Bill Alexander's
The Magic of Oil Painting
Season 6, Episode 4, Montana de Oro - AVAILABLE
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Ha ha ah, on top of arch, Malki
nobody study COVID which no, you
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know, I have in my mind to paint
a mountain covered with snow.
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And different lighting, you know,
like orange gold, and like the sun
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is somewhere far away and the let
sun beams hit that almighty mountain.
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It will be all done in a little
bit of an abstract by again, and
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I want to do it with so much.
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See, that's the whole thing.
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When I talk like that, it takes everyone.
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You go out of bed in the morning
and sometime you gone what to
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do and you don't want to do.
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I think we all have to do it to ourselves.
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Give yourself a kickstart, a good textile.
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And all of a sudden everything
started going good before I do it,
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because see how much I talked already.
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I talk actually for myself, I
wants to be, I conditioned myself.
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And man, I got it.
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Ooh, I'm a tiger and forgotten
all the Borden's grinding
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and whatever it was before.
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Did they talk good?
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Maybe I did, I do it for my side.
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And you poor people
have to listen to that.
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Sorry, but we will live together.
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We will do a good job.
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Okay.
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I put that on my 80 magic LIDAR
on top of what COVID hurts.
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No cover.
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No.
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no, he, again, I hear already
that echo on top of it.
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Smoky on the other side,
this is a guy he's brewing.
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His own is on drinks.
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You know, he has a red nose, nice red
cheeks, and he's firing off a heredity.
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He's ready to do something specific
and you have to see all kinds of
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movement, all kinds of career, anything.
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Make that double take and make everything
up and make everything go nice.
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Maybe that this is an artist, you
know, when you think back this
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one guy, he cut this ear off.
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What was long ago, all this,
they think they have something
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funny as hot, but it's lively.
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It's there.
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And creative power can be only
done, but just kind of a humor.
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I cannot do it different.
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So good magic, Greg.
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I'm not too much.
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No, I will create these, my palette
again, all this from light to dark
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colors, usually have a simple color
scale, red and blue and black and whites,
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and a bit of, I don't use all those.
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Of course Umbra scanners and
all, because I can mix it in,
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in no time I have a Walker here.
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I have a, whatever I need the orange
or this does what I keep my paints.
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Very simple.
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Does this, the mixing
table here and we fire off.
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I wants to have a happy, happy blue sky.
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That's a tailor.
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Blue is a kind of a happy blue
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And if you do it, but
that do you look at it?
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The sky is already forming
in a beautiful way.
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Nothing is quite there.
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Everything is full of life.
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If you feel somewhere, but
to bumpy and loosen it up.
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Good, good.
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No fiddling around any more, maybe I will
create a kind of a, a bit of a water side.
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They have, they come out from
the outside to the inside.
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She, so does she have a
little bit of blue there?
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Maybe here, I got this way too.
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He wants to have a bit
of light in the middle.
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I want you to reflect that mountain, what
they put in there, uh, into the water.
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So you see starts up again from the side
and to the inside, to the meter like this,
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then you just make water out of that.
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And it's beautiful.
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I have conditioned my canvas already.
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See, and it took me not more than
I would say two minutes, but you
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know, I could only do it with this.
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Oh God.
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You know, I couldn't do it.
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If I came out here, Oh
God, Oh God, help me.
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What did you know?
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What did you know?
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And that's just really the truth.
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And I'm sorry, 73 years old,
I got to do it to myself.
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And I think if you do it to
yourself, you would be surprised.
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God give us so much power.
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We are, we are bombarding with power.
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We are operating with power
right to the time when the areas.
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You know, but one guy will always cry.
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And the other guy, all the best,
Bobby, I hope I can get you that mighty
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Bobby that's our mighty living power.
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There is a tomorrow, and I
tell you I can go on and on.
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And I'm very happy with that.
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I live quite comfort of it and all
people around me, their comfort
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over, they watched me as that guy.
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I wish I could be like him.
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But I'm really not like that.
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It's just, I have to make
myself to that and it works.
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It just works.
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I obviously, sometime it kickstart
pain and then after goes good.
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No, I will use that our mighty knife,
these good to talk like that because I
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take my knife now I use my mighty knife
and I will use a mighty right there.
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Put it up here.
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And I have a dinner invite and the ticker
that should have a ticket right there.
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I'm sorry, when I, the there's a two vites
one bite is a bit dinner and this right.
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That's the same invites I showed
you how you shouldn't do it.
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See, that's the problem.
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So I have a ticket right here.
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Yeah.
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Yeah.
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You see the different there.
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That's why.
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You saw how I put that right on.
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It was just, it's a normal
device, but this white dog.
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Oh God.
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I.
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It does to why they want in the moment.
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Then they can apply with two whites
with the thinner one and the one
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and everyone, everything is more
D and mix it into this vide.
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And I have a certain thickness,
what they do, a better job.
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I use white and attach off blue into
that and the touch of alizarin Crimson.
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He's just kind of a color.
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And know we will see and
leave it like more, but can
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you see the lines very loose?
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Very powerful.
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And now I put the same
power on doesn't matter.
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I just form a mountain there.
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The.
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I just wanted to show you on
this particular painting the
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power, a little abstract.
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Can you see the details?
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All those details are
all in down the Zippy.
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Say sun is coming from this side again.
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Then I keep that darker on this side.
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More.
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That is smoking, smoking title.
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Find the echo in the whole thing,
uh, happy to vis lab, we tune
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the, and that makes your day.
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That gives you the power of, of a happy.
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Beginning and a happy ending,
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but this time,
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this time I would love to use yellow
touch with Fred and at dinner invite.
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Maybe we see how, and I very,
I will use that as sunlight.
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Something like this.
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Yeah, that's it.
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That's it.
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You see, that's a funny punch test.
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A polar of color.
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Isn't that odd?
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It's beautiful.
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It's a painting.
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A mighty painting.
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They create a Ridge there.
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So you can see that the whole
shape of the mountain on this side.
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No, I go from the other side, but the
little bit more, I add to this a little
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bit of dark, like black and have all
the other colors like blue and I live
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in Crimson and white and then pull
from here is right there, right there.
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And then you whisper.
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They maybe go up here.
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Wonderful.
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He retire there.
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That's a good, I show you how we have
on the colors and if you can use it
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right, we make it colorful world.
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Now this would be what I do now.
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This whole series, what I pain right now
will be more abstract, but it's wonderful.
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It is.
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It's very exciting to live
in this abstract world.
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He may be here forever.
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Have a fire in already in the water.
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Bit of the same colors here.
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Just fire the same thing up here.
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I just they're here, they're here
and you will see the outcome very
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loose, very free and very powerful.
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The, this joke come down here and
this jokes have to go down there.
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No ever use very dark colors, like
black olives in Crimson, and a
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little bit of this here, right there.
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And then I will create kind of a, or
even more black, more black in there.
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Attach a blue.
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See that, that look at this
color, but they mix here.
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It's just kind of a when you look into
that color already, this just, I would say
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maybe a vanity power
for pain, painting pain.
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Just put it on device.
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Mother nature has given you the
colors and you fires around.
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We liked that.
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And we wouldn't worry that the side
we were fixed up with something.
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Oh, that's yes.
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Is like upstanding does kind of strokes.
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You see like it standing up.
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The, and then when you wants to have
terms, you just can go in like this.
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Can you make it standing up?
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That's it, that's it, that's it.
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The, it's an abstract, it's a little bit
of on the modern side, but it's fantastic.
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And I bet there's a lot of painters
or artists out there that would
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love to, to do it like that.
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No, you can fire that
right into the water.
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He just cut it down into the water.
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Yeah.
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It's a different type of art really.
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And you know, it's a funny
thing as older, you get as more.
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00:14:05,670 --> 00:14:06,870
As Lucia you get.
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00:14:06,900 --> 00:14:11,190
And I think that is what most
artists experience all of a sudden,
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00:14:16,080 --> 00:14:27,840
Hey, now I've got this side and the bit
more like here, haven't gone in like this.
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00:14:37,230 --> 00:14:45,290
He know, he brush, make sure
it's dry and cut it in like
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this there's two sides on the Z.
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The best is if you can
watch, watch how I do it.
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We've got to be very careful
with that because you can.
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Ruin everything by.
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We think that the brush can run on.
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You have one stroke here, put
it, tick the brush to other head
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on and have other players there.
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The brush,
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make sure you have a dye brush one stroke.
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Turn the brush around all the stroke.
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Here, you can go on like this.
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This is no danger.
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There is he that's it because the
paint, the nature of paint is hard and
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solid and you discarded it like that.
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00:15:43,805 --> 00:15:44,405
Again,
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one stroke.
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00:15:52,110 --> 00:15:59,000
Turn the brush around other
stroke, wash the brush, give me
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B phase four and just do that.
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Otherwise you messed up the other
side, one stroke, the other stroke.
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So no, I have no, I'm not fine anymore.
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00:16:10,430 --> 00:16:11,990
You know, I'm not in anymore.
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Just a little bit of dirt where
that picks up a little bit of
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that mountain feeling there.
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Good, good, good.
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Good.
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Now you make water out of that.
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That's beautiful.
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00:16:36,449 --> 00:16:36,689
See.
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And give me hardest stroke there, maybe
a stroke in the apply for and back.
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00:16:42,645 --> 00:16:48,455
So this is, it's a very colorful,
now this is what you have now.
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00:16:48,845 --> 00:16:49,925
No, you can.
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That will be the end book.
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No, you can create powerful,
powerful shoreline with the
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same garden called us there.
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Partly.
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00:17:05,910 --> 00:17:07,380
Something like this
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fight like this.
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Yeah.
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So, and no more light, more light, uh,
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00:17:47,520 --> 00:17:51,510
something like this, something
like this, something like this.
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Make that vote.
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The move, try to aim.
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00:17:56,925 --> 00:18:00,254
Did this just doesn't look good
when you have, make it straight.
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Water is horizon the water
settles obvious like this.
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00:18:04,905 --> 00:18:09,215
If you can keep it like this, and as
you make it to me, smaller, smaller,
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00:18:09,245 --> 00:18:12,125
smaller C, and make it bigger.
245
00:18:12,125 --> 00:18:15,395
They're bigger dead perspective.
246
00:18:15,425 --> 00:18:20,345
If you get the beautiful
spec perspective in there E.
247
00:18:21,780 --> 00:18:22,680
On the foot.
248
00:18:24,050 --> 00:18:26,240
I created a couple of extra extra lines.
249
00:18:26,780 --> 00:18:30,320
So this is really special
here in the front at loose.
250
00:18:30,320 --> 00:18:30,920
Good.
251
00:18:33,050 --> 00:18:41,990
Uh, no of you would finish up this
here and the paint will stick.
252
00:18:41,990 --> 00:18:43,160
You have no problem.
253
00:18:43,460 --> 00:18:44,810
The paint will always stick.
254
00:18:44,840 --> 00:18:48,020
If you have a Dick paint, you
see, it will always stick.
255
00:18:48,020 --> 00:18:48,590
Nice.
256
00:18:52,215 --> 00:18:53,504
He'll be here a bit more.
257
00:19:00,975 --> 00:19:05,745
He won't be finished at all up like this.
258
00:19:07,095 --> 00:19:09,345
I know I will do something funny.
259
00:19:09,825 --> 00:19:17,675
I would think, I would think the
Amex are the dark colors in there and
260
00:19:17,675 --> 00:19:19,504
they will have all of a sudden here.
261
00:19:27,915 --> 00:19:32,405
Like three threes coming
in from the side there.
262
00:19:33,575 --> 00:19:34,055
Hey,
263
00:19:43,925 --> 00:19:45,335
is coming in from the side.
264
00:19:45,365 --> 00:19:48,065
Uh, uh, you can go even higher.
265
00:19:50,220 --> 00:19:51,750
It's an abstract feeling.
266
00:19:52,590 --> 00:19:53,580
Don't forget that.
267
00:19:54,390 --> 00:19:58,620
And having paint like I have here
is fantastic because it gives
268
00:19:58,620 --> 00:20:00,000
you all those little breaks.
269
00:20:00,390 --> 00:20:01,740
Is he, you don't smear
270
00:20:15,390 --> 00:20:17,120
fires right into the water.
271
00:20:18,270 --> 00:20:20,100
Fires right into the water.
272
00:20:21,750 --> 00:20:22,350
Yeah.
273
00:20:25,740 --> 00:20:32,820
You just get big brush,
brush, clean and dry.
274
00:20:33,750 --> 00:20:40,730
Make sure you haven't dry and
clean and you pull it up in there.
275
00:20:40,930 --> 00:20:45,530
You hear it on 40, too much because
you're to take somebody from there often.
276
00:20:45,530 --> 00:20:46,880
And in here.
277
00:20:48,165 --> 00:20:48,824
These are that's.
278
00:20:48,824 --> 00:20:54,284
It gives you that feeling
of that reflection of that.
279
00:20:54,645 --> 00:21:01,245
And naturally you give them the side
stroke and it all blends in Vonda for Dan,
280
00:21:01,245 --> 00:21:04,784
if you want to, you can have a mighty.
281
00:21:17,010 --> 00:21:17,190
Yes,
282
00:21:20,630 --> 00:21:23,990
the darker and the water
actually try to do that.
283
00:21:24,050 --> 00:21:29,810
See, this whole deal should be darker
here, obviously darker than on top.
284
00:21:31,070 --> 00:21:34,910
I showed you how you shouldn't
do it this time I goofed, but
285
00:21:34,910 --> 00:21:36,980
that's a part of painting.
286
00:21:37,640 --> 00:21:41,450
Not every store was he covered
up a little bit in between there.
287
00:21:42,170 --> 00:21:44,960
Like there's a bench
for us there and there.
288
00:21:45,885 --> 00:21:49,995
And then you give them a
little bit of this here.
289
00:21:49,995 --> 00:21:54,735
Like a little bit of, of highlights there.
290
00:21:54,765 --> 00:21:56,715
Maybe there, maybe there.
291
00:22:00,665 --> 00:22:01,955
Hey good.
292
00:22:03,335 --> 00:22:04,805
Same Nevada here.
293
00:22:11,115 --> 00:22:11,615
See.
294
00:22:11,905 --> 00:22:14,795
Yeah, no, you fired him again.
295
00:22:21,455 --> 00:22:22,985
I don't want to lose that tree trunk.
296
00:22:23,435 --> 00:22:24,785
It's too easy to lose.
297
00:22:24,785 --> 00:22:27,425
You have to loosen it up again.
298
00:22:29,795 --> 00:22:30,085
Yeah.
299
00:22:30,095 --> 00:22:31,895
Once to have it back again.
300
00:22:35,774 --> 00:22:37,215
That would look good in the water.
301
00:22:38,504 --> 00:22:39,975
He led our mighty water
302
00:22:44,745 --> 00:22:45,735
sounding like this.
303
00:22:45,825 --> 00:22:48,425
Good, good, good,
304
00:22:56,504 --> 00:22:56,955
good.
305
00:22:58,274 --> 00:22:59,565
That is this side.
306
00:22:59,925 --> 00:23:00,885
No river.
307
00:23:02,669 --> 00:23:04,290
Finished this side here.
308
00:23:05,220 --> 00:23:10,320
Uh, we just end up here and
find the happy ending there.
309
00:23:15,000 --> 00:23:17,610
See as is good.
310
00:23:23,970 --> 00:23:27,629
And now what I want to do, I
will show you something ours.
311
00:23:28,335 --> 00:23:34,845
I use touch of green, like a tree standing
here on this side, and the three draws,
312
00:23:34,845 --> 00:23:37,665
a lot of big branches around there.
313
00:23:39,825 --> 00:23:41,355
It's hanging in from the top.
314
00:24:05,910 --> 00:24:06,360
See
315
00:24:09,690 --> 00:24:10,889
how nice it works.
316
00:24:10,920 --> 00:24:11,879
Can you see now?
317
00:24:12,405 --> 00:24:17,055
You put us all together and all of a
sudden you get that feeling here ever.
318
00:24:17,055 --> 00:24:21,215
Just can you not be a
little bit, do you know it?
319
00:24:21,225 --> 00:24:21,675
No.
320
00:24:22,305 --> 00:24:23,715
In Ghana that's finished.
321
00:24:23,985 --> 00:24:29,195
I did clean up a little bit here,
here and there, and put three trunks
322
00:24:29,195 --> 00:24:32,075
in there or benches or whatever.
323
00:24:32,705 --> 00:24:33,125
Do you do it?
324
00:24:33,155 --> 00:24:35,795
All of it in life as it's just wonderful.
325
00:24:35,945 --> 00:24:36,485
Look at that.
326
00:24:37,815 --> 00:24:42,315
No, isn't that fantastic.
327
00:24:45,705 --> 00:24:47,955
That's the value of that on mighty knife?
328
00:24:47,985 --> 00:24:49,035
I really happy this.
329
00:24:49,045 --> 00:24:50,415
We have all this equipment.
330
00:24:50,985 --> 00:24:54,615
It makes it easier to live,
easier to paint, easier to create.
331
00:24:55,245 --> 00:25:02,535
And so life becomes easy
way of being here on earth.
332
00:25:06,225 --> 00:25:07,845
Have a happy ending there?
333
00:25:09,165 --> 00:25:18,395
No, we were, we were, I use a touch of
other scholars again, yellow, right?
334
00:25:20,375 --> 00:25:23,195
Sounding like this, but
more yellow into that.
335
00:25:23,345 --> 00:25:31,205
So keep that yellow,
eh, maybe, maybe, maybe.
336
00:25:33,825 --> 00:25:40,175
Like this, you, you come to a
point, well, you have to judge,
337
00:25:40,205 --> 00:25:42,605
what more could you do to finish?
338
00:25:42,845 --> 00:25:46,535
I would like to get lots of spark
and power in, and there's some
339
00:25:46,535 --> 00:25:48,905
time you have to make decisions.
340
00:25:49,415 --> 00:25:51,185
As long as you make the right decisions.
341
00:25:51,215 --> 00:25:52,295
You see, look, that's good.
342
00:25:52,295 --> 00:25:55,385
I'm glad they added that, that
little bit of a goal tune.
343
00:25:55,865 --> 00:25:57,305
Just fantastic.
344
00:25:58,505 --> 00:25:59,045
He, there.
345
00:26:01,860 --> 00:26:02,220
Good.
346
00:26:03,600 --> 00:26:10,980
See, and we have a happy ending.
347
00:26:12,080 --> 00:26:17,390
Once you think about it, I
enjoyed it and I hope you did too
348
00:26:18,580 --> 00:26:20,630
little bit on the abstract side.
349
00:26:21,230 --> 00:26:23,600
I had lots of fun by creating it.
350
00:26:23,780 --> 00:26:25,340
It came all out of my head.
351
00:26:26,025 --> 00:26:29,115
Because I started off
with a good kickstart.
352
00:26:30,014 --> 00:26:31,185
Thank you for watching me.
353
00:26:31,575 --> 00:26:32,085
Bye bye.
End .srt file.
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