Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 8, Mountain Lake and Island - AVAILABLE
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Ha ha ha ha.
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Did you have your morning lab?
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That's always nice.
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You know, when you had a good laugh in
the morning and a good breakfast, you
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start the good D so let's start our
mighty magic writers on without magic.
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Right?
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Don't even try.
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Zoe?
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No, what I, what should I paint?
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That's obviously travel.
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I don't know.
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Even when I started, but let's paint
some happy islands Island in the sun.
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You're allowed to have
a sunny sky with clouds.
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The clouds zone hits a clause and
I have to make it ready in my mind.
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And then maybe a lot of the
islands, like the great lakes there.
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I was fishing there.
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Oh, it was a beautiful time.
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You got that time back.
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I remember that.
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No, and I fired that.
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All right.
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Onto that our mighty canvas.
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So good.
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So you had your life.
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I will use a touch of blue.
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He, how I take it off.
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Very careful you say Happy's on this
guy too much, too much, too much, too
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much already there then go down below.
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He went just too much up there.
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Then, then you use it up below.
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Take it from the top off.
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Don't throw it away.
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Yeah, and bring it down to below.
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So you'll never be pain cause money, fame.
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Nice.
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Oh, the boys already
comes to a nice up there.
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Hey, and then, uh, I split
too much shake a bit below.
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I like to have a darker Nevada
anyways or weighted that Deborah.
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I just though we were creating
a kind of a, uh, light.
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Horizon line.
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Uh, good.
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And then here, I want you to have it
with darker, the darker, even more
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darker, I think a bit more blue there.
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Maybe even attach your
laugh, a touch of black.
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I would put in there something like this.
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Geez.
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That's some really, and then I can reflect
the islands are right in the water there.
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You know, it is a problem for me.
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I am one at the, all my
life on TV, 18 years now.
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And all the time you pay 10,
you paint what is left for me?
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I painted still lives up,
down and down, up and foreign.
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But if you watched on my show, then,
you know, I have nothing new to give.
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And that makes me feel angry sometime
because I, what can you do new?
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I always was feeling glad I did
before and did that before too.
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Then, you know, people
ask me know what I say.
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I did that before this
kind of stuff I did before.
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Now what's left for you.
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I say, stop the music.
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Let younger blood coming.
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Now we get some nice young artists.
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No.
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Oh, I tell you.
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I'm very proud of them.
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They, I trained other
young, powerful artists.
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They get in on TV.
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Now.
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Debbie shows you the rest.
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I think I should have a happy ending now.
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I'm glad there's nothing more in for TV.
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There's so much in.
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If you would know what they pay
in home, it is just fantastic.
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But then I have my time to read.
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They give me 28 minutes and I see only
fingers and then get the hell out of
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here, but have a painting on the canvas.
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He does what makes it so ugly for me?
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And I hope I encourage you.
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That's all what I can do.
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I wish I could encourage you and
you get into that and you become
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the tiger you take over and make it
better because you are young and you
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take off from there where I end up.
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That would be nice.
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Okay.
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I have spoken there.
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Yes.
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Okay.
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Okay.
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So it was even having a nice,
no, we were using our mighty fan
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brush and I will again, watch no.
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Did I go into detail, snow, more Dicker
paint here, and a thinner paint here.
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You see, this is just G nothing.
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That's good, painful flower painters
for all those guys, but this is for
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our , uh, parties and, and glasses.
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And steady lives and grapes.
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Your crew are, you don't use
that kind of stupid paint.
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You use a tic paint where you can
move right in and Oh, that stands up.
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Fantastic.
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But here in this case, a
paint crowds ever have, right.
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Let's maybe get the dark part
of the clouds I use blue.
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But I live in Crimson and a bit
black and I make it up here.
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You see, hear me a bit more dark.
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You, you make it up in your mind.
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He how dark you want it and
everything is right or wrong.
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I think that's nice to
have a mighty cloud there.
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Oh, in a knife, firing fire a bit
more blue, but I live in Crimson.
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That's there.
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That dream wonderful colors.
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Maybe a bit more darker.
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Then you had the cloud darker.
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You are doing, you are the
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isn't that fun tastic.
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When you see the power, it's
funny you, this, this, this.
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Powerful expression.
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You express yourself with so
much energy and it's all there
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because the canvas allows you to
do all those wonderful things.
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And then you're just firing
and wherever you stop, that
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is you have business so fine.
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No, I cleaned my mighty fan brush and
we will, we will highlight the Crow.
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I will use.
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Indian yellow here.
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We have a touch of Indian,
yellow, Indian, yellow sunshine.
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You see sunshine, but a dinner paint, but
I make it a bit thicker, a bit thicker.
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I don't want it too sloppy.
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The, it was just too sloppy.
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I cannot blend it.
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I cannot go over it.
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Now we say the sun is
coming from there then.
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Uh,
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She dance it in a little bit, make it
so that, well, you get into the dock,
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the dirt, the brush picks up the dirt
and it gets darker, darker, darker, but
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you still have movements they're seeing
about here then here you make it so soft.
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So the internet is not beautiful.
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How the sun hits that on mighty
cloud, you can do it on new ones
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and then wash the brush again.
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And go make the same thing on other side,
the here again, white is not too good.
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I go and pick up a bit ticker, right?
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Dare and glowed my brush.
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And w
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Oh, they're that?
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They're that?
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They're, uh, his standing near the bed.
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It's up to you.
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You are next to God.
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You are the power.
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God gives you all that wonderful power and
you just fire in and make this one night.
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Maybe there.
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Yes, I was in in-between this
maybe here, a little bit of
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a light moving off all alone.
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Eh.
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There we go, then you go and wherever
you feel, you balance it in your mind.
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I mean, the, maybe here I
needed a bit of light there.
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You create a bit of light that
there, maybe here, here, here,
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here, here, here, here, here.
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So, you know, you're just
danced all over there to make
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it, so this is nice and loose.
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good.
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Then if you want to use a nice clean,
big brush and you hypnotize it a little
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bit, because my soft not too much.
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Yes.
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So does he feel is he, it is strong
of the paint is sticking strong.
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It will not, it will not
destroy it very stand up.
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Nice.
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But when you have a soupy sloppy paint
and you cannot do that, that's impossible.
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If you want, you can easy,
easy, easy, easy, finally
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see in the vote, they're
just firing a little bit.
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Just whatever you think
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You how fast you can do it.
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Bang, bang, bang, finish, finish.
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When they finish here, you cut it down.
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Nice.
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Down, down, down, down, down, down,
down, down the brush, your study.
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I showed you how you shouldn't do it.
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Make sure you always
have a nice clean brush.
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But don't worry.
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I show you how the looseness of
you are not scared because you
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worked with that heart pain, you
know, already on the water there.
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I shouldn't do that, but
that doesn't matter so much.
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So then you would just go
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and George is fine.
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Give you that really?
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No, we were, we were, we will
create kind of a far right.
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Mountain ID.
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Now I use the thick paint.
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You see, I don't use anything paint
black, blue, other than Crimson.
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So, and we mix kind of, uh, but
she, I will add to this particular
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paint a bit more sunshine that
means with otherwise I will add a
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touch of Indian, yellow into that.
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Here,
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the three models that paint.
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So no, that we'll be right.
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And we fire in whatever, whatever
mountain you wants to see far away.
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You know, I wished it, if the
camera could you make a close up,
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if you don't mind, can you see
that Mary is of detailed stare?
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The, can you see that?
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Isn't that fantastic.
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See, because of that Dick paint and
because of the device, I mixed it.
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Can you see, there was a stroke
with so many other things in
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it, but the mountain really is.
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There's already a mountain there.
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Far by, because of device,
I mixed the whole thing.
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And that is what makes art two wonderful.
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When you, when you know what you're doing,
you know what bothers me is obvious.
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I got lots of people that write in me
about, I kinda buy one of your paintings.
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And when I tell them the price,
you know, they don't try it back.
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I don't like to send them.
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I have a lot of bias.
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Too many.
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They don't understand that.
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Thanks for what you're doing TV.
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It took 50 years and a short
time to paint a painting, but
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your 50 years have to be paid Z.
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But I want to say, you see, this is of
the solids and you will do that too.
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When you start painting and you
add into that, you will have a
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rough time to sell your work.
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When people see you do it so fast.
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But they don't know.
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There is a life long experience
to get that on mighty stroke.
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The way I like to teach.
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I like to show you that and you
become rich and powerful as an artist.
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I had to make a decision once, either
teaching or, or paint, and don't
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say a word, then you could sell it
for any price because people will
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know you paint so fast, but no, as
they say, Oh, he paints so fast.
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Yeah, no good, good for me.
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But when they try it themselves, they
find out, ah, ha there sits not so
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easy, but he, I show it on purpose.
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How easy it is of you.
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If you have learned to make that right.
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To mix your paint right.
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And prepare that paint.
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See?
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Okay.
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I have spoken.
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Uh Hmm.
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That's crazy.
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Okay then, but that seems to be the trick
to being an artist is the same, but with
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any trick in the trade, some people they
can do so much with so little the now,
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now in order to paint on top of that,
I never could use a thick paint alone.
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I have to use the thick paint.
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And a bit of a dinner paint.
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Now it will stick.
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It would not stick if I have Dick
and Dick that we're not stick.
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So he and I used again, a little bit
of sunshine into that little bit of
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sunshine into that, and we have a
zone shine color coming up there.
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See.
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00:14:40,935 --> 00:14:44,015
No, maybe with dinner a little
bit, then I can feel it already.
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It will not do it is easy, but
when you are a newcomer, it takes
246
00:14:47,445 --> 00:14:51,105
a while to find out that it's
the right thickness he watched.
247
00:14:51,105 --> 00:14:53,175
Now it will stick.
248
00:14:55,915 --> 00:15:01,295
Look at the details and that's
again, a little bit to text a little
249
00:15:01,295 --> 00:15:03,755
bit to tick and then touch dinner.
250
00:15:05,580 --> 00:15:06,630
Then I got to try it.
251
00:15:06,960 --> 00:15:07,400
I got it.
252
00:15:07,410 --> 00:15:10,680
Moved to make all the figures I need.
253
00:15:12,690 --> 00:15:13,410
Now watch this.
254
00:15:25,200 --> 00:15:25,760
Nice.
255
00:15:27,500 --> 00:15:28,490
He, no problem.
256
00:15:30,950 --> 00:15:31,280
All right.
257
00:15:31,310 --> 00:15:31,940
Thickness.
258
00:15:36,645 --> 00:15:41,295
Oh, we have the sun hanging
in the mountains there
259
00:15:45,694 --> 00:15:46,355
on this side.
260
00:15:46,355 --> 00:15:50,845
We will not have the sun because we
will tank the clouds, have a shadowed.
261
00:15:50,845 --> 00:15:54,425
There is only this, and it's the sunshine.
262
00:15:57,314 --> 00:15:59,194
Depends on what day you dream up.
263
00:15:59,314 --> 00:16:01,775
That's what could be the outcome.
264
00:16:02,465 --> 00:16:11,585
So we fire in, uh, we're just create
the kind of, uh, uh, horizon line there
265
00:16:12,755 --> 00:16:20,225
with the brush, like their trees and
the other side of the mountains here on
266
00:16:20,225 --> 00:16:23,915
the side, the, the rest is in the water.
267
00:16:27,560 --> 00:16:32,720
Maybe the upstrokes somebody is
standing up, you see, make it the
268
00:16:32,730 --> 00:16:37,040
upstrokes and if you want, you
can make it a little down strokes.
269
00:16:37,070 --> 00:16:40,070
It's like a reflection in the water there.
270
00:16:42,830 --> 00:16:46,430
You can reflect all that in if you want
to, but I wouldn't worry because that's,
271
00:16:46,640 --> 00:16:48,320
it would be full of islands anyway.
272
00:16:49,130 --> 00:16:51,800
So you was.
273
00:16:53,955 --> 00:17:03,455
Big brush and we make a kind of a nice, no
agenda paint and maybe a touch of orange
274
00:17:03,455 --> 00:17:08,435
into that gives me a nicer shoreline sure.
275
00:17:08,435 --> 00:17:09,635
Lane callers.
276
00:17:10,625 --> 00:17:13,625
He watched as, uh, beautified.
277
00:17:17,615 --> 00:17:21,035
See nice chortling callers.
278
00:17:22,169 --> 00:17:24,149
And look how nice it sticks there.
279
00:17:44,209 --> 00:17:44,629
good.
280
00:17:46,220 --> 00:17:48,590
Maybe little bit of extra light.
281
00:17:49,794 --> 00:17:53,024
A little bit of an extra light here.
282
00:17:54,105 --> 00:17:57,764
Uh, very clear for you.
283
00:17:57,764 --> 00:17:58,665
That's nice.
284
00:17:59,385 --> 00:18:02,504
Little bit of an extra
light in between there.
285
00:18:04,875 --> 00:18:05,294
Yeah.
286
00:18:05,865 --> 00:18:07,395
Gives you a nice feeling.
287
00:18:07,905 --> 00:18:15,764
Now you use your two inch brush
and SAP green SAP, green bit of.
288
00:18:16,350 --> 00:18:20,129
Black and the colors here,
what you got for the mountain?
289
00:18:20,760 --> 00:18:26,970
Me Tasha blue and gray
to black and you fire in
290
00:18:46,245 --> 00:18:51,675
More darker black SAP green.
291
00:18:52,935 --> 00:18:53,895
That's your blue.
292
00:18:55,295 --> 00:18:57,125
Hey, no, I'll be fine.
293
00:18:58,355 --> 00:18:59,735
They're a bit darker.
294
00:19:06,855 --> 00:19:08,915
Depends on what kind of
a tea he wants to shower.
295
00:19:08,945 --> 00:19:11,225
There is beautiful.
296
00:19:29,014 --> 00:19:33,635
fired right in the water fed
right into the water there.
297
00:19:39,740 --> 00:19:43,610
something like this
darker dare and darker.
298
00:19:43,610 --> 00:19:45,080
Dare he, it gives you an idea.
299
00:19:45,080 --> 00:19:48,530
A nice powerful beginning there
300
00:19:56,750 --> 00:20:01,400
no, couple of some tree trunks in there.
301
00:20:03,135 --> 00:20:06,284
Let something stick out
there or there are there.
302
00:20:07,004 --> 00:20:12,405
See here, here, here, here.
303
00:20:13,725 --> 00:20:15,735
So put some sunlight into that.
304
00:20:16,304 --> 00:20:17,294
It didn't have, right.
305
00:20:17,354 --> 00:20:18,465
We'll do a better job.
306
00:20:18,735 --> 00:20:26,955
And some yellow means a little touch of
green and you highlight the trees there.
307
00:20:28,004 --> 00:20:28,544
There.
308
00:20:30,225 --> 00:20:31,455
See there.
309
00:20:32,565 --> 00:20:33,045
Yeah.
310
00:20:40,155 --> 00:20:42,165
He fired right into the water.
311
00:20:42,495 --> 00:20:45,705
Yeah, no problem.
312
00:20:51,575 --> 00:20:53,855
He had the same light up on side.
313
00:20:54,545 --> 00:20:56,045
So I'm just coming from that side.
314
00:20:56,525 --> 00:21:00,815
You have a nice sunny tree standing
there, highlights a little bit in
315
00:21:00,815 --> 00:21:03,185
the water to whatever you see there.
316
00:21:06,245 --> 00:21:08,165
Good, good, good, good.
317
00:21:19,820 --> 00:21:22,310
no, we cut it all in like this.
318
00:21:23,540 --> 00:21:24,920
Eh, beautiful.
319
00:21:26,060 --> 00:21:27,710
Now we make water out of that.
320
00:21:27,770 --> 00:21:30,170
Very loose strokes that blurs.
321
00:21:30,920 --> 00:21:38,900
Now you can act like you have some stone
stair or cliffs or name ever, whatever
322
00:21:38,900 --> 00:21:41,750
you can put in there to a sample.
323
00:21:41,770 --> 00:21:44,060
I would say that's just a big stone there.
324
00:21:52,025 --> 00:22:00,275
he, you highlight that for the ticket
paint, but Indian Geldwin to that like
325
00:22:00,305 --> 00:22:05,975
this, and you just highlight that, like
this, you see, look, look at the details.
326
00:22:06,514 --> 00:22:11,045
The movements, not beautiful
because of the paint.
327
00:22:11,405 --> 00:22:13,055
See you having a DJ size?
328
00:22:13,055 --> 00:22:13,605
I was there.
329
00:22:13,815 --> 00:22:14,595
No problem.
330
00:22:15,345 --> 00:22:22,215
So it's cholesterol fast, and now you,
you, you, you just make some water lines.
331
00:22:22,245 --> 00:22:22,725
There
332
00:22:26,625 --> 00:22:27,825
was a line there.
333
00:22:35,025 --> 00:22:39,465
Nice Dan, really a little bit.
334
00:22:41,295 --> 00:22:42,885
Something like this sometime.
335
00:22:43,815 --> 00:22:46,575
And then you use your big brush, Jesse.
336
00:22:46,575 --> 00:22:52,425
I resist very lightly push down
and blur it in a little bit.
337
00:22:55,605 --> 00:23:00,015
And now we fire in little Island.
338
00:23:00,075 --> 00:23:02,535
They're all right there.
339
00:23:17,825 --> 00:23:19,565
Dan's right into the water.
340
00:23:20,495 --> 00:23:20,915
He.
341
00:23:31,985 --> 00:23:33,544
Oh, that's nice.
342
00:23:34,354 --> 00:23:40,594
And you highlight that you get, make
some kind of a tree trunk standing there.
343
00:23:58,070 --> 00:24:05,750
well, the dance and the Vita, and
then you fire in a stone stair.
344
00:24:07,430 --> 00:24:11,720
I mean, he is a big stone
out there on the water.
345
00:24:12,290 --> 00:24:12,950
See?
346
00:24:14,085 --> 00:24:16,305
He has a big stone there.
347
00:24:16,395 --> 00:24:16,845
Yeah.
348
00:24:17,625 --> 00:24:19,095
I no water.
349
00:24:19,485 --> 00:24:21,405
And you highlight that again.
350
00:24:22,275 --> 00:24:24,245
You know, it's a bit of a harder, right.
351
00:24:24,575 --> 00:24:26,075
And look at the details now.
352
00:24:26,885 --> 00:24:30,755
See, that's what I want to show you.
353
00:24:31,595 --> 00:24:32,585
The movement.
354
00:24:32,615 --> 00:24:35,585
There's so much movement in the paint.
355
00:24:36,155 --> 00:24:41,675
You get so many details because
the stone just like counter stars.
356
00:24:44,460 --> 00:24:51,170
Hey, Dan, I wouldn't have wanted it to,
and you fire him and fire him and make a
357
00:24:59,150 --> 00:25:00,440
beautiful painting.
358
00:25:01,610 --> 00:25:02,060
No, we
359
00:25:05,390 --> 00:25:06,980
hypnotized that again.
360
00:25:08,600 --> 00:25:10,190
Hypnotize that again.
361
00:25:10,610 --> 00:25:10,820
Eh.
362
00:25:12,435 --> 00:25:14,205
And make out of that.
363
00:25:21,065 --> 00:25:25,024
And, and then you make
your water lines up there.
364
00:25:34,715 --> 00:25:36,004
Something like this.
365
00:25:44,139 --> 00:25:44,909
That's good.
366
00:25:46,050 --> 00:25:54,389
He finish up this side a bit more here,
then you have a happy ending, dead to
367
00:25:54,629 --> 00:25:56,699
that is go right into the water there to
368
00:25:59,699 --> 00:26:00,240
see.
369
00:26:01,409 --> 00:26:02,250
And
370
00:26:05,730 --> 00:26:07,530
you have a couple of right lines.
371
00:26:13,320 --> 00:26:15,120
You see how painting comes together.
372
00:26:19,189 --> 00:26:22,370
If you have more time, you
can do all kinds of things.
373
00:26:23,360 --> 00:26:26,300
See, you can add long trees.
374
00:26:26,330 --> 00:26:29,899
Chartres crooked trees, stick trees.
375
00:26:32,360 --> 00:26:35,000
You can have that sticking
in the water there too.
376
00:26:36,345 --> 00:26:39,795
He this beautiful reflections
right into the water.
377
00:26:41,175 --> 00:26:51,345
And then you, you, you blurt any,
again, he, that big brush is a fantastic
378
00:26:51,345 --> 00:26:56,355
thing to have because you're, you're
depends on how much power you spend,
379
00:26:56,355 --> 00:26:59,175
how much pressure you spend into that.
380
00:27:03,170 --> 00:27:05,990
It, it depends on the
thickness of the paint.
381
00:27:05,990 --> 00:27:11,600
If the paint is very thin, I cannot spend
much, much pressure to, to press it down.
382
00:27:11,660 --> 00:27:12,050
You see?
383
00:27:12,200 --> 00:27:15,140
But when the paint is thick,
then I can hit harder.
384
00:27:15,770 --> 00:27:20,000
So in other words, this has to be
practiced and that will come out
385
00:27:20,450 --> 00:27:27,890
when you, so that's, I think I should
show you all that should show you.
386
00:27:30,990 --> 00:27:33,930
If you have lots of time, you
can do all kinds of things.
387
00:27:35,340 --> 00:27:38,470
I like to just add a little bit
here, little bit of data there.
388
00:27:40,920 --> 00:27:42,600
there and that's it.
389
00:27:44,100 --> 00:27:45,150
Then you learn something.
390
00:27:45,510 --> 00:27:46,230
Did you enjoy it?
391
00:27:47,460 --> 00:27:48,450
Thank you for watching me.
392
00:27:48,690 --> 00:27:49,110
Bye bye.
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