Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 9, Secluded Cabin - AVAILABLE
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Yeah, this is the world we live in.
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It is a wonderful world because what we
make out of this wonderful void, I tell
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you, we had breakfast in the morning.
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And, you know, it's nice when you can
talk to the visitors, when you can laugh,
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you see a lot of people that sit there
and eat miserable and you see a lot
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of people that talk and they're happy.
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You know, we can make a happy time.
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As long as we here on this earth and
I will show you with our wonderful
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art, what we can do with our time.
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So here, let me, I only wants to
be a good inspiration to you, and
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I want you to show you a technique.
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What is the best of the best
of the best of the best?
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Because I painted all
kinds of things in my life.
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But this ID is such a powerful ID.
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It makes you always, like I said,
laugh and giggle and create you,
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create, you become a creator,
you set yourself next to God.
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And all of a sudden you're on
top of the whole thing, and this
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is the wonderful way to live.
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And I cannot talk enough about that.
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And we.
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Have a certain, I buy
always a certain equipment.
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What fits to me.
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They have some paint that
wouldn't work for me.
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And in some stores you can buy a paint.
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What is solid and strong.
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See, all my dang in is solid and strong.
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It is a better tomorrow.
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It is.
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It's all for you.
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Nothing is sick and that's
the wonderful thing.
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So when I hear, I talk about my
pain, Jesus, look at, look at
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this, look at this on mighty pilot.
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And when you hear me talk and I
say just our Miami pilot, I got
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to use that word in order to.
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Giving myself that extra boost.
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I cannot say it.
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This is just a pilot.
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That would be just a pilot
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and that's our mighty Bursch
in my, on mighty hand.
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Yeah.
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And with all that, it becomes an MIT day.
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It is two more role Therese, your star V
and every new D it is a better tomorrow.
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If you're thinking that direction.
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G.
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Okay.
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Now you see very simply painting today.
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First, make sure you have a paint.
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What would fit to your technique?
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The, for every technique you need
a different type of a pain, but
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I need a solid, when I got to the
stores, I always opened the tube.
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If there's a hard paint, I buy it.
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If it is not hard, I can buy it.
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Then here I have a kind of a magic, right?
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I call it magic, right?
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Because it is the invite.
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I put that on the canvas and
every show you, I a show you
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just kind of didn't Vite.
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Nope.
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The ideas, it didn't, the paint
will stick on the ticket pain.
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No.
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When you see me putting that thin paint
on, you would say, no, what the hell you
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put the den paint on what is the dinner
pain, but what's happened here on this.
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I have to explain that.
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Very, very good, because too much magic.
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Vipe you start sliding and slipping and
no paint will even stick on your canvas.
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If you have that happen, you know,
you got too much white on the canvas
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that the invite, I call it magic
because it works like magic to me.
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But I put on the little bit on look,
Brandon, I was as little as I can see as
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little as possible, as little as possible.
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And sometimes it is too much,
but I do, then it looks, it is
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a bit too much or they're ready.
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I go in to my brush cleaner, clean
my own mighty barrage and make sure
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I have a nice dry brush Z box and
make sure that brush is nice and dry.
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I go over the whole canvas again.
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All right.
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That has good dress.
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Cross ones.
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Horizontal and vertical like this, and you
can see the paint is back in the brush.
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And it's a nice that canvas.
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Even if you hear good, you hear the canvas
hollering fire into me, fire into me.
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I'm ready.
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I'm ready.
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Okay.
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I will fire and I really make
a very simple painting today.
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I just would like to see you.
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Getting more familiar with the
best technique ever, because I have
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to explain the technique again.
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Um, what I did in the beginning,
I had to mix on the palette.
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I would have the right, I
put the right over here.
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Right there.
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You see, and then you mix the colors.
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You want the green lighter,
darker, and the blue, or whatever,
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gray, whatever he wants to get.
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And you have to mix this, the
mixing TB here on my palette.
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And then it had a brainstorm
because I see all the time when I
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mix my paint, I put Vite on first
and then I put the colors in.
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And one day I had the brainstorm.
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I said, why the devil, I don't put that
vibe right on the canvas like I did here.
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And I mix on the canvas.
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You see, that's the whole ID.
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Good.
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So if we mix on the canvas, the
white on this vet, I put a little
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bit of blue on the hallway.
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Take it off just a little bit like
this, this day, but not too much.
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He, the blue looks so blue here.
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And once you have the nice blue sky.
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Happy blue sky there.
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Now you control the, how I mix.
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Can you see what I do?
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I'm just mixing, I'm mixing,
you know, um, Uh, how he say
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perspective sky or deep sky.
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And it doesn't matter if I make it blue
on top and light on the bottom or blue.
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Watch this time I go around the other way.
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I will make it dark on the bottom here.
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And it will appear by doing
the, this is the whole thing
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we create the optic illusion.
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I was young.
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It was young.
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See, by having your dog, it appears like
it's coming to you other way around.
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They can have dark on top.
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And have it right there or light
there, then it looks the same
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again, it is just the optic illusion
and that's what makes it so nice.
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The, you, you are next to God.
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You start.
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Oh, I start vibrating.
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You know, I start really, uh,
how would you say when you start
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painting that creative power takes
over and all of a sudden I won
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deep sky and it was a deep sky.
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Doesn't matter if I do it now, if I
can do it with it, dark on the bottom
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here, Steve, and we're up and we're
up and we're up because I'm mixing Z.
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That creates forgive me and I, I never,
I want, I want, I want to have a bit
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more looking like coming to me right now.
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I am hustling to make a deep sky.
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I use a Tetra Vite and maybe
a little touch of red D.
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And look at this, the
here, look at this here.
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Uh, that's it.
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That's it.
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I always hide it for you.
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And then you fire in there kind of
a C kind of, uh, just movements.
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Can you see?
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And that brings it forward
again, and that goes back.
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And then if you want, if you want to
ever show you, if you want to then
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start off already start off again, and
we'll use a bit of a red sea like this.
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I did start.
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I always on top.
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See here, create rather movements
and go into the darker, the darker
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there's all kinds of Dockers here.
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Can you see all of these
under you created a deep sky?
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And that's what they want you to show you.
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So you become the almighty creator and you
use our means to make a sky, not hanging
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down like a curtain to make it a deep sky.
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In other words, I repeat again,
dark on the bottom light on top.
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It's a deep sky all the way
around, dark on top and lighten
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the button is still a deep sky.
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We have a certain, I don't
know what it is with our eyes.
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That feeling.
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The creator.
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I can tell you how I can make a deep sky.
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You Dan, it's easy to walk up.
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No, I will create, I will
create a, I would say a very
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simple painting this time.
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I wish I could be a good inspiration
to you that you learn in spirits.
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Yawn is very important.
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I will use my little fan brush,
10 black bit of zap green.
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And black, you know, I create turnover
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T I created kind of a.
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Landscape there three standing
there coming down under here.
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I mean here other
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one, three standing up there, dad like
dad, dad, you see what you're doing?
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That's a nice thing.
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Yeah.
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Yeah.
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All right.
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Then we have other three standing there.
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Then you just got on the right there.
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Maybe add a little bit of yellow.
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Look how I do that.
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I don't clean my brush at all.
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Just have a little bit of, uh,
and again, it brings it far of us.
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See, by having a darker Dan
getting lighter there, it appears
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to you, like I create depth.
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Yeah, look at that.
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And that our, my defender has
just such a wonderful thing.
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You go fast, you get it all done
and all the details, all the
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excitement and all the excitement.
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Hey here.
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Yeah, that's good.
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Into your walk up a little
bit negative disappear.
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It gets darker, darker, darker.
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So that comes harvest to you.
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That's fine.
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That's fine.
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If you want, now you just can
use your mighty knife and you can
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say, I will watch, watch, watch.
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Copy two tongues in there because the
teacher was in there before they're there.
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See, what's happened.
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You do it with your knife.
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He does wonderful lines coming out there.
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Bang, bang, bang, because
fast creative power,
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couple of detailed stare
kind of details there.
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He here, I will use the tattoo parades,
see how I take it off, but alizarin
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Crimson and the tattoo of blue.
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And I will create the kind of,
uh, uh, I was, yes, a little check
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there, old house standing there.
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I created in the roof
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here.
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He what happened?
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Good.
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And I use all kinds of colors into that.
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Yeah.
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All guys have called us into that.
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no, no, but he was kind of a dark color.
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They're dark colored there.
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Then they were the opposite, like this
and like this, and then like this, then
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all of a sudden you create yourself
kind of a happy little house there.
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see, and then you need dark
in order to, to show light.
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He, then all of a sudden I
put the kind of a rim on here.
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Yeah.
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You kind of Ram on this side,
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so C and no, we, we, we make a
darker underneath the roof here.
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Make it darker underneath the roof.
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He knows we really created kind
of an oil check out of that.
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Yeah, he was right.
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See how I take advice, but
all the colors on there ready?
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And then we would say the lights coming
from the side I would put for me.
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And he copied, he copied in detail.
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Stare maybe here a little bit
more pronounced on this end.
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Like the light hits that
corner there a little bit.
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And has a shadow one that way.
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E and now we very rarely
do we hear the same way.
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Let leave, leave always a little
shadow underneath the roof.
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See, and this, the
nicer strokes like that.
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It does a fantastic job.
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The other fantastic job.
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I like to create that corner a
little bit more than, you know,
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what the beginning is of that house.
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Yeah.
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Then here, here, we, we, we, we
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caught in the divot of a light like
this other side, um, just the openings.
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There's two by four standing up there.
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The dank about the house has a.
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00:15:56,579 --> 00:15:58,710
I was usually green in between.
243
00:16:01,170 --> 00:16:05,040
See you create the, I have nothing to see.
244
00:16:05,040 --> 00:16:06,060
I seen nothing.
245
00:16:06,240 --> 00:16:10,680
I create my aunt, dang my own
version of what I want to show here.
246
00:16:11,189 --> 00:16:13,350
And that is what makes art so wonderful.
247
00:16:15,270 --> 00:16:18,470
And then on this side
and this side here, we.
248
00:16:22,084 --> 00:16:28,324
we, we, we got a little red and
I ever created a kind of a happy
249
00:16:28,324 --> 00:16:30,604
little road came out from there.
250
00:16:31,895 --> 00:16:33,395
I was by that house.
251
00:16:37,065 --> 00:16:37,485
SI.
252
00:16:38,375 --> 00:16:43,985
He was all kinds of colors just fits your
road, but the black bit of get a little
253
00:16:43,985 --> 00:16:51,985
bit of vide, bit of red, these all kind
of a raw dish, uh, the, the callers would
254
00:16:51,985 --> 00:16:55,485
like to find with sunshine in the shadow.
255
00:17:01,415 --> 00:17:01,925
Hey.
256
00:17:03,975 --> 00:17:05,295
Something like this,
257
00:17:10,175 --> 00:17:15,035
then I would use SAP, Corinne, see here,
258
00:17:18,575 --> 00:17:19,895
SAP green there.
259
00:17:21,395 --> 00:17:24,724
Cut that in, have something
ground around the house.
260
00:17:24,754 --> 00:17:30,245
Maybe here on the other side,
you see something the, this
261
00:17:30,254 --> 00:17:31,445
use your knife for that.
262
00:17:32,940 --> 00:17:33,660
Looks good.
263
00:17:35,070 --> 00:17:37,260
See, maybe he on this side a bit more
264
00:17:45,620 --> 00:17:46,130
wonderful.
265
00:17:46,130 --> 00:17:47,720
How we can create that.
266
00:17:47,720 --> 00:17:52,340
Our mighty mighty creative power is
such a wonderful thing to live with
267
00:17:53,420 --> 00:17:55,250
one, the whole thing to live with it.
268
00:17:59,895 --> 00:18:04,845
And pass it up a bit more maybe
here on the hair, you put the
269
00:18:04,845 --> 00:18:08,115
little bit of movement in there.
270
00:18:08,865 --> 00:18:10,485
He looks to that too.
271
00:18:10,485 --> 00:18:15,825
You put a couple of movements in
there, the here ever used the knife,
272
00:18:16,095 --> 00:18:18,255
even for highlighting this tree.
273
00:18:19,305 --> 00:18:20,425
Look at that.
274
00:18:24,045 --> 00:18:24,735
That's beautiful.
275
00:18:25,410 --> 00:18:27,510
It makes it a nice piece.
276
00:18:27,540 --> 00:18:31,020
It gives you a nice feeling
to, to work like that.
277
00:18:35,820 --> 00:18:37,220
Use your own judgment.
278
00:18:38,330 --> 00:18:39,320
You are the judge.
279
00:18:39,380 --> 00:18:40,460
You're next to God.
280
00:18:40,850 --> 00:18:43,730
You have the power to our living.
281
00:18:43,730 --> 00:18:46,190
Time is such a wonderful
time on this earth.
282
00:18:57,140 --> 00:19:01,040
um, maybe hear a bit more,
just get shot step back.
283
00:19:01,040 --> 00:19:05,480
And you see the dude movements, the colors
and you're happy or you're not happy.
284
00:19:07,070 --> 00:19:07,490
See?
285
00:19:07,640 --> 00:19:11,840
No, if we were to start something
really nice, I will say.
286
00:19:13,095 --> 00:19:13,365
Yes.
287
00:19:13,365 --> 00:19:18,165
There's the big tree standing here
and you see the shadow of that tree.
288
00:19:18,765 --> 00:19:22,095
He doesn't have his lights coming
from there and you see a shadow
289
00:19:22,095 --> 00:19:25,185
running down here over the road.
290
00:19:32,585 --> 00:19:32,765
yeah.
291
00:19:32,825 --> 00:19:39,575
All in your mind, you live with
mother nature, that the indication
292
00:19:39,575 --> 00:19:41,645
that it's a big tree standing there.
293
00:19:42,540 --> 00:19:43,470
Big trees.
294
00:19:45,960 --> 00:19:49,920
branches shadows on the ground there.
295
00:19:51,510 --> 00:19:51,930
Good.
296
00:19:52,440 --> 00:19:56,730
And then all of a sudden, you really,
I would use the autumn colors.
297
00:19:56,760 --> 00:19:57,240
Nice.
298
00:19:57,300 --> 00:20:05,040
A bit of alizarin, Crimson and SAP green
on the Tetro for ed and we fire in.
299
00:20:11,910 --> 00:20:13,110
Oh, look at that.
300
00:20:19,560 --> 00:20:24,440
See, you just have a nice border,
whatever you think it should be.
301
00:20:24,440 --> 00:20:26,030
Maybe here, it's going down.
302
00:20:32,879 --> 00:20:34,139
Leave it quite loose.
303
00:20:34,770 --> 00:20:38,580
Let the birds fly through,
let the wind go through.
304
00:20:40,709 --> 00:20:43,050
See I lose, I lose.
305
00:20:43,050 --> 00:20:44,219
I tried to keep it.
306
00:20:44,219 --> 00:20:48,870
There is a big branch
is hanging over there.
307
00:20:49,110 --> 00:20:51,360
Maybe I can do it here
more than you can see.
308
00:20:51,360 --> 00:20:51,899
Look at that.
309
00:20:52,230 --> 00:20:53,419
How wonderful it is.
310
00:20:53,429 --> 00:20:54,510
The dog.
311
00:20:55,635 --> 00:21:02,805
Can you see good leaves and grout
hanging down there and here you can fill
312
00:21:02,805 --> 00:21:05,265
in whatever can use a touch of blue.
313
00:21:06,195 --> 00:21:08,595
You know, here, it doesn't matter.
314
00:21:09,555 --> 00:21:13,905
No, I ruined my nicely sky, but
sometime that's the sad part.
315
00:21:14,085 --> 00:21:17,055
If he wants to have a certain
painting, you would have to.
316
00:21:24,870 --> 00:21:27,480
See, something like this.
317
00:21:30,980 --> 00:21:36,200
I want us to just show you a nice little,
little, the ending should be nice.
318
00:21:36,200 --> 00:21:39,410
And like Lada believes
the hanging down there.
319
00:21:47,900 --> 00:21:49,460
Maybe you leave some openings.
320
00:21:50,895 --> 00:21:58,635
No, you go into the Gallo and write and
have a little bit of certain colors there.
321
00:21:59,265 --> 00:22:01,655
See, look, I do it really simple.
322
00:22:02,105 --> 00:22:03,545
This use your imagination.
323
00:22:03,965 --> 00:22:06,605
It takes a while, but see,
now this would be nice.
324
00:22:06,605 --> 00:22:10,715
If a highlight from the sunny
side there, you see, look at that.
325
00:22:11,265 --> 00:22:12,365
So we can see her that I did.
326
00:22:12,365 --> 00:22:17,685
The sun hits that from this side and you
create this kind of things you create.
327
00:22:17,865 --> 00:22:19,215
You are next to God.
328
00:22:19,215 --> 00:22:21,885
You have all that power to
do those wonderful things.
329
00:22:31,445 --> 00:22:33,005
wherever you think it is.
330
00:22:33,005 --> 00:22:33,335
Good.
331
00:22:33,455 --> 00:22:34,355
It looks good.
332
00:22:34,445 --> 00:22:35,315
You fire him.
333
00:22:36,065 --> 00:22:36,815
You fire him.
334
00:22:41,090 --> 00:22:47,060
and I learned creative power or to
create something or build something,
335
00:22:47,390 --> 00:22:53,090
the lengths where as more, you have to
suffer on it as normally you work on it.
336
00:22:53,795 --> 00:22:56,045
As harder it becomes to you.
337
00:22:56,345 --> 00:22:57,665
And it becomes a headache.
338
00:22:57,695 --> 00:23:01,085
All of a sudden the
iPad, I built the stairs.
339
00:23:01,145 --> 00:23:06,004
I live on a vault on an beautiful league
and I built a scratch hide at house and
340
00:23:06,004 --> 00:23:10,745
have to have a stairs stone, my bed on
mighty stairs there, you know, and by God,
341
00:23:10,745 --> 00:23:16,475
my stairs, you should see like, they're
just fantastic, but it's done overnight.
342
00:23:16,504 --> 00:23:20,425
I worked day and night and, and
it's not the stairs anymore.
343
00:23:20,445 --> 00:23:21,905
Just more than the stairs.
344
00:23:22,770 --> 00:23:24,450
See, and that's what makes it so nice.
345
00:23:25,110 --> 00:23:30,600
You have branches hanging down like
this, like this, like this, like
346
00:23:30,600 --> 00:23:37,640
this, like this, like this, and maybe
here, here, here, here, here, here.
347
00:23:37,710 --> 00:23:40,170
We have a big that big branch
348
00:23:45,690 --> 00:23:46,920
going by there.
349
00:23:47,850 --> 00:23:49,440
That's a big, big branch.
350
00:23:52,410 --> 00:23:54,420
And everything is hanging
on that big brand.
351
00:23:59,730 --> 00:24:04,889
Then you highlight that with
a bit of yellow and white.
352
00:24:08,389 --> 00:24:12,590
See how it comes out and leave a couple
of dark spots and highlights here again.
353
00:24:13,635 --> 00:24:17,264
And leave a couple of dark spots,
obvious, think that this shed, this
354
00:24:17,264 --> 00:24:19,185
light and shadows are falling on it.
355
00:24:19,575 --> 00:24:19,815
See?
356
00:24:19,815 --> 00:24:21,525
And then you, you get it.
357
00:24:21,525 --> 00:24:22,004
Nice.
358
00:24:22,004 --> 00:24:22,415
Divide.
359
00:24:22,425 --> 00:24:23,445
Your think it should be.
360
00:24:25,665 --> 00:24:26,264
And
361
00:24:38,405 --> 00:24:39,365
then that's wonderful.
362
00:24:43,665 --> 00:24:47,854
So, no, add the cup.
363
00:24:47,875 --> 00:24:50,854
It, I use a bit of magic, right?
364
00:24:50,854 --> 00:24:51,905
I go into the magic.
365
00:24:51,935 --> 00:24:52,475
Right.
366
00:24:52,864 --> 00:24:57,965
But it didn't paint sticks on the
ticket, paint yellow and the red.
367
00:24:58,965 --> 00:25:02,655
See, something like this,
even a bit more magic, right.
368
00:25:02,775 --> 00:25:06,675
I go right into the magic red with
my dirty brush and you will never
369
00:25:06,675 --> 00:25:08,775
get that magic right to dirty.
370
00:25:09,525 --> 00:25:11,115
See, now I have a,
371
00:25:17,285 --> 00:25:19,745
take them here and there, here and there.
372
00:25:23,705 --> 00:25:23,915
yeah.
373
00:25:24,155 --> 00:25:26,375
Colors, colors.
374
00:25:28,365 --> 00:25:32,625
He colors, colors, color arrangements.
375
00:25:32,625 --> 00:25:42,965
As clear you find, maybe we let
some, some nice sunny, sunny
376
00:25:42,965 --> 00:25:44,435
branch hanging down there.
377
00:25:45,125 --> 00:25:46,055
Maybe he had this one.
378
00:25:46,055 --> 00:25:47,525
We give him a bit of sunshine.
379
00:25:51,095 --> 00:25:58,919
See, nice to use your on
mighty, uh, Feelings and you
380
00:25:58,919 --> 00:26:00,540
put on the canvas yourself.
381
00:26:01,110 --> 00:26:03,000
That was a day of your life.
382
00:26:03,030 --> 00:26:04,409
You live today.
383
00:26:04,740 --> 00:26:06,300
And look what I did today.
384
00:26:06,540 --> 00:26:08,669
That is one day of my life.
385
00:26:08,970 --> 00:26:10,860
And that is what I unloaded.
386
00:26:11,639 --> 00:26:12,929
I unloaded that
387
00:26:17,990 --> 00:26:20,240
E maybe they're the big one.
388
00:26:20,570 --> 00:26:22,189
Maybe here a big one.
389
00:26:24,090 --> 00:26:26,310
And my God isn't that coming?
390
00:26:26,310 --> 00:26:26,610
Good.
391
00:26:26,850 --> 00:26:27,450
Maybe here.
392
00:26:27,450 --> 00:26:35,490
I would like to add a little bit of
a run, so separate the little bit.
393
00:26:36,990 --> 00:26:37,470
See.
394
00:26:38,910 --> 00:26:42,240
Separate a little bit
and my God look at that.
395
00:26:42,300 --> 00:26:43,300
It comes soon.
396
00:26:43,300 --> 00:26:43,620
Knife.
397
00:26:43,800 --> 00:26:47,940
Maybe here I do a little bit just
because I feel all of a sudden, a little
398
00:26:47,940 --> 00:26:49,710
bit of sunshine here on shine there.
399
00:26:49,980 --> 00:26:51,540
Now it is finished.
400
00:26:52,040 --> 00:26:53,300
I'm just doodling.
401
00:26:54,170 --> 00:26:55,460
That is the last thing.
402
00:26:56,480 --> 00:26:57,560
Did you enjoy that?
403
00:26:58,560 --> 00:26:59,510
We had a lot of the noise.
404
00:26:59,550 --> 00:27:02,250
All the airplanes are flying
around, but that's fine.
405
00:27:02,430 --> 00:27:03,390
We can live with that.
406
00:27:03,780 --> 00:27:07,320
We can live with that on
my depo and take it home.
407
00:27:07,380 --> 00:27:08,220
I never heard that.
408
00:27:08,700 --> 00:27:09,570
Thank you for watching.
End .srt file.
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