Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 2, Desert Canyon - AVAILABLE
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Bury our fire.
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And again, I'm happy to be with you again,
this time we have to get into the desert.
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I have to bother myself up, but
part of the desert, what vendor,
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sunshine, rain, or whatever,
whatever, whatever you see again.
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I talked to mighty power.
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I need power.
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I need creative power, or it is too easy
when you see something to put on a canvas,
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but when you live device, I live free.
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I was to, I was to put the message
into the void and that takes a little
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bit more than just you see again,
the white canvas there, and I have
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to put our mighty desert onto that.
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So.
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Put the white on the white is already on
the canvas then wash and not too much,
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make sure you don't put too much white on.
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Maybe we give him this kind of, uh,
this kind of, uh, Taylor green color
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in the background four by four.
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I leave it divided.
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It makes it so beautiful.
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Yes, there like that.
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And up more and more light, more light,
more light, more light in my life.
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Maybe a little touch of.
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The Tanner blue.
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That's a kind of a happy blue on top.
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And then we got the happy lady.
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There's a sky together together.
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They leave.
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It's just like a little bit more blue.
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little bit more blue.
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Yeah.
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And that, that be in between that light.
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And then, uh, into yonder
here, I cleaned my brush.
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That's all.
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No, it has no meaning I, before I
wash it out, I need colors there.
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Anyway, I just cleaned my brush.
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So put it in like this
and maybe, maybe, maybe
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I think I put a little bit,
buy back again, back again for
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that's good.
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He that gives you some kind of
movement for by horizon line
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that does appear in yonder.
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That does appear in yonder.
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Now I will use, let's see a
far way in blue, blue, blue.
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Listen, Crimson is a
nice, it's a nice look.
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What I do here, blue and Alison
Crimson is a nice distance.
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Gives you a nice distance.
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Nice distance.
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I push it up like that.
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That's a mighty distance there.
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Darn it there.
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It's not there.
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It's there.
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It's just not, they're just there.
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And they sit, look at that.
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Look at that.
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Remember to call us Alison
Crimson and, and the tattoo of
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with Taylor blue, Taylor blue.
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That's all I have there.
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And no godless.
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Oh, you're crying.
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That's such a devil of a distance there
and it's just disappeared in yonder.
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no, I use my big fan brush and I, you to
have a deep that's deep coming up again
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and, and I ever dang the same colors.
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I live in Clemson and blue,
the same powerful colors.
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And I will think I create
kind of a, whatever.
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There is some desert movements in between
the yeah, but the colors are closer.
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The car is a closer, yeah.
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Cars are closer.
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And you don't see it and you see it
and you don't see it and you see it.
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And that makes it so nice as just
kind of a mystery mystery there, maybe
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here, we far by this other little even
decides, which decided move with my,
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this other kind of a desert movement.
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It is so far, that's just hard to
can make it out, but it's just there.
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It's just there.
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He wants to.
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So you can see it this far light.
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We said light is coming from this side.
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So we have a shadow on this by the last
little shadows run over there, but let
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it all disappear in yonder, yonder.
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Very, very gentle, very
nice, very, very nice.
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And you can far West, and now I
will have a smaller brush ever
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use a small brush, and I will just
use a touch of white and yellow.
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And the red does three colors.
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That's a nice desert color.
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And watch this, just
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see what's happened.
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Just from the sunny side, just make some
later movements from the sunny side.
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I don't know what they're
on the sunny side.
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He just the sunny side.
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And this is the federal side.
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Just have some, a little
movement from the sunny side.
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That's on the side, it's on the side.
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He, and then he come from
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He ain't come far.
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Rash was a bit of more Gallo,
more desert color, just breezes.
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And the stairs actually distance.
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It's a distance three
and breathe with him.
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that's nice.
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That is nice.
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No, you come closer.
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Now you grab your mighty knife
and this is all distance there.
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Now I will use a block of Vite over here.
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Touch your Bilek touch
of olives in Clemson and.
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Man shit together first.
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And then you about the colors you need
kind of a desert color with lots of Brown.
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If see, that would, yes, it would do it.
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It would do it.
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And I will say we start off here.
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We started off here.
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Start off here.
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if you had to go down there in order
to just, just see what, what really
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does it movements the canyons?
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See, now this moves back again.
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And I forward with, with movements
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uh, and any shape and form is very calm.
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I, I tried to learn certain shapes.
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There is no, the everything has
there's no order put it this way.
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I, I could, I couldn't see order there.
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There's just scrolling funny.
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See, and then painted paint
to why you think C is funny
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sometime you have a movement.
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There's this here as Amber.
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There there's a little block standing
there, here, here, but there's
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the other block right on top.
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It will say there is no
auditors that's there.
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That is just happened.
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I have seen that.
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So make it, it's just a memory of
the desert there, but I painted right
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now are my energy wonderful memory.
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Yeah.
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Peaks their flats.
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They're upstairs, downstairs.
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Zayde moves up.
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Moves.
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Yeah.
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All the Rocky mountains,
they are more organized.
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You have a Hill, you know, that's the
hair that somebody, but here there is
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that it's not there at just tapping.
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I cannot see maybe someone
else has more time.
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See, they're just all kinds
of movements and what I do
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here, all kinds of movements.
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All kinds of movements.
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As long when I finish,
it looks like the desert.
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I quite happy.
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Then their ins and outs
and force and bags.
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Then you highlight that white
touch of red and yellow.
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Yeah, and I make myself kind of
ochre color, but me more brilliant.
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And thank the sun will hit here.
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No,
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no, no.
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You can not wonderful little color.
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How easy you get the sun on that here
we will have this same movement there.
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Wonderful wonder for the,
you know, you just fire off
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every good thing that's there.
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He would put it in.
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Okay.
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It's no, no rules and regulations.
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You don't have to worry about the police
there because there is no such thing.
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Then you just highlight it.
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You go by and let one draw
a shadow on the other.
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Sometimes it's just beautiful to see it.
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That's why.
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same color as again, kind of a white,
yellow, and the Tetra Fred, and don't make
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the same color here and all this height.
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This can highlight from one side there.
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The sun will not jump around and sometime
I think this draws a shadow there.
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Then I highlight only the top there.
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And.
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See, I think there is a here's
the other block coming up.
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It's good that artist's imagination there.
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And then usually everything is coming
down all of a sudden, like the it's all
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collapsing, the sand is rolling off.
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Like that gets rotten every day.
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It disappears every day.
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Every day something new has happened,
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then you can,
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it looks funny, but
that's what I would see.
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You know, we were just darken
up a little bit here and there.
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He able to feed it would be nice if we
had a bit darker dad, little bit darker
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dad, or a darker there in between that
little bit of extra dark in Clemson.
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But I use the, as the main color and
the dark enough things in between there.
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Yeah, it gives me more power
where lightest stairs dark.
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Then you have the colors in
between, eh, that's nice.
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Call us in between.
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yeah, this, this whole
deal draws a shed on here.
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So then you make it this darker there.
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Finally, you get it together
the way you want it.
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That's fine.
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There you are.
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Now you can use your big brush.
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We can use your big brush
and you can, you can wash.
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See, dang it.
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Well, desert sand.
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This is kind of a darker color and see,
this just looks like sand, this bike.
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Yeah.
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Is he and leave it on top.
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This thing is collapses and
finally gets fine to find a fine,
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and then it just stand there.
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Hey, that's what makes it nice.
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Just go up there, pull
it down, pull it down.
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You know, the side, same vibe.
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When we pulled the mountain down,
the fog, the mist and the mountain.
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See there.
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That gives you that's our mighty mission.
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Yeah, yeah, yeah.
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And no, no, no, no.
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I use actually all the colors
there and I created a new,
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the new beginning.
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See,
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yeah.
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I give myself enough room to do our
kinds of things, whatever I want to do.
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Now you have cactus, you have
all kinds of tumble weed.
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You have whatever, but ever.
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I ever firing all the little
thing up here, maybe not too big.
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00:14:56,355 --> 00:14:58,935
And maybe that is even closer.
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I use the same colors here
and add a bit more black and a
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bit more alizarin, Crimson C.
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00:15:08,745 --> 00:15:15,315
And what screen of all the travels
are the right you need there.
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Right?
218
00:15:17,415 --> 00:15:19,275
Cause there's a bit too dark.
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00:15:19,650 --> 00:15:20,700
But more red.
220
00:15:20,730 --> 00:15:25,080
I would add a bit more red and a bit more
right now we would see what's happened.
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Now the mixer to the shoe.
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00:15:27,540 --> 00:15:30,300
Feel you get the desert in there.
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That's not good enough.
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It'll make more yellow and red.
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The desert tells me all kinds of
reds and all kinds of Ocker and more.
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00:15:45,590 --> 00:15:46,880
I live in Crimson.
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Yeah, I think, no, I am honest.
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Good.
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00:15:51,480 --> 00:15:54,360
They know here you can, you can have it.
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they are funny figures.
231
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They're funny figures.
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That's wonderful.
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Then you can create like that.
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I would like to spend a couple of
weeks in the Canyon, just right in
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00:16:26,449 --> 00:16:28,069
the Canyon, on the bottom there.
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00:16:28,489 --> 00:16:31,099
I usually, when we go by
there, we look from the top.
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00:16:31,130 --> 00:16:35,510
We look into that and you feel, Oh
my God, what a beautiful, beautiful.
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00:16:36,079 --> 00:16:40,400
I dunno if it is beautiful,
but odd, odd things there, it
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looks like someone went through.
240
00:16:42,920 --> 00:16:45,439
Maybe there was a bar on a, the long ago.
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00:16:45,960 --> 00:16:50,930
People have fought and, and you
always say, why do we fight?
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00:16:50,960 --> 00:16:53,360
But what makes us not love each other?
243
00:16:53,660 --> 00:16:58,310
But we have to fight in the end, the
vibe of understanding each other.
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I think the people on the other
side, they all look the same.
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00:17:01,340 --> 00:17:06,470
Like you look and, and just of
looks like there was an atom
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00:17:06,470 --> 00:17:08,359
bomb maybe before us already.
247
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And then see here's the
shed to the drawers.
248
00:17:25,100 --> 00:17:25,640
Yeah.
249
00:17:25,670 --> 00:17:28,610
Yeah, yeah, no, we have
a kind of a desert.
250
00:17:29,360 --> 00:17:30,710
We will highlight that again.
251
00:17:30,740 --> 00:17:36,920
I use Vite again, make myself up
that kind of sunshine, red, yellow,
252
00:17:36,920 --> 00:17:41,510
and white, kind of a powerful color.
253
00:17:42,060 --> 00:17:42,620
Make it up.
254
00:17:42,620 --> 00:17:43,430
Sunny.
255
00:17:43,800 --> 00:17:50,400
And then you fire him from the
sunny side and , as long as you
256
00:17:50,400 --> 00:17:54,600
always have the sunny side in your
mind, you, you couldn't be wrong.
257
00:17:58,760 --> 00:17:58,850
Okay.
258
00:17:59,450 --> 00:17:59,690
Yeah.
259
00:18:00,140 --> 00:18:02,300
And the Brexit out too wonderful.
260
00:18:03,020 --> 00:18:03,830
Right there.
261
00:18:13,254 --> 00:18:14,594
That's beautiful.
262
00:18:15,165 --> 00:18:17,054
You can leave a shed on the other side.
263
00:18:17,054 --> 00:18:18,764
Sometimes you can think that's the right.
264
00:18:18,764 --> 00:18:23,205
Was he either this throws a shadow
on that, and then you created
265
00:18:23,354 --> 00:18:25,004
your, what was your good, all dry
266
00:18:28,034 --> 00:18:33,975
use, your artistic thinking
for whatever you do there.
267
00:18:43,805 --> 00:18:45,215
yeah, let's pop up here.
268
00:18:45,725 --> 00:18:52,865
Let the lines come down and the swinging,
whatever you think could be there.
269
00:19:02,105 --> 00:19:02,765
So.
270
00:19:06,179 --> 00:19:08,370
I like to leave that as a federal side
271
00:19:11,780 --> 00:19:13,010
sometimes too much.
272
00:19:13,040 --> 00:19:14,120
It's not good either.
273
00:19:14,870 --> 00:19:20,030
So over here we released maybe a
red, but the parade there in the
274
00:19:20,040 --> 00:19:25,399
back down, and, uh, here we go.
275
00:19:25,399 --> 00:19:27,500
My letters have a shadow there in the bag.
276
00:19:29,280 --> 00:19:32,870
And, and, and, and, uh, good
277
00:19:39,830 --> 00:19:41,810
that it, and isn't Clemson on it.
278
00:19:41,810 --> 00:19:47,120
Can we see it brings it out nice
and keeps it in, in, in the harmony
279
00:19:47,540 --> 00:19:53,389
written a rhythm or rhyme and
harmony rhythm rhyme and harmony.
280
00:20:01,324 --> 00:20:01,955
no, here.
281
00:20:01,955 --> 00:20:09,165
I would love to have a little bit
more dark because as a shadow color,
282
00:20:09,175 --> 00:20:12,155
see, then the beauty breaks out.
283
00:20:12,155 --> 00:20:12,605
Nice.
284
00:20:14,435 --> 00:20:18,814
So I will, I will, I will use
my fan brush and we will, we
285
00:20:18,814 --> 00:20:21,725
will just fire off like this.
286
00:20:24,345 --> 00:20:25,725
Uh, that's nice.
287
00:20:30,575 --> 00:20:32,375
That's a new beginning again.
288
00:20:33,755 --> 00:20:42,995
So now we will were put into the desert
colors, white and that yellow sea.
289
00:20:42,995 --> 00:20:47,375
And I will call, I will
close that Z they're there.
290
00:20:47,375 --> 00:20:48,755
They're there.
291
00:20:48,755 --> 00:20:51,395
Now, can you see, you can make
a salad from a little bit of a.
292
00:20:53,595 --> 00:20:55,245
Desert is desert.
293
00:20:55,274 --> 00:20:57,975
I tell you it is hard barefoot.
294
00:20:58,004 --> 00:21:03,345
I don't know how you can walk in there
barefoot how the Indians can handle that.
295
00:21:04,965 --> 00:21:06,254
You got to be Indian to.
296
00:21:09,764 --> 00:21:15,735
Yeah, we, we, we are too,
too sophisticated already.
297
00:21:16,784 --> 00:21:20,685
Do you know, here I am tied to the.
298
00:21:22,695 --> 00:21:26,864
Make it, so this, you have other
beginning, this, this is the other
299
00:21:26,864 --> 00:21:30,824
beginning again, I come forward so
much, that's lower and going up again,
300
00:21:38,314 --> 00:21:45,304
see sometime this is, we see wash
out stairs sometime a powerful
301
00:21:45,304 --> 00:21:47,794
wash out and it looks like this.
302
00:21:48,360 --> 00:21:52,919
Yeah, the vault is always running off
and running down and there is all of a
303
00:21:52,919 --> 00:21:57,360
sudden the out there, no, I make that in.
304
00:21:57,389 --> 00:22:00,659
Look, you look into kind of a ravine.
305
00:22:00,659 --> 00:22:04,889
The art has collapsed and it
goes deep, deep down there
306
00:22:08,250 --> 00:22:11,340
and make it to like coming up, coming up.
307
00:22:21,465 --> 00:22:22,205
that's wonderful.
308
00:22:22,475 --> 00:22:22,895
It's nice.
309
00:22:22,895 --> 00:22:24,455
When you can create like that,
310
00:22:40,295 --> 00:22:41,045
steep.
311
00:22:41,909 --> 00:22:46,229
Avoid that came down and wash it out and
wash it out and that's steady forever.
312
00:22:46,770 --> 00:22:49,199
No, I will create a run off the top.
313
00:22:57,620 --> 00:23:02,659
See that that has to be, that
has to be done quite perfect.
314
00:23:03,379 --> 00:23:04,939
You have to really make it through this.
315
00:23:04,939 --> 00:23:07,639
It really looks like it is in Luke.
316
00:23:08,090 --> 00:23:10,699
So what I will do there,
I will create kind of a.
317
00:23:11,220 --> 00:23:12,510
Yeah, watch this.
318
00:23:12,510 --> 00:23:15,480
I use four of us come forward here.
319
00:23:16,440 --> 00:23:21,150
He and a bird kind of a leader's
looks in, but then here you
320
00:23:21,150 --> 00:23:23,910
see the earth collapsing there.
321
00:23:24,900 --> 00:23:25,800
Can you see that?
322
00:23:26,639 --> 00:23:30,300
See that makes it deep,
always on you make it in.
323
00:23:30,990 --> 00:23:31,560
See.
324
00:23:41,990 --> 00:23:44,419
Can be big, can be smaller.
325
00:23:45,709 --> 00:23:53,209
If you have watched that this is something
our stair, you know, here I, where I come
326
00:23:53,209 --> 00:24:03,199
in on this side, the other, other things
standing there, and that is our desert.
327
00:24:05,220 --> 00:24:07,800
Hey again, I pulled it a little bit down
328
00:24:14,040 --> 00:24:14,280
here.
329
00:24:14,820 --> 00:24:16,230
That's what makes it so nice.
330
00:24:16,650 --> 00:24:19,410
You make it standing
up in the inside there.
331
00:24:19,740 --> 00:24:21,570
Something is standing up there.
332
00:24:22,590 --> 00:24:26,670
See some stand me up on this side, too.
333
00:24:29,310 --> 00:24:29,639
Good.
334
00:24:31,065 --> 00:24:34,085
No, he come on this side and create, yeah.
335
00:24:36,155 --> 00:24:37,205
The end stair.
336
00:24:40,865 --> 00:24:42,635
That is a good lesson here.
337
00:24:43,115 --> 00:24:47,955
You can learn to have dust D yeah.
338
00:24:48,004 --> 00:24:48,544
Beautiful.
339
00:24:48,875 --> 00:24:50,315
That is a read out.
340
00:24:50,315 --> 00:24:52,085
Cut the water, cut out there.
341
00:24:52,504 --> 00:24:57,095
And then you're really, really good.
342
00:24:57,125 --> 00:24:59,165
I'm glad you did that
because it gives you.
343
00:24:59,564 --> 00:25:04,004
It gives me a good feeling
of shown what you can do with
344
00:25:04,064 --> 00:25:06,284
this kind of a desert feeling.
345
00:25:12,784 --> 00:25:13,054
No.
346
00:25:13,115 --> 00:25:14,314
Well, here, start out from here.
347
00:25:14,554 --> 00:25:16,594
It's always give him the beginning.
348
00:25:16,625 --> 00:25:17,435
Give him all this.
349
00:25:17,445 --> 00:25:19,415
The beginning of wherever it started.
350
00:25:26,165 --> 00:25:27,935
No would make it very easy.
351
00:25:28,275 --> 00:25:29,385
And very fast.
352
00:25:30,165 --> 00:25:38,985
Uh, I would say there is a Joshua
tree standing here now at that trees.
353
00:25:38,985 --> 00:25:44,955
I tell you there's no, there is no way
you will know which by the branch school,
354
00:25:45,705 --> 00:25:50,325
they come from everywhere and anywhere and
they go around this one, this one, this
355
00:25:50,325 --> 00:25:55,665
one, this one, this one this way and this
way and this way, and this one, you see.
356
00:25:57,675 --> 00:25:58,034
Good
357
00:26:02,205 --> 00:26:03,004
right now.
358
00:26:03,125 --> 00:26:07,564
It's a wonderful time for
the desert blooms in March.
359
00:26:10,594 --> 00:26:19,715
He know the next step is you use a kind
of a Vite and the blue bluish feeling and
360
00:26:19,715 --> 00:26:24,875
you put the kind of a smoke and there, eh,
361
00:26:30,945 --> 00:26:35,325
Yeah, look at that kind of a small team.
362
00:26:35,865 --> 00:26:40,754
I would say I call it Joshua
tree, whatever they call it.
363
00:26:44,054 --> 00:26:44,415
Good.
364
00:26:44,835 --> 00:26:47,564
This here, maybe a little bit.
365
00:26:49,185 --> 00:26:52,814
And if I had more time, I could show
you something else and something.
366
00:26:52,814 --> 00:26:53,895
I was an artist and ours.
367
00:26:54,210 --> 00:26:56,130
Maybe just a bit more colors there.
368
00:26:56,610 --> 00:27:03,150
And that is what I think for
time is my, on my teeth desert.
369
00:27:03,930 --> 00:27:06,600
Did you enjoy it was a good lesson.
370
00:27:06,600 --> 00:27:09,750
I think this here, I
thank you for watching me.
371
00:27:10,020 --> 00:27:10,650
Bye bye.
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