Bill Alexander's
The Magic of Oil Painting
Season 1, Episode 4, Autumn Lake - AVAILABLE
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Beautiful.
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The air is fresh.
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The fields that green, the sun is
shining and the inspiration you can
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get right there from mother earth.
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That's why I'm out today,
again on the field.
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And we were firing first.
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I put them out on mighty magic, right on.
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So that's the corner.
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See?
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No, the magic rights is on.
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I obviously prepared before I started,
because it takes too much time
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to fiddle around with that magic.
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Right now I have a subject, but the devil
you do every time you start, every time
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I start, I have to really know what I
want because you see me so often on TV.
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I learned to draw in my mind.
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But the pain he got to be ready.
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Otherwise I could not possibly
go on my canvas today.
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I think about the happy sky
and a kind of art comes in.
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Other colors I will put in and colors
is always nice to have water, maybe
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a little ditch there, and everything
is inflecting into that ditch and
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maybe letting the road coming by.
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Maybe a couple of fence posts and then
I'm having, I have a nice painting.
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Okay.
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Let's start touch of pressure in blue.
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The how I take it off, just fill
the brush, but not with much paint.
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You see, I dab it more.
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See, not too much paint.
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Just get the color on.
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That's the main thing you
always have to thank you.
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Paint on that.
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Paint as less paint you have
on the canvas, as easier as to
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two, the paint on top of paint.
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Okay.
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I rewatched that out and I will
have a touch of red on the bottom.
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Have a tattoo with red on a button.
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See how I take it off again, just
is he done caught into that pain,
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but with too much power, she has
taken off at the kind of, uh, the
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whole house then very, very bad.
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He looked like a breeze.
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See, now you can, can
you see how it comes up?
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That is the value you should paint.
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Very, very.
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But the little bit of pain, then you
don't ground yourself and Robert in and
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you got the nice painting coming up.
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So I think that's the sky
I would like to have to do.
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She has to kind of, uh, out of
the red tune, into the blue.
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So the next step, maybe we will put
a little bit of a mountain in there.
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There's a far by little corner
of a mountain sticking out there.
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I put right up here again, then Dyke
Brown pressure, blue alizarin Crimson.
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And you just mix it like marble.
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I will make it this big blue at
two days, I will go good with
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the RMC, the happy oddities here.
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A bit more in the bluish tune.
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You mean here?
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It's just something sticking out there.
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That's all I was trying to show on there.
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Never be all full of art and trees.
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And just that little block of
mountain is sticking out there.
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He was young mighty brush again.
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And brush it right into the canvas.
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So you have the magic red on your
office Mustang, then the white
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is your, your biggest helper.
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See, there you are.
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You don't care down below because
it's easy to paint over that.
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There's no problem.
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Now I will highlight that.
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I will highlight that.
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Attacks your thread attach your
red LS, but every little touch of
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red and white, that is too much.
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It's obvious you can
ground yourself so easy.
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There's the little touch of white.
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Oh, maybe that that's good.
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See this.
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We can accept.
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And we were fired up.
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From this side,
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see something like this.
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Okay.
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see there.
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We have a good beginning with
my little mountain there.
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And on the other side, they will put
a little bit of blue in a sample.
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I will take alphabet of blue
and white, blue and white alone.
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You see like this kind
of a happy little blue.
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That's really good behind.
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Okay.
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Wonderful.
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But yes, that is pop up here and there
very, very, very loose, very, very loose.
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good enough.
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Good enough.
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Good enough.
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Now I will use my big brush
and I will fire in some trees.
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I in Clemson, listen, comes
to see how I take it off.
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Uh, now I use it now I use junior pantries
and maybe a touch of SAP green into that.
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Just a touch of SAP green
into that alizarin Crimson.
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He, that gives me a little
bit of a, no, I will maybe put
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that in a there's a big tree.
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nice autumn tree.
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Can you see the branches?
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Can you make a nice close
up of the whole thing?
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If I just want to show you how you get
the branches, you see how they stick out.
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This is what you should learn,
trained your brush to do it.
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Then painting becomes fun.
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See.
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And to sell a painting with too much
details is no problem because, uh,
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people, you know, usually people are
people think that man does it all with
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little brushes, but we are artists
and we, we know what we're doing.
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He, he had this Ivan, uh, this.
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Make it a bit lower.
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So just a part, maybe part cover
up, but you don't like cover
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up what you don't like now.
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Maybe I fired in here a little bit.
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Ah, that's beautiful.
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I love that.
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Bit of more green on some trees then use
different colors, more of a dread see by
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highlighting, I will bring it out more.
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Maybe here is a big one
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and that's wonderful.
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You know, all of a sudden
I framed that mountain.
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That's just the whole ID plan at nice
because then everything titled in that big
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brain drain the rest to somebody, because
then you get a nice painting coming out.
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See.
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Oh, maybe he didn't let it a bit darker.
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I go, I go right into passion blue
now because I wants to have it
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very dark on the bottom pressure
and blues you, how I take it off.
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See there you are lots
of alizarin Crimson.
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Now that gives me that
dark here on the button.
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No, get that
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and come out out of
that dog into the light.
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Oh, the dark into the light pressure
blue, the same thing again, I live in
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Crimson and you can add a bit of SAP
green that doesn't matter anymore.
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They know here, dark on the
bottom, dark on the bottom.
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You just come up so far.
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Yeah, the same thing, same thing
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I showed the brush again.
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You see how that brush, how I see.
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Can you see it again?
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I always call it like a dog park.
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I pull it over like this and
when I go on it, the then I
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go touch and move, like, see.
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can you see how you buried
the tree with that big brush?
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I tell you that it's a joy to live.
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If you just watch me at night, I know
from long experience, people watch
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me, they get all excited, but they
don't see the details, how I do it.
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And then they come and they.
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Pick on me to say, I can't do it.
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I can't do it because they don't watch me.
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Right.
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Don't get excited because Z how the
train, your brush, how to do it.
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There you are now just fill
in because the highlight, the
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highlights will bring it out.
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00:11:08,135 --> 00:11:11,465
No, it'd be even more
red than she does a tree.
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I wrote, I divide the paint, the
brush, I don't wash my brush tall.
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She has to drive into the red and
I fired in better for more red.
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They should lose three there.
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You see, thank you about autumn.
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Then if you want to, you can run in a,
kind of a four, three dark 14 between
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of, and Dyke Brown, Prussian blue.
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When Dyke Brown pressure and blues
have green, all those colors, you
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see how I mix it together, sharp my
brush, and have maybe in between the
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pig, sticking out of a fruit tree,
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that makes it a nice mixed force.
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You can get so much extra power.
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And by doing that, see.
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Again, the same thing, the
sharp, Oh, if you want you can.
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I like to have that low here.
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Maybe here would be nicer for three.
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And if there's wind, if you paint
vent, you, you would curve it.
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You would curve you for three,
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then all you got all that.
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The nice little happy, mixed, mixed
tree landscape coming up there.
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Maybe he even make two, two together.
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This looks a bit more, uh,
AF C sometimes two together.
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And I must to have that a
bit dark on this side here.
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See, uh, runners right down to that point.
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Now we have a good start.
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We have on mighty stars.
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Now put the three trunks.
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I really do.
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I plow to the, to the, to
the paint, remove the pain.
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That's the whole thing.
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That's why it looks like a.
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And then I add colors later on.
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Then here you can have a
crooked tree, Dan jester,
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but this one here too.
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This one we give up on
my deep tree trunk debt.
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If you can make it a bit
divided on the bottom.
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And then if you want,
you can, let's highlight.
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Now let's highlight.
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Now I use the other fan brush, use
yellow for this, this particular one
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and the touch of red D how I do it.
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Take look yellow and red, clean as
clean as you can get to call us first.
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Maybe this red one, we highlight
the lights coming with the
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highlights coming from this side.
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And a beautiful how we get the nice
Artem colors into the car to a painting.
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Hey, again, pick places
where you have that.
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You want to put that red and maybe this
one, we give a kind of an extra range.
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Uh,
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nice.
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Now I use a touch of white and
two that touch of white into that.
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And I will, I will create a kind of, uh,
I, I have water in my mind underneath.
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It would be nice if I have something
powerful standing there, see
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like a little shrub down there.
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I see how that builds up all together.
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Now I will test three.
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I will make a kind of a green, the color,
green, yellow, yellow, the green tea has
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the, how I take it off kind of a greenish.
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Hey, watch this.
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Uh, is the other green
tree standing still there?
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It has not had the forest.
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Nice.
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That three will be college.
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Soon.
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One gets earlier, one gets later, one can
stand more for us, but mix the colors.
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It is on my defrost.
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What comes around the bench?
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Eh, that's one way.
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Highlight a little bit.
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That's fun.
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We highlight a little bit there.
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Maybe we, maybe we dress
up here on the bottom.
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Here would be nice to have, have
attach of a green shrub standing there.
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See how nice that works.
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So that's beautiful.
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Harmonize red them rhyme
colors without colors.
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There is no artists.
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The being artists play with
colors create become on my decree.
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The next to God is you
have that in your mind.
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And then it is easy, very easy
to live with T new you, you can
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choose your choose other color
there just to kind of, uh, Right.
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And, and, and the same, whatever you
have in the brush, mix it right there.
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You don't have to run around and
see how maybe this one, we were
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giving him this kind of a color,
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you know, our trees,
especially more in the East.
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We, and where I live here.
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We don't have much autumn colors,
but in the East you have all the
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00:17:06,815 --> 00:17:08,734
powerful colors and there is.
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It's just sometimes just too much to just
to see what mother nature can do here.
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I just pick off red, have
the same colors in the brush.
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Don't clean that brush.
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Yes.
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Fire.
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I, and maybe touch a fight.
243
00:17:22,985 --> 00:17:23,645
I go with it.
244
00:17:24,155 --> 00:17:29,435
They know it got the nice red happy
little of a red coming up and look
245
00:17:29,435 --> 00:17:31,415
at the little brushes reloaded.
246
00:17:32,405 --> 00:17:34,355
And now I fire industry here.
247
00:17:42,395 --> 00:17:45,665
you can paint a tree
with two, three colors.
248
00:17:45,905 --> 00:17:50,675
You see that if you have the
eyes open, one part turns more
249
00:17:50,675 --> 00:17:52,355
and the other turns not so much,
250
00:18:00,665 --> 00:18:02,794
but leave the dark spots in between.
251
00:18:03,360 --> 00:18:07,570
The how you form a beautiful now
by having already that color, then
252
00:18:08,220 --> 00:18:10,710
make it, make it here, firing there.
253
00:18:12,440 --> 00:18:22,250
But as long as long as you have it all
loose, see if you make a close up here
254
00:18:22,520 --> 00:18:25,100
and you make a nice assume, right?
255
00:18:25,100 --> 00:18:30,460
In a show, I will show you
how we all the little details.
256
00:18:31,100 --> 00:18:32,389
All everything is.
257
00:18:33,149 --> 00:18:36,280
Packed the, the here
start packing all that.
258
00:18:36,300 --> 00:18:38,250
You can, you see the wrong on the right?
259
00:18:38,520 --> 00:18:41,070
This is not too good,
but I will work on that.
260
00:18:41,310 --> 00:18:44,490
Try to make sure everything has branches.
261
00:18:44,850 --> 00:18:45,810
It's flying out.
262
00:18:46,080 --> 00:18:47,010
It's flying out.
263
00:18:47,010 --> 00:18:47,639
It's loose.
264
00:18:47,850 --> 00:18:49,050
It's in between.
265
00:18:49,379 --> 00:18:52,860
Then the painting has a
meaning as it turns out nice.
266
00:18:52,860 --> 00:18:59,550
Then, you know, having you, you pleased
call us this, that painting becomes.
267
00:19:00,435 --> 00:19:02,445
That's there's a certain
harmony in that painting.
268
00:19:02,834 --> 00:19:08,385
He maybe, maybe here in
between, uh, maybe here,
269
00:19:12,004 --> 00:19:14,675
make it, make it U of I make it to U of I
270
00:19:17,695 --> 00:19:21,334
G I, I go by my, by my feelings now.
271
00:19:22,054 --> 00:19:25,175
And so naturally we all
think we are doing it right.
272
00:19:25,504 --> 00:19:26,764
But someone asked my tutor.
273
00:19:27,450 --> 00:19:30,800
Absolutely different, but try
to place the children has kind
274
00:19:30,800 --> 00:19:33,409
of a loving, loving feeling.
275
00:19:33,710 --> 00:19:39,920
He, no, I will use a touch of blue
and white, blue, and white, and
276
00:19:39,920 --> 00:19:42,560
sometime a good eye opener in between.
277
00:19:43,070 --> 00:19:44,149
Did you see what I do?
278
00:19:44,210 --> 00:19:45,170
Can you see what I do?
279
00:19:46,409 --> 00:19:47,330
This is good.
280
00:19:47,690 --> 00:19:48,500
This is good.
281
00:19:48,560 --> 00:19:49,370
Watch this.
282
00:19:53,750 --> 00:19:54,950
He has a painting.
283
00:19:55,520 --> 00:19:57,090
Don't forget you paint.
284
00:19:57,110 --> 00:19:57,630
Do you are not
285
00:20:01,490 --> 00:20:02,540
you paint.
286
00:20:04,280 --> 00:20:05,840
I need that little blue there.
287
00:20:05,930 --> 00:20:07,970
It makes my eyes feel good.
288
00:20:08,930 --> 00:20:10,550
It has still a nice harmony.
289
00:20:10,700 --> 00:20:14,450
It is nothing against if a
mother, an artist can draw a
290
00:20:14,450 --> 00:20:16,190
garbage and just two garbage.
291
00:20:17,340 --> 00:20:24,570
Then, uh, we can, we have, uh, we are able
to see a bit of, uh, uh, abstract is good.
292
00:20:24,570 --> 00:20:27,080
You know, a little touch
up what that blue does.
293
00:20:27,199 --> 00:20:28,729
It does get to me anyway.
294
00:20:29,179 --> 00:20:32,840
So I hope you understand
what I must tell you here.
295
00:20:33,229 --> 00:20:34,399
It's just a pain.
296
00:20:34,689 --> 00:20:38,179
It's not the photo, but we
are doing on mighty painting.
297
00:20:38,300 --> 00:20:40,370
Maybe here I have a
little bit of a blue eyes.
298
00:20:40,950 --> 00:20:42,660
They're a little bit of blue eyes.
299
00:20:42,840 --> 00:20:44,580
They fired into the water.
300
00:20:44,580 --> 00:20:46,950
They were on fire that
blew into the water there.
301
00:20:47,700 --> 00:20:51,480
And when you put the water together,
Dan, it would be a nice painting.
302
00:20:52,930 --> 00:20:54,840
You know, we have all kinds of colors.
303
00:20:55,140 --> 00:21:00,900
I hope I, I give you enough
ideas to get colors in.
304
00:21:01,080 --> 00:21:01,710
Even red.
305
00:21:01,740 --> 00:21:04,050
It's not red is sometime not red enough.
306
00:21:04,200 --> 00:21:05,040
I wash my brush.
307
00:21:05,070 --> 00:21:09,930
I have to show you, you know, you go out
on Sunday morning with the whole family.
308
00:21:10,815 --> 00:21:18,345
Under nice roads, the letters, little
roads for all the leaves, three RS
309
00:21:18,524 --> 00:21:23,235
and an all of a sudden, you point out
things to your own kids or your kids
310
00:21:23,235 --> 00:21:28,514
will tell you, mom, look what the
devil, what the red in that tree and
311
00:21:28,514 --> 00:21:30,855
vibey don't put that red in the tree.
312
00:21:31,034 --> 00:21:33,165
Maybe we will pick here.
313
00:21:33,514 --> 00:21:35,985
That's the power for the red.
314
00:21:36,840 --> 00:21:38,580
Yeah, but all the time, let it go.
315
00:21:38,580 --> 00:21:43,670
Doc, doc, doc, doc, doc to the
bottom, see sometime red is not
316
00:21:43,670 --> 00:21:45,750
trading and you don't have to worry.
317
00:21:45,990 --> 00:21:52,560
Even in the tree, don't have
to be the same habit, power for
318
00:21:52,560 --> 00:21:53,880
the red, somebody popping up.
319
00:21:55,080 --> 00:21:55,440
Is he.
320
00:21:58,350 --> 00:22:01,110
You come around the bend
sometime drive around the corner.
321
00:22:01,260 --> 00:22:02,070
An olive is on.
322
00:22:02,070 --> 00:22:06,179
Everything is nice and green, but around
the corner, all the trees turn because
323
00:22:06,179 --> 00:22:11,489
the vent, the IC vent came just around
the bend and call it all the trees.
324
00:22:12,810 --> 00:22:13,679
It's mother nature.
325
00:22:13,709 --> 00:22:16,879
If you understand mother nature and
you live with them, it's nice to have
326
00:22:16,879 --> 00:22:23,149
that extra raid there or that extra
maybe here, but what show you show you?
327
00:22:25,740 --> 00:22:29,909
They have that extra there
under a certain color.
328
00:22:29,909 --> 00:22:34,320
You can just bring it
out more and not be shy.
329
00:22:34,919 --> 00:22:39,780
Don't be shy to do it, but otherwise
that makes a nice painting.
330
00:22:42,449 --> 00:22:43,830
So we live with colors.
331
00:22:44,100 --> 00:22:47,879
Colors is what makes us see
now, fire all that into the
332
00:22:47,879 --> 00:22:50,520
water, fires all into the water.
333
00:22:50,879 --> 00:22:53,909
See I use, I just use
the dark colors again.
334
00:22:54,675 --> 00:22:56,354
See, I cleaned my brush out.
335
00:22:56,955 --> 00:23:00,975
Alegent comes in passion blue, the
same, but we started in the beginning
336
00:23:01,034 --> 00:23:06,915
up there, the passion blue alizarin
Crimson, maybe touch of SAP green
337
00:23:07,274 --> 00:23:09,645
and, and make it as dark as you can.
338
00:23:09,885 --> 00:23:14,655
As darker you make it as easier
and not too much paint, not too
339
00:23:14,655 --> 00:23:18,495
much fire and fire and no mercy.
340
00:23:18,554 --> 00:23:19,125
No mercy.
341
00:23:21,064 --> 00:23:23,314
Hey, there you are beautiful.
342
00:23:24,240 --> 00:23:27,780
And talk to yourself, talk to
yourself because keep yourself
343
00:23:27,780 --> 00:23:29,100
alive all the time in life.
344
00:23:29,640 --> 00:23:31,260
I, I got some time.
345
00:23:31,470 --> 00:23:38,504
I got some time, you know, But
low, but it is keep yourself up.
346
00:23:38,865 --> 00:23:43,935
Keep yourself up because you need on your
painting, that painting should vibrate.
347
00:23:44,145 --> 00:23:46,095
A painting should have that OPA.
348
00:23:47,115 --> 00:23:50,655
And if you get that open into
your painting, Oh, that says
349
00:23:50,685 --> 00:23:52,155
you have no problem to sell it.
350
00:23:52,605 --> 00:23:55,395
And when you make a happy
buck, you're a happy artist.
351
00:23:56,715 --> 00:23:57,524
I hear it in the morning.
352
00:23:57,524 --> 00:24:03,645
Someone told me they're starving
artist, hungry artists and con artist.
353
00:24:04,695 --> 00:24:05,354
That was good.
354
00:24:05,715 --> 00:24:07,965
That's something I say, Oh my God.
355
00:24:08,175 --> 00:24:09,135
I never thought about that.
356
00:24:10,844 --> 00:24:13,034
We can't the people
into buy that painting.
357
00:24:13,495 --> 00:24:13,865
See?
358
00:24:15,754 --> 00:24:16,264
Okay.
359
00:24:17,554 --> 00:24:18,094
Okay.
360
00:24:20,915 --> 00:24:25,715
You know, I make this a couple of
sides, strokes and fire and fire and
361
00:24:25,745 --> 00:24:29,854
all the colors you have up there firing
all the colors you have up there.
362
00:24:30,155 --> 00:24:31,745
No, what's the next here.
363
00:24:37,175 --> 00:24:38,235
uh,
364
00:24:42,215 --> 00:24:44,345
and you got this call us out.
365
00:24:44,345 --> 00:24:45,275
They're not too good.
366
00:24:45,515 --> 00:24:49,265
So you go over them and
fire that right in there.
367
00:24:50,225 --> 00:24:51,635
And the water can be more.
368
00:24:52,355 --> 00:24:54,455
The here you need a touch of glue.
369
00:24:54,995 --> 00:24:57,875
You need a touch of blue here.
370
00:24:57,875 --> 00:24:59,285
You need to attach of blue.
371
00:25:00,825 --> 00:25:01,535
Beautiful.
372
00:25:01,605 --> 00:25:02,205
Beautiful.
373
00:25:02,595 --> 00:25:04,515
And here you need that.
374
00:25:04,575 --> 00:25:07,665
You need whatever that color is here.
375
00:25:08,535 --> 00:25:13,065
See no time you guys on
nice together together.
376
00:25:13,155 --> 00:25:13,905
Together.
377
00:25:18,395 --> 00:25:19,235
Hello here.
378
00:25:22,505 --> 00:25:23,195
Hey dad.
379
00:25:23,855 --> 00:25:25,205
But he yelled at there.
380
00:25:27,585 --> 00:25:32,705
Maybe a bit more green here, and
then all of a sudden you got it all.
381
00:25:33,035 --> 00:25:36,935
Use your almighty brush, use your
mighty brush, pull it all along like
382
00:25:36,965 --> 00:25:46,085
this, turn the brush around, pull it on
long, like this and fire in like this.
383
00:25:48,155 --> 00:25:51,995
Look at that, just like a, like
a curtain coming down and put
384
00:25:51,995 --> 00:25:53,585
the happy little shoreline in.
385
00:25:54,150 --> 00:25:56,610
A happy little shoreline in there.
386
00:25:57,840 --> 00:26:02,490
See, love his ass, a
happy little shoreline in,
387
00:26:09,440 --> 00:26:16,040
and you got a nice, happy autumn
scene with all the happy colors.
388
00:26:22,850 --> 00:26:26,629
see now you would like to build a
college there, nicely placed where
389
00:26:26,629 --> 00:26:30,020
you can have your bad and when
you can have it a little board.
390
00:26:30,470 --> 00:26:35,149
And that's why when you see the
summer restores coming up there.
391
00:26:36,409 --> 00:26:39,830
See there you are there, here, maybe here.
392
00:26:39,830 --> 00:26:44,990
A couple of little lines, company lines,
couple little lines, couple little lines.
393
00:26:46,440 --> 00:26:52,530
And use your big brush, use your
big brush and that painting is done.
394
00:26:52,830 --> 00:26:53,670
Did you enjoy it?
395
00:26:54,300 --> 00:26:55,260
I enjoyed it too.
396
00:26:55,260 --> 00:26:56,520
Lot of creative power.
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