Bill Alexander's
The Magic of Oil Painting
Season 3, Episode 5, Fall River - AVAILABLE
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The bill on Xander show is brought
to you by Alexander art, create
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beautiful oil paintings faster and
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Even if you've never picked
up a paint brush in your life.
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Alexander art.
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uh, coming down, coming down
sometime they going up, you know, it
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depends on how the vendor's blown.
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We have some odd items in our
mine, and then we had the argument.
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Even the cameraman is it's not obvious
coming down because when the wind
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blows higher, the wind blows low.
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It's gone all over.
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It's flying all over.
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We all have seen it.
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There's not.
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So we have to condition ourselves
right now into the wonderful
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autumn time when all the leaves
are coming down or flying up.
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Depends on so good.
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So whatever you do here, I very
speech, very sad and talk about,
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because I think it is natural.
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But I do it for so many years.
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For me, it is natural, but people
might start maybe for the beginners.
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You would like to know how
the hell he will start here.
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You see a white canvas.
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See, I space it in my mind first,
put that on mighty magic, right on.
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Oh God, no mercy.
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That our Mady magic Wade
without that magic, right.
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I already have most on, I don't
want to fiddle around too long.
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Just you only see me doing magic vibes.
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That's on right now.
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Make sure you don't have too much.
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That's good.
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Too much is always it's really not good.
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So I have a show you're in how I spaces.
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These, this is nice.
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I feel a certain pull.
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If it is too much, then, then
you just push around magic.
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Right?
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There is that wouldn't work.
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Anyway.
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I like just to see you using magic, right.
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But really not too much.
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Make sure you have a dry brush.
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I would say.
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Oh, here's what the river starts.
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Maybe there depends on how much of
river you wants to show the, I would
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say from here on let the happy little
river come down right over the whole
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canvas and the rest, maybe show a
little bit of a sky is always nice.
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And then you fire the sky into
the water, and now we will have,
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what is the light coming from?
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Maybe we let the light come
from the left side this time.
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It's always nice to have.
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Sidelight the best paintings
are where you have a side light.
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When they have a direct light, I lose
lots of power in my pain because the shed
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dusk, you see the shed is gone off you,
but in the side movement, you have not
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only the, the highlights on the tree,
but you have the shed is coming over the
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land, but mix gives you far more power.
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The as more, usually pain.
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As more, you're hungry for a good
painting, a painting, what will
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sell, or you can make a happy buck
too, because without money you
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can't buy any paint and any brushes.
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So we have to make sure, at
least we get that before.
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And when we start good in this
case, I will put a little bit of
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a blue sky together from the top.
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Start from the top.
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And you come down, down, down.
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Good.
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Now I will.
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I will.
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I will.
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Can you no brush and if would use a
touch off, uh, Orange color, orange
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color, but look, take a good look.
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I just is nosy.
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I have nothing in my brush.
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Here's the little bit of orange color
and I want you to be how, how little.
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I just would like to have a little
bit of a autumn light coming up there.
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If that's not enough, I'm
always scared to have too much.
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You see how I take it off just a little
bit here and then you're already in here
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and then, you know, already that that's.
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Yeah, that's good.
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That's good.
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Just to have a little, and then
go up into the blues there.
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now I will, I will go and use
the same blue from the bottom up
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and come up, up, up, up, up, up.
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See how I light the water down.
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Because the sky is in Nevada.
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I don't, I wants to leave a bit
of a rough, rough movements.
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Art them sometime shows
you, uh, autumn VIN.
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You know, that's where we
argue about the leaves.
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Hold the leaves are coming up or down.
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The leaves are flying around.
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Sometimes
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as artificially.
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Um, you know, you see it.
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I only wants to put that
what I got in my insight.
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I know that right now on my canvas
and it makes a nice painting
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because you, you have it's original.
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It was the time you, you lived.
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That is the year.
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That's the time of your life.
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That hour, you put that on that canvas
and that will live for a long, long time.
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So I wash my brush.
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I wash my brush, make sure, obviously
you have a dry brush and the clean brush.
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Now, maybe I just very, very, not
much paint on the, how it gets.
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I lied it flat.
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It looks like it is lying flat.
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Is the uptick illusion I've
uh, I've used the big brush.
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Yeah, I bet.
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And ever attach attach with
blue up here and attach of
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Taylor green, Taylor green, the.
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And a little touch of alizarin Crimson.
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No mercy, mercy.
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I want you guys to kind of a distance.
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She has a lot of colors in there already.
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Maybe that's why they be
showered there in the distance,
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fire it right into the water.
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See.
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Now you can use a fan brush and you
can add a little bit of a mixed forest.
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I would like to have live
trees and four trees.
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I would like to have a good variety.
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I will use a touch of SAP green.
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See how I take it off here, there,
and use this kind of a color.
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And then I just add a little bit
of, uh, uh, For three, they're
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sticking out between the other trees.
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Maybe we have two, maybe one here.
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Yeah.
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That's all.
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Just press a bit harder.
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And it gives you the branches.
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The, there you are.
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That's fine.
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Now I will use the one inch
brush and I've, uh, go into the
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hello and the touch of white.
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And I will thank the light
is coming from this side.
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I add a little bit of light
there, but there, but there,
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he wants to have distance.
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I wants to see a distance there.
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The, yeah.
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This little attaches this,
you have a feeding of, uh,
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don't mess it up.
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Just let it go like this.
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That's good.
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Maybe hear a little bit more
maybe from the sunny side.
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Yeah.
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Go ahead.
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No, the next step is I will
use the big brush again and
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ever go into the magic, right.
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And a Taylor green and look
like this and I fire him.
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Hey Boone or no mercy.
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See if you handle it right.
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You have all the details, right there.
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Depends on what you want to show up.
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We have to learn to get that brush gone.
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A lot of people pick on me,
even though a big brush.
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It's good to paint the house
or whatever, but if you tame
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that brush, that's the same.
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You tame line.
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You can make the finest lines
and the most figures, I get so
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many figures out of that brush.
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Does he ever show you little figures?
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No.
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Then I use XE.
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I use lot of paint that green bit of
Taylor green is always a nice color in it.
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And here you see actually nothing,
but you look at that brush.
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It is already all the
branches are there already.
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Can you see.
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Yeah, I leave it open.
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I don't close the brush up and
then maybe here, I wouldn't
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want to hear ARR, ARR, ARR,
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you lose branches.
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Look at that beautiful
branches coming in there.
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This is the shadow side and
fire right into the water.
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As he fires right into the water there,
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not too much paint.
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And now we very, very,
very, very well Hughes.
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Steve, this light is
coming from this side.
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I've a highlight this here.
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see, thank the light.
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Here's that's an, a shadow.
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You are the leader of light
and you make it happen.
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See on this side here.
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First I got doc, let me finish up the,
I got to finish up this in-between now.
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Otherwise, when I once to a blended,
then I need the power, whatever,
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whatever, whatever to do this.
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Right.
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So I've,
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they're here in Nevada.
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You see it here in the water.
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This is here, but that's fine.
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And they're just going like this.
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I would put a bit of that
yellow into the water too.
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a put that in the water too.
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Ah, there we are.
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No, I use my big brush, a clean
brush and I pulled it down again.
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Very light strokes.
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And I make my side strokes
before I go on with the rest.
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So they have that background done.
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Right.
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And now I use the fan
brush and watch what I do.
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I pull off the dark colors here is
green and SAP green and Taylor green.
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And the statue of blue is all in here.
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And I create a kind of a.
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Love it there.
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You can have up upstrokes over there.
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See the upstrokes there's
like three trunks sticking up.
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Then you, you pull it down.
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I'd rather look for a bigger brush,
a bigger brush, but do a better job.
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The, I go into the paint now and pull
it down into that pain and put it down.
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The, that gives you a nice
put and now I got this.
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Perfect.
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And again, desired strokes.
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That's odd and you form yourself,
uh, uh, shoreline there.
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I use what I do.
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I make myself ochre color, orange,
white, and touch of yellow.
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So that's a good color for there.
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And I will have here on this side.
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The sun shining.
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Hey dad.
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That's why the sun is shining.
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Then here, here, I read it.
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Use a touch of blue.
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And why then it makes it kind of a bluish
color and use that orange in to leave.
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Whatever's the leftovers there.
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And I wear, I will.
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D that's in the shadow
and this and the light.
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And then I promote that light bed.
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I show you, I show you in
order to really make it a life.
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I use a white and yellow look
how I do it, yellow and light.
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And.
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I would say, well, you see
the, the, the light here.
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I promote here a little bit of
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the fires right into the water to
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not wonderful
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and use that mighty big brush.
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And make it really nice,
very, very, very light, light
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strokes, and pull it back again.
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That's good.
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He just gives you all that
deep, nice color there.
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And if you you're unhappy, sometime I
see here more power would be, if I have
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that little bit of dark in here, can you
see, watch every show you how that works?
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See how much power you gain.
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By just having that little
bit of a dark in there.
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Hey, maybe here like that bit
of dark coming out here too.
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good.
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No, the big brush and that little
bit of a poet is always nice.
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And then we leave it.
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No, I have my background done.
248
00:17:07,790 --> 00:17:09,620
Little bit of water lines.
249
00:17:10,724 --> 00:17:16,724
In the sun after sun, the, in
the sun here would be like this
250
00:17:21,244 --> 00:17:22,534
C N a Honda, Ford.
251
00:17:23,464 --> 00:17:23,554
Okay.
252
00:17:23,915 --> 00:17:24,605
Oh God.
253
00:17:24,605 --> 00:17:29,044
What a wonderful vibe to be alive on
this earth when you can paint like that.
254
00:17:30,335 --> 00:17:35,915
And then you use a bit of a bluish
white colors in the shed with sight.
255
00:17:37,595 --> 00:17:38,585
He like here.
256
00:17:52,565 --> 00:17:55,930
and, you know, automatically when
you paint like this, There's a kind
257
00:17:55,930 --> 00:18:04,060
of a tune popping up again and you
visited or you, you, you you've got
258
00:18:04,060 --> 00:18:06,820
that tune, but bothers you sometime.
259
00:18:07,600 --> 00:18:13,600
And it's a happy tune, kind of
a happy, uh, harmonizing tune is
260
00:18:13,600 --> 00:18:19,720
blown into, you know, I will, I
will use a big brush and fire and
261
00:18:19,720 --> 00:18:23,950
again, dark Taylor green, zap green.
262
00:18:25,245 --> 00:18:26,745
And even a touch of black.
263
00:18:27,075 --> 00:18:31,534
You need all that dark first
here, little bit there.
264
00:18:31,534 --> 00:18:32,735
That's the shadow side.
265
00:18:33,064 --> 00:18:36,185
The, this, this, this, this is it.
266
00:18:36,245 --> 00:18:40,625
You're done here, but
branches hanging down.
267
00:18:40,865 --> 00:18:43,564
They have to be you promo botch three.
268
00:18:43,895 --> 00:18:45,635
You're pronounced good.
269
00:18:45,965 --> 00:18:49,385
There you are either hanging
the right into the water there.
270
00:18:50,400 --> 00:18:57,090
Then on this side, you do the same and,
and watch against that light, that dark.
271
00:18:57,300 --> 00:19:01,230
Oh God, isn't that something,
but that's the light side again.
272
00:19:01,750 --> 00:19:03,090
I will show you how we handle that.
273
00:19:03,120 --> 00:19:03,780
After
274
00:19:08,990 --> 00:19:15,500
you need a dock in order to show light
without dark, there is no light sometime.
275
00:19:15,510 --> 00:19:16,490
It doesn't make sense.
276
00:19:16,520 --> 00:19:17,390
When you say that.
277
00:19:18,435 --> 00:19:24,225
There is no light without dark, but
when you paint, then it makes sense.
278
00:19:24,375 --> 00:19:28,065
It doesn't make sense when you
live and say there is, if you
279
00:19:28,065 --> 00:19:29,865
make a dark, there will be light.
280
00:19:30,690 --> 00:19:35,400
The, in the, in the living, by of being
here on earth, you would say dark as dark
281
00:19:35,400 --> 00:19:41,160
and light this light, but I have to have
a contest and in order to have it, then
282
00:19:45,520 --> 00:19:50,690
you, you fire her in no mercy.
283
00:20:01,320 --> 00:20:08,580
See, and now we were, we were, uh,
started off at the happy little scratcher.
284
00:20:14,070 --> 00:20:14,520
yeah.
285
00:20:18,780 --> 00:20:19,379
Hey.
286
00:20:25,925 --> 00:20:35,075
And then, then we, we will, we will
fire in some highlights, some orange
287
00:20:35,075 --> 00:20:38,585
ukulele do a lot of orange yet at all.
288
00:20:39,665 --> 00:20:42,975
And we got that autumn feeling and, yeah.
289
00:20:42,975 --> 00:20:43,195
Ready?
290
00:20:43,195 --> 00:20:46,585
It'd be there maybe.
291
00:20:46,805 --> 00:20:49,145
Yeah, maybe a dare.
292
00:20:59,554 --> 00:21:05,764
her powerful, how powerful it gets
and more the, I load the brush with
293
00:21:05,794 --> 00:21:09,455
yellow and orange and attach a Vite.
294
00:21:10,294 --> 00:21:13,504
The, no, I wants to have
it here against that dog.
295
00:21:13,534 --> 00:21:13,975
That is.
296
00:21:27,149 --> 00:21:34,439
More more, more, uh, and
I gotta go over there.
297
00:21:35,310 --> 00:21:36,300
Eh, autumn
298
00:21:39,419 --> 00:21:40,260
dark obvious.
299
00:21:40,280 --> 00:21:44,790
Let that dark show in between.
300
00:21:53,855 --> 00:21:55,925
but leaves a dark hole stare.
301
00:21:55,925 --> 00:22:00,545
He, he don't cook close them up
because we need that in order to
302
00:22:00,545 --> 00:22:05,795
show the power of whatever you
have and needed more darker, dead.
303
00:22:05,855 --> 00:22:07,715
Everything has to be darker here.
304
00:22:07,715 --> 00:22:14,435
No, see everything has to
be darker there and, uh,
305
00:22:18,135 --> 00:22:24,645
And we were dance, just
orange color thing, wherever,
306
00:22:32,525 --> 00:22:34,415
let it float even sometime.
307
00:22:34,415 --> 00:22:35,345
It's beautiful.
308
00:22:35,345 --> 00:22:41,195
If you have the leaves that floating
off there, the floating leaves at just.
309
00:22:46,895 --> 00:22:47,465
wonderful.
310
00:22:47,465 --> 00:22:48,935
He has a call us in nice.
311
00:22:49,265 --> 00:22:53,585
And they would say here and on this
side and the shadow side, I use a
312
00:22:53,585 --> 00:22:55,745
listen Crimson's you want to do it?
313
00:22:56,700 --> 00:22:58,200
Use the brush to buy it is.
314
00:22:58,200 --> 00:23:02,659
And I, I foreigns, um, I lived
in Crimson called us there.
315
00:23:05,420 --> 00:23:11,960
Oh, be like a bandmaster fire and
give us a rhythm, the rhyme and
316
00:23:11,960 --> 00:23:16,490
harmony, and there to some type
of a thing sticking out there.
317
00:23:16,580 --> 00:23:17,480
I'm calling it us.
318
00:23:22,110 --> 00:23:26,070
Some kind of a color Stanley
hanging right into the water there.
319
00:23:28,320 --> 00:23:32,760
Even when you have it done like this,
then automatically you fire, right?
320
00:23:32,760 --> 00:23:35,220
The reflection into the water dead too.
321
00:23:42,180 --> 00:23:42,950
Audio is on.
322
00:23:42,960 --> 00:23:44,700
It really gets powerful.
323
00:23:45,780 --> 00:23:51,180
And then you, you, you, you,
you, you, you that some now let
324
00:23:51,190 --> 00:23:53,910
me go and clean up a little bit.
325
00:23:53,940 --> 00:24:01,740
The whole thing, we really make bought
out that before we go further, uh, do
326
00:24:01,740 --> 00:24:04,740
it like this and be, do it like this.
327
00:24:04,950 --> 00:24:08,160
So he could do it like this.
328
00:24:14,780 --> 00:24:15,320
Good.
329
00:24:16,110 --> 00:24:23,630
He know he can even, he was the knife
and float float leaves around there.
330
00:24:26,240 --> 00:24:28,790
The me come far West is more powerful.
331
00:24:31,460 --> 00:24:35,660
The, the sun hits this side and
this is the burning side here.
332
00:24:35,690 --> 00:24:36,290
Whatever.
333
00:24:37,830 --> 00:24:39,570
There's lots of action there.
334
00:24:40,729 --> 00:24:41,209
Good.
335
00:24:49,729 --> 00:24:55,159
See, on this side, you, you used
a bit of bluish colors like this.
336
00:24:55,250 --> 00:24:59,899
Again, the, you come into through
the shadow side and then you
337
00:24:59,899 --> 00:25:04,340
have the darker colors there.
338
00:25:05,370 --> 00:25:05,850
SI.
339
00:25:11,810 --> 00:25:11,970
Yeah.
340
00:25:11,990 --> 00:25:12,830
How it comes up.
341
00:25:12,889 --> 00:25:13,639
Nice.
342
00:25:13,970 --> 00:25:17,639
And then here, here, here, here,
here, here, here, here, here, here.
343
00:25:17,659 --> 00:25:18,010
Yeah.
344
00:25:18,520 --> 00:25:18,940
Yeah.
345
00:25:19,850 --> 00:25:21,500
You're firing like this.
346
00:25:27,800 --> 00:25:28,070
Yeah.
347
00:25:28,470 --> 00:25:31,399
And, and bit of light hit here.
348
00:25:35,794 --> 00:25:36,514
And that's wonderful.
349
00:25:36,514 --> 00:25:37,955
Look how you put it off.
350
00:25:37,955 --> 00:25:42,335
Like this gives you a light and
you can do it as much as you want.
351
00:25:42,365 --> 00:25:43,804
It's just choose the big brush.
352
00:25:44,284 --> 00:25:48,695
Buy you feel sometimes a little bit
of upstroke gives you that little bit
353
00:25:48,695 --> 00:25:50,975
of a grassy could ask you a feeling.
354
00:25:51,395 --> 00:25:56,165
Hey, Dan, here, here,
here, here, here, here.
355
00:25:56,235 --> 00:25:57,215
You, you, you, you.
356
00:26:10,235 --> 00:26:14,345
and you, you put highlights on the tree.
357
00:26:14,735 --> 00:26:17,045
They're like this, the sun hits it.
358
00:26:17,045 --> 00:26:17,615
They're
359
00:26:20,765 --> 00:26:21,305
wonderful.
360
00:26:21,875 --> 00:26:22,175
They're good.
361
00:26:22,175 --> 00:26:22,375
There.
362
00:26:26,415 --> 00:26:29,115
And then let them hit it in between here.
363
00:26:29,115 --> 00:26:32,445
Maybe a spot or you dang.
364
00:26:32,455 --> 00:26:33,584
It looks good.
365
00:26:39,254 --> 00:26:40,274
There you are.
366
00:26:41,235 --> 00:26:42,615
And you see what happened.
367
00:26:43,410 --> 00:26:47,370
Maybe you can make a copy of
scratches here and there and there
368
00:26:47,370 --> 00:26:49,410
and there and there and there.
369
00:26:49,500 --> 00:26:55,380
And then, then, then, then, then
there, and maybe here, put that
370
00:26:55,890 --> 00:26:58,140
and you have a happy ending.
371
00:26:59,459 --> 00:27:04,649
Wasn't that nice to walk to the autumn
colors to the autumn rivers and see all
372
00:27:04,649 --> 00:27:08,370
the leaves floating nearby was easy to do.
373
00:27:08,590 --> 00:27:11,250
Thank you for watching me and I love you.
374
00:27:12,620 --> 00:27:14,419
Want more beautiful oil paintings.
375
00:27:15,169 --> 00:27:21,229
Bill's paint and all your art supply needs
are only a click away@alexanderart.com.
376
00:27:22,040 --> 00:27:23,840
Just click on the online store link.
377
00:27:24,825 --> 00:27:25,455
You can paint.
378
00:27:25,845 --> 00:27:28,815
We promise Alexander art.com.
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