Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 10, Snowy Mountain Road - AVAILABLE
Here's the .srt which was extracted from the Speech-to-Text website.
Proofreading is required, editing, grammar.
Begin .srt file.
1
00:00:05,100 --> 00:00:09,630
And we work and on the rare road.
2
00:00:09,960 --> 00:00:10,650
No, no, no, no.
3
00:00:10,800 --> 00:00:14,700
I put the magic rate on, I thought
about the kind of a road, the
4
00:00:14,700 --> 00:00:19,890
happy road, not the rail road
by the AA thing, the railroad.
5
00:00:20,445 --> 00:00:25,154
Uh, I thought we painted kind
of a vintage scene with the
6
00:00:25,154 --> 00:00:28,064
road coming down snowy road.
7
00:00:28,064 --> 00:00:33,364
And you can see the, the, the, the
Slades where they came down, the horse
8
00:00:33,364 --> 00:00:37,875
steps and whatever, whatever, whatever,
and maybe a mountain in the background.
9
00:00:37,875 --> 00:00:47,355
And I said, we, we dream up a happy, happy
painting, a happier road, happier road.
10
00:00:47,504 --> 00:00:49,275
I have the magic fighters on.
11
00:00:49,950 --> 00:00:51,000
Not too much.
12
00:00:51,600 --> 00:00:56,490
Maybe I should go over the whole
thing now, what is our technique?
13
00:00:56,550 --> 00:00:58,050
What is this technique?
14
00:00:58,140 --> 00:01:02,670
Well, we go on and on and on, and
there's so many people they're
15
00:01:02,670 --> 00:01:04,560
switching on, that's new for them.
16
00:01:04,560 --> 00:01:07,800
And they would say, God, what
the hell is this guy doing?
17
00:01:08,220 --> 00:01:12,870
You know, your all time is, you know,
already, what is all this vet and vet.
18
00:01:14,370 --> 00:01:17,310
You know, I did what everyone else did.
19
00:01:17,730 --> 00:01:23,804
I mixed the colors on my palette
and, uh, And then we drawed it.
20
00:01:23,925 --> 00:01:27,375
I had to draw, I have a wants to
know what they wants to paint.
21
00:01:27,555 --> 00:01:28,115
In this case.
22
00:01:28,125 --> 00:01:32,505
It would throw it a road here on the
mountain there and treason, or that the
23
00:01:32,715 --> 00:01:38,065
adverts are drawn in and then I would
fill it in and, and then you would let
24
00:01:38,065 --> 00:01:40,855
the dry, and then you fill it in again.
25
00:01:40,855 --> 00:01:42,815
And it was forever.
26
00:01:42,965 --> 00:01:45,605
And usually it as a copy,
it does not you're free.
27
00:01:45,905 --> 00:01:48,095
It just doesn't come out to a free device.
28
00:01:48,115 --> 00:01:48,995
I do it now.
29
00:01:49,655 --> 00:01:53,555
And, you know, I learned all of a
sudden in the process of mixing.
30
00:01:54,255 --> 00:01:57,845
Why the devil, I always mixed because
you put device on here on the other
31
00:01:57,845 --> 00:02:02,645
pile of white, and then you put the blue
in, or the black or there, or whatever
32
00:02:02,645 --> 00:02:06,535
you want to call it and use it ended up
with a big pile and then you cut them
33
00:02:06,535 --> 00:02:08,815
in half and you lose so much paint.
34
00:02:08,815 --> 00:02:13,565
And the time I thought, why not
putting that vibe on the canvas?
35
00:02:13,565 --> 00:02:15,665
And that is this whole technique.
36
00:02:15,875 --> 00:02:17,795
The, I put the vibe on the canvas.
37
00:02:17,975 --> 00:02:21,815
And from now on, we are mixing
on that on mighty canvas.
38
00:02:22,424 --> 00:02:27,334
That just the whole technique and then you
can unload whatever you have in your mind.
39
00:02:27,575 --> 00:02:31,024
Like, no, I have that happy road I'd done.
40
00:02:31,054 --> 00:02:31,535
Thank you.
41
00:02:31,565 --> 00:02:33,635
Railroad railroad is nice too.
42
00:02:33,635 --> 00:02:40,864
Sometime to paint that big train coming
by with the big, big machines, the old,
43
00:02:41,375 --> 00:02:48,274
the old fashioned things, you know, I
learned if you paint a plow and under the
44
00:02:48,274 --> 00:02:51,065
tractor, you know, but pulls the plows.
45
00:02:51,840 --> 00:02:57,570
It's hard to say, but if you paint horses
with the plow, it will always sell.
46
00:02:58,580 --> 00:03:02,150
Like we all like to
reach back a little bit.
47
00:03:03,450 --> 00:03:04,970
It makes it more interesting.
48
00:03:05,090 --> 00:03:08,210
And you know, it's more peaceful
when you think the plow on the horse.
49
00:03:09,450 --> 00:03:10,500
That was our home.
50
00:03:10,500 --> 00:03:15,120
We had only 19 acres when I remember
D finally is living in that son of a
51
00:03:15,120 --> 00:03:19,650
gun and there was the horse and the
plow, and then the birds picked up
52
00:03:19,650 --> 00:03:21,690
arms and it was so peaceful actually.
53
00:03:24,240 --> 00:03:28,019
And you know, you get the peaceful
feeling when you buy a painting like that.
54
00:03:28,829 --> 00:03:34,890
The no here ever paint mighty
been Dezeen with the mountain,
55
00:03:34,950 --> 00:03:36,810
the ice pieces in my mind.
56
00:03:38,475 --> 00:03:42,655
And then it's nothing to worry, but
then I have to ask myself what, just
57
00:03:42,655 --> 00:03:47,045
the light coming from that on mighty
light, you become the lead of light.
58
00:03:47,255 --> 00:03:51,785
I usually like to have a despite
in or despite don't matter, really.
59
00:03:52,745 --> 00:03:54,274
I like a sidelight.
60
00:03:54,645 --> 00:03:59,325
For the reason of itself it's better or
it looks better because you always have
61
00:03:59,325 --> 00:04:01,695
light and shadows, light and shadows.
62
00:04:01,905 --> 00:04:05,545
If you have a direct light or
the light from the back, it
63
00:04:05,545 --> 00:04:08,115
is, uh, it's, it's too easy.
64
00:04:08,115 --> 00:04:11,025
You know, it, it's not the,
it doesn't give you that impa.
65
00:04:11,305 --> 00:04:12,815
You really would need them to painting.
66
00:04:13,355 --> 00:04:14,165
So, okay.
67
00:04:14,375 --> 00:04:15,035
Fire off.
68
00:04:15,405 --> 00:04:16,995
Yeah, Vida is on the canvas.
69
00:04:17,024 --> 00:04:19,245
Not too much magic ride, too much.
70
00:04:19,274 --> 00:04:22,005
You are in trouble and
have it done just perfect.
71
00:04:22,155 --> 00:04:25,724
Now I will have a happy, happy blue sky.
72
00:04:31,875 --> 00:04:37,245
It's depends on what you have, but
your pump is what we put into our head.
73
00:04:37,245 --> 00:04:39,945
You know what we put in our mind, uh,
74
00:04:44,445 --> 00:04:50,294
I just see a happy vendor,
seen VI and happy sky there.
75
00:04:51,765 --> 00:04:53,895
Sometime you can paint a muddy sky.
76
00:04:54,525 --> 00:05:01,065
In this case today, I function as see
happy vendor, all the happy colors.
77
00:05:01,485 --> 00:05:05,805
He may be here a little bit darker
up there as soon I put it darker
78
00:05:05,805 --> 00:05:08,265
here, then it's look deeper.
79
00:05:08,565 --> 00:05:10,485
I create the optic illusion.
80
00:05:11,835 --> 00:05:15,525
The, you can do it with dark on
the bottom and light on top, and
81
00:05:15,525 --> 00:05:20,835
it will look flat or you can do it
with a dark on top and get lighter.
82
00:05:21,165 --> 00:05:23,715
It looks like the sky has a distance.
83
00:05:24,045 --> 00:05:25,815
I paint perspective.
84
00:05:25,995 --> 00:05:31,065
I see I walk into the painting
and my sky is not hanging down.
85
00:05:31,065 --> 00:05:33,105
Like you could, can you see it?
86
00:05:33,105 --> 00:05:36,045
No, it's not hanging down like a curtain.
87
00:05:36,465 --> 00:05:37,215
Good, good.
88
00:05:37,995 --> 00:05:38,414
Good.
89
00:05:38,565 --> 00:05:42,705
Maybe we create a happy cloud up there.
90
00:05:45,554 --> 00:05:47,265
Happy cloud white.
91
00:05:47,775 --> 00:05:49,245
The, how I take my right off.
92
00:05:50,715 --> 00:05:55,335
I have a little dinner right
there to the bit of a, to tick.
93
00:05:56,625 --> 00:06:00,135
It wouldn't stick to good, you
know, but this is right in between.
94
00:06:00,344 --> 00:06:01,965
You got to learn that too.
95
00:06:02,354 --> 00:06:06,465
You have to learn how you,
the techniques of your paint.
96
00:06:07,175 --> 00:06:12,885
They make you go, if it is too hard
and to take it very not caught on,
97
00:06:13,155 --> 00:06:17,955
but then you have to make sure your
background is not too slippery and
98
00:06:17,955 --> 00:06:22,695
to slide into thin the that's, why
they put not too much paint on there.
99
00:06:23,625 --> 00:06:26,955
Dang every fire in the cloud there.
100
00:06:33,995 --> 00:06:35,525
See how easy it works.
101
00:06:38,039 --> 00:06:39,510
But try that out.
102
00:06:39,510 --> 00:06:42,960
First, learn the thickness of your pain.
103
00:06:43,650 --> 00:06:45,240
That's what I never could buy it.
104
00:06:45,240 --> 00:06:49,050
Didn't pain because then you have to
make a ticket to make pain tickets, a
105
00:06:49,050 --> 00:06:51,539
hell of a job, but find on the market.
106
00:06:51,570 --> 00:06:52,890
There's a lot of the art stores.
107
00:06:52,890 --> 00:06:57,479
They have a heavy, thick paint,
and then you always continue.
108
00:06:58,039 --> 00:06:59,090
That's no problem.
109
00:07:00,680 --> 00:07:01,060
See.
110
00:07:03,150 --> 00:07:09,330
Oh, Hey, fire firing when they're,
when they're, when they're, when
111
00:07:09,330 --> 00:07:13,620
they're, when they're on there, maybe
here is one floating up there on top.
112
00:07:17,039 --> 00:07:18,030
Good, good.
113
00:07:21,930 --> 00:07:25,860
You can leave it off like that.
114
00:07:26,219 --> 00:07:27,810
Then you can just leave it rough.
115
00:07:28,530 --> 00:07:30,479
You can use a big brush and brush it out.
116
00:07:31,304 --> 00:07:34,185
At sometime I brush it
out sometime I leave.
117
00:07:34,185 --> 00:07:39,695
It depends on what mood for them, a
rough Wyndham and leave it like that.
118
00:07:39,755 --> 00:07:40,924
I think it would be nice.
119
00:07:41,255 --> 00:07:43,715
So I will use my own the knife.
120
00:07:44,164 --> 00:07:46,984
And now you use only a tick paint.
121
00:07:47,765 --> 00:07:48,905
Don't use anything.
122
00:07:49,114 --> 00:07:50,315
It got, look at that pain.
123
00:07:50,375 --> 00:07:51,094
Look at her.
124
00:07:52,294 --> 00:07:54,695
I can put that whole palette up it.
125
00:07:54,695 --> 00:07:57,724
Dick paint and winter colors are good.
126
00:07:57,755 --> 00:07:58,445
If you have it.
127
00:07:58,979 --> 00:08:03,419
It looks black, a little pressure
and blue alizarin Crimson.
128
00:08:03,919 --> 00:08:08,359
That seems to be a wonderful, you
see me using it more or less over and
129
00:08:08,359 --> 00:08:13,640
over, but that gives you a beautiful
mountain color and then you can make
130
00:08:13,640 --> 00:08:16,789
it more than a red or more in the dark.
131
00:08:17,120 --> 00:08:18,770
And when you mix it will be nice.
132
00:08:18,770 --> 00:08:22,969
If you do how I mix, it makes
it shorter than it looks like,
133
00:08:22,969 --> 00:08:27,140
like Mark, then Z, like Marvin,
all the little lines in there.
134
00:08:29,665 --> 00:08:31,185
Depends on what please.
135
00:08:31,185 --> 00:08:35,565
She wants to be a God, I think here where
136
00:08:42,315 --> 00:08:43,635
I live in the mountain.
137
00:08:45,105 --> 00:08:51,135
So I see them every day and it
just so, so it doesn't matter,
138
00:08:51,135 --> 00:08:56,355
really, whatever you think sometime.
139
00:08:57,180 --> 00:09:02,280
So here, I see that forbidding
blood told their stories.
140
00:09:02,280 --> 00:09:07,020
When you live in a mountain there's
stories, there was Indians there.
141
00:09:07,439 --> 00:09:12,180
They went up there and they went to that
over that plateau and they froze to death.
142
00:09:12,209 --> 00:09:15,449
And, you know, they make stories
or maybe it is not even true,
143
00:09:15,719 --> 00:09:16,859
but they're just stories.
144
00:09:17,670 --> 00:09:20,610
In every country, you see stories
about the certain mountain.
145
00:09:20,610 --> 00:09:24,150
Certain stone is a big stone flat head.
146
00:09:24,150 --> 00:09:27,830
They call it, or a certain
three is 30,000 years old.
147
00:09:27,840 --> 00:09:29,280
You see the tree is a mile take.
148
00:09:29,280 --> 00:09:32,160
And so people make up
their own little stories.
149
00:09:32,970 --> 00:09:36,150
And I think that's nice
that does stories there.
150
00:09:36,390 --> 00:09:38,400
They make it very UC, you know, the.
151
00:09:43,065 --> 00:09:47,715
Yeah, I make up my own stories
and then we were on maybe here.
152
00:09:47,715 --> 00:09:51,795
I would like to see, Oh,
like to see that the mountain
153
00:10:01,125 --> 00:10:02,925
give him that highest peak there.
154
00:10:12,015 --> 00:10:15,195
And no, I tried to get the
vendor feeding into that.
155
00:10:15,780 --> 00:10:18,449
That's on my ID, winder feeling.
156
00:10:19,050 --> 00:10:20,819
Uh, I use white.
157
00:10:21,140 --> 00:10:24,260
Yeah, a little touch
of dinner just a week.
158
00:10:25,699 --> 00:10:30,680
It didn't, the paint will stick on the
ticket pain that you really got to learn
159
00:10:30,710 --> 00:10:36,980
because I, I don't have to think a pencil
much, but when you're a newcomer, you
160
00:10:36,980 --> 00:10:38,870
think white is white and red is red.
161
00:10:39,020 --> 00:10:41,900
No, no, the thickness
make it stick and mix it.
162
00:10:42,140 --> 00:10:43,250
Mix the figures.
163
00:10:43,250 --> 00:10:44,870
You know what she wants to get out there.
164
00:10:45,450 --> 00:10:47,760
I want us to have a figure here
165
00:10:57,910 --> 00:11:02,000
with the details there was as
our mighty details you get there.
166
00:11:03,590 --> 00:11:07,100
I use it later, touch over dinner,
paint with the ticket paint,
167
00:11:07,340 --> 00:11:10,580
because that this thickness is this.
168
00:11:11,370 --> 00:11:13,709
And Dick and Dick doesn't stick.
169
00:11:14,040 --> 00:11:18,569
So I have to make it a little touch
dinner and what I do a little bit
170
00:11:18,630 --> 00:11:24,090
better, then that paint on edge will work
like mad, but don't make it too soupy.
171
00:11:24,090 --> 00:11:25,620
Then you really in trouble.
172
00:11:27,569 --> 00:11:31,890
I can see the details of the
Bobby started at the end here.
173
00:11:32,550 --> 00:11:33,030
You see?
174
00:11:33,030 --> 00:11:34,410
No, there you are.
175
00:11:34,560 --> 00:11:35,939
That's the winter mountain.
176
00:12:06,839 --> 00:12:08,660
I don't know, we have that too.
177
00:12:08,660 --> 00:12:14,209
Sometime there is a Miller D in your
mind and you just can't get rid of it.
178
00:12:14,660 --> 00:12:18,560
And I know I see a country
road and in my, in my.
179
00:12:19,365 --> 00:12:21,735
Heart is country road.
180
00:12:21,735 --> 00:12:24,225
Bring me home, bring me home.
181
00:12:24,225 --> 00:12:25,635
And it makes it so nice.
182
00:12:25,635 --> 00:12:30,555
And you think how happy the
guy is to come home and,
183
00:12:35,885 --> 00:12:39,035
and with this melody, you
get the nicer painting.
184
00:12:39,635 --> 00:12:45,245
You ever tried that little melody
with it, that it lasts longer.
185
00:12:46,175 --> 00:12:47,315
It lasts longer.
186
00:12:47,525 --> 00:12:47,975
You see.
187
00:12:53,420 --> 00:12:59,479
No, I very, I very move it down here.
188
00:12:59,540 --> 00:13:02,569
There, there, no, get the details.
189
00:13:02,599 --> 00:13:04,910
Just one stroke is on my distro.
190
00:13:05,540 --> 00:13:07,880
All those fiddling around is baloney.
191
00:13:13,459 --> 00:13:14,589
He may be here.
192
00:13:14,599 --> 00:13:15,979
We'll have a glacier there.
193
00:13:16,699 --> 00:13:21,240
Make it like a triangle for me out there.
194
00:13:22,829 --> 00:13:25,229
Uh, E
195
00:13:33,240 --> 00:13:35,040
somebody, the light picks up there.
196
00:13:36,630 --> 00:13:43,800
Then here I would put blue on
blue and white, blue and white.
197
00:13:45,755 --> 00:13:47,385
Something like this.
198
00:13:47,444 --> 00:13:49,814
Can you see that in the soon?
199
00:13:49,814 --> 00:13:50,234
Nice.
200
00:13:50,494 --> 00:13:53,285
Ah, okay.
201
00:13:53,344 --> 00:13:56,675
No, you fire in with
that happy blue in there.
202
00:13:57,994 --> 00:13:59,824
Hey, that's happy blue.
203
00:13:59,824 --> 00:14:01,354
And they're on the shadow side.
204
00:14:01,834 --> 00:14:04,204
That gives you certain shadow color there.
205
00:14:07,474 --> 00:14:10,984
See, but you have to
figure out about that.
206
00:14:11,324 --> 00:14:17,234
They call us, you know, we all have a
certain taste for call us, but no, after
207
00:14:17,234 --> 00:14:21,704
sneeze and I am sorry, I have to fire off.
208
00:14:21,704 --> 00:14:23,145
I can feel that already
209
00:14:27,545 --> 00:14:30,935
fire out that happy blue did it.
210
00:14:31,025 --> 00:14:33,185
It made me itchy all over.
211
00:14:35,375 --> 00:14:36,094
Oh God.
212
00:14:38,690 --> 00:14:40,980
Would be nice if you
all can live our life.
213
00:14:40,980 --> 00:14:45,720
The couple of years we have with
so much fun and so much laughing.
214
00:14:46,350 --> 00:14:49,050
That is what I wish I could bring to you.
215
00:14:57,230 --> 00:15:02,300
maybe he ain't go a bit in the blues,
like shed this shed to call us there.
216
00:15:03,690 --> 00:15:04,390
The end of.
217
00:15:05,595 --> 00:15:11,895
And shout at Vite there, he,
with blue panty like that?
218
00:15:12,675 --> 00:15:19,935
No, if you've ever used the big brush,
maybe happy blue, this blue ever Jews
219
00:15:20,175 --> 00:15:22,215
with a bit of dirt from the mountain.
220
00:15:22,235 --> 00:15:27,915
See, I go into the mountain, Carlos,
and, and I will say, go in like that.
221
00:15:36,315 --> 00:15:41,555
he gives you a nice distance
color, nice distance color.
222
00:15:42,725 --> 00:15:44,555
Can you see that the far right?
223
00:15:44,645 --> 00:15:48,905
Little tree stand and huge
that the strokes obvious down,
224
00:15:49,355 --> 00:15:51,335
down, you see down strokes.
225
00:15:55,530 --> 00:15:57,569
If you want me against the snow.
226
00:15:57,569 --> 00:16:01,650
When I see it in my mind, I
see snow, snow, snowy road that
227
00:16:01,650 --> 00:16:02,819
wants to bring it out there.
228
00:16:03,719 --> 00:16:05,310
I need some dark there.
229
00:16:05,310 --> 00:16:08,430
What I do now, I use black and blue.
230
00:16:09,300 --> 00:16:13,530
They know like this,
the, and makes it darker.
231
00:16:13,860 --> 00:16:18,689
And then I have the look.
232
00:16:23,405 --> 00:16:26,315
that dogs against then the
light against the dark.
233
00:16:26,345 --> 00:16:27,905
Oh, that fires up.
234
00:16:28,415 --> 00:16:30,755
That gives you so much power.
235
00:16:32,325 --> 00:16:32,625
No.
236
00:16:32,625 --> 00:16:36,345
I think I leave with this day that
there would be trees on the side.
237
00:16:36,705 --> 00:16:37,845
I know I have that dark.
238
00:16:37,845 --> 00:16:43,415
When the snow come may come out with the
happy snowy road there, the as more you
239
00:16:43,415 --> 00:16:48,995
pain as more, you become a Fox, there are
certain things you would do, but you will
240
00:16:49,005 --> 00:16:51,485
never do when you just start painting.
241
00:16:52,235 --> 00:16:56,405
Usually you have to see when I start
painting, I have to see a book or I
242
00:16:56,405 --> 00:16:58,895
have to see something in order to.
243
00:16:59,265 --> 00:17:04,245
No roughly what I was do, but now
it is to make a nice painting.
244
00:17:04,725 --> 00:17:05,985
How I get the nice paint.
245
00:17:06,995 --> 00:17:07,505
Okay.
246
00:17:07,505 --> 00:17:08,045
I have a show.
247
00:17:08,045 --> 00:17:08,495
Yeah.
248
00:17:09,185 --> 00:17:11,555
I have a Ooh, go with
that big brush, right.
249
00:17:11,555 --> 00:17:16,805
And just SAP green and the black
and the dirt and pressure and
250
00:17:16,805 --> 00:17:21,245
blue, and look at that, all those
colors, they make it beautiful.
251
00:17:21,575 --> 00:17:26,315
And then I make my brush, look
the brush, look of my brush deep.
252
00:17:26,935 --> 00:17:33,785
It has a con can you see here, cruise
up, watch like this, not like this,
253
00:17:34,055 --> 00:17:36,425
like this, it looks like a dog.
254
00:17:36,965 --> 00:17:40,415
And if I want you to test it, I
can test it right on my palette.
255
00:17:41,165 --> 00:17:42,305
Oh, look at the trees.
256
00:17:42,335 --> 00:17:42,695
Come.
257
00:17:42,725 --> 00:17:45,935
Can you see, I got the
three-year right there.
258
00:17:46,115 --> 00:17:47,525
So I have nothing to worry.
259
00:17:47,675 --> 00:17:47,735
Yeah.
260
00:17:47,905 --> 00:17:51,845
Fire and migratory on that
on mighty canvas right there.
261
00:18:00,695 --> 00:18:03,094
look at that you can do far more of it.
262
00:18:03,094 --> 00:18:07,534
The big brush than you would do with
smaller brushes, you fiddling around
263
00:18:07,564 --> 00:18:09,665
and fiddling around and you get nowhere.
264
00:18:10,935 --> 00:18:13,514
And we live in a speedy time.
265
00:18:13,955 --> 00:18:16,655
You know, when we was kids, we
was, most kids were sitting on the
266
00:18:16,655 --> 00:18:20,344
corner with a piece of wooden, a
knife, and we carved little things.
267
00:18:20,735 --> 00:18:21,574
It was so much time.
268
00:18:21,574 --> 00:18:26,314
There was nothing, but today
the hours I've worked so much,
269
00:18:26,764 --> 00:18:28,534
get something out of your hours.
270
00:18:28,625 --> 00:18:31,324
Otherwise it's useless
to be life on this earth.
271
00:18:31,925 --> 00:18:36,125
The, no, I show you how you get
the best out or look at that.
272
00:18:36,840 --> 00:18:39,899
Oh God at our mighty tree.
273
00:18:39,930 --> 00:18:42,629
Maybe here we fire in one more day.
274
00:18:42,680 --> 00:18:42,980
Yeah.
275
00:18:48,080 --> 00:18:53,629
I go like this and here
there's lots of blue.
276
00:18:53,629 --> 00:18:59,600
And in that green, lots
of blue, black and blue.
277
00:19:00,290 --> 00:19:04,250
And then you fell in like
this dark, very dark there.
278
00:19:05,235 --> 00:19:05,645
He does.
279
00:19:05,805 --> 00:19:12,195
We make your painting as we make your
painting, you know, as a funny thing,
280
00:19:12,195 --> 00:19:17,715
when you think we are otherwise kids
and, and we are, uh, send the kids
281
00:19:17,715 --> 00:19:21,855
to school and, and you Vish when
they come home, they got off school.
282
00:19:22,095 --> 00:19:26,085
They make a happy buck, but
sometime it is really not like that.
283
00:19:27,044 --> 00:19:30,315
They come home from school and
they got, they can make a buck.
284
00:19:30,315 --> 00:19:31,245
They have no work.
285
00:19:31,875 --> 00:19:33,225
It depends on how you learn.
286
00:19:33,225 --> 00:19:35,805
If I show you what if he wants to paint?
287
00:19:36,135 --> 00:19:37,665
That's the only way to fly.
288
00:19:38,504 --> 00:19:40,155
No, you can hang me.
289
00:19:40,155 --> 00:19:41,264
You can crucify me.
290
00:19:41,534 --> 00:19:45,825
You see fat artists and happy artist.
291
00:19:46,395 --> 00:19:48,385
I'm not rich, but I'm comfortable.
292
00:19:48,825 --> 00:19:50,145
I can do what I want.
293
00:19:50,534 --> 00:19:52,004
They're starving artists.
294
00:19:52,034 --> 00:19:53,325
They're hungry artists.
295
00:19:53,850 --> 00:19:54,899
How I read them.
296
00:19:54,959 --> 00:19:59,760
I wants to be born off, does
happy son runs and I hope I can
297
00:19:59,760 --> 00:20:03,570
make you happy and powerful.
298
00:20:04,050 --> 00:20:05,159
That is the ID.
299
00:20:05,189 --> 00:20:06,629
That's what I'm painting here.
300
00:20:09,750 --> 00:20:10,889
He painting like that.
301
00:20:10,919 --> 00:20:16,620
No problem to say there's no
problem to set a penny like that.
302
00:20:18,120 --> 00:20:21,630
But listen, and listen, when I tell
you what I use, the colors, the
303
00:20:21,630 --> 00:20:23,880
thickness, that's very, very important.
304
00:20:24,180 --> 00:20:27,960
He here wants to put the tree in
with the, the, the, the, the brush.
305
00:20:28,650 --> 00:20:35,400
The brush can be, you can make very fine
lines, see if you want, and then you can
306
00:20:35,400 --> 00:20:39,660
go on like this side strokes, see, watch.
307
00:20:48,030 --> 00:20:48,230
Yeah.
308
00:20:48,230 --> 00:20:48,540
Yeah.
309
00:20:48,780 --> 00:20:50,670
He wrote the nice three.
310
00:20:50,670 --> 00:20:51,630
She got out of that.
311
00:20:52,770 --> 00:20:53,850
No problem.
312
00:20:55,740 --> 00:21:00,240
No, I make it kind of other
type of a tree better off.
313
00:21:01,440 --> 00:21:04,230
Then we see, you know, all the dark here.
314
00:21:04,920 --> 00:21:06,930
I need dark in order to show light.
315
00:21:07,755 --> 00:21:08,775
Dark there.
316
00:21:12,375 --> 00:21:16,395
And even the road, the road I will
create when they have it all dark
317
00:21:16,755 --> 00:21:19,485
without dark, there is no light.
318
00:21:20,295 --> 00:21:21,435
There is no light.
319
00:21:22,185 --> 00:21:24,015
They are dark on their own.
320
00:21:30,285 --> 00:21:33,285
No, no more dark here.
321
00:21:33,945 --> 00:21:35,355
Even more dark here.
322
00:21:38,870 --> 00:21:44,300
Thinking about the country road and the
wilderness, there, all kinds of grounds.
323
00:21:45,410 --> 00:21:47,030
Light is coming from this side.
324
00:21:53,630 --> 00:21:57,770
you can make the three trunks sometime.
325
00:21:57,780 --> 00:22:01,670
It doesn't work that way, but
it works for sure this way.
326
00:22:06,835 --> 00:22:08,265
You hear the noise?
327
00:22:11,955 --> 00:22:13,425
Oh, what the power for it.
328
00:22:14,345 --> 00:22:17,165
Thinking power for painting here.
329
00:22:17,345 --> 00:22:20,825
And then if you want a smaller line
that didn't align, then just do it
330
00:22:20,825 --> 00:22:23,075
like this, you know, the tonight.
331
00:22:43,665 --> 00:22:44,235
Wonderful.
332
00:22:51,765 --> 00:22:53,385
Hey, it works fantastic.
333
00:23:00,510 --> 00:23:00,870
Four,
334
00:23:05,490 --> 00:23:07,620
but loose lines, very loose lines.
335
00:23:07,620 --> 00:23:11,490
I like to put in there that
whatever is kind of a grout.
336
00:23:12,720 --> 00:23:13,020
Yeah.
337
00:23:13,020 --> 00:23:13,890
Whatever it is.
338
00:23:15,000 --> 00:23:17,520
He loose lines coming out.
339
00:23:17,520 --> 00:23:18,390
They're coming up.
340
00:23:18,420 --> 00:23:19,410
They're coming up.
341
00:23:19,470 --> 00:23:22,020
They're coming out here, here, here.
342
00:23:23,189 --> 00:23:26,429
Yeah, that makes a nice, loose painting.
343
00:23:27,090 --> 00:23:35,129
No, you use a two inch, one inch
brush and you use white and maybe
344
00:23:35,129 --> 00:23:37,020
a little touch of blue into that.
345
00:23:37,709 --> 00:23:38,790
He like this.
346
00:23:39,719 --> 00:23:47,129
And now you fire in fire into the
shadow side forest, a bit of blue.
347
00:23:50,160 --> 00:23:50,460
E.
348
00:23:51,020 --> 00:23:53,420
Yeah, it was a blue, the shadow side.
349
00:23:54,140 --> 00:23:55,010
And, uh,
350
00:23:59,330 --> 00:24:04,940
the first, the blue that gives the
shadow side blue, the shadow side.
351
00:24:05,180 --> 00:24:06,740
He has a lot of sky up there.
352
00:24:06,740 --> 00:24:13,130
We wouldn't worry into the dark
there where they worry, cover
353
00:24:13,130 --> 00:24:14,900
up the long lines a little bit.
354
00:24:15,690 --> 00:24:22,470
See there you are cover up the long
lines and a little bit there, here too.
355
00:24:30,890 --> 00:24:31,340
Hey.
356
00:24:33,110 --> 00:24:33,800
No.
357
00:24:41,400 --> 00:24:44,010
Then the down with the
Tetra for magic fight.
358
00:24:44,550 --> 00:24:50,940
And now you have the, make it dinner
so that you can do something with it.
359
00:24:51,900 --> 00:24:56,030
No, we will have a little bit of
snow here, here, here, here, here.
360
00:24:56,750 --> 00:25:00,470
Do you just, just give yourself a
little bit of snow, wherever you
361
00:25:00,470 --> 00:25:06,080
would think they're washed desk,
snow, wherever you would think.
362
00:25:15,210 --> 00:25:18,240
There you are E now I have to rush.
363
00:25:19,860 --> 00:25:25,500
And now all of a sudden here comes
that happier road, blue and white,
364
00:25:25,950 --> 00:25:28,790
and you just come over to here, here.
365
00:25:29,505 --> 00:25:32,595
And look how that breaks.
366
00:25:32,655 --> 00:25:33,285
Oh, good.
367
00:25:33,285 --> 00:25:35,415
That's my dear old.
368
00:25:35,415 --> 00:25:36,675
How it comes out there.
369
00:25:37,725 --> 00:25:39,105
That's what makes it so nice.
370
00:25:39,165 --> 00:25:47,805
You see, I asked why they want to show
you come over to hair that comes out
371
00:25:48,325 --> 00:25:53,235
whatever, maybe from their perspective.
372
00:25:53,265 --> 00:25:53,865
Right.
373
00:25:54,765 --> 00:25:58,125
And there are no, you can.
374
00:25:58,740 --> 00:26:10,320
Can use the only light color, snow,
whatever, whatever on his side, he here
375
00:26:10,320 --> 00:26:17,430
maybe hear a little bit of light colors,
maybe hear a bit of a light Busch and
376
00:26:17,430 --> 00:26:24,540
here maybe a ledger of a light Bush and
what you get, but you see is what you get.
377
00:26:27,990 --> 00:26:28,379
See,
378
00:26:31,919 --> 00:26:33,540
keep that in the dark there.
379
00:26:37,710 --> 00:26:39,450
Keep that in the dark there.
380
00:26:41,070 --> 00:26:48,330
And maybe here we give him a kind of a
light Bush, and that is what that is.
381
00:26:50,100 --> 00:26:50,610
Good.
382
00:26:54,825 --> 00:26:59,534
You see a happy when they're seen
and a happy road is coming out or
383
00:26:59,595 --> 00:27:02,865
whatever is coming from, enjoyed it.
384
00:27:03,705 --> 00:27:04,395
Happy road.
385
00:27:04,395 --> 00:27:05,205
Bring me home.
386
00:27:05,294 --> 00:27:06,435
Thank you for watching me.
387
00:27:06,465 --> 00:27:07,215
And I love you.
End .srt file.
Speech-to-Text Subtitle .srt Files Copyright © by Alexander Skobeleff 2020
Copyright © www.AlexanderArt.com, 2020.
® All Rights Reserved, 2020.
No comments:
Post a Comment