Bill Alexander's
The Magic of Oil Painting
Season 6, Episode 1, Candle on Black (Portrait) - AVAILABLE
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The bill on Xander show is brought
to you by Alexander art, create
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beautiful oil paintings faster and
easier than you ever thought possible.
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Even if you've never picked
up a paint brush in your life,
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Alexander art, you can paint.
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We promise Alexander art.com.
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Just wonderful to be in your home.
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Again, I'm really happy
this you accept me.
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I wants to be a teacher, but you know
what really sometimes bothers me is
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the time, especially when I go into
still lives, I need at least an hour.
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Can you imagine you would like to
finish a painting in a half an hour?
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I do it because I Iraq,
Iraq, but whatever.
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Do he ever talk as much as I
can about the technique and
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the details, how we get there?
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And then you home, you can test,
develop it better and better time
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will come where we can be me together.
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One day I will travel a lot in
the next couple of months and I
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hope we can meet somewhere and I
can explain things to you better.
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Okay.
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Is this still life again?
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A black canvas again, the black canvas
put acrylic on like a latex black latex.
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What I do, I go to the hardware
store and buy a crown of black latex.
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Paint the canvas black and leather dry.
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Does it dry black latex canvas.
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I aim for a candle and led candle.
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A candle light is let up.
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The candle
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candle light is red.
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It gives you a red, yellow.
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The flame is red yellowish.
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I put alizarin Crimson on the canvas.
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I live in Crimson on the canvas
because when they touch the other
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card on top, that rage will come out.
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This red, but I put on is transparent.
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Trans parents.
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What kind of parents
transparency that something?
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No, I, no, no, no.
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I am not nuts.
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I hope not.
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You know, van Gogh, he cut his ear off.
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You see that's what happened
to art sometime too much
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imagination, too much imagination.
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You have to imagine a lot.
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Alizarin Crimson was
right on the canvas again.
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Fire that whole canvas.
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And I like to have a dark on the bottom
again, when I, when you ever see me
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painting still lives is always nice when
they come out to the dog and to the light.
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So now I get use again, a bit of
pressure blue D I go right in with the
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paint, with my brush to depression,
blue, and then clean my brush.
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And then I just fire on
we're on doing that here.
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So if I put vice on there,
it's really purposed.
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Perfect.
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Okay.
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Okay.
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So I think I have it licked here.
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He come out of the dog and to
the light, slow up, up, up gently
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will come up into the light.
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Now you clean your brush.
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I would just go by the brush and time,
time, time, time is running my dog.
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I ever do it like this.
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Can you see here?
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The lines?
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Can you see half this half and this half?
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See, I can see the details
better if I do it like that.
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See.
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But if you can spot it, getting out
of that in Crimson into the blue
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down there, but the black behind
makes it as dark as possible.
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Okay.
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Would take me too much time.
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Why the devil I paint let's me
say I wants to put the flame on my
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eye, the globe behind the flame.
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I use Tetro.
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Fred, take the red off.
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I would say there, this is
what the flame is in there.
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Middle somewhere and dabbled it around.
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around, around, around, around,
around, around, around Iran.
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But, um, more and more light.
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The light, the brightest is where the
light is where the candle flame is.
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And then it gets darker, darker, darker.
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And that's what I do.
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What I do.
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I just finding the thread.
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Again, maybe I use a touch of yellow in
it now and fire right into the middle.
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You see how it gets a bit
lighter there that they put
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the touch of yellow into that.
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And then you are on again and up
and around and round and round
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on their own, in their own, under
their own and the wrong and wrong
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and the wrong, something like that.
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so I think I have the flame,
the glow of the stream.
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I have a clean brush.
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No, I dress brush it out a bit.
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Just brush it out to bit, all around,
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see like this, if you want, you can
leave the brushstrokes like this.
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If you want, you can leave
the brushstrokes like this,
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the paint is thick and strong.
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You don't have to worry this.
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You messed up the colors, but if you
want to, you can make lines like this.
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Again, I have McCafe when you take
your new, it's like you're clean
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that all, you see the details better.
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Can you see it?
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Good.
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So maybe I do it like that.
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Then you have it nice and clean now and
leave it, leave it like light comes in,
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you know, it will, it will work into you.
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You can have it very soft.
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You can make it very soft if you want.
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But I like it a little bit rough
because that is posing to you.
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That light is that, that flame in
the middle is it gives me more EMPA.
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Okay, good.
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I ever seen, I ever said the flame,
I use yellow and a touch of white,
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yellow, and a touch of white,
yellow, and a touch of white.
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And I would say the flame is that's
the name from the catalyst there?
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No, I will use my knife.
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Now use my almighty knife
and I create a candor.
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Yellow and white, but
what's what happened.
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Watch what happened?
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You Mustang, alizarin.
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Crimson is on the canvas.
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See, I, this create the camera there.
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Yeah.
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But I must've been out.
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I will explain it to you right away.
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Make sure you have it very bright on top.
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This is the main thing, very
bright around the flame.
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And I own the flame.
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I will use your lizard brush.
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I will lose it here.
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And you can, you can go
around if you want to.
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Your show like this, the insight of the,
of the, of the candor and there in the
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inside, I would like to make it kind of a
patch off, watch this, like the heat, the
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heat, the heat from the candor softens the
candor, but then as you, uh, down, but as
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you, uh, down the Canyon turn like this.
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Docker Docker, Docker, Docker, Docker,
Docker, Docker into nothing into
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nothing that is the power of a painting.
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Naked could turn it into nothing.
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No, I will, I will, I will put
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that, you know, that all type
of attends a holder, here's a
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funder in that funnel there.
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Uh,
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and I tell you, you might
laugh about that now.
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You would say that guy's crazy.
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He paints that candle holder, that
fun like this, but by doing it
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like that, you have both sides.
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Right?
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I show you, show us the reason why
I do it like that, because when I
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do it like that, then I can set the
candidate into the insight you see.
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Then you set it into the insight.
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That was the reason I paint like
that because you invent things
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because when I wanted dark there,
see, now I have both sides, right?
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If you, in the beginning, we all do that.
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We do it from one side from the
other side, from one day, and then
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all of a sudden one is higher.
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One is no one is higher.
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It never works.
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That is a good thing.
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You remember that ideas
make it on font run.
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It stands there and you
got the right on both side.
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That oval is just perfect.
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The everything has, is has this.
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Whatever you do in every trade, you
find, you find the shortcuts, the
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goodies, and this is a good shortcut.
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I like that.
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And I bet you would like that too.
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And never, never really mislead you.
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The now I put a little bit
of a line around there.
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Something like this
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janky.
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See what they do with my palette.
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Could you make me go truck in lane?
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Wherever I can on I'm
laying on my palette.
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Use that as a beautiful trick.
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Otherwise just have a stick.
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Before I got to stick in my hand,
they wouldn't have to put my palette
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down and it takes time, time.
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You got no time for nothing.
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I don't miss time.
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That's what I think
that is a beautiful ID.
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If I wants to have a
relaxing bang, look at that.
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I'm sorry.
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It's on it, right.
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Maybe I gave him an extra punch there.
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No, no, no Bronco, no, go here.
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We put the dinner, drop a candle light.
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The candle is dripping.
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Maybe here on the outside is one.
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You can create more if you want to.
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But then in the, in that, in that
funnel where you create this kind
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of a thing, Managing the candle is
melting and you fire in that that, see,
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I'm pulling it up.
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See.
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No, you can do it all around.
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If you want, you can
leave it on some spots.
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You hear everything is coming down
and it was in there and it drives
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like this and it drives up like this.
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It's up to par up to you, which by
you see something becomes very flat.
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It flattens out if it gets into
something to some container and then
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you can make it a bit more exciting.
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More excited thing lifted
up to wherever there.
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Maybe he has one more,
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all around, all around, all around
around, make it a little bit darker
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there and make it a bit darker.
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I know you feel sorry for me when
you dabble like that and you have
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a show like I have here, I feel bad
because I feel you are sitting there
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and watching me and say, or does he
do something he has to do with it?
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That makes me feel itchy.
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I'm not very comfortable with that.
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You have to live with that.
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We will fight.
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We will fight no mercy, no mercy.
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I create the kind of, uh, uh,
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tried to get in the middle C that is
over that way and go back this way.
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Kind of.
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Good.
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Good.
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Good, good.
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Maybe he'll be punched out more.
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And then, then here we created,
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I haven't used a bigger brush for that.
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No mercy there again.
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See how it works.
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You Mustang, the light is
filing it into that big thing.
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There.
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And curve curve, which why you wanted
maybe a touch of yellow gives you an
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extra fire there more, more, more, more,
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Oh, that looks better than on this side.
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step back and see if you're still in.
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Have it staring roughly you
saw this, you can accept it.
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Does he can't accept that?
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Accept that?
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No, I will use a fan brush my be brush
and create, create, create, create.
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Uh, this fondant and this fondant,
roughly this is harmonized.
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I would say it would be here,
here, here, here, here, here.
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See something that directs you
in that direction, then you can
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dabble like this
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SI.
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That are like this.
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Maybe he is.
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Maybe he had one on my head
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slowly but steady.
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You get the happy insight in there.
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Now the Docker brush.
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Like more dark paint and the needs.
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You see
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whatever underneath there.
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Can you imagine that's a flat bowl?
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Like I show here, you see
a little bit on this side.
246
00:18:12,920 --> 00:18:17,540
Maybe what we will do is use a
touch of white and tour cars.
247
00:18:17,810 --> 00:18:20,090
Like, like yes, the little touch.
248
00:18:20,100 --> 00:18:20,660
No, with this.
249
00:18:22,304 --> 00:18:23,925
Is he, there,
250
00:18:27,845 --> 00:18:29,225
there is no color.
251
00:18:29,284 --> 00:18:30,365
There's no sunshine.
252
00:18:30,455 --> 00:18:31,595
There's no sunlight.
253
00:18:31,745 --> 00:18:32,885
There's no candlelight.
254
00:18:33,274 --> 00:18:35,435
That's kind of a shadow.
255
00:18:35,885 --> 00:18:39,215
And blue is as good underneath there.
256
00:18:41,355 --> 00:18:46,355
Just little touches, just that
attaches here's little touches.
257
00:18:50,360 --> 00:18:50,900
Maybe here.
258
00:18:57,050 --> 00:18:58,450
No, you fired.
259
00:18:58,460 --> 00:19:05,660
And again, I use, I use, I
just have to take off now.
260
00:19:06,260 --> 00:19:12,080
I connect all that from here into that.
261
00:19:13,460 --> 00:19:15,590
See I'm here.
262
00:19:20,250 --> 00:19:22,890
Whatever it might get a bit to ride.
263
00:19:23,430 --> 00:19:26,130
This Crocket is always nice.
264
00:19:26,130 --> 00:19:29,250
When you stand back as more, you
stand back, I wish we had the
265
00:19:30,030 --> 00:19:31,590
foot long handle on the brush.
266
00:19:31,830 --> 00:19:33,660
Then you can really do a better job.
267
00:19:53,375 --> 00:19:55,824
Oh, no.
268
00:19:58,355 --> 00:19:59,165
you can use.
269
00:20:00,120 --> 00:20:03,540
Maybe a little square
brush like this here.
270
00:20:03,540 --> 00:20:08,340
That's kind of a brush
and you, you, you fire it.
271
00:20:10,400 --> 00:20:15,950
He is handled there.
272
00:20:21,410 --> 00:20:24,890
Wonderful wander for then.
273
00:20:24,950 --> 00:20:25,370
Ew.
274
00:20:25,390 --> 00:20:25,810
Ew.
275
00:20:25,970 --> 00:20:26,340
Ew.
276
00:20:26,390 --> 00:20:26,720
Ew.
277
00:20:26,780 --> 00:20:27,210
Ew.
278
00:20:27,250 --> 00:20:27,550
Ew.
279
00:20:27,580 --> 00:20:27,950
Ew.
280
00:20:29,835 --> 00:20:30,615
Uh,
281
00:20:36,425 --> 00:20:37,625
lighten up a table there.
282
00:20:37,635 --> 00:20:46,685
Somebody who create this draws a shed on
the TV and your wants to have that bit of
283
00:20:46,685 --> 00:20:49,535
light dancing on that table or somewhere.
284
00:20:53,209 --> 00:20:56,689
So much comes in so much comments.
285
00:21:08,360 --> 00:21:12,110
So you understand the
word ID we fired him.
286
00:21:13,610 --> 00:21:17,149
We let that flame give him a
little bit of extra light there.
287
00:21:18,090 --> 00:21:22,320
That's where you, where you get the
power in your pain, mighty power,
288
00:21:22,320 --> 00:21:25,740
but you look for so much, so much.
289
00:21:26,160 --> 00:21:29,430
And the painting is so much dead.
290
00:21:29,430 --> 00:21:33,390
There's this canvas so much canvas
and no, not enough action there.
291
00:21:33,690 --> 00:21:34,380
And here.
292
00:21:34,380 --> 00:21:37,680
We want you to create all that and
you want to create all that with a
293
00:21:37,680 --> 00:21:45,030
couple couple of on mighty, mighty
strokes, couple on mighty strokes.
294
00:21:46,020 --> 00:21:49,620
No, no, I will power in the bag.
295
00:21:49,649 --> 00:21:50,550
Highlights
296
00:21:54,590 --> 00:22:01,070
the more light, more light on
one spot, but keep that swing.
297
00:22:01,489 --> 00:22:02,540
Keep that swing.
298
00:22:04,040 --> 00:22:05,959
Yeah, we'll bring out already.
299
00:22:17,375 --> 00:22:18,335
There's a dance there.
300
00:22:18,575 --> 00:22:21,305
Light light is a funny, funny animal.
301
00:22:21,545 --> 00:22:24,545
That light you have to bounce,
bounce, bounce, bounce.
302
00:22:25,405 --> 00:22:30,305
And in order to get a device,
you wanted that, that flame here.
303
00:22:30,485 --> 00:22:31,595
That's name here.
304
00:22:32,550 --> 00:22:41,380
That flame here where you just hit there,
when it there make it happen, make it
305
00:22:41,380 --> 00:22:43,170
happen wherever you think it should.
306
00:22:43,170 --> 00:22:45,810
Bounce, bounce, bounce, bounce.
307
00:22:46,410 --> 00:22:53,670
They hear here doing a little bit more.
308
00:22:56,205 --> 00:22:56,795
Yeah.
309
00:22:56,795 --> 00:23:02,175
In this case, you can create that
tender here, draws a shut door, doors,
310
00:23:02,175 --> 00:23:04,395
the shed door on the whole thing.
311
00:23:04,455 --> 00:23:08,685
Then you can easily have
a shutter line there.
312
00:23:08,885 --> 00:23:09,485
Me
313
00:23:13,145 --> 00:23:16,325
on the bottom of the sea on the
bottom of that toward you there.
314
00:23:23,180 --> 00:23:25,190
Jen, do you see no drawing power?
315
00:23:25,490 --> 00:23:27,380
How nice it is to use?
316
00:23:27,920 --> 00:23:28,820
I never draw.
317
00:23:28,830 --> 00:23:32,990
I learned to see it and draw
in my mind what I did here.
318
00:23:33,020 --> 00:23:39,040
I draw, I switched it all and draw it in
my mind is a beautiful way of doing it.
319
00:23:43,480 --> 00:23:44,120
There.
320
00:23:44,760 --> 00:23:50,760
And now it's just parking out, spark
out, sparked that whole canvas.
321
00:23:50,790 --> 00:23:53,090
And you got the beautiful,
beautiful painting.
322
00:23:55,070 --> 00:24:00,260
We use lots of white and yellow, lots
of white, and even, even nice big guts.
323
00:24:00,260 --> 00:24:03,290
I would say it breaks
somewhere here on this corner.
324
00:24:09,470 --> 00:24:12,200
That's a, that's a bounce
here and there and there.
325
00:24:12,855 --> 00:24:15,465
Um, maybe I, I use all the lights.
326
00:24:15,465 --> 00:24:17,595
I can get, maybe hear a bit more,
327
00:24:24,885 --> 00:24:32,415
maybe a little bit of insight tech,
just have this, bounce it out, bounce
328
00:24:32,415 --> 00:24:34,815
your, your, your whole thing, whatever.
329
00:24:34,935 --> 00:24:38,145
It's hard underneath because
there is no light underneath.
330
00:24:38,205 --> 00:24:38,775
That's fun.
331
00:24:40,425 --> 00:24:44,055
You just have to work with the
rims and with the high point
332
00:24:44,655 --> 00:24:47,025
and give him, give him whatever.
333
00:24:47,025 --> 00:24:48,795
Maybe here might be a good spot.
334
00:24:56,885 --> 00:25:00,815
And if you, if you, the,
in this case, I did groove.
335
00:25:01,295 --> 00:25:04,205
You are not in trouble because
you just use the other brush.
336
00:25:04,625 --> 00:25:05,405
Watch this.
337
00:25:09,045 --> 00:25:14,445
Can you see, that's what I
wish pleasing it rebuilding.
338
00:25:14,445 --> 00:25:15,985
It is always very important.
339
00:25:16,365 --> 00:25:19,245
Because who you paint your harmless.
340
00:25:19,245 --> 00:25:20,235
She was innocent.
341
00:25:20,235 --> 00:25:21,885
You are not, you are not spoiled.
342
00:25:22,035 --> 00:25:25,305
You are so nice and you become helpless.
343
00:25:25,545 --> 00:25:26,715
You, this was a good teacher.
344
00:25:26,715 --> 00:25:27,405
What they showed you.
345
00:25:27,525 --> 00:25:28,245
Even here.
346
00:25:28,425 --> 00:25:33,825
If, if I, if this line is not good, then
I go from underneath or from the top.
347
00:25:34,245 --> 00:25:35,865
If I need light, I go from the top.
348
00:25:36,075 --> 00:25:38,895
But in this case underneath,
it's easier dog on dog.
349
00:25:38,895 --> 00:25:41,195
The dog is easy, you know, then I just do.
350
00:25:45,860 --> 00:25:46,670
No I'm on the floor.
351
00:25:47,480 --> 00:25:49,010
No, this is good living.
352
00:25:49,340 --> 00:25:51,980
When you have a thing
like that, this is brass.
353
00:25:52,639 --> 00:25:55,370
And usually they're the old
timers they're buckled up.
354
00:25:55,370 --> 00:26:00,080
They have some cracks
or, and it's that time?
355
00:26:00,080 --> 00:26:03,770
I have no time here, but if I had time,
I could show you, it's like kind of a
356
00:26:04,430 --> 00:26:09,590
inlet, you know, it's boiled in there and
there, and that makes a good painting.
357
00:26:10,200 --> 00:26:11,100
Same with the book.
358
00:26:11,580 --> 00:26:14,760
Maybe I should paint sometime if
you show you how to do a book,
359
00:26:19,040 --> 00:26:21,440
no, just
360
00:26:24,740 --> 00:26:26,970
a little bit of bang, bang.
361
00:26:27,260 --> 00:26:27,530
That's.
362
00:26:27,530 --> 00:26:29,600
What is, that is what that is.
363
00:26:29,600 --> 00:26:35,090
What is just when you put on your watch.
364
00:26:39,094 --> 00:26:39,794
Do it like that.
365
00:26:40,094 --> 00:26:40,395
Okay.
366
00:26:40,514 --> 00:26:42,584
Does have what mixed opinion is he?
367
00:26:42,584 --> 00:26:45,195
Every step I do there,
it brings it out here.
368
00:26:45,195 --> 00:26:46,215
I can't do it too much.
369
00:26:46,215 --> 00:26:54,304
Maybe I just have here, the little bones,
the bones that is odd, odd, odd, odd,
370
00:26:54,905 --> 00:27:03,245
odd movements sometime has funny, funny
vies of, of bouncy bounce that you awry.
371
00:27:03,514 --> 00:27:05,044
I wish you would learn to bounce.
372
00:27:05,745 --> 00:27:08,535
Not to bounce, bounce around the light.
373
00:27:09,405 --> 00:27:13,065
So I just use a little bit of this
374
00:27:18,035 --> 00:27:19,565
and that painting is finished.
375
00:27:20,165 --> 00:27:21,005
Did you enjoy it?
376
00:27:21,065 --> 00:27:22,475
Did you learn something?
377
00:27:22,805 --> 00:27:25,895
It's a very simple one, but
I believe teachers a good
378
00:27:25,895 --> 00:27:28,415
teacher was nice to be with you.
379
00:27:28,685 --> 00:27:29,195
Bye bye.
380
00:27:32,670 --> 00:27:34,380
One more beautiful oil paintings.
381
00:27:35,160 --> 00:27:41,040
Bill's paint and all your art supply needs
are only a click away@alexanderart.com.
382
00:27:42,030 --> 00:27:43,890
Just click on the online store link.
383
00:27:44,790 --> 00:27:45,420
You can paint.
384
00:27:45,840 --> 00:27:48,780
We promise Alexander art.com.
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