Sunday, December 13, 2020

S06E11 Winter Day - AVAILABLE

Bill Alexander's
The Magic of Oil Painting



Season 6, Episode 11, Winter Day - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

1

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Hi.


2

00:00:06,770 --> 00:00:11,960

Hi, don't be ever have fun,

nice stuff, fun and do your job.


3

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But the big life is fantastic.


4

00:00:15,890 --> 00:00:21,440

I have in my mind, a hazy lazy

D or Vinter not of summer.


5

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He's he D I want you to create

the kind of a hazy sky and maybe


6

00:00:27,180 --> 00:00:29,640

a hazy son hanging in here.


7

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So I'm gonna fire that zone into the water

there, and then create kind of a vendor.


8

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But I would big mountains be pain.


9

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So many mountains.


10

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Now you'll know that in an hour,

the obvious newcomers watching me.


11

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And, you know, when you start.


12

00:00:50,490 --> 00:00:52,770

You really don't know what

the devil you're doing.


13

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And I talked to a lot of people.


14

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If I have a white canvas, I get scared.


15

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You know, what the hell I'm

doing with that white canvas?


16

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Um, It takes really years in order

to learn, not to copy, not to see


17

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you have it already in your mind

and you unloaded the that's me.


18

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No, I am.


19

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Unpatient I, I can paint anything

I want without seeing things


20

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I can imagine perspective.


21

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Right.


22

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I can imagine, uh, uh, whatever.


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I can imagine.


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Certain things I create illusions.


25

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The, this is all not there when you start.


26

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You got to learn all that.


27

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And it takes really a little bit time be

patient and, and watch me because, uh,


28

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I think I really caught a pin on my life

and I'm so happy to see you prosperous.


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And, uh, you know, as, as it's

not the big vision of every


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human being, leave something

whenever you're not there anymore.


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But people really enjoy for

years and years to come and they


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hope I can reach that point.


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Wonderful.


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So, no, you see here, my mighty

pilot and then I have their


35

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brother and myself up, get in the

mood and the hazy, lazy mood of.


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Beautiful.


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It'd been no, whatever this, whatever

I am, you know, you have to figure


38

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out for what the debit he, my

palate is a beautiful, happy pilot.


39

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The pilot just laughing

with me and the paint.


40

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Oh, no.


41

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Good.


42

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I have a thick paint.


43

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I put already a bunch of gear

and then I have a dinner paints.


44

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He will have a dinner right here,

and then they have the magic, right.


45

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We have actually three steps

of white, this fantastic.


46

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But when you start paying, you

don't know what the main is.


47

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Your vice is, right.


48

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It was what the hell is he

talking about to me when I


49

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started painting your dark, right?


50

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There's white and yellow scale.


51

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Andre's red and that's it.


52

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But the thickness is the most

important thing, how it sticks on


53

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the, how it gets onto the canvas.


54

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And that's what they

wanted to show, you know?


55

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Okay.


56

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I put the bunch of paint

or the magic Vitus on Z.


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See here, that's all that the,

all white, that mighty finger


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is on, but I would magic.


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Right?


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I couldn't paint.


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No.


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Then I will create a.


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Dan is what the he's he's on this.


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It doesn't have to be in the middle.


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Sometimes I put on the side because

I have maybe I put on this side


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here, we would say, okay, let me say,

this is what the sun is in the sky.


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And that is where the sun is in the water.


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They start off like that.


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You know, I have it altogether.


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No.


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Then I have to mix a color.


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What gives me that, that the tune I

have to, you can have it, but the new


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red is what, let me show you things.


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Now I use passion blue into this here.


75

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The passion blue, blue

is always a good color.


76

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I use the tattoo of our

lives in Crimson into that.


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And then, then the white and

blue and alizarin Crimson.


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And then I test it.


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This is why they want.


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I can keep it a bit more in the red

and the, let me show you things.


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That's just what this show is all about.


82

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I put a bit more olives in Crimson and

it really gives me a different color.


83

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See this here.


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It's a different color again.


85

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You see, there's a bluish,

there's got a bit of red.


86

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I put more alizarin Crimson in

though, and it is a different color.


87

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Again.


88

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Let me show you this.


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See, can you see the different.


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It is blue and we'll get a bit more

red and this is more that, but I


91

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think it wants to get that color.


92

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I see you test it.


93

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You taste it.


94

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And then you fire in.


95

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No, I got that color, but I one, I got

it here and I firing from the outside


96

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all around from the outside, all

around from the outside, all around.


97

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The dank divide is on the canvas and gets

lighter, lighter, but others from the


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outside in, and I, my strokes getting

lighter from the outside, in, from the


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outside in, see and hear from the outside,

there's so much pain in the brush.


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You just.


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Give him harder strokes.


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Give him harder strokes in

the, as darker ivory pain, all


103

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around as lighter will appear.


104

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So you need dark in order to show light.


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There is no light if you have no dark.


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So we put in the middle

of that dividing line.


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And then we've walked walk and

treated to the light that you


108

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just saw on there to just done.


109

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Now you see that yellow wouldn't

be the right thing, but I will


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kill it with a bit of red.


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See here again, a blue Mustang,

Mustang, blue and yellow on screen.


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Can you see how I create a hazy, lazy

son that had the line in the water there?


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Darker dare.


114

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No, I rather have a darker,

the darker in between.


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It gives you more that

that appears lighter.


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All of a sudden as darker.


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I do it now as a lighter.


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This, I think what we do today is a good,

good lesson for especially a newcomer.


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When you wants to get highlights,

you think sometimes God wants to


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hide it and you can't hide it anymore

because there is no light left.


121

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That means he didn't paint enough.


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Dark when you have enough dog,

Dan is highlighting is easy.


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These are all has some.


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Tricky things, but that will come to you

here and make a darker, really powerful.


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That would be a good lesson today.


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Have a happy time, have a good time.


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And we fired him.


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He has darker.


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I got around as lighter.


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It will be a no, I got my hazy

day coming out there soon.


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E good.


132

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No, I will.


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I will use other brush down

to clean, uh, Vite touch of


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white and red touch of her red.


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You see like this, can you see.


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And Curtis to get it all Kelly, to get

it off because then it becomes the, the


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yellow versus a headache I would have.


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If I wouldn't have touched

it more, I would have green.


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The envy don't want that.


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So I've been put the red over there and

then we, no, I have no problem anymore.


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You know, we go from here.


142

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No, we go over to the light, to the dark.


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Wash my brush.


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Get rid of this bro down there to hard it.


145

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Make sure you always have

a clean and a dry brush.


146

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That's just the most important

part clean and the dry brush.


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Right.


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And a touch of red, whatever pink

you can use, even pink is good.


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He, he, you know, I bring it up more.


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no, I work from the light to the outside.


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He wants to have that hazy feeling.


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Pink.


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Pink is a nice frosty color.


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Think about the frost frost

mix, the red cheeks, red nose.


155

00:09:56,775 --> 00:10:02,705

I will use a touch of pink, the,

this, uh, uh, the rules matter.


156

00:10:03,605 --> 00:10:05,105

It doesn't matter.


157

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It is Rose matter.


158

00:10:07,685 --> 00:10:12,365

Rosemary wash does a little bit of a Rose

color and can you see, it gives me Vinter.


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Can you see the winter coming

in there by having that touch?


160

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The, this is too much summer.


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The Rose madder gives you think

about the frozen foot cinder frozen


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nose, and the cheeks are red.


163

00:10:29,510 --> 00:10:32,330

Uh, that is a nice vendor color now.


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We learned something.


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You enjoy it.


166

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That's why certain colors, they

give you the certain catch.


167

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What you, what you.


168

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OLED the aim, your aim is in your

mind, you wish see, in this case


169

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I talked about the vendor's scene.


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He said, he's, he leaves he time of

winter and the yellow and the reds


171

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would give it to summer, but the

pain and alizarin Crimson would give


172

00:11:09,480 --> 00:11:14,000

her a nice, nice winter feeling.


173

00:11:16,550 --> 00:11:17,810

Hey, hope you can see it right.


174

00:11:22,535 --> 00:11:27,455

Yeah, I just walk into the side and let

it get lighter or darker, darker, darker,


175

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darker from the dog and to the light, the

same one on the sky up there, it takes


176

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a vial to, I would name it condition.


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I condition my canvas.


178

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Get that I had no.


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And then you got the test.


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No problem.


181

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He again, right.


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And pain and her little

touch of that Rose matter.


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And we fire in again,


184

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go around and around

and around and around.


185

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Until you feel that's what I want.


186

00:12:15,405 --> 00:12:18,975

You can't even use res

a Rose madder in watch.


187

00:12:19,005 --> 00:12:23,595

No, I take lots of Rose madder this

time and I just go in between here.


188

00:12:27,165 --> 00:12:36,225

He just throw his mother because the

bones and this often it can be blue again.


189

00:12:51,319 --> 00:12:56,479

Oh, we really seed this stones termite.


190

00:12:56,479 --> 00:13:02,790

It just turns again, the Tetra

furrows matter and the bit of right.


191

00:13:04,185 --> 00:13:06,944

Uh, I bring out the highest Tio, right?


192

00:13:07,395 --> 00:13:10,035

That's the highest feeling of the Sunday.


193

00:13:10,844 --> 00:13:13,125

Maybe here we put the same thing in there.


194

00:13:17,285 --> 00:13:23,314

Maybe down here a little bit for everyone,

suggest softly disappear and John that


195

00:13:27,104 --> 00:13:27,964

he know.


196

00:13:28,650 --> 00:13:31,020

I have conditioned my canvas.


197

00:13:31,319 --> 00:13:34,650

No, I will show you how

we mix Chi and water.


198

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I leave the sky.


199

00:13:36,270 --> 00:13:39,420

The vide is dry brush


200

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and try to aim like water lines

going down the watch this.


201

00:13:54,380 --> 00:13:54,650

Yes.


202

00:13:55,650 --> 00:13:56,700

The they do here.


203

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I cleaned my brush.


204

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You can have both sides, one side and

the other side, and then clean your brush


205

00:14:08,690 --> 00:14:09,140

here.


206

00:14:09,170 --> 00:14:12,950

When they go into the sun, I

make sure I have a cleaner brush.


207

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I don't worry too much.


208

00:14:15,350 --> 00:14:15,770

Where


209

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and the dryer brush?


210

00:14:21,530 --> 00:14:23,870

No, sometime I make upstroke.


211

00:14:25,440 --> 00:14:28,560

I wants to have that light on in dynamic.


212

00:14:28,590 --> 00:14:32,400

Upstroke C can you see what I do?


213

00:14:32,880 --> 00:14:39,600

Upstroke with clean the

brush always upstroke clean.


214

00:14:39,600 --> 00:14:42,120

You ever hear that done my mother anymore.


215

00:14:45,510 --> 00:14:50,060

always, when you have all that light,

you cannot work with the dirty brush.


216

00:14:50,450 --> 00:14:52,610

Then you ruin whatever you have built up.


217

00:14:52,670 --> 00:14:53,450

You have ruined.


218

00:14:54,340 --> 00:14:59,010

You know, I have a nice clean brush

and a dry brush, and I wrote down


219

00:14:59,670 --> 00:15:01,410

now I can go down a couple of times.


220

00:15:01,439 --> 00:15:02,760

It wouldn't bother me anymore.


221

00:15:03,180 --> 00:15:06,510

The other side, I don't

go into the dark sea.


222

00:15:06,980 --> 00:15:10,300

No, I'm so close to it.


223

00:15:10,430 --> 00:15:11,270

Good beginning.


224

00:15:11,750 --> 00:15:18,050

I use a fan brush on my defend

brush and white and pink again.


225

00:15:19,699 --> 00:15:23,000

And we, we go right there.


226

00:15:28,035 --> 00:15:29,385

He's Illy.


227

00:15:29,535 --> 00:15:30,165

The


228

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here I wear, I wear, I wear, pull it down.


229

00:15:48,585 --> 00:15:49,065

See.


230

00:15:49,845 --> 00:15:52,185

No, we are doing quite good.


231

00:15:52,635 --> 00:15:56,595

And now it's the other way

of stroking the canvas.


232

00:15:57,735 --> 00:16:06,675

I would go to the light first or through

the light first and always very careful.


233

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Otherwise the paint fence apart.


234

00:16:10,530 --> 00:16:11,010

I got Eddie.


235

00:16:11,010 --> 00:16:13,530

You have the hardest

pain you can ever buy.


236

00:16:14,070 --> 00:16:15,480

And I still have trouble.


237

00:16:15,480 --> 00:16:19,050

It really fell apart means you

have to be very careful, but


238

00:16:19,050 --> 00:16:20,400

you see the water line now.


239

00:16:20,820 --> 00:16:23,100

No, it doesn't matter what you put in.


240

00:16:23,190 --> 00:16:27,720

You can, I will have a lazy winter,

but they would like to show the


241

00:16:27,720 --> 00:16:35,440

opening of, uh, of, uh, whatever

there and the beginning of what again.


242

00:16:36,750 --> 00:16:43,980

Of first, the other fan brush, a big

fan brush and I ever have used just call


243

00:16:43,980 --> 00:16:49,560

us again, bit of black, rather blue.


244

00:16:51,439 --> 00:16:51,680

No.


245

00:16:52,819 --> 00:16:55,699

Does he create kind of a painting?


246

00:16:56,505 --> 00:17:00,915

It would be dumb to ruin what

I build up or they're heady.


247

00:17:01,095 --> 00:17:08,025

So I leave this sister opening

here and they will have a, have a,


248

00:17:18,764 --> 00:17:20,204

have a short lane there.


249

00:17:20,204 --> 00:17:23,295

I created the shoreline

is, think about winter.


250

00:17:25,635 --> 00:17:27,405

Look, I just pulled things up.


251

00:17:29,415 --> 00:17:30,945

Some they're standing up there.


252

00:17:32,355 --> 00:17:38,565

See an Eddie, you see a little bit

of a vent delish, nice icy feeling.


253

00:17:39,465 --> 00:17:41,355

And then you are on here.


254

00:17:47,915 --> 00:17:54,035

No, we reflected right into

the water there over that.


255

00:17:54,855 --> 00:17:55,665

Isn't that wonderful.


256

00:17:57,735 --> 00:18:01,035

Oh, you have no idea how nice

it is to paint like that.


257

00:18:01,815 --> 00:18:02,865

It just itchy.


258

00:18:02,955 --> 00:18:04,665

It makes you powerful.


259

00:18:05,115 --> 00:18:08,745

It gives you a certain it's me.


260

00:18:08,745 --> 00:18:09,255

And you know what?


261

00:18:09,255 --> 00:18:12,315

That's used to be something

that songs that isn't about.


262

00:18:12,825 --> 00:18:14,535

It has gone my ride.


263

00:18:15,135 --> 00:18:20,565

If it costs you, I, it goes to the

right by C and if you can make a living


264

00:18:20,565 --> 00:18:25,815

with it, cause you have, I, I tell you,

you have it made, you love the ward.


265

00:18:25,845 --> 00:18:29,685

You love the paper, you love

your family and everything.


266

00:18:29,685 --> 00:18:30,675

It's just home.


267

00:18:31,145 --> 00:18:38,045

Dory hunky-dory is this award, but they

say, so they say sometime hungry, Dory.


268

00:18:47,765 --> 00:18:48,365

so good.


269

00:18:48,815 --> 00:18:55,265

He know we have that and now it comes

to the, the other brush I have already.


270

00:18:55,265 --> 00:18:55,775

Right.


271

00:18:56,225 --> 00:18:58,205

And I will create a, kind of a


272

00:19:03,485 --> 00:19:05,375

tickle it articulate a little bit.


273

00:19:10,245 --> 00:19:18,915

See, he's lazy daddy of

winter of vendor winder.


274

00:19:19,365 --> 00:19:25,935

I wish I had to learn that

song and Lee, the, of winter.


275

00:19:26,730 --> 00:19:29,129

She damn happy.


276

00:19:29,129 --> 00:19:31,350

Leave the jail for winter.


277

00:19:31,770 --> 00:19:36,240

Maybe here we give him that little

bit of extra there in the water.


278

00:19:37,740 --> 00:19:37,889

Okay.


279

00:19:38,720 --> 00:19:43,700

In that itchy, the Lindor is a

simple, simple little painting,


280

00:19:44,000 --> 00:19:45,500

but it can be so powerful.


281

00:19:45,500 --> 00:19:46,669

It can be so nice.


282

00:19:54,425 --> 00:19:59,165

but the light when you hypnotize

it, it very disappeared.


283

00:19:59,435 --> 00:20:05,405

No ever be very, very careful ever

use a fan brush rather than any other


284

00:20:05,405 --> 00:20:11,165

brush to make sure it's dry enough.


285

00:20:11,735 --> 00:20:13,175

I pull it up a bit.


286

00:20:13,475 --> 00:20:14,584

I pull it up a bit.


287

00:20:14,645 --> 00:20:15,034

You see?


288

00:20:15,435 --> 00:20:16,665

Pull it up a bit.


289

00:20:20,115 --> 00:20:26,625

So, no, you, you, you, I use

my almighty knife first, a big


290

00:20:26,655 --> 00:20:31,575

brush, clean, clean, and dry.


291

00:20:35,595 --> 00:20:39,105

And you eat very light.


292

00:20:47,570 --> 00:20:53,300

E and then you have a little

bit of a bluish Vite color


293

00:20:53,870 --> 00:20:55,460

and you create kind of a.


294

00:20:58,680 --> 00:21:03,980

Shoreline there, but then the paint

will stick on the ticket pain.


295

00:21:04,160 --> 00:21:04,430

You see?


296

00:21:04,430 --> 00:21:06,620

I tried it and it didn't stick.


297

00:21:06,770 --> 00:21:08,090

That means it was my fault.


298

00:21:08,090 --> 00:21:10,070

I didn't use my knocker head.


299

00:21:10,070 --> 00:21:12,170

I didn't think it didn't depend.


300

00:21:12,170 --> 00:21:16,460

No, I turned it down a little touch with

dinner pain and look what happened now.


301

00:21:16,899 --> 00:21:21,410

It didn't work before, but look, what

happened now is he see what I showed you.


302

00:21:21,680 --> 00:21:23,720

It works now.


303

00:21:23,730 --> 00:21:25,010

I get all the things.


304

00:21:25,605 --> 00:21:28,605

And then the pain-free Arbor

stick on the ticket pain.


305

00:21:29,505 --> 00:21:32,625

No way you cannot lose there.


306

00:21:41,555 --> 00:21:43,205

no fire.


307

00:21:43,205 --> 00:21:51,605

And we will fire in the dark are the docs

that can get are the dogs that can get.


308

00:21:52,590 --> 00:21:58,350

The blue, the blacks, and I have

a big baby tree standing here


309

00:22:17,750 --> 00:22:18,080

E.


310

00:22:18,885 --> 00:22:24,254

When they have a big, big, big

tree standing here, but all our


311

00:22:24,254 --> 00:22:28,065

winterish are, they look very wild.


312

00:22:31,425 --> 00:22:31,685

I


313

00:22:36,075 --> 00:22:42,795

E how easy it gets very

loose, very, very loose.


314

00:22:42,795 --> 00:22:47,235

This vendor are going

in any good direction.


315

00:22:48,510 --> 00:22:49,920

Into the water dare


316

00:22:58,080 --> 00:22:59,250

he know you


317

00:23:08,190 --> 00:23:09,540

see how fast it goes.


318

00:23:10,695 --> 00:23:11,835

Bang, bang, bang.


319

00:23:12,225 --> 00:23:21,645

Then you use one inch brush

and you use Vite eight and, and


320

00:23:21,675 --> 00:23:27,075

light's coming from their highlight

little bit of snow line there.


321

00:23:46,640 --> 00:23:48,380

E how fast at course.


322

00:23:49,160 --> 00:23:49,250

Okay.


323

00:23:52,670 --> 00:23:53,870

He had the same.


324

00:23:58,770 --> 00:23:59,670

He is the same


325

00:24:11,520 --> 00:24:15,480

into the water, into the

water, into the water


326

00:24:20,250 --> 00:24:21,630

and the right way.


327

00:24:23,010 --> 00:24:24,540

You make water out of that?


328

00:24:25,200 --> 00:24:27,180

A nice, it looks the Chemours.


329

00:24:28,020 --> 00:24:34,320

Then you use your knife and you

put the snow and snow in there


330

00:24:41,130 --> 00:24:45,420

E there, your snow in there.


331

00:24:47,100 --> 00:24:48,240

Leave it like that.


332

00:24:48,660 --> 00:24:51,300

No, you on the other side

and do the same thing.


333

00:24:51,990 --> 00:24:53,370

Snow in there


334

00:24:58,590 --> 00:25:05,939

and you use a bit of right there and

highlight there and then little bit,


335

00:25:13,840 --> 00:25:14,790

there you are.


336

00:25:28,774 --> 00:25:31,534

and your fires right into the water.


337

00:25:32,615 --> 00:25:39,185

And what you see is what you get

the, maybe here we put a little bit


338

00:25:39,185 --> 00:25:41,794

of a vide stomach right there too.


339

00:25:43,024 --> 00:25:43,534

And then.


340

00:25:44,790 --> 00:25:51,300

Hypnotize it, we have

the ties, it like this.


341

00:25:51,929 --> 00:25:52,350

See,


342

00:25:58,020 --> 00:25:59,909

and that is it.


343

00:26:02,909 --> 00:26:04,139

You enjoyed it.


344

00:26:05,120 --> 00:26:08,159

I needed a couple more

minutes, but I did it.


345

00:26:09,300 --> 00:26:10,290

You learn something.


346

00:26:10,320 --> 00:26:11,429

Thank you for watching me.


347

00:26:11,490 --> 00:26:12,000

Bye bye.


End .srt file.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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