Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 6, Greener Pastures - AVAILABLE
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I want the joy to be with you again.
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I love you.
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I show you again, the knife, the
power of that, our mighty knife.
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Oh, there's so much extra to even
make a very simple painting here.
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Just the sky.
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A big tree, a dark tree on a
Hill, and then a light against,
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you know, something really like
a orangy or rocketry against it.
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Then you see the contrast and with
the knife, it really hits hard.
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So, but this time we
don't put magic right on.
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See you remember we said, I wants
to make the figures of the knife.
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I could go on with the night from
now on and make sure figures and
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sticks me a half an hour to get
this, the figures on we are smart.
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You see what I do?
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I put the tick bite on nosy
that every strong right.
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And stat magic, right?
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In this case, the, and you fired
on because then it is it really
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get eyes and you can see details.
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You see it, you see the, the
figures of the clouds of the,
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of every, every sky movement.
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D D
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but the joy to swing the brush,
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see that takes you such a little time.
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And no time you have it all on and
then you can get the figures easy.
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Naturally the same story.
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Again, you need right.
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You need right.
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You don't have to mix.
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And we mix on the canvas because
divides is on the canvas.
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Otherwise they would have to mix on
the palette and that makes it easy.
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Pounded on tick.
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You remember before when I
painted with the brush, I tell
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you always be stingy, be scotch.
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Don't use too much paint in this case.
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I say use paint because I want to
show the details with my knife.
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You see, that's why we
use more paint there.
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Okay.
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Now we will create a happy sky.
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I would say fine, a blues
guy for the blue over there.
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And.
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Uh, I need a bit of more Vite, but right.
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Uh, you need lot of paint
and I will put the right.
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Yeah.
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And mix it.
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The, in this case, I, if I would use the
blue divide is that would be two blue.
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So I mix it a little bit right here.
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And then you fire in your sky.
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They know you can have the, the.
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The knife strokes, which way he wants
to move the sky someday he can move with
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just all the way through like shifts.
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Clouds are coming down
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and let the vide come out there.
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It gives you already a nice guy.
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And use a bit of fight in it and
automatically get that, that flat
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you hold the knife, very flat
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water color, more or
less a beautiful details.
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All of a sudden right there.
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Right there
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near it.
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Don't worry too much
as the interesting guy.
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Everything goes to the
shifts, uh, disappear.
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And I tried to make it so that
Luke's deep, maybe a little
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bit more blue on tough Suzy.
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And that gives you that
feeling of perspective, depth.
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You know, it goes into yonder
forever and ever, and ever, and
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ever sky is marching us beautiful.
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Maybe here we use a bit more, right?
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Because this will be.
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Just will be shown that wants
to put some land on down.
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No, even bit more blue.
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Yeah.
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I have two spaces in my mind.
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A bit more
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something like watercolors
is not wonderful.
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Good.
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No the next step I use
my knife and I fire.
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And I tell you the zap green put
here, black and blue Jayla green.
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Oh, I broke.
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It.
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Took a look at the paint they put in here.
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Can you see it?
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Uh, God mixes.
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If it's a little bit of a fight that gives
you a little bit of a, of a marble there,
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little bit of detail, and then you fire.
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And there was a fire in our mighty,
right from, from the top-down
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movement.
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The, if I had no magic, right.
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Loose magic.
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Right.
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And take a ticket, paint and
paint on the thinner paint.
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You know what?
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I would get nothing.
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That's what I had to use.
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This heavy thick paint it.
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Then the paint will stick on the ticket
paint, but not the other way around.
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Now you understand why I had to use that
heavy, thick paint, try it out home, try
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to paint with, uh, but, uh, But magic
right on top of the tick paint like I
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have here, you just wouldn't get on, you.
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Get all the magic right onto your knife.
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All of a sudden it goes all on your knife.
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You know, a dis uh, God looking,
they'll get to the details.
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See, look at that.
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Oh boy.
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Yeah.
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There's just so much power in there.
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the tide to learn.
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There's a certain, certain move, a certain
move, but it gives you that branch feeling
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either out or in or in or out or in
the, there are lots of paint on there.
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Uh, but the other three on.
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you know, it's funny when you get
on penny, all of a sudden music, a
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tune appears and you, you feel all
of a done you're there, you're in the
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country, kind of a happy, uh, ah, this
kind of movement, all of a sudden,
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the, uh, kind of a Bush, whatever.
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Okay.
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It was a create a, kind
of a real wilderness there
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beside that tree,
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all the knife.
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Nice and flat.
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Nice and flat.
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no that's called Dawn more Dawn or Dawn.
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Take a good look.
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Could you make a close up
shot on this kind of lines?
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It is just fantastic logo.
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It's split.
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And there's this, the, this, this
kind of a thing is just fantastic.
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If you want to, to, to
pay in this kind of stuff,
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the pirate life can be just a joy to work
with if you know, to handle that right.
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it'd be a very simple painting, but it
will be very, very powerful painting.
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Tell you
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no, I aim for all dark, but again,
I want you to have this lines there.
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Yeah, you are.
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You need a lot of pain.
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That's the sad part, but it
gives you that has so much power.
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This kind of work.
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It just fantastic.
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I need all dark.
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They're all dark, so Mexico,
but more, just a bit more there.
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And it's all palette knife.
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I don't use the brush at all.
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the, the next step put some tree trunks
in was I wants to dank what I did there.
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Those trees is the other side of the tree.
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No, I put the middle part and that's
the tree trunk, but I plow to that
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and I take a lot of paint off here.
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I only have two trees
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tied to make it a little bit Crockett,
have a bit other, other line in there.
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Other line in there, in there.
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See, maybe you can run this line.
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See, now the next step will be, I will
highlight that, but first I don't like
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to see the long, long line like that.
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Cut it off in between a little bit.
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They cut it off in between
whatever you think.
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They then it pops up just, you can see
the long line is just the extension.
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Now I would like to highlight that I use
a bit of hero into the same soup here.
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The yellow that gives you kind of a
tree, all the dark colors with yellow.
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It turns green.
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Yellow is quite a color.
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It's not that yellow.
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I tell you
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even yellow and black.
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It turns kind of a, kind of a tree.
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It just, even the tree, the, you know,
I add little bit of a highlight there.
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Then bit of highlights, but the green,
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no, we will.
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We will, we will.
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As
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a knife.
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Now I can see it adding in there and
the same you can do here you add E
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I just draw it on.
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Now, the next step, the power of painting.
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Is, uh, show you, I will.
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I mix, I fuck.
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Shall I hide from you?
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Sometimes?
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It's nice to hide.
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I have a friend he's a drunk
and he hides his bottles.
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If he wants to find them, you find
him in the roof and the stones.
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That's why they hide
my pallet from you now.
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No, no, no, I don't do that.
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I just forget the watch.
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Now I wear, I wear.
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I tell you, look how nice it is.
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Can you imagine you get so itchy?
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I don't know.
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It takes us all over.
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There's nothing.
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You can do those kind of things.
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It's such a joy.
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It's so much fun to, to work
with the knife and, and very
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loosey, very loose, even bit
more, bit more highlighting there.
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Maybe a bit more highlighting there.
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That's what I'd like to choose.
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That that's subject the
dark against the light.
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They look at that.
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Oh God, God had me.
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Can you see, you cannot press too hard.
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You just have to go over
because you always build up.
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There's so much buried up there.
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You're always just, uh, when
hedges you hit it, right?
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Oh God.
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Look at that.
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Isn't that beautiful.
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I hope you learn from that.
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That would be nice.
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That'd be nice
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T no, we will.
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We will.
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We were firing, we were firing on
mightier road, coming out there
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on my deer road, coming out.
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Uh, it's got a simply pain,
but it can be so powerful.
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Make it powerful perspective out there.
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And then you can go into the road and can
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see this just a little bit.
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So there's some of those long, uh,
uh, grass blades, whatever they, they
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come already out of the road there.
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The, no, you, you, you, you,
you can have a run like this.
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He was loose.
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God, God,
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you see what happened?
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I just don't touch it.
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The paint that paint, I tell you.
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Uh, no, I, I, that paint,
but this grabs it right.
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And keeps the, the, the pilot
live right on the canvas.
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It is not slicking.
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It's not sliding.
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It is just drag and beautiful and gives
you all the things he wants to have.
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The, that is what makes it so nice.
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You hear, I would like to have a bit
of standing up lines up to the road.
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And then let it drag down.
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Oh God fantastic.
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And you can see this, the Hill is
coming down towards you and you
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can paint it perspective, right?
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The, no, if you want, you can add a
little touch of red into that, right.
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And with all the colors
you have, I hide from you.
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I wish you could holler.
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Whether it be nice.
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It would say smarten up.
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I will.
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I will.
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I promise you.
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00:17:45,045 --> 00:17:50,835
I will promise you, I will, the little
touch of this or this rage tune on the
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road, giving me that little bit of extra.
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He know we will.
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We come to that point?
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See, fine.
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Fine, fine.
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Fine.
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No, but just happen.
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Just happen.
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Just happen.
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It just happened.
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Let me figure it out.
251
00:18:18,525 --> 00:18:22,925
I want us to put that on my 80 piece of
thrift foot in there as like all trees
252
00:18:22,955 --> 00:18:28,205
and the Rouge Dennis line road in front
of the cars parked on the road and parked
253
00:18:28,205 --> 00:18:30,635
there by that has to be very powerful.
254
00:18:31,295 --> 00:18:33,545
I would start like the.
255
00:18:37,695 --> 00:18:39,495
Uh, yeah, yeah, yeah.
256
00:18:39,495 --> 00:18:39,945
That's it.
257
00:18:40,215 --> 00:18:41,415
And talk like that.
258
00:18:41,955 --> 00:18:43,695
Oh, be excited.
259
00:18:44,555 --> 00:18:51,215
You know, you have to excite yourself
and then if it comes, it all comes here.
260
00:18:51,215 --> 00:18:53,765
I listed this, this light.
261
00:18:54,035 --> 00:18:56,345
Can you see that piece of
driftwood already coming?
262
00:18:57,215 --> 00:18:58,625
It's just upside down.
263
00:18:59,580 --> 00:19:04,140
Yeah, you can do so many, many things in
the painting, but it just happened here.
264
00:19:04,140 --> 00:19:05,570
I think would fit nice.
265
00:19:06,250 --> 00:19:06,770
Would fit.
266
00:19:06,770 --> 00:19:12,620
Nice to have that kind of, I made the
piece of drift within you, but when you
267
00:19:12,620 --> 00:19:24,800
plastic, unlike this, there is no, there
is no, I use white rice with a bit of red.
268
00:19:24,800 --> 00:19:34,155
Again, I hide from you and, uh, And see
how he makes bit of a, Oh, this is not old
269
00:19:34,665 --> 00:19:37,725
salmon color, some kind of a salmon color.
270
00:19:38,235 --> 00:19:42,465
And then you, you, I build it up
there and the light is coming from
271
00:19:42,465 --> 00:19:45,615
there and I will automatically,
272
00:19:51,695 --> 00:19:52,774
isn't this wonderful.
273
00:19:54,120 --> 00:19:58,949
The that his knife work, but
the power is it's so powerful.
274
00:19:59,189 --> 00:20:04,510
Brush work is wonderful, but it never
gives you this because when you, it
275
00:20:04,510 --> 00:20:07,350
it's like glass, it is always a flat.
276
00:20:07,709 --> 00:20:09,030
It is not anymore.
277
00:20:09,149 --> 00:20:13,199
A brush has little hair and gives
you a hairy lines and it is light
278
00:20:13,199 --> 00:20:14,429
and shadows, light and shadows.
279
00:20:14,669 --> 00:20:18,300
This is like a piece of glass
and you leave little lines and
280
00:20:18,300 --> 00:20:19,800
can you see the lines stare?
281
00:20:20,325 --> 00:20:22,275
The, you will never mix a dead.
282
00:20:22,335 --> 00:20:26,355
You are always mix it like
marble, and then you got all those
283
00:20:26,375 --> 00:20:28,515
beautiful, beautiful details.
284
00:20:28,935 --> 00:20:30,315
Ah, so nice.
285
00:20:30,885 --> 00:20:31,575
Watch this here.
286
00:20:34,889 --> 00:20:36,330
I don't touch his heart.
287
00:20:36,449 --> 00:20:41,209
It is just a little bit much
because I have a baby and up there
288
00:20:41,240 --> 00:20:46,010
right now, there's a bit up on
there and the buildup should grab.
289
00:20:46,250 --> 00:20:51,110
And it only grabs because you
have a paint, but it's a curse.
290
00:20:51,290 --> 00:20:52,550
It is not trick.
291
00:20:53,209 --> 00:20:57,169
It does not jet, you know, lot of paint.
292
00:20:57,179 --> 00:21:00,350
You buy a lot of paint when
you go into the art store.
293
00:21:00,585 --> 00:21:04,455
See this, you get the dry, powerful paint.
294
00:21:04,754 --> 00:21:06,855
That's been good habit and redo the job.
295
00:21:07,065 --> 00:21:11,705
All that other stuff is good
for the Sunday artist Monday to
296
00:21:11,705 --> 00:21:13,805
maybe I go fishing on Monday.
297
00:21:14,435 --> 00:21:15,004
Okay.
298
00:21:17,735 --> 00:21:20,225
very light, very light attach it.
299
00:21:21,705 --> 00:21:26,175
Oh, God can cause a little stroke
because they're supposed to build
300
00:21:26,175 --> 00:21:32,025
up a buildup on that black paint and
it pulls it off and, and gives you
301
00:21:32,025 --> 00:21:38,445
like, uh, like a driftwood would be
like a piece of wood would lie there.
302
00:21:40,535 --> 00:21:42,755
Oh, I guess I was excited when you paint.
303
00:21:43,835 --> 00:21:44,405
Cut a few.
304
00:21:44,405 --> 00:21:47,045
If you want referee, you should
come to my place where I live.
305
00:21:47,765 --> 00:21:49,655
There's a whole Lake full of driftwood.
306
00:21:50,475 --> 00:21:54,135
And those people I tell you, they don't
know what to do with that that's problem.
307
00:21:54,735 --> 00:21:57,794
And people come from all over to
pick up a little bit, nothing too
308
00:21:57,814 --> 00:22:00,135
crazy, but I think that's wonderful.
309
00:22:01,245 --> 00:22:03,375
You can do so many things with the effort.
310
00:22:10,475 --> 00:22:10,955
see.
311
00:22:12,534 --> 00:22:13,564
Isn't that beautiful.
312
00:22:18,060 --> 00:22:25,190
No, I have to get, I got to have that
debt got to get it touch of red into that.
313
00:22:25,460 --> 00:22:26,330
And they always hide.
314
00:22:26,330 --> 00:22:29,030
And you, I forget, you know,
no, I do not forget you.
315
00:22:29,040 --> 00:22:30,470
I always do.
316
00:22:30,470 --> 00:22:34,040
You know, when you get too involved,
you are in that painting and you
317
00:22:34,040 --> 00:22:39,860
forget, you forget this, but here I
would like to have a little bit of.
318
00:22:41,610 --> 00:22:44,880
The peaks taken out you,
then you add a little bit
319
00:23:04,470 --> 00:23:05,120
beautiful.
320
00:23:07,350 --> 00:23:15,360
The now the next step is a next
step is the, I, I mix a mix touch
321
00:23:15,360 --> 00:23:20,520
of green and I would like to
have light and shadows there too.
322
00:23:21,790 --> 00:23:22,090
Okay.
323
00:23:25,910 --> 00:23:28,670
You can only do so many
strokes and then the rest,
324
00:23:32,630 --> 00:23:32,970
see.
325
00:23:33,540 --> 00:23:35,520
Add a little bit of color in there.
326
00:23:41,929 --> 00:23:42,050
Yeah.
327
00:23:42,050 --> 00:23:43,399
It makes it powerful painting.
328
00:23:44,165 --> 00:23:44,295
Okay.
329
00:24:01,755 --> 00:24:09,135
Now the next step you put
are my D is that a close up?
330
00:24:10,064 --> 00:24:13,635
You put the unmade, you
fence posts in there.
331
00:24:17,915 --> 00:24:24,754
Um, maybe put two and two
and one here and one here
332
00:24:28,834 --> 00:24:30,064
beside the road.
333
00:24:36,570 --> 00:24:38,820
No, you put the highlight on that.
334
00:24:39,060 --> 00:24:48,120
I will use the Tetro for read and write,
read, and write, and it would be like this
335
00:25:00,150 --> 00:25:01,050
that's nice.
336
00:25:01,590 --> 00:25:03,450
And then a little bit on this here too.
337
00:25:12,395 --> 00:25:15,965
no, I show you what we'll do a better job.
338
00:25:16,295 --> 00:25:22,595
You can use a little fanboy or any
little brush here and just extend,
339
00:25:22,625 --> 00:25:28,445
watch extended the, can you see, can you
make a close up on this particular one?
340
00:25:28,925 --> 00:25:31,055
Can you see the difference
between this and this?
341
00:25:31,815 --> 00:25:35,415
See, it makes it like around
it's around posts there.
342
00:25:35,865 --> 00:25:36,705
They do the same thing.
343
00:25:41,165 --> 00:25:43,595
See, look at that.
344
00:25:43,895 --> 00:25:47,645
Beautiful, nice old fence there.
345
00:25:48,005 --> 00:25:51,715
Now you use your little ma
your little brush now and put
346
00:25:51,725 --> 00:25:53,735
a nice little cap on there.
347
00:25:57,875 --> 00:26:00,035
Nice little red cap on there.
348
00:26:02,145 --> 00:26:04,035
Aw, that's so good.
349
00:26:04,485 --> 00:26:06,075
No, you have to make a decision.
350
00:26:06,225 --> 00:26:06,915
What you want.
351
00:26:07,095 --> 00:26:09,675
You can have a two by six learn in long.
352
00:26:09,885 --> 00:26:14,205
You can have, if you have something nice
in the background you could put via on.
353
00:26:14,355 --> 00:26:18,795
And when you put via on you just
run it in like this, you see your
354
00:26:18,795 --> 00:26:22,515
desk around, under the long, like
this, and you have to via there.
355
00:26:24,630 --> 00:26:25,290
What do you want to know?
356
00:26:25,290 --> 00:26:26,010
It's up to you.
357
00:26:26,010 --> 00:26:32,160
I just tell you advisors and
I will show you, uh, aired.
358
00:26:33,500 --> 00:26:42,380
I make a two by four on top now because,
because he, I think it would look better.
359
00:26:43,580 --> 00:26:43,850
Yeah.
360
00:26:44,000 --> 00:26:47,210
Two by six, two by six, two by six.
361
00:26:50,400 --> 00:26:50,580
No.
362
00:26:50,580 --> 00:26:51,720
You have seen both.
363
00:26:52,130 --> 00:26:52,280
Yeah.
364
00:26:52,280 --> 00:26:56,090
Seeing the via there, if you like the
via, you can make it bought by it.
365
00:26:56,090 --> 00:27:00,890
If you're very angry, you, the guys that
bothered you all the time, they were
366
00:27:00,890 --> 00:27:07,280
fishing in your link and you cannot,
you cannot see then you just, uh, the,
367
00:27:07,280 --> 00:27:09,080
and then you put the other one on here.
368
00:27:09,260 --> 00:27:12,050
Bang, bang, bang, bang, bang, bang.
369
00:27:12,555 --> 00:27:14,265
And bang, bang, bang, bang.
370
00:27:14,835 --> 00:27:17,655
And then you, you, you,
you highlight that.
371
00:27:19,625 --> 00:27:27,065
They look at that beautiful
E you highlight that.
372
00:27:27,515 --> 00:27:35,705
And what you got is a nice,
happy painting that you like.
373
00:27:35,735 --> 00:27:36,485
I like it.
374
00:27:37,055 --> 00:27:38,075
And I've on the phone.
375
00:27:38,525 --> 00:27:41,255
You learn something vanish.
376
00:27:42,285 --> 00:27:42,825
Love you.
377
00:27:42,855 --> 00:27:43,335
Bye bye.
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