Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 4, Falling Water - AVAILABLE
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Nah, G everything I can
do, you can do better.
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Everything I can do, you can do too.
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I can't get too high too, but you
know what happened when I had,
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I started seeing that the camera
crew was singing all of a sudden.
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And they convinced me do it all the time.
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That has a beautiful song.
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Everything I can do, you can do too.
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And it's true.
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You can do to just watch me.
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And now when the camera crew comes in,
then you can sing home even louder.
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That's wonderful.
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I have the magic vide on.
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See, I don't want to fiddle around
too much, but don't put too much.
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You hear me saying that all the
time, too much magic, right?
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You'll never be paying this
technique and I will lose you.
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I need your, I need your love.
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And as you need, I need you
to paint because I feel you
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have made me and I make you.
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You make a beautiful voice.
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The voice comes bigger
and greater and finer.
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And we can live it out, VARs without
shooting and living in love with that.
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Our mighty love.
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That would be wonderful.
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That's our new vault coming up and we can
have, we all can help so much for that.
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The magic we make happy people.
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We make happy world and
happiness with happiness.
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It is fantastic.
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I will use a touch.
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Move that's your violet.
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And I rarely find is this guy.
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He finds you this guy.
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If he whole wholeheartedly brush
hard, fighting hard, Robert
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and hardened to that canvas.
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And the dream is there.
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I want you to put the.
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Uh, mountain river coming out there
with the too much power with so
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much foam and that big, big voids
bought the farthest in the front.
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If he does, it's only a dream now.
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And that dream should
be when I'm finished.
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It should be on that on mighty canvas.
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It already started up in green.
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You see something and you're.
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You, you get excited.
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I went to Chicago last time.
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I tell you I'm venting rock fart
in Rockford is the Japanese garden.
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And they were so excited
about the job and it's gone.
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And I meet the owner of that Japanese
card and I bagged them more or less.
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He was excited.
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He said, , we will have
soon the Vonda art center.
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In Chicago up there and people
would come from Northern soul
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from everywhere and they will eat
and live and during, and paint.
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Beautiful, beautiful.
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The nicest space ever be painted for.
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Come out the Rockford tune.
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Wouldn't that be nice.
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You all will meet in the rock for her.
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Hey, Hey.
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Hey, I done the arbitize.
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This has nothing to do.
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I'm just excited that some
people don't need that.
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To art, you know, and that's wonderful.
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Mr.
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Anderson was his name and very,
very, very proud of that, man.
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I hope you forgive me.
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We, sometimes we get that part of our
to get too excited about things and
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then other people, they get excited too,
and they help you help is always there.
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Now I use the texture of blue happy
blue, the blue, the blue into the idle.
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Isn't that every night.
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And every night isn't that
every night it is so nice.
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I tell you,
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get my, my colors and the white thing.
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It's a new look with that color there.
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No, I can put, uh, just dark.
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I need lots of dark in front.
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I use black.
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See how I take it off
just black and a bit of.
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Lou and move or violet, violet, we will
let violet doc that doc there, doc there.
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Can you see that water bubbling already?
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So I, my hands, this is
what this excitement does.
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My hands already make a bubbling water.
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She had to see what
does bubbling up there.
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What is bubbling up there?
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That's wonderful.
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Can you see what your hands, my hands do?
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Sometime things.
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I just, I have that my mind and my
hands will bring it out because to your
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mighty excitement, there's a healthy,
there's a healthy move going through
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your body and that healthy move makes
you a hand doing what your brain thinks.
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Now nice.
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Wouldn't be nicer because my brain thinks
I should have a lot of money in my pocket.
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And I put my hands in pocket.
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Geez.
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Look at the hundred dollar bread.
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One.
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That'd be nice.
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It doesn't do that.
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That's sad, but it does
really kind of things.
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And that's wonderful.
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I can, and I wish we could invent
something that we get a hundred
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dollar bills in our pocket and have
fun, you know, then you just have
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to work a couple of hours a day.
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And, uh, not work.
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You thought you just put your hand
in the pocket, the money is there.
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It would be nice.
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Nice.
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Nice.
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Okay, good.
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Now we have already, can
you see now I leave it dark.
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Let's infiltrate that violet and
blue, a little bit in the water there.
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I use a bit of white bit of white
in this, the color I make, and that
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has to be infiltrated a bit there.
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Yeah.
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This case should be obvious in
divorce that our might escape.
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He should be in that our mighty
water, water, water a lot.
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Uh, Good.
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Good.
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Good, good, good, good.
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No, we were fighting our mighty
mountain background far away, far away.
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It is a happy little mountain.
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Beautiful files.
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I put that right in the dark
here, vide that heavy takes
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the heavy take right at all.
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God, that light got the stick
and strong as you can handle it.
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That's good.
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Now we put the same
colors in blue and move.
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Um, violet real it, we all left
right left violet and I have
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a nice harmony with the sky.
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I'm in tune with the sky.
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I'm tuned with the Lord.
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We are all in.
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Good in what tune and I fire in.
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I, I, in whatever can be.
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The heritage doesn't matter.
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Oh, God can be this
beautiful little Hertz and
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he's got paint.
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Oh, I tell you.
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It is just so much.
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It's just too much, too
much, too much, too much.
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I always like to say, if it's nice,
when you can cry for happiness,
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that is I do it very often.
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I get too excited and then I burst.
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And they think it would be good
for you too, sometime burst on
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toy, but that it's good for you.
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It's good for all of us.
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Sometimes you let it go because we be
bottled up and bottled up and bottled
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up and you would get mad at you and
your family and your kids on your vibe.
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00:08:15,400 --> 00:08:19,530
Instead of this, let us go
out and let it float off.
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Float off with the wind that
is called with the wind.
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And that's an art and what we are
doing, you can easily do that.
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I, I just get on my, my energy.
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Right.
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And there's our mighty canvas there.
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This is great some heads, but
you can do the best job really
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with that heavy Jake's pain.
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If you can find it tight to find it
really, that this would do good to you.
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And then you see what I can do.
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You can do better.
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You can do better now, ever used
that mighty big brush again, make
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sure it's a dry brush and brush it.
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Oh yeah.
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Yeah, no,
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the boys, boys, boys, every turn,
whatever comes down there and, and, Oh,
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it would be a powerful, powerful painting.
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I see it.
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That's why, and my hands must do it.
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That why.
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No, we would highlight that with
the kind of a happy it gives you.
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I put this right into the same light,
the same light, the sky blue and yeah.
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And malls and, and, and violet,
whatever you say, he has kind
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of a color, but more on there.
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But more.
172
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Uh, that's good.
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That's good.
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Call me jazz, my VI.
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And we just let that mountain run it off.
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However you want to see it coming down
or running off here pretty easily.
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Look for that heavy pain, then
you will have no problem to pain.
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That's our mighty mountains.
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That's a mighty mountain down.
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Oh God.
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He is any, depending on top of
that, I never show you ever show you
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isn't that something now here I
would have put the little bit extra
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light in, but that's very big.
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That will be.
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Extra light in there,
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extra light in there.
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Hey, something like this good
creative power, creative power.
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God has given us all of us.
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We can do that and then
use it to the best.
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Just you to the bed.
191
00:11:33,560 --> 00:11:33,949
Yes.
192
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Uh, and that knife look at that that's
paint bakes, and I got more excited
193
00:11:40,310 --> 00:11:43,250
and more excited as I go on painting.
194
00:11:43,910 --> 00:11:46,280
And that's how he becomes
more to life and more life.
195
00:11:46,310 --> 00:11:50,030
If he they're good.
196
00:11:50,420 --> 00:11:50,839
Good.
197
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Hold that knife cried flat.
198
00:11:53,000 --> 00:11:53,239
Is he?
199
00:11:53,250 --> 00:11:56,109
Sometime my fingers are
scraping my fingernails.
200
00:11:56,120 --> 00:11:57,530
That's creeping the canvas.
201
00:11:57,949 --> 00:11:59,599
He ended up that makes it a.
202
00:12:01,770 --> 00:12:03,089
You can work by them.
203
00:12:03,089 --> 00:12:07,560
If the knife is flat on the
canvas, he maybe here, we got
204
00:12:07,560 --> 00:12:09,510
the bedroom, whatever up there
205
00:12:14,550 --> 00:12:15,510
that it's good.
206
00:12:16,890 --> 00:12:17,459
It's good.
207
00:12:23,209 --> 00:12:23,660
okay.
208
00:12:24,349 --> 00:12:32,959
No, I will use my fan brush my
mighty fan brush and talk to the
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00:12:32,959 --> 00:12:38,060
brush and tell the brush what you
want, what you got in your mind.
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00:12:38,900 --> 00:12:40,489
You know, I talked to my grapes.
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00:12:40,670 --> 00:12:41,930
You wouldn't believe it.
212
00:12:41,959 --> 00:12:42,560
You won't believe it.
213
00:12:42,920 --> 00:12:44,420
The grapes are grown so good.
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00:12:45,165 --> 00:12:48,005
And it's more in the morning,
every morning or down and talked
215
00:12:48,005 --> 00:12:50,205
to my grapes and they grow.
216
00:12:50,235 --> 00:12:52,845
I say, no, I talked to my, on my canvas.
217
00:12:53,265 --> 00:12:55,065
I wants to have that on my tea.
218
00:12:58,625 --> 00:13:02,525
uh, uh, real quick there.
219
00:13:23,890 --> 00:13:24,500
nice.
220
00:13:24,950 --> 00:13:26,390
You put that in.
221
00:13:26,720 --> 00:13:28,250
You are the power.
222
00:13:28,250 --> 00:13:32,120
You are the explosion
on your mighty canvas.
223
00:13:32,915 --> 00:13:34,814
Oh, fired up.
224
00:13:34,814 --> 00:13:38,354
Sometimes I had to go and let it go.
225
00:13:38,354 --> 00:13:41,385
Or then I had to go let it go.
226
00:13:41,615 --> 00:13:43,094
Let it go.
227
00:13:43,844 --> 00:13:53,824
Uh, look at that team in the
air, steam and air he, Oh,
228
00:13:53,834 --> 00:13:55,925
that makes a beautiful face.
229
00:13:56,255 --> 00:13:57,275
And you can unload.
230
00:13:57,275 --> 00:14:00,064
You can get rid of all
your frustration there.
231
00:14:01,995 --> 00:14:05,235
Uh, any, and you'll finish this loop.
232
00:14:05,265 --> 00:14:10,965
Like you come out at the shower,
that's beautiful and fresh, and that's
233
00:14:10,965 --> 00:14:12,735
a beautiful medicine around you.
234
00:14:13,295 --> 00:14:14,885
Out of all this grade.
235
00:14:17,045 --> 00:14:23,255
there's much Duke beauty
father and he divided blue sky.
236
00:14:25,115 --> 00:14:29,645
The void is much a beautiful
that's your to joke too.
237
00:14:30,375 --> 00:14:31,635
No, I've heard, I've heard it.
238
00:14:31,665 --> 00:14:36,895
I better put some dark in
between black and here.
239
00:14:36,895 --> 00:14:44,685
I put that all together and have maybe
just standing up there, some kind of a,
240
00:14:44,695 --> 00:14:47,505
should I be shut up standing up there
241
00:14:53,625 --> 00:14:58,695
and the, a nice when you can create
so free kind of a country, you love.
242
00:14:59,640 --> 00:15:00,589
Oh, that's nice.
243
00:15:01,780 --> 00:15:03,900
That's very nice.
244
00:15:06,430 --> 00:15:08,880
Good, good, good, good.
245
00:15:10,020 --> 00:15:17,130
Now the next step will be, I will create
you is my fan brush and I created our
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00:15:17,130 --> 00:15:23,430
mighty water runoff and need a new fan
brush with bigger one, a bigger one.
247
00:15:23,430 --> 00:15:25,469
No, I really get talk low.
248
00:15:25,880 --> 00:15:26,740
Ooh.
249
00:15:30,990 --> 00:15:37,620
And, and are there, uh, look at that.
250
00:15:49,780 --> 00:15:51,090
That's wonderful how you can.
251
00:15:52,170 --> 00:15:54,300
Just put your on mighty mood.
252
00:15:54,510 --> 00:16:00,290
I just put that in my D mood into mighty
and with, and everything is, comes with
253
00:16:00,290 --> 00:16:05,960
a wonderful, have to be a bit darker,
maybe a bit of, of this kind of a water
254
00:16:06,140 --> 00:16:11,090
tuned in between you, you create a water.
255
00:16:11,930 --> 00:16:15,140
You are next to God and God gives
you all that of mighty power.
256
00:16:22,895 --> 00:16:25,505
I painted dark already against a dark.
257
00:16:25,535 --> 00:16:28,625
I can really do my work if I left it.
258
00:16:28,775 --> 00:16:30,065
That's the sad part.
259
00:16:30,245 --> 00:16:34,055
If you have white on
white, it will not show.
260
00:16:34,325 --> 00:16:36,305
This is the best is under painted first.
261
00:16:36,425 --> 00:16:39,005
Sometime a black canvas
is fantastic for that.
262
00:16:39,665 --> 00:16:40,925
Just use a black canvas.
263
00:16:41,610 --> 00:16:43,050
I should show you one day.
264
00:16:43,050 --> 00:16:45,150
I will show you how you do it on black.
265
00:16:45,210 --> 00:16:46,380
I think I did.
266
00:16:46,410 --> 00:16:48,030
I did that on my showers.
267
00:16:52,010 --> 00:16:53,660
no, we were create here.
268
00:16:53,660 --> 00:16:56,990
The highlights there is
where the water is the best.
269
00:16:58,940 --> 00:16:59,360
Yeah.
270
00:17:00,500 --> 00:17:08,060
And then again, around, yeah, let
her dance down here and then it's
271
00:17:08,060 --> 00:17:10,640
down here and then it's down here.
272
00:17:12,180 --> 00:17:13,560
Uh, yeah, that's good.
273
00:17:14,250 --> 00:17:14,910
That's good.
274
00:17:22,500 --> 00:17:25,470
Wonderful, wonderful, Kenny.
275
00:17:25,490 --> 00:17:27,660
She has, what's already bubbling down.
276
00:17:28,110 --> 00:17:29,230
No, you can have later.
277
00:17:29,550 --> 00:17:30,990
Let it move, man.
278
00:17:30,990 --> 00:17:34,440
Sport, the movements you
create that just by the here.
279
00:17:35,985 --> 00:17:39,615
Can you make a close up on and just
in-between someday and try to make
280
00:17:39,615 --> 00:17:42,105
a kind of a movement like that.
281
00:17:42,165 --> 00:17:46,875
And then against it again,
you just hired, fired and big.
282
00:17:47,955 --> 00:17:48,395
That's it.
283
00:17:48,395 --> 00:17:51,045
The foam on top of the water.
284
00:17:52,275 --> 00:17:53,415
Ah, that's nice.
285
00:17:53,685 --> 00:17:59,055
Maybe put some steam in here
too, you know, like, uh, when
286
00:17:59,055 --> 00:18:03,375
you have water rolling down like
that, there's a steam in the air.
287
00:18:03,885 --> 00:18:06,195
There's a steam in the air.
288
00:18:06,675 --> 00:18:07,515
Oh fuck.
289
00:18:07,755 --> 00:18:13,995
Oh, he look at no.
290
00:18:14,025 --> 00:18:15,825
Oh, I got power for an hour.
291
00:18:16,155 --> 00:18:19,005
I ever, he was black Lou.
292
00:18:19,605 --> 00:18:22,725
Move my filings and introduce colors.
293
00:18:23,055 --> 00:18:26,175
And I V I V Oh, no watch.
294
00:18:26,895 --> 00:18:30,735
I will create very dark.
295
00:18:32,145 --> 00:18:34,215
He how it works here.
296
00:18:34,995 --> 00:18:36,255
No, I fire him.
297
00:18:37,455 --> 00:18:38,895
Come from here.
298
00:18:53,719 --> 00:18:59,959
I a beg big block of stone standing
right in front of the horse thing.
299
00:19:01,100 --> 00:19:02,719
Uh huh.
300
00:19:12,770 --> 00:19:13,100
yeah.
301
00:19:13,459 --> 00:19:14,000
Good living.
302
00:19:14,149 --> 00:19:15,649
Good, good living.
303
00:19:18,794 --> 00:19:22,814
Like I said before, it's always
that feeling when you create
304
00:19:22,814 --> 00:19:24,225
and it turns out so good.
305
00:19:24,945 --> 00:19:30,855
Your mood is going up and up and up
and you start singing higher tunes.
306
00:19:30,855 --> 00:19:34,665
And your Bubba, you Bubba,
you can't in the hall.
307
00:19:34,755 --> 00:19:38,205
If you, yeah, you're in the mood to
say, Oh my gosh, wouldn't that be nice?
308
00:19:38,205 --> 00:19:39,345
That mountain comes down.
309
00:19:39,345 --> 00:19:44,865
Like there's a God powerful
mountain hanging up.
310
00:19:44,975 --> 00:19:45,395
Yeah.
311
00:19:47,975 --> 00:19:50,615
You understand this thinking this
you, I might be feeling you're
312
00:19:50,615 --> 00:19:52,265
putting that on mighty canvas.
313
00:19:54,300 --> 00:19:57,929
If you have a certain scene, then
you do whatever the scene takes you.
314
00:19:58,290 --> 00:20:02,399
But here, I just show you how you
create that or mighty mountain and
315
00:20:02,399 --> 00:20:04,379
it's up to you, whatever they would be.
316
00:20:04,379 --> 00:20:06,300
Big stone line there.
317
00:20:07,949 --> 00:20:08,520
Uh,
318
00:20:17,879 --> 00:20:18,899
nah, look at that.
319
00:20:19,080 --> 00:20:20,580
No, I will put a little bit of.
320
00:20:21,645 --> 00:20:26,805
High-touch but be careful with the against
the light, light and light is not good.
321
00:20:28,095 --> 00:20:28,455
Watch.
322
00:20:28,695 --> 00:20:30,335
See, I don't go up to the top of it.
323
00:20:30,335 --> 00:20:34,575
It starts somewhere there in order
to put some highlights in there.
324
00:20:45,285 --> 00:20:45,375
Yeah.
325
00:20:45,545 --> 00:20:48,875
If you get that heavy Dick
paint, that's what does it see?
326
00:20:48,885 --> 00:20:51,155
I, my movement, they
just come out of that.
327
00:20:52,225 --> 00:20:53,945
Just come out of that.
328
00:20:54,485 --> 00:20:59,945
I know here I would have a, on
this side ever have again, maybe
329
00:20:59,945 --> 00:21:06,665
just to, uh, other stones standing
here, but let's get out of this.
330
00:21:06,665 --> 00:21:08,195
We, we started off from here.
331
00:21:08,735 --> 00:21:09,875
It looks better.
332
00:21:10,590 --> 00:21:12,360
The you are the conductor.
333
00:21:12,510 --> 00:21:13,710
You make the decisions.
334
00:21:13,950 --> 00:21:17,520
If I left it in the high, in the
height of that Ridge there, where
335
00:21:17,520 --> 00:21:24,000
all the crabs are, the three trunks
are the, then you making this crashes
336
00:21:24,000 --> 00:21:30,900
there that wouldn't be a night, make
it a bit tired and it sets it off.
337
00:21:31,574 --> 00:21:35,985
You make a painting, you put a
rhyme rhythm harmony into that.
338
00:21:36,824 --> 00:21:42,254
You are next to God, you are
with the creator and he gives
339
00:21:42,254 --> 00:21:44,415
you that power of CRE 18.
340
00:21:54,600 --> 00:21:59,460
He know he be putting out be
we put it out against a dark.
341
00:21:59,480 --> 00:22:00,450
That's just perfect.
342
00:22:00,450 --> 00:22:00,870
There.
343
00:22:04,500 --> 00:22:09,440
I can't even close up would be nice
if we could see how it does movements.
344
00:22:09,440 --> 00:22:12,110
You see how, how, how loose, how loose.
345
00:22:14,054 --> 00:22:20,375
It is one stroke and that's on my distro
tied to Praxis that, because I know in
346
00:22:20,375 --> 00:22:22,385
the beginning you might do too hard on it.
347
00:22:22,564 --> 00:22:23,465
And it smears.
348
00:22:23,675 --> 00:22:26,855
If you got to lose as one voice,
either there's a certain touch
349
00:22:27,095 --> 00:22:29,524
to the thickness of your pain.
350
00:22:29,885 --> 00:22:30,754
And when you get.
351
00:22:30,865 --> 00:22:33,535
To know that then, you
know, you can break it.
352
00:22:33,805 --> 00:22:36,355
Birch trees are beautiful bark.
353
00:22:36,535 --> 00:22:41,605
You can pull up the bark, heavy bark
on trees, heavier roads, you know,
354
00:22:41,605 --> 00:22:43,705
the road tamp the roads in the forest.
355
00:22:44,065 --> 00:22:47,665
You bring it out to a wonderful with
that heavy take pain at breaks and
356
00:22:47,665 --> 00:22:50,625
give you all the holes and the ups
and downs Nixon knocks in there.
357
00:22:50,925 --> 00:22:52,485
It's all just fantastic.
358
00:22:53,145 --> 00:23:00,405
So it needs a bit practice and we just
can, nothing is given to us with nothing.
359
00:23:01,020 --> 00:23:02,430
We all have to work for that.
360
00:23:03,360 --> 00:23:04,380
And that it's good.
361
00:23:04,380 --> 00:23:09,210
If you could PAX us that to
really hear, because now I can
362
00:23:09,220 --> 00:23:10,560
make it a bit more exciting.
363
00:23:10,970 --> 00:23:17,570
Hey, who's white, white and blue,
white, and blue is something nice.
364
00:23:18,050 --> 00:23:23,780
I got the blue and I kept blues
that little bit of blues here.
365
00:23:23,780 --> 00:23:25,100
Cross you the water.
366
00:23:31,950 --> 00:23:32,250
Yeah.
367
00:23:32,310 --> 00:23:33,780
Closer to the water.
368
00:23:40,260 --> 00:23:42,390
Yeah, yeah, yeah, yeah.
369
00:23:43,080 --> 00:23:52,950
And he, and on top of that
stone, you can use light.
370
00:23:54,149 --> 00:24:00,000
And they make it literally like
splash right on top of the stone.
371
00:24:00,570 --> 00:24:01,620
Cause it's quite bad.
372
00:24:01,709 --> 00:24:08,639
Maybe here, we just set the video of
highlights up there and come down and
373
00:24:08,639 --> 00:24:10,830
that looks a bit more vet this way.
374
00:24:12,149 --> 00:24:14,219
Good, good, good, good, good.
375
00:24:15,530 --> 00:24:17,030
Uh, no, no.
376
00:24:17,060 --> 00:24:21,290
We will use our fan brush again, clean.
377
00:24:22,305 --> 00:24:30,915
Make sure everything is clean
and we add the water to that ass.
378
00:24:32,495 --> 00:24:34,715
No defenders will do the job here.
379
00:24:35,005 --> 00:24:39,125
I stretch it out with the fan
brush or you can make upstrokes.
380
00:24:40,475 --> 00:24:46,355
Hey, upstrokes like this nice.
381
00:24:46,385 --> 00:24:47,285
Upstrokes.
382
00:24:48,570 --> 00:24:51,000
And that had been in the shadow
of that mountain or of that
383
00:24:51,000 --> 00:24:54,740
thing I view is a blue more here.
384
00:24:55,790 --> 00:24:56,210
See?
385
00:25:05,780 --> 00:25:06,680
Oh, that's nice.
386
00:25:07,910 --> 00:25:08,000
Okay.
387
00:25:08,480 --> 00:25:12,410
And then that come into the light
there in the shadow of this mountain,
388
00:25:12,650 --> 00:25:14,690
that could be bluish more there.
389
00:25:18,695 --> 00:25:19,475
Oh, that's nice.
390
00:25:19,685 --> 00:25:20,285
That's nice.
391
00:25:20,585 --> 00:25:21,875
No, we were in here.
392
00:25:22,595 --> 00:25:30,515
He was the same, uh, like this,
unlike, unlike this and move it up
393
00:25:30,605 --> 00:25:36,875
a bit, move it up a bit like this.
394
00:25:38,675 --> 00:25:43,535
He liked the waters is often in and up.
395
00:25:44,175 --> 00:25:46,095
Up for the upstroke stare.
396
00:25:47,835 --> 00:25:54,205
He tried that and if we
look so good, Oh, Oh,
397
00:26:00,345 --> 00:26:01,605
Oh, I like that.
398
00:26:03,135 --> 00:26:06,975
And then when you like it, you're sad
if other people would like it too.
399
00:26:07,740 --> 00:26:10,620
And just on my technique,
I'm really hooked.
400
00:26:11,070 --> 00:26:16,680
It is it is the underwrite to fly, to
create for the monsters of the time.
401
00:26:16,980 --> 00:26:23,399
I would say out of this technique where
you can create the most beautiful pennies
402
00:26:23,399 --> 00:26:26,669
ever a pain, wonderful stories home now.
403
00:26:27,240 --> 00:26:31,810
And it's just because out
of this technique, Here.
404
00:26:31,810 --> 00:26:36,479
I only can show you, I show you a picture,
but then when you paint home and you have
405
00:26:36,479 --> 00:26:41,459
time, you tell stories with your work
and that makes it very, very, very nice.
406
00:26:41,790 --> 00:26:48,169
So what I do now, I just call easy at
its most finished, but let's just bring
407
00:26:48,169 --> 00:26:52,639
it up there in a little bit more fair.
408
00:26:53,060 --> 00:26:54,409
Don't be scared.
409
00:26:55,010 --> 00:26:56,090
Don't be scared.
410
00:26:57,840 --> 00:26:59,010
Hey, that's naive.
411
00:26:59,070 --> 00:27:06,150
That's just what the movement there
for fog and the mist and the movements
412
00:27:06,160 --> 00:27:09,130
from the water they're coming up.
413
00:27:10,490 --> 00:27:11,330
So what's the Debbie.
414
00:27:11,330 --> 00:27:12,230
Should they do more?
415
00:27:12,290 --> 00:27:15,650
There is nothing more to
do, and that's wonderful.
416
00:27:16,710 --> 00:27:18,570
Kia we say, it's finish.
417
00:27:19,350 --> 00:27:23,070
Then you start fiddling and that's
not good either that you enjoy it.
418
00:27:23,310 --> 00:27:30,300
Free dreaming, free living, free creating,
learn to learn, to learn, to create.
419
00:27:30,330 --> 00:27:33,020
Please do that because don't copy it.
420
00:27:33,020 --> 00:27:34,310
Copy is hard to sell it.
421
00:27:34,730 --> 00:27:38,630
But the creation, what you have
created is obvious, easy to
422
00:27:38,630 --> 00:27:40,100
say, thank you for watching me.
423
00:27:40,100 --> 00:27:40,790
And I love you.
End .srt file.
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