Bill Alexander's
The Magic of Oil Painting
Season 2, Episode 4, Frozen Citadel - AVAILABLE
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On top of all smoky covered with snow.
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That's why they went to pain.
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I'm happy to be with you again.
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First I have to really learn.
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Or bother myself up to do that.
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What I must do on that canvas, you
see a white canvas again, and I
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wants to have on top of it, smoky.
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I think whatever you do, kind of a vendor
seen power for mountain will be up there
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and full of snow and then come into
the Valley may have a little bit of a.
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Uh, mountain leak there
and an all was on there.
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And then there, and usually like a
poem or like a song he would write.
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I bet whoever paints, he writes
a poem, you write songs, you do.
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We all have that.
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You need the rhyme rhythm harmony.
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Sometime if you take something out and
put something else in, but as long as
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it harmonizes, as long as it satisfies
you, you are in wonderful shape.
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The, again, Poor pucker up with yourself.
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We happy first be content and do
whatever comes into your mind because
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God and you, that's all you see
here, God, on me on that canvas.
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And I have to do something with that
and believing in the right thing.
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You cannot miss the, I put
that magic right on again.
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I got that in the brush.
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It I'm going to do it.
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Spend too much time on fiddling
around with it on mighty magic.
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Right?
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So the magic rises on the canvas.
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No, I can mix into that on mighty canvas.
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So we will choose a kind of a mood.
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What kind of a mood?
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I think it would be nice.
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Nice to have a sky a little bit on the
dark side, because it gives a contrast.
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I bet I see that mountain in my
mind already standing up there.
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If I have a light sky, the light
snow against the light mountain,
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nothing and nothing is nothing.
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You understand this thinking as
more human pain, you see my ears.
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I look like a Fox have
my tailors regularly.
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You become a Fox.
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You outsmart and your canvas.
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You always make it happen.
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The too much magic, right?
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There's no good.
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So what I show you, I show you,
it tells you our lives in Crimson.
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It tells you a flu.
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There's your blue Tasha for living in
Clemson and the Dutch colors are dark.
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I don't know yet what the color will be.
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Maybe I have a touch of move in
there and know we will see, we will
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see that's my life had as, as, as
I had in my mind, kind of a vendor
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issue, uh, great day, great day.
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He wasn't a good, remember
the colors I put on there.
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And then you were just fired in like
this flies in like this and see it's
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conditioned that canvas to the point.
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even a hypnotize.
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I can see all the movements in the sky,
all the movements and not on my disguise.
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And all those happy bubbles
there and fire into the water.
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If I put water and fire and on the other
side to the water and come in light and
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dark from that side, there might be no
water, but if I needed to do how fast I
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can do it, I just wants to have kind of
a little bit of extra light up there.
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Little bit of extra light up there.
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And then bit of extra light up there.
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He, uh, he was a fan brush.
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He was a fan, a touch of white and
a little touch of red little cashew.
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Fred would look like
this would look like the
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top of watch Marquis.
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Coverage, you know, it's nice to have
a song in your heart to have kind of
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a melody harmony, rhyme, rhythm be
contend, and life can be so wonderful.
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It can be so wonderful
if you just do it right.
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He had lane bit of light
behind the clouds there.
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good.
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Good, good, good.
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No, it depends on what
he wants to do with that.
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You can say, you can say you
can, I will say this way.
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We think there's the sun opening.
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There's an opening in the clouds.
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The sun is somewhere there, somewhere.
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The sun really shine and
bring the top out there more.
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No, you use your big brush and,
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and the rest hypnotized.
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Nice.
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Kept the ties.
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Nice.
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See, there you are.
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And you have the
beautiful, happy beginning.
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Only destroyed the rough brush
lines leave, make it nice and
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soft and keep it to a standard.
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You want keep that standard
what you think it takes.
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You makes you happy.
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As long as you have to count your life.
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That is what you got and you have it
for so many years, and those are Bush.
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it does us the account, the account,
not ever just open up a little
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bit more power of there on top.
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Just a little bit more.
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What?
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It's uncom Stu here, the dad.
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Yes.
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Yes, yes.
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Yeah.
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We went 40.
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The next step would be use your knife.
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And I fire him a bundle
of paint right in here.
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You don't mind.
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The judge caught us.
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They can be all sucked up in the mountain.
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I don't lose colors.
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They're all harmonized.
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I use the sexual black.
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That's your blue, maybe touch with
move that you all those colors and have
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them all in here and jihad and mixers.
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And having nice, like
Mar Marvin, Marvin eyes,
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two lights.
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They're too light, bit more darker.
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I want you to make a proposal for close
up mountain, more or less close up.
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And that's all smoky up there.
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She gave him the cider.
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Sad.
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You hear it about our smoky.
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Make yourself some stories though.
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See, I always mix stories up
and that's just the storyteller.
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You can make it up yourself about
the happy doggy or happy cat or
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happy animal living in the forest.
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And.
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And then you, you make it to
the point where it becomes real.
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And that is what's good living.
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That's an artist.
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We all are dreamers.
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We all are all mighty dreamers.
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As long as you can make a
happy buck with your dreams.
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That is wonderful.
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I just, just.
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Add some kind of poor mountains.
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See already a good beginning.
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Now I will pull that all down.
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I will put it all down into the mist.
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It will be a Windridge vintage
painting, and I still have winter
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gray, lots of winter, lots of winter.
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You only go up so far.
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Can you see how beautiful already
the mist in the mountain there?
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By doing that for, I show you, I know
that's a beautiful way of doing it.
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It's a beautiful way of doing it.
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Don't add any paint, be
stingy because thanks.
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You have to paint on top of that again.
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And then you go on this so high and that's
that's, there's a timber line and leave
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it on the timber, Ryan, and now you, you,
you, you, you fire and take more white.
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And maybe a little touch
of blue led or Tasha blue.
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No, we very, very light is coming
out on top of what smokey there.
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it's not wonderful how we contain you
on the highest peak of the mountain.
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You're right up there.
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You have that pain breaks, ah,
tell you it's just a joy to be
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alive you that aren't smoky.
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And it's true.
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When you watch mountains, they
have, they have certain characters.
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Somehow always then there's smoke
or they all burn or they all,
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they all have a certain theme.
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There's a certain heat up there.
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Look at that.
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How fast you can do it.
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That's just beautiful.
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No, add here to dry angle coming
down there is sometimes there's
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just, it makes it coming forward.
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Yeah, then the other drain, or maybe here,
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look at all the strokes.
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Now try to learn to use the knife.
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Right?
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watch Z look very flat, very flat,
and look at the thousand details.
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That's what you want us to get.
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Totally and details.
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No, I would add here
little bit here, little bit
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and then you add him in his bed and he
had his bed that this doesn't matter.
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Doesn't matter if you call you're
on, on runs and see you're here
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at the shape of the mountain.
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Dream at Optiv Agassi,
that mountain peak there.
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I lived there for me.
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That's easy to adjust, create
our mighty movements and mighty
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movements, eh, or mighty movements.
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And it makes it so beautiful.
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Beautiful, easy.
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But th the same vibe, the same colors
here, the blue ever add a little bit more
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of this color, but we had already to make
it darker there and keep it like marble.
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Can you see?
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No, I will use it from the shadow side.
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Make it really frosty now.
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He makes it really rusty.
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Now, pull it down wherever you have the
blue that gives you a power for power.
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For parts of that mountain.
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He had put a disk by and look at that.
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And that's a choice too,
to be on your own canvas.
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He, then you can infer that blue
here and there, make it more IC.
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I want you to have that really
icy when the mountain there.
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Yeah, no, I very, I will.
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I will, I will see how easy that's
what I would like to show you.
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I hope, I hope to me, it just all
coming to a happy ending, but the
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ending should be, I wish I could be
our mighty or my inspiration to you
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because I'm so happy you even made me.
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Without you, I wouldn't be on TV at all.
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It was obvious people like you, you
wrote into your station and you phoned
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them to your station and you turn
them, get that very even Frank Church.
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No, Frank Church was the janitor.
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In what way?
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He was in Idaho, Idaho, but yeah, he
rode into the station and he said,
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get that bill Alexander back on again.
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I was very proud as a
man like that, did it.
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So.
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I would love to be a good inspiration
for you for a health in a healthy way,
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in a powerful way, in a vial of living.
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And there is a better tomorrow for all
of us, every, just you and me, not you
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or me together, we can form a voice.
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What will.
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Vibrate and we'll be good for all of us.
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And especially in art.
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Art is I've been out sometime.
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You wonder, hope.
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Some people call them.
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That's about, I don't
want to be an artist.
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00:14:43,939 --> 00:14:46,010
I always would like to be a good painter.
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Because a lot of the artists,
it doesn't make sense to me.
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There's power of living power.
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That's why we have to play art music.
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The same music can be so wonderful.
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I go in sometimes to a restaurant.
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When I hear that hammering, I
go out, I can eat, I can talk
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00:15:04,185 --> 00:15:07,305
to my neighbors the other times.
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I think it's our world going
crazy or are we all going nuts?
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It looks so much.
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He right around me.
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That's what I wish we could.
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I at least let me view with inspiration
if it could be, because we'll save
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our wonderful country again and we
make it happen with all the America.
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It's not like sometime you
think they're all crazy.
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No, it is not.
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And let's all get
together and make America.
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That was, it should be again.
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That's what it was.
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And that was, it should be again.
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So he was a beautiful, powerful mountain.
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If you want, you can just
put on top if pure, right on.
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Watch this, see this on
top of my knife, get dirty.
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I am all excited.
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I'm all excited.
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I'm always happy to happy does
I can talk to you and I just
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wish I talked the right thing.
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That little bit of extra
white they're always on.
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Yes.
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Closer to the, to that, to that
light because he tied, tied
243
00:16:13,814 --> 00:16:15,105
to pull a little bit of extra.
244
00:16:15,605 --> 00:16:23,944
Uh, can you see it because then, then, uh,
it'll get there and leave it right on top.
245
00:16:24,125 --> 00:16:24,875
Don't bring it down.
246
00:16:24,905 --> 00:16:26,194
Don't let us go down.
247
00:16:26,194 --> 00:16:27,064
Like it there's there.
248
00:16:27,425 --> 00:16:34,535
That's just your default then you, you,
you, you, you firing no mercy, no mercy.
249
00:16:34,745 --> 00:16:36,245
Maybe here we have that little mystery.
250
00:16:36,810 --> 00:16:38,339
I got missed in there.
251
00:16:38,760 --> 00:16:40,800
That would be a little missed in there.
252
00:16:42,150 --> 00:16:45,890
It's like you write a poem
or you write a song and
253
00:16:49,160 --> 00:16:51,589
sit over there, make a mr.
254
00:16:51,589 --> 00:16:53,689
That making mr.
255
00:16:53,689 --> 00:16:58,339
That no other that miss the,
the mountains are coming.
256
00:16:58,785 --> 00:17:02,655
The mountains are there and that get
darker, darker, and all I was on.
257
00:17:02,655 --> 00:17:06,585
When you come forward, you see that
I will promote that a little bit.
258
00:17:06,585 --> 00:17:08,325
I will make it a bit better.
259
00:17:08,685 --> 00:17:13,875
Even that, that extra light there,
the here I create that sunshine alone.
260
00:17:13,905 --> 00:17:18,524
And then here, maybe just that
extra light, running it down there
261
00:17:19,155 --> 00:17:21,974
and let it run into the water too.
262
00:17:22,365 --> 00:17:23,444
Can you see how you bring.
263
00:17:24,300 --> 00:17:25,260
Oh God.
264
00:17:25,260 --> 00:17:28,410
And you together, you make a board.
265
00:17:28,450 --> 00:17:30,810
You make you move mountains.
266
00:17:30,840 --> 00:17:32,030
You, Oh God.
267
00:17:32,040 --> 00:17:32,380
Oh God.
268
00:17:34,070 --> 00:17:36,380
I tell you it's this, this living.
269
00:17:36,650 --> 00:17:43,670
If we can live like that, we get an
art and powerful and believe something.
270
00:17:43,850 --> 00:17:48,140
You put your own name on the canvas,
you leave something, your kids and your
271
00:17:48,140 --> 00:17:49,850
gun gets there, but all obviously say.
272
00:17:50,264 --> 00:17:52,815
My father or my grandmother or whatever.
273
00:17:53,024 --> 00:17:55,605
Look what she has done is just beautiful.
274
00:17:55,875 --> 00:17:56,985
And there is life.
275
00:17:57,545 --> 00:17:59,705
See, ah, look at that.
276
00:17:59,975 --> 00:18:00,514
Look at that.
277
00:18:01,205 --> 00:18:04,295
The heel, I just push it a
bit down and now I have it
278
00:18:04,295 --> 00:18:06,455
already all tuned up too, too.
279
00:18:06,455 --> 00:18:07,985
A little bit of extra watch.
280
00:18:08,014 --> 00:18:11,675
I make some water there
and make some water there.
281
00:18:16,274 --> 00:18:17,925
I will not have much of trees there.
282
00:18:17,925 --> 00:18:21,495
I just want to show you
right into that are my demo.
283
00:18:21,815 --> 00:18:24,335
And then there's the other one up there.
284
00:18:24,695 --> 00:18:30,185
So other there, and maybe here you
start, he was again, heavy tick bite.
285
00:18:30,575 --> 00:18:34,865
And I leave, leave that in
between, because that this is fog.
286
00:18:35,645 --> 00:18:39,425
This is miss an hour that
missed all of a sudden.
287
00:18:39,885 --> 00:18:46,334
Uh, that mess all of a sudden, all
of a sudden life comes up there
288
00:18:46,754 --> 00:18:49,875
and all of a sudden, you see the
water's already starting there.
289
00:18:50,504 --> 00:18:57,284
He very, very gentle and, uh,
and more and more and more and
290
00:18:57,284 --> 00:19:00,705
more and more and more and more.
291
00:19:01,065 --> 00:19:07,325
And more can we see all of them
started living again, disappearing,
292
00:19:07,475 --> 00:19:14,915
wash your brush, mighty bra, wash
your arms and make sure you have
293
00:19:14,915 --> 00:19:17,945
a dry brush and then go like this.
294
00:19:18,425 --> 00:19:23,945
Look, I put the lines, the, I pulled
him like lightning, never do it
295
00:19:23,945 --> 00:19:27,965
slow because then, then you lose,
you lose, you know, can you see it?
296
00:19:27,965 --> 00:19:29,885
There's a pairing and yonder.
297
00:19:30,270 --> 00:19:37,440
And then every night, every night I
tell you, it is just the one that worked
298
00:19:37,440 --> 00:19:38,910
to be like that, or do it like that.
299
00:19:39,120 --> 00:19:39,930
No, I will.
300
00:19:39,990 --> 00:19:40,950
I will.
301
00:19:41,010 --> 00:19:41,460
I will.
302
00:19:41,810 --> 00:19:42,800
What's on my dish.
303
00:19:42,860 --> 00:19:47,300
Blue doors are in there
far as far as there.
304
00:19:55,500 --> 00:20:00,540
C E Z is in Euro area.
305
00:20:03,400 --> 00:20:03,730
Uh,
306
00:20:13,720 --> 00:20:16,790
uh, God is he know you.
307
00:20:17,129 --> 00:20:21,389
You have that line there if you
want, because I will not put any
308
00:20:21,389 --> 00:20:22,889
trees on that particular one.
309
00:20:22,889 --> 00:20:27,030
I just would like to make
it really rough and Stoney.
310
00:20:27,360 --> 00:20:33,689
I use that blue here, the dark blue for
the shadow side here, pull over there.
311
00:20:37,379 --> 00:20:45,870
He look over that for the shadow side and,
and, and move it, move it down or down.
312
00:20:46,395 --> 00:20:49,245
If you want, you can have a
little bit of water down there.
313
00:20:50,345 --> 00:20:50,705
Hey,
314
00:20:54,215 --> 00:20:54,425
good.
315
00:20:54,935 --> 00:20:58,715
And then you highlight that with
the powerful, not Vite alone,
316
00:20:58,745 --> 00:21:00,365
obviously a bit of blue into that.
317
00:21:00,514 --> 00:21:03,935
See, I gobbled up, but I can
find a little touch of blue.
318
00:21:04,595 --> 00:21:07,595
So then that vide alone
makes it too naked.
319
00:21:08,284 --> 00:21:10,235
That bit of blue is beautiful.
320
00:21:10,774 --> 00:21:13,554
You know, here I ever
put right there, sad.
321
00:21:14,415 --> 00:21:15,855
Oh, snow in there.
322
00:21:19,425 --> 00:21:22,835
Maybe here we go over and let it break.
323
00:21:23,014 --> 00:21:23,855
Let it break.
324
00:21:23,945 --> 00:21:27,754
Uh, see, look, look at that.
325
00:21:28,325 --> 00:21:28,865
Beautiful.
326
00:21:29,044 --> 00:21:30,455
Can you make a close up on that?
327
00:21:31,304 --> 00:21:33,725
See there's this break and touch.
328
00:21:33,845 --> 00:21:35,764
Hardly never touch with the knife.
329
00:21:35,825 --> 00:21:41,885
Just let the knife but you got to
have the right heavy, thick pain.
330
00:21:42,435 --> 00:21:46,034
Try to find that heavy, thick
paint, and then you got it
331
00:21:46,034 --> 00:21:48,165
made and you've got it made
332
00:21:52,504 --> 00:21:54,875
the in-between a little
bit here and there.
333
00:21:55,415 --> 00:21:59,405
And all of a sudden, as winter as winter,
334
00:22:03,335 --> 00:22:06,274
the C D C, C F.
335
00:22:06,274 --> 00:22:10,324
You want to, you, you,
you, you, you, you can.
336
00:22:10,815 --> 00:22:14,085
But everyone should bring
that con out a bit more there.
337
00:22:14,935 --> 00:22:19,875
Just that little bit of here
sometime it adds, it gives
338
00:22:19,875 --> 00:22:21,245
you that little bit of extra.
339
00:22:21,245 --> 00:22:21,435
What?
340
00:22:21,445 --> 00:22:26,445
Sometime it's good to have that
she brought just always darker,
341
00:22:30,545 --> 00:22:32,254
work it out like this again.
342
00:22:33,095 --> 00:22:36,275
See, and then put a little bit of an IC.
343
00:22:36,905 --> 00:22:37,625
I see.
344
00:22:39,275 --> 00:22:39,875
I see.
345
00:22:41,280 --> 00:22:42,450
Shoreline in there.
346
00:22:45,740 --> 00:22:48,020
Bluish, bluish.
347
00:22:55,159 --> 00:22:55,610
good.
348
00:22:55,790 --> 00:22:56,629
Good, good.
349
00:22:58,280 --> 00:22:59,000
Pull it up.
350
00:22:59,120 --> 00:23:01,419
See, sometimes there's uplines there.
351
00:23:01,419 --> 00:23:03,320
They bring it to, they
bring it all together.
352
00:23:09,495 --> 00:23:14,685
I wonder, I wonder for now on
this side here, we maybe have a
353
00:23:14,685 --> 00:23:16,365
little bit of a distance there
354
00:23:22,625 --> 00:23:26,815
and becoming this just
on mighty mountain here.
355
00:23:26,825 --> 00:23:29,135
Maybe a stolen into the water there.
356
00:23:29,915 --> 00:23:30,305
Yeah.
357
00:23:35,135 --> 00:23:37,265
Stolen into the water there.
358
00:23:37,935 --> 00:23:47,525
And out like this and, and, and,
and, and you, you, you, you, you,
359
00:23:47,575 --> 00:23:51,075
you, you, you, you do it like this
360
00:23:59,945 --> 00:24:05,315
he was your big brush and
push it down, push it down.
361
00:24:06,600 --> 00:24:10,830
And now highlight that
again, highlight that again.
362
00:24:11,429 --> 00:24:18,780
He has a vide and blue turned
over like, and very loose, very
363
00:24:18,780 --> 00:24:20,760
loose, very loose movements.
364
00:24:21,179 --> 00:24:27,629
And Andrew fires right into the
water to he, her nice car leaves
365
00:24:27,629 --> 00:24:30,120
the shed on the other side, always.
366
00:24:30,149 --> 00:24:31,020
And then you.
367
00:24:31,845 --> 00:24:35,115
They just take the pen off and
just move it up there again.
368
00:24:42,274 --> 00:24:47,215
No, that blue, that blue, what we
have here already right behind you
369
00:24:47,225 --> 00:24:51,004
see how that side behind the knees?
370
00:24:51,004 --> 00:24:53,585
A bit of blue there and
371
00:24:56,825 --> 00:24:59,885
and now you, you, you,
you use your big brush.
372
00:25:00,480 --> 00:25:09,360
And you create a kind of a water
dare what a dam and you fires
373
00:25:09,360 --> 00:25:10,890
right into the water there.
374
00:25:11,010 --> 00:25:16,590
See, make the side strokes a little
bit of a blue and right here,
375
00:25:22,280 --> 00:25:24,200
that's more rights, but more rights,
376
00:25:27,470 --> 00:25:28,490
more rights.
377
00:25:29,095 --> 00:25:29,605
Yeah.
378
00:25:32,295 --> 00:25:34,965
And maybe a couple of water
lines into the water there.
379
00:25:36,195 --> 00:25:40,425
See that gives you, that gives you that
feeling of what has come in front of it.
380
00:25:40,815 --> 00:25:45,465
And then it's the last helping is the
almighty stone come here in like this
381
00:25:47,795 --> 00:25:51,755
and make it darker, make it darker.
382
00:25:51,815 --> 00:25:55,775
Uh, I might've stolen
this coming in like this.
383
00:25:57,645 --> 00:26:03,815
Uh, I like this distance,
not the colors is appear.
384
00:26:03,815 --> 00:26:08,795
And if you come closer, you have
a darker and darker and darker.
385
00:26:09,125 --> 00:26:11,945
No, that I think it was a good lesson.
386
00:26:12,065 --> 00:26:16,805
I really thank you and must
have enjoyed it because I, I,
387
00:26:16,805 --> 00:26:19,955
myself really feel comfortable.
388
00:26:20,185 --> 00:26:21,155
I did this.
389
00:26:21,885 --> 00:26:26,865
And you see that's a real up, maybe
here, this, the last little hair thing
390
00:26:26,865 --> 00:26:30,254
is then touch your blue pulling down.
391
00:26:30,885 --> 00:26:36,945
And there we are that our
mighty painting is done.
392
00:26:37,955 --> 00:26:39,004
You enjoyed it.
393
00:26:39,665 --> 00:26:45,995
Wasn't that wonderful on top of
a smoky and I was still happy and
394
00:26:46,145 --> 00:26:50,314
I had all my heart and that, and
that is the way you should paint.
395
00:26:50,745 --> 00:26:51,975
I thank you for watching me.
End .srt file
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