Sunday, December 13, 2020

S07E02 Apple Valley - AVAILABLE

 

Bill Alexander's
The Magic of Oil Painting



Season 7, Episode 2, Apple Valley - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

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Everything is go your

way and I'm on the floor.


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So I have to line something up and

I always have to bother myself.


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I always have to talk to myself.


4

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And I think when you paint, you would

have to do to think the same thing.


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So here again, I have a Vipe canvas,

the magic righteous on the magic


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by just on the canvas is bad.


7

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So I thought about the

farm art crumby down farm.


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No, I have to make up some

stories about that farm in order


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to really make that farm divide.


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I thought so no one lives there anymore.


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Lauder's demand is falling down.


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The roof has collapsed and it chimney

maybe stands up and, and maybe all cat


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is Meow in some van, the chimney, the

make a little bit of a story or whatever


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you will paint, then it becomes a life.


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And then you've reached your comfort dog.


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I feel obvious comfort when I can.


17

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And anything I'm up at verby on the

canvas and then it has a meaning.


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Then you're finished.


19

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You enjoy it, you enjoy it yourself,

but kind of as KV, give him, Oh, maybe


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we'd give him a kind of a sunny, sunny

D there's a happy sunny D I put the


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little bit of watch this little bit of

red on my brush, but there's a little


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bit just like a bloat on your brush.


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And I think these are kind of a.


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The pinkish hooray us

on the canvas already.


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It gives me a kind of a pinkish

tune, maybe a lit third bit


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more with a little bit of luck.


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Oh, fire.


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And you have to really, uh,

that's the only way to fly.


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That's the only right to fly.


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See, this would be good harmonizing,

but detach of panel green, the,


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I believe my brush divided is an

add a little bit of Taylor green.


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Can you see how it pulled it out?


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Just with the little V little bit and I

put in here, put it in from the outside


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and as you come, the it mixes with

divided and it mixes with that to read


35

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the, it gives you a kind of a color.


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I think I talked already about from

now on, I want to show you more colors


37

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because Carlos is what we all live with.


38

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And if we can use beautiful colors

to our pain, to our paintings,


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then it's worth something.


40

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No, I leave the brush divided.


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The brush is I put a little bit

of pressure and blue out there.


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And then from the top down from the

top down Valley gender bit of blue,


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right into that red, can you see by

the beautiful, the, all across there?


44

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Kind of a, that red is

popping out nice now.


45

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And then you're just that there's a beer.


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And then you can, you can,

you can have your feelings.


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You're inside.


48

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This is a painting.


49

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When you paint, you just paint by numbers.


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Good.


51

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That's different.


52

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But if you.


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Let your whole body live to a nice story.


54

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That's a part of living hours go

by, by just dreaming, creating,


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talking to yourself and see what

the mother earth does to you.


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And as it's, it's a

beautiful way of living.


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So I thought that maybe have a good start.


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I did, I will have a touch of SAP green.


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I bring it over here and a touch of

Prussian blue and bring it over here.


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The, and I make kind of a fuzzy, fuzzy

color up and I have a thing I would thing.


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Uh, I would deign the far of a far away

yonder, far away on the little bit of


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a Haley country, but that's far have I.


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Yeah, keep it in that green, maybe

on this side, you come down the


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hair, come down the hair, uh, the

hit in between will be the farm.


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Yeah.


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Just give him a little bit of a

background there and then you can


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go forward like this and then you

can put this three in the brush.


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What I do, I clean my brush.


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There could be a water on off.


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It doesn't have to be, but

if I need it, I got it.


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You see?


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So that costs you so little bit of

time to put that kind of, because


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you clean your brush, otherwise

you would lose all that pain.


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But when you, when I create a

story, you write the song, you


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write the poem, but you do, you.


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Look for new wards, you look for rhyme,

rhythm harmony, and as you on always


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on, I want you to pick rude and say,

Hey, no water would look for nice a


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dare and you got the water already.


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Can you see what I mean?


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As long are you paying you, but can you

see, my ears are pointed like a Fox.


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See that that's what it is.


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As more you pain as more, you

already prepare your canvas.


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The canvas is always ready for

you to do whatever you want to do.


84

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Then I can vibe it all out.


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That can be all grass.


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It can be all field.


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I can make a plowed field over

that, but I had that paint on the


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brush and that's what came out.


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He uses off.


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That's all I know.


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Like I said before, this session,

what I do know will be more education.


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I want you to learn, to

learn, to live happy way in a


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powerful way, not Mickey mouse.


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And that is, it's a

wonderful way of living.


95

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I'm very happy with my Saturday

and everything is gone.


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Everything is gone.


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My wife and I are wonderful.


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As long as it costs you a ride.


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Okay.


100

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No, this is a good beginning.


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Dare and I will create, I will create, I

will create kind of a background there.


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just, just use a card, call us there,

but you'd never be a house in the


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middle of the barn or whatever here.


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I just use up that paint once in the brush

I needed anyway, so maybe I use my knife.


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I use my knife, I use my knife.


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I lost my knife.


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I lost my knife.


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So I really, I really, I really, I

very put the white over here and the


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Tasha was black and that distance


110

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makes it kind of a gray,

gray is a gray time.


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And they will be far away a barn.


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They show one Gabriel

and the one gave land.


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No, that, but like I said to you, it will

be broken down house, broken down house.


114

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That's all come out to a house when

you're finished, but I want you


115

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to have it in the kind of a shape.


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Eh, Maybe a reddish yellowish a bit

of that dirt here, what you have here.


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And I create a kind of a Marsha roof

roof, more yellow, and then you have


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this kind of a fun your roof there,

and they fire up that through and


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you see, Oh, here you just have the

end, the lower end of that house.


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Can you see how nice it is to,

to dream things up and make it


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very loose and very, very free.


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And here is the other chimney.


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There's an art chimney standing here.


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Yeah.


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It's just, we'll make it higher that

our chimney is still standing there.


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Girl can Dawn and hear

a little bit up, man.


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See that then.


128

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And you can use a bit of that red,

but you haven't your, uh, Make it so


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that it has a bit more beautiful to,

to dream up whatever he would think,


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become a dreamer.


131

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That's the nice thing.


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No, I will add here a little bad and

he had limited beds and maybe here a


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little bed here, Lily bed, and then

here, maybe a little bit of whatever, eh,


134

00:09:12,045 --> 00:09:16,395

And here, here, you can push it in.


135

00:09:16,905 --> 00:09:22,035

Sometimes you use the little fan

brush, you can push it in like


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this SI just the bracket up even

more, even more so, even more so.


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And then you, you can, you can do almost

anything there to make it all Luke.


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And


139

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he did the vendor

hoards, the vendor horse.


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Maybe you can use your little knife

and have a little bit of black


141

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and there's the other door here.


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Oh, the door is there

and, and he is the vendor.


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There.


144

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He is the other vendor, but leave

it very rough, very, very rough.


145

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Then it really will be a

nice painting as a painting.


146

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It would be nice.


147

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I skate through it looks bad.


148

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Or the artist crumbled up.


149

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So now here, Mary, have

a little bit of an end.


150

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Look, you see that little

bit of a doorframe there.


151

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The, and here, here behind is the barn.


152

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See, and that's your frame too,

and you're on and you're on


153

00:11:06,435 --> 00:11:09,735

thanking Ali broken up there too.


154

00:11:10,005 --> 00:11:15,255

Docker hit in between the roof and

he gave him that bit of dark there.


155

00:11:19,505 --> 00:11:24,455

then you have some two by fours,

two by four standing up there.


156

00:11:31,055 --> 00:11:33,694

see, make it shorter because

it's really, it looks all


157

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around, down and broken down and


158

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maybe here come up like this, they come

up like this, and that would be really


159

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nice and crumbled up and becomes a nice.


160

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Nice place there.


161

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Eh, and here that's the other roof.


162

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He would think he would like to think.


163

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Can you I'm dreaming?


164

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Oh, no.


165

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Yeah.


166

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That's just how it goes on like this.


167

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And there's all the room

standing there like this.


168

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And then you make it

darker underneath again.


169

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Yeah.


170

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Yeah, no, on this side,

maybe give him other color.


171

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I give them other color here.


172

00:12:41,354 --> 00:12:44,055

But then her off there,

let it be an oil painting.


173

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He that's what makes a painting.


174

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Every said, paintings like that.


175

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They sell easy


176

00:12:52,175 --> 00:12:55,535

because you have a story, but then

you make a, you mix something up.


177

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The little bit of glasses, something

left, there is something is shiny there.


178

00:13:01,745 --> 00:13:05,645

So you can have a little bit of

class left somewhere there, whatever,


179

00:13:05,645 --> 00:13:07,895

whatever, wherever, maybe here.


180

00:13:08,235 --> 00:13:14,555

Uh, in the house first, this,

this, let us catch this.


181

00:13:14,565 --> 00:13:17,355

They do their whole job here.


182

00:13:17,355 --> 00:13:19,485

You can have maybe eight

advice, a workshop.


183

00:13:19,485 --> 00:13:25,655

He created himself and, and

yeah, now it's all around.


184

00:13:26,585 --> 00:13:27,005

Dad is the


185

00:13:32,585 --> 00:13:33,905

haystack there.


186

00:13:36,479 --> 00:13:44,040

You know, he's, he's the haystack it's

there, they, the desk just working


187

00:13:44,040 --> 00:13:50,199

on that, like this come far reds,

maybe that's the other, the, the


188

00:13:52,680 --> 00:13:56,430

fence or the hatch hatches, you know?


189

00:13:56,670 --> 00:14:01,880

So you bring it all together

and maybe, maybe, maybe.


190

00:14:03,210 --> 00:14:05,850

Maybe that's the happy little tree there.


191

00:14:09,510 --> 00:14:12,330

He, there can have a little one there.


192

00:14:12,330 --> 00:14:16,940

Maybe can, you can see how you

create, how you dream up the whole,


193

00:14:17,770 --> 00:14:19,610

whole little voice for yourself.


194

00:14:20,450 --> 00:14:22,760

And it's just wonderful to go on dreaming.


195

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I enjoy it.


196

00:14:24,680 --> 00:14:25,970

I enjoy it so much.


197

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Light is coming from here somewhere.


198

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The hastag.


199

00:14:30,290 --> 00:14:31,430

I want us to McKay.


200

00:14:32,070 --> 00:14:32,940

The haymakers.


201

00:14:33,000 --> 00:14:33,930

Okay, good.


202

00:14:33,960 --> 00:14:35,070

Yeah, the haymakers.


203

00:14:36,270 --> 00:14:36,930

They are nice.


204

00:14:37,290 --> 00:14:38,760

All of a sudden this, Hey, isn't it.


205

00:14:39,420 --> 00:14:40,770

It's all hastag.


206

00:14:40,980 --> 00:14:41,880

No cute.


207

00:14:41,880 --> 00:14:47,220

You, you, you, you, you create a

kind of a happy little harvest stare.


208

00:14:47,520 --> 00:14:50,700

Ah, let's see here this, you

all can see what I'm doing.


209

00:14:51,180 --> 00:14:53,010

Sometimes I hide it from you.


210

00:14:53,460 --> 00:14:57,000

He that's always to take no, I would

say that's a little bit over a.


211

00:15:07,055 --> 00:15:09,965

see how nice that penny starts grown.


212

00:15:11,045 --> 00:15:14,375

You can have green, little

bit SAP, green and yellow.


213

00:15:14,885 --> 00:15:19,475

You can do it like this colors, colors.


214

00:15:19,505 --> 00:15:24,965

That's all I want you to get to, to, to

see no, because the colors you really.


215

00:15:26,240 --> 00:15:29,370

Watch when that's true when

we are true, it's a painting.


216

00:15:29,790 --> 00:15:30,810

It is not the,


217

00:15:37,670 --> 00:15:39,710

we highlight that tree a little bit.


218

00:15:43,550 --> 00:15:47,480

I led that tree a little bit,

maybe here on the, on the, you


219

00:15:47,480 --> 00:15:49,610

know, let the light come in there.


220

00:15:50,540 --> 00:15:54,110

The maybe here, here is

at the little bit of a.


221

00:15:54,585 --> 00:15:56,235

But I'd like to be there.


222

00:15:56,685 --> 00:16:00,195

He does called us just

beautiful, happy colors.


223

00:16:00,555 --> 00:16:02,535

Beautiful, happy colors.


224

00:16:03,615 --> 00:16:04,335

I wish we could.


225

00:16:04,425 --> 00:16:04,995

Really?


226

00:16:09,545 --> 00:16:09,865

Yeah.


227

00:16:10,395 --> 00:16:10,895

Yeah.


228

00:16:10,955 --> 00:16:13,475

No, here, here, here, here, here, here.


229

00:16:13,745 --> 00:16:18,695

All of a sudden here I went to,

I want us to create kind of a.


230

00:16:23,760 --> 00:16:26,970

Doc pool, Doug pool.


231

00:16:41,490 --> 00:16:45,870

You just think this house

somewhere, somehow some he,


232

00:16:46,140 --> 00:16:48,870

some buy will be in there.


233

00:16:50,745 --> 00:16:51,045

Yeah.


234

00:16:51,045 --> 00:16:53,175

And that makes your

painting a bit more richer.


235

00:16:53,355 --> 00:16:55,665

Maybe we can cut that chimney in there.


236

00:16:57,525 --> 00:17:00,795

Maybe contact that little bit

of, but that roof is so flat.


237

00:17:00,795 --> 00:17:04,545

It would not show on the water, but

maybe show a little bit of a color there.


238

00:17:05,195 --> 00:17:06,375

A bit of a color there.


239

00:17:16,040 --> 00:17:21,740

the, is on that water came handy

for me and what you do, what you


240

00:17:21,740 --> 00:17:25,069

do, but you do what you do here.


241

00:17:25,190 --> 00:17:26,420

Maybe that's hastag.


242

00:17:26,450 --> 00:17:27,680

We put in there too.


243

00:17:31,940 --> 00:17:35,270

that is a wonderful vibe of spending a D.


244

00:17:35,970 --> 00:17:37,200

It is original.


245

00:17:37,950 --> 00:17:43,139

It's very powerful and

it has a good meaning.


246

00:17:50,810 --> 00:17:52,820

Does you know you make water out of that?


247

00:17:58,370 --> 00:17:59,420

No, you can.


248

00:17:59,540 --> 00:18:04,040

You can you, can you say light

is coming from that side?


249

00:18:04,100 --> 00:18:04,550

You can.


250

00:18:05,025 --> 00:18:08,504

Make it so that it looks around that pool.


251

00:18:18,754 --> 00:18:22,565

nice light color, nice light color.


252

00:18:27,665 --> 00:18:33,485

I would not, I would not leave that dog

because otherwise you can ruin a lot.


253

00:18:34,005 --> 00:18:36,855

Leave that dog, they leave that

dog in the water because it


254

00:18:36,855 --> 00:18:38,595

gives you a more powerful water.


255

00:18:39,045 --> 00:18:45,045

So I will use a touch of SAP

green sea and the central . And


256

00:18:45,045 --> 00:18:47,385

I fire in this side here.


257

00:18:53,015 --> 00:18:57,485

if I had time, then we could

fire in ducklings or even


258

00:18:57,755 --> 00:19:00,395

whatever they would land there.


259

00:19:01,334 --> 00:19:07,004

See, no, be very, be very, very,

very, very rarely have we been have


260

00:19:17,735 --> 00:19:22,595

so you kind of a Marsh grout that's long.


261

00:19:27,495 --> 00:19:27,814

Yeah.


262

00:19:29,195 --> 00:19:29,345

Yeah.


263

00:19:29,425 --> 00:19:30,034

Like this.


264

00:19:30,449 --> 00:19:35,850

Standing up there giving me a

little bit of a crown there.


265

00:19:36,449 --> 00:19:37,350

So this year


266

00:19:42,199 --> 00:19:44,419

you need to heavy put it out.


267

00:19:44,449 --> 00:19:46,909

Can you see a nicely line standing there?


268

00:19:47,899 --> 00:19:55,399

No Veeva, if we've heard we've

uh, we've uh, we've uh, give him


269

00:19:55,399 --> 00:19:56,330

the little bit though for that.


270

00:20:03,725 --> 00:20:04,685

Dust ditches.


271

00:20:04,985 --> 00:20:09,455

That's what, when we home, we had

to, that was our swimming pool.


272

00:20:10,595 --> 00:20:15,245

God, the bloodsuckers Oh,

that was delivering to the,


273

00:20:15,605 --> 00:20:16,985

we don't know how good we get.


274

00:20:17,045 --> 00:20:17,764

We have it.


275

00:20:23,284 --> 00:20:24,774

See, that's beautiful.


276

00:20:32,735 --> 00:20:37,685

gets a bit muddy or grout on

top, like something gross there.


277

00:20:39,305 --> 00:20:42,125

bought a standing stair, the MNE.


278

00:20:42,125 --> 00:20:43,505

I bought a standing stare.


279

00:20:43,745 --> 00:20:46,355

There's some kind of

mud ground right on top.


280

00:20:47,405 --> 00:20:49,715

And that's what makes a

nice painting beside it.


281

00:20:52,845 --> 00:20:53,515

Yeah.


282

00:20:59,189 --> 00:21:01,350

That this voice movements.


283

00:21:06,740 --> 00:21:11,780

Waterlilies the, if you can

spend more time, you can put


284

00:21:11,780 --> 00:21:13,610

all kinds of frogs in there.


285

00:21:19,100 --> 00:21:22,129

See, that's a nice

nicest removement there.


286

00:21:23,294 --> 00:21:25,725

Yeah, nice there's movement there.


287

00:21:36,185 --> 00:21:36,544

he?


288

00:21:36,695 --> 00:21:44,554

No, you come in from this side again

and this side again, they like this.


289

00:21:53,490 --> 00:21:56,280

And he was a lighter color again.


290

00:21:57,000 --> 00:22:02,220

Uh, the movements on top

there against that doc.


291

00:22:07,980 --> 00:22:09,840

Hey, how nice that is.


292

00:22:10,950 --> 00:22:13,170

And maybe here we were.


293

00:22:16,334 --> 00:22:29,195

add a little bit of  this, uh, E here,

here, here, pushups, pushups like this.


294

00:22:29,435 --> 00:22:30,245

See what it does.


295

00:22:30,245 --> 00:22:34,385

If you can have a closeup

there, you can see this, you


296

00:22:34,385 --> 00:22:36,334

stand up the grass in the back.


297

00:22:36,334 --> 00:22:37,895

See you stand it up.


298

00:22:39,605 --> 00:22:42,945

Nice now here in the front,

they would like to have a nice,


299

00:22:42,945 --> 00:22:45,165

happy, happy ending there.


300

00:22:46,455 --> 00:22:48,195

They didn't make it as light as you can.


301

00:22:52,565 --> 00:22:52,955

Good.


302

00:22:53,315 --> 00:22:55,235

It gives you all the details.


303

00:22:55,264 --> 00:22:56,165

That's good.


304

00:22:56,585 --> 00:23:03,725

They know you have that swamp and, and

it's up to, you know, to dress it up


305

00:23:03,754 --> 00:23:06,754

to a point where you really see things.


306

00:23:07,020 --> 00:23:12,720

Maybe he had a little bit of call

us flying around whatever that


307

00:23:12,720 --> 00:23:15,600

is kind of a tree standing there.


308

00:23:15,899 --> 00:23:21,629

You can, you can make it more

exciting by, by, by putting


309

00:23:21,629 --> 00:23:24,510

the fence posts and maybe here.


310

00:23:25,889 --> 00:23:26,250

Yeah.


311

00:23:26,250 --> 00:23:32,399

There's some odd fence post, eh,

and maybe here's a bigger one.


312

00:23:34,260 --> 00:23:37,110

Perspective and here's the bigger one.


313

00:23:44,070 --> 00:23:47,010

Highlight them, highlight them.


314

00:23:48,480 --> 00:23:56,100

They're detachable for red and white

red and the right and the, like this


315

00:23:59,100 --> 00:24:00,390

I'm doing like this.


316

00:24:02,685 --> 00:24:05,625

Hey, no, you can be via.


317

00:24:05,655 --> 00:24:10,995

If you want, you can run the wire

through the whole thing and perspective.


318

00:24:14,345 --> 00:24:15,435

That's what do it too?


319

00:24:16,185 --> 00:24:20,235

Or you could make a two

by sixes running up there.


320

00:24:21,074 --> 00:24:28,125

See, put the little happy little crown up

there, like a red, a bit of a red crown.


321

00:24:29,010 --> 00:24:30,120

That does a good job.


322

00:24:31,380 --> 00:24:31,980

See?


323

00:24:32,310 --> 00:24:38,050

No, you can add, you can add all kinds

of things if you want to, because it's


324

00:24:38,050 --> 00:24:44,850

just, it's an all growed grown in farm

and there's sticks sticking out there.


325

00:24:47,970 --> 00:24:49,650

They make it.


326

00:24:54,165 --> 00:24:55,095

That makes it nice.


327

00:24:55,095 --> 00:24:59,024

You see, just doesn't make sense

to flatten to even maybe behind


328

00:24:59,024 --> 00:25:02,655

the roof desk, kind of whatever's

sticking out whatever that is.


329

00:25:02,925 --> 00:25:03,615

I don't know.


330

00:25:04,065 --> 00:25:04,805

He doesn't know.


331

00:25:04,935 --> 00:25:05,685

She doesn't know.


332

00:25:06,315 --> 00:25:10,455

They all don't know, but when

we are there, we will find out


333

00:25:13,774 --> 00:25:13,865

okay.


334

00:25:18,770 --> 00:25:23,090

SI SI SI SI Senora, maybe here.


335

00:25:23,150 --> 00:25:29,090

We've already put a little bit of

dark, uh, knife strokes in here that


336

00:25:29,090 --> 00:25:32,090

gives you a little bit of extra there,


337

00:25:35,180 --> 00:25:37,400

extra here, maybe here in the front.


338

00:25:37,760 --> 00:25:38,810

We will have some


339

00:25:42,110 --> 00:25:43,250

dark movements.


340

00:25:44,235 --> 00:25:47,835

See that brings it back and

brings it back to whatever


341

00:25:51,945 --> 00:26:00,795

you, and if you have time, you still

can do here that little bit of water.


342

00:26:01,335 --> 00:26:03,345

That's a little bit of

shooting in the sea.


End .srt file.


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