my own mighty knife.
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I make it to Iraq to very a rocket Stoney.
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And then Andrew dissolved green there.
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Yeah, Stoney.
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I put the right up here.
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Heavy takes quite a bit of pressure
and blue, a little in Crimson.
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And mix my surf Stoney Stoney did
like, can you see how it looks here?
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Like marble?
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Oh, I could put a little touch of one
little touch off pressure blue here, more
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present, but that, that see that's good.
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That's good.
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No, just call us.
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Don't mix it dead.
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And then you just, yes.
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A rough, whatever, whatever
roughness and the hair coming down
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stone, maybe one stone is sticking out.
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Furthermore up there of there.
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Hey again, the, because it is colorful,
it just has all the colors in it.
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If I mix it, dad, I couldn't get
this, this movement's there because
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either it shows that there's so
many extra colors with one stroke.
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nah, something like this.
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Good.
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No, just let it run out and, and to the
green now we would have, maybe I make it a
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little bit of more Stoney in between here.
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Yeah, just very rough.
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Very rough.
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Stony head is coming down there.
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I have a bit more.
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Might be nice.
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I like it a little bit darker
in some places here and the
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neat, uh that's that's good.
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See, I just that the knife to the
job I'm not working right now.
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I'm just watching what my hand is doing.
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Good.
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And he and me take it with more
rights and a touch of Harold already
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mixed that together here and let a
bit of a warmer colors come in there.
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Like Sanders is falling off their white
and yellow and the texture of red.
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He something like this, call it a no.
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Okay.
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Leave it like that.
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No.
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Ever use my.
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One inch brush and I
will have dark colors.
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First let's play with dark
colors because the inside of
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that whole deal is dark black.
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See, I take our black pression
blue SAP green, and I just,
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Hey
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dang.
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That's all lots of grout there.
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And here up to the snow line
is getting Stoney first.
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The darks first, the dos
wouldn't have the docks.
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Then you can show lights.
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It's amazing when you're,
every time I go on TV.
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I have a devil of a time to
think about what can you paint?
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And we didn't paint before because they
would like to chat with somebody new.
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Now, more or less a landscape is a
landscape, no matter what, there's
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water, sky and trees and mountains
or farms or beddings or houses
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though, but it's all the same.
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No, I tried to create my own since,
uh, Let's see, hundred to see.
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I know what I have in my mind.
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There is no, no problem there.
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More dark, more dark here,
more dark the other, the dogs,
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and go right down the right to the button.
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First, the darks, Dan, you
put the lights on top of that.
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That becomes easy then
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the dog?
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No, no.
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We will create, uh, with
Carla's certain grout yellow.
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Green.
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I was a certain strokes.
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The create your own strokes there
for whatever you think it should be.
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The, it looks like a certain plan.
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They're sticking out with
yellow and tap green.
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I just try to.
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Yeah, let her disappear into the dark.
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See, now you get the idea about how
we, how we create our on scenes,
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more yellow.
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Yeah,
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then we can use reds, lots of
color, lots of autumn corner.
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I never, that is watch.
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I just tried to get lots
of autumn colors in there.
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Have always tried to get the clean
brush because you touch that dirt
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and now time your colors are dirty.
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I don't want that.
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The, I like to have it
clean, nice and red up there.
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And as it got down, let
it disappear in the dirt.
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He doesn't get to disappear in the
dead in the dirt, but always clean your
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brush because without the humic mud.
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I was a here to something
you read and there
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E
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in here to something red, no, everyone
everyone's start the different figure.
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He, this is a different figure.
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Like, yeah.
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Bush Bush, standing there
clean your brush, make sure,
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obviously you have a clean brush.
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Otherwise you make mud not
ever go into yellow and white.
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Indian.
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Yellow is a nice sunny color.
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You know, we can have right in there.
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You have the colors pop up,
but can, can you see the brush?
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How maybe I show it here.
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Can you see how dirty
the brush get in no time?
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So I had all those nice light colors, so
make sure obvious you've washed the brush.
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That's why we have
painting in here and, and
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that's good.
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Hey, maybe hear me.
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Yes.
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Unless there's a P in the dark.
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That's good.
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Let's obviously disappear into the dark.
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Sometimes I clean my brush just
on the, on the paper there.
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White and yellow, maybe
here would be nice.
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You judge, you pick the spot
where you think you should.
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You will be happy if it gets in
there, but I haven't light and dark.
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I can show you something.
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Watch I can go on again.
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If I had it all light and I want you
to start the new in new Bush, see, then
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I would have to rewash against a dark.
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I can start a new Bush again.
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Can you see that means it otherwise.
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Let's just ID make a dog dog.
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That is a bear again.
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See, gives you a new beginning,
a new beginning, new beginning.
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And now we were firing.
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We were firing sometime you female.
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The strokes are not, not divide.
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Who thought it should be.
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Then you.
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Hey, do it.
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Whatever you think is just whatever
pleases you, you, how I take it,
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the off Vite and yellow, make sure
the brush is obviously loaded.
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See how the brush is loaded.
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Can you see it here?
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Ah, that brushes load.
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No, you're firing maybe right there.
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and then whisper only respond.
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And E when I can wash my brush off
right there, because I only need
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the tips, just the tips are dirty,
so I washed them off and that's it.
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That's it.
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Now I will have what red color.
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Again, I just look for colors now to
make it autumn, autumn mesh, autumn mesh.
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What will be your own time here?
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Sometime that's good too.
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Then you use your little liner brush
and you, you, you use alizarin Crimson.
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That's a good color.
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I'm happy to have the
tree going right in there.
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He has good.
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Oh, no, he'd be gone.
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Okay.
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Wash no, the red in order
to boost that red up.
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That's the second stage.
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Now, in order to boost
that red, I use Vite.
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Bring it over here.
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And the red now, white and red,
that gives you a nice highlight
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for the, you look at this.
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No.
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When you highlight this, watch this
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light coming from that
side, wash it off again.
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Make sure you have a clean
brush and you fire in.
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It didn't the paint sticks
on a ticket pain sometime.
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It's good to dim it down a little bit.
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So what I do, I go into the magic, right?
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And then I have a little thinner paint.
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Now, the Sandberg, this red here, you
see how nice that turns out all of a
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sudden, by highlighting it with white
and red, even here, you can just.
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yeah, he gives you all
the fun you wants to find.
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Now I leave that thread in and
we're into the Indian gallows and
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it gives you a beautiful watch.
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Just call us here.
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Yeah, I created a kind of a
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bottom line.
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I was to have, I show you, show you,
show you what will be happening soon.
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00:16:32,715 --> 00:16:34,355
Maybe happen in the minute.
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00:16:45,170 --> 00:16:45,890
Yeah, no.
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And it's actually for the edge, a lot
of my brush with all kinds of colors.
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And I will say here.
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Yeah, but because even when I
got through how the brush looks,
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can you make a close up on that?
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The whole dirty it is?
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00:17:09,185 --> 00:17:12,484
And it's only the tips of
the hair of the brush is not.
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00:17:12,815 --> 00:17:17,645
So before I wash it all out, I just
scrape it off like this, on my paper.
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Just keep it off.
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00:17:21,635 --> 00:17:22,775
I just got the dirt off.
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00:17:23,505 --> 00:17:26,415
And then they can load the brush again.
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So I'm stingy.
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00:17:27,975 --> 00:17:31,875
I don't want to lose so much pain
cost, other money, that pain.
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00:17:36,065 --> 00:17:39,245
He, no, we were fired in here.
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00:17:40,655 --> 00:17:42,005
Lots of autumn colors,
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lots of autumn color.
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Very powerful.
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00:17:50,715 --> 00:17:50,855
Yeah.
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00:17:52,784 --> 00:17:54,044
Very powerful.
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00:18:00,334 --> 00:18:06,004
And that's fun to create all those
beautiful colors on your, on your canvas.
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00:18:11,915 --> 00:18:15,604
He know I have to wash off the
tips again, get rid of the dirt.
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That is a problem.
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00:18:18,034 --> 00:18:18,725
Our wife.
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And then we fire in the
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Z.
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Now the next step for it would
be either pulled that down.
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00:18:34,665 --> 00:18:37,725
Watch this that's a nice see.
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I push it just down with, with, with my
little brush or you can use a big brush.
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00:18:44,340 --> 00:18:49,980
Actually, the best thing to do is always
use for that kind of work, a big brush
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00:18:50,790 --> 00:18:59,149
because the big brush has more, more,
it covers more and watch do you watch?
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00:18:59,780 --> 00:19:03,860
And I hold it, not this way, hold
it, but flat because it pulls it
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nice down the posted nice down.
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Uh, uh, two sides then clean
again, a clean, just the tips off.
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Then I go down again and turn it around.
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Yeah.
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That you can see the glue.
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00:19:21,420 --> 00:19:22,920
You'll see it clone there.
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And that's what we'll sell.
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There's what make you happy?
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00:19:26,580 --> 00:19:28,890
And you make a happy buck.
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00:19:29,730 --> 00:19:32,790
No, that's create a bit more
powerful colors there too.
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I ever use.
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00:19:35,685 --> 00:19:37,514
Yellow and white.
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00:19:38,745 --> 00:19:41,504
I need that powerful colors there.
247
00:19:42,584 --> 00:19:46,455
He, then I can have it in
the water there too easy.
248
00:19:46,485 --> 00:19:48,165
This is what really sell
249
00:19:55,385 --> 00:20:00,725
no, again, take my paint off and
now we have a bit of red there.
250
00:20:01,594 --> 00:20:02,885
I like to have that red.
251
00:20:02,885 --> 00:20:03,574
That's good.
252
00:20:13,949 --> 00:20:16,739
No, we had those colors on the right.
253
00:20:21,590 --> 00:20:29,840
Yeah, no, we go again, gathered big
brush and I pulled our down again.
254
00:20:29,959 --> 00:20:31,340
It's even the two strokes.
255
00:20:32,145 --> 00:20:35,115
And then either, no, it gets too dirty.
256
00:20:35,295 --> 00:20:40,504
Then you wash the whole
brush, but it's up to you.
257
00:20:40,504 --> 00:20:41,465
You can feel it.
258
00:20:41,465 --> 00:20:42,065
You see it.
259
00:20:42,395 --> 00:20:47,165
If you can certain vibe, then you
can touch that saw here again.
260
00:20:49,685 --> 00:20:52,415
No, I tried to just get the tips off.
261
00:20:59,165 --> 00:21:00,514
No, I just call it a bottom line.
262
00:21:01,350 --> 00:21:01,500
Yeah.
263
00:21:01,500 --> 00:21:03,030
Once a darker there anyway.
264
00:21:05,429 --> 00:21:07,139
No, we cleaned the brush.
265
00:21:07,620 --> 00:21:07,679
Yeah.
266
00:21:08,270 --> 00:21:11,030
And don't use any soupy paint for that.
267
00:21:11,030 --> 00:21:16,070
What I do here, because you will
never can, it will fell apart on you.
268
00:21:16,250 --> 00:21:18,740
You have to have a solid
hard paint for that.
269
00:21:20,330 --> 00:21:25,189
If I wants to have more power, when
you see it, now, this, this is nice.
270
00:21:25,550 --> 00:21:27,949
I would love to have a little bit more.
271
00:21:28,695 --> 00:21:31,605
More maybe here, right in the middle.
272
00:21:31,815 --> 00:21:33,015
Then I create that.
273
00:21:33,555 --> 00:21:38,505
Then I create zero in here and
create first in the background.
274
00:21:38,985 --> 00:21:40,785
I need that background three.
275
00:21:40,785 --> 00:21:42,575
I lightened that up first
276
00:21:45,845 --> 00:21:52,295
C we lived at dirt again, and then
I fire it right into the water.
277
00:21:52,595 --> 00:21:54,395
The light cars are hard to hold.
278
00:21:54,395 --> 00:21:55,145
No water.
279
00:21:56,145 --> 00:21:57,054
I overdo it.
280
00:21:57,115 --> 00:22:02,655
He had nuke soup, so overdone, but
watch when I'm finished, it disappears
281
00:22:02,655 --> 00:22:08,554
a lot, but that would be good if it
had a bit of light there he, no, we,
282
00:22:10,145 --> 00:22:18,605
no, we were, we were, we were watching
this, the heart disappears, but it's
283
00:22:18,605 --> 00:22:21,334
a loose is his half is on a brush.
284
00:22:21,334 --> 00:22:22,235
Can you see it there?
285
00:22:23,524 --> 00:22:23,915
See.
286
00:22:26,400 --> 00:22:28,830
And sometime upstroke I wants to have it.
287
00:22:29,370 --> 00:22:30,690
Then the upstroke is good.
288
00:22:30,990 --> 00:22:35,580
The, otherwise I wants to
have it a bit closer up there.
289
00:22:36,190 --> 00:22:39,270
If he wants to have it closer
up, then you just, you, in this
290
00:22:39,270 --> 00:22:41,550
case, I can move it up a bit.
291
00:22:41,690 --> 00:22:43,760
Can you see me?
292
00:22:45,380 --> 00:22:46,250
You can move it down.
293
00:22:46,250 --> 00:22:47,060
You can move it up.
294
00:22:47,060 --> 00:22:48,470
It's all like rubber.
295
00:22:49,400 --> 00:22:50,240
Very good.
296
00:22:51,140 --> 00:22:52,850
Now we make water out of that.
297
00:22:53,610 --> 00:22:57,120
Oh, we let it blur that
little bit of a blur.
298
00:22:57,870 --> 00:22:59,190
It's just fantastic.
299
00:22:59,300 --> 00:22:59,970
Look at that.
300
00:23:00,410 --> 00:23:02,150
Oh, isn't that ever?
301
00:23:02,160 --> 00:23:02,780
Nice.
302
00:23:03,470 --> 00:23:05,540
You can eat it just so nice.
303
00:23:08,690 --> 00:23:10,570
You can eat it at its own.
304
00:23:10,640 --> 00:23:11,120
Nice.
305
00:23:11,630 --> 00:23:16,790
Now we were powering
kind of a shoreline look.
306
00:23:16,790 --> 00:23:17,390
What I do here.
307
00:23:17,420 --> 00:23:20,090
White, yellow, and a touch of red.
308
00:23:20,090 --> 00:23:22,580
What I have here that gives me a nice.
309
00:23:23,070 --> 00:23:24,000
Sure line color.
310
00:23:24,180 --> 00:23:29,250
And I would like to dream up there is
coming out there is coming out there
311
00:23:32,490 --> 00:23:36,420
right from behind this
little three D and then
312
00:23:43,650 --> 00:23:49,590
E knife knife.
313
00:23:54,725 --> 00:23:58,024
look at that and that's wonderful.
314
00:23:59,314 --> 00:24:03,034
Then you can go as high up as he
wants to have that bank there.
315
00:24:04,024 --> 00:24:05,044
He, I put it down.
316
00:24:05,074 --> 00:24:10,024
I go just up a little bit, as long
as it pleases my eye, the, I would
317
00:24:10,024 --> 00:24:11,735
say it's coming down from here.
318
00:24:11,985 --> 00:24:12,635
That's good.
319
00:24:13,324 --> 00:24:14,314
E good.
320
00:24:15,395 --> 00:24:18,844
And then when this side do the same thing.
321
00:24:20,010 --> 00:24:24,240
I have this, this coming around here.
322
00:24:28,860 --> 00:24:30,750
Maybe here we go on again.
323
00:24:36,750 --> 00:24:40,380
C, Z, C Senora.
324
00:24:43,150 --> 00:24:44,460
like that.
325
00:24:47,520 --> 00:24:51,510
And you have fun with it
and a nice you enjoy it.
326
00:24:51,690 --> 00:24:53,490
And it is nice when you can do it.
327
00:24:53,490 --> 00:24:55,530
Your VI is nice.
328
00:24:55,530 --> 00:24:56,540
It is my right.
329
00:24:56,560 --> 00:25:02,610
It's a painting I painted, and
this is a deal of my being here.
330
00:25:03,390 --> 00:25:04,440
If you want, you can
331
00:25:08,880 --> 00:25:10,530
have your scratches in here.
332
00:25:11,190 --> 00:25:13,000
The in-between create.
333
00:25:14,040 --> 00:25:18,090
Three trunks, if you want to do good.
334
00:25:25,490 --> 00:25:26,180
Yeah, you are
335
00:25:29,629 --> 00:25:31,190
the, that is what it is.
336
00:25:31,250 --> 00:25:33,080
That is what it is.
337
00:25:36,440 --> 00:25:38,780
No, I want you to have
some darker spots there.
338
00:25:40,129 --> 00:25:41,780
Just darker spots there.
339
00:25:47,175 --> 00:25:54,945
Maybe here and that will bring
my painting to happy ending.
340
00:25:55,125 --> 00:25:56,535
Let's highlight a little bit.
341
00:25:56,925 --> 00:26:00,585
I go into the magic white
dinner, paint it, then the paint
342
00:26:00,585 --> 00:26:01,965
for stick on the ticket paint.
343
00:26:02,005 --> 00:26:07,595
You do a bit of magic, white and yellow,
and then you just can highlight assembly.
344
00:26:07,595 --> 00:26:08,475
Here would be nice.
345
00:26:12,690 --> 00:26:18,510
Just where you think it needs that little
bit of extra power and then that's it.
346
00:26:18,750 --> 00:26:19,440
That's it?
347
00:26:19,470 --> 00:26:20,250
That is it.
348
00:26:21,450 --> 00:26:26,310
So we come to a happy ending.
349
00:26:27,090 --> 00:26:28,410
We hear we'll be nice.
350
00:26:28,410 --> 00:26:33,000
And this dark green, dark green in there.
351
00:26:34,755 --> 00:26:40,515
What more should I do and not nice art and
colors you come after here far away here.
352
00:26:40,845 --> 00:26:46,065
And then the powerful, uh, All
powers right into the water.
353
00:26:46,274 --> 00:26:48,195
And if you want, you can use a fan brush.
354
00:26:48,195 --> 00:26:52,335
Sometimes I just show you this very
close, because I have no time anymore.
355
00:26:52,665 --> 00:26:54,425
Use this kind of movements.
356
00:26:54,695 --> 00:26:59,375
See little bit of movement that
just thank you for watching me.
357
00:26:59,495 --> 00:27:01,925
You enjoyed it in the Auburn colors.
358
00:27:02,225 --> 00:27:02,645
Bye bye.
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