Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 3, Falling Leaves - AVAILABLE
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And man, no, I don't really.
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Big getting too far when autumn leaves
begin to fall, it is a beautiful time.
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There is not everything turns
Brown, everything turns the
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air is fresh on the leaves.
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And when you walk Sunday morning and
you see the dog is running to the
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leaves and the leaves are flying up.
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And by the time, you know this word
as much to beauty differ, Beneath
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divide, blue sky vide blue sky.
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Oh, we were fired.
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And I tell you I would
make an awesome painting.
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I would dream something up, somebody
on mighty something powerful.
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We will have made you
happy blue sky up there.
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I put the Medicaid on already.
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And then, and then, and then, and then.
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And then we will have a peak peak
of the mountain sticking out there.
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But, you know, as a funny, I think the
West coast doesn't have such a good ad.
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Autumn, autumn colors.
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The East is more colorful in there.
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Maybe.
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I don't know why.
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The story is, uh, the, the, the
frost is suddenly is more for
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us there than here in the vest.
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Everything is quite so often and barn
I'm going to turn, I can see what it is.
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They don't want to turn the head.
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It's still warm by turning.
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Okay.
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Good deal.
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I think my, our mighty God knife.
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Oh, look at that.
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It's just too much, too much.
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I put the Vita over here and have a
happy blue sky dare and I've, I've
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put a bit of black in there, bit of
a person blue in there and a bit of
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alizarin Crimson, and I will have the.
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Peak mountain sticking out there
far by more than a bluish type.
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C can you see here more than the blues and
the blues and I, I space it in my mind.
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See, before you start, you always
have to, uh, the, I never talk
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about it when I start painting.
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Because it's for me, it
is, I paint 50 years.
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Oh God.
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It's a long, long time.
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And there's in my bloodstream.
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I don't, I don't think there's a spacing
when a newcomer and I should really,
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I should, I don't know why I don't.
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I should talk about the.
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Species of canvas, but this is my
mind before I start, because I see
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that it's lots of art and trees.
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I really have an Albany, but in the
trees, them speaking out there, and
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then the rest is in deep art and
fields and the little rivers coming out
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there and, and everything is bouncing.
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The autumn colors are bouncing
and maybe the Mary broke
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beside the road, Murray broken.
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Beside the road, happy little sidewalk
there, wherever with autumn leaves on
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the sidewalk and that all can be done.
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Okay.
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Fire off.
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I would say make it a bit tired
already just to have enough room
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for, uh, things to other things, uh,
that things are the other things.
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See how you, it doesn't matter.
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Whatever you think, whatever
you, your mom ID is in your mind.
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The, in no time you got to read
the arm before you go back to the
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mountain, that's already standing dead.
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Maybe he has to live in the mountain.
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Did anyone.
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Yeah, hold my knife.
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Very, very, very flat.
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So that's good.
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Light is coming from this side.
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I ever use my white and this eye.
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See look at the details.
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Look at this wonderful
details you fire off there.
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Look at that, the buy breaks.
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That's just fantastic.
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Just fantastic.
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You got to learn the strokes.
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Just divide you handle it.
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I always go with the
shape of your mountain.
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Then you cannot, you cannot be wrong.
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See maybe here a little bit and maybe
hear a little bit, and then a little bit.
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You break it up to why you think
the mountain were calm, maybe
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here, here, and that side level,
there should be more snow.
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See?
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And no, and no time you
got so much power in there.
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You know, it would fit.
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If you have to fit in the round with
that little brushes, it would take
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you a lifetime to do all that I did.
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And a couple of seconds more or less.
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I wish you could have good shot
on this, her, all the us details.
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Yeah.
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And you can see, and you know,
how many minutes I needed and I
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could express myself the nice part.
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Yeah.
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Divided, express yourself, you know?
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You, you eat it up.
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It goes so fast because you
cannot express yourself by
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hanging around and hanging around.
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Then it starts hanging already.
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It's forever.
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That has to be done.
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Now.
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He, the day,
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that's all I were it in.
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I will maybe hear a little bit that
looks a bit too, too dead there.
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Good.
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The, no, I will use my big brush, my
Bay brush, and I will use SAP green, SAB
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green, lots of SAP, green Taylor green.
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See what the brush is loaded
and go into that blue here.
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You can monitor it in the, and
no, I have a no comes to cover up.
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There is some . They are so nice.
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Vice.
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Should I cover that up?
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I have my mind to put trees around big
trees that hang down there and there, and.
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There and there I went, three
is called me over there.
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You see,
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leave off your tank.
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It looks so good.
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He, how you it, then the brushes
load, the brush load at, he wants
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to get us to us branches coming out.
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Nice.
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And then have that opening
here, show it totally opening
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stare in there and then see
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that's where we are.
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The trees all around a tree.
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See, always on that mountain
moved back because I framed
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it and it makes it so nice.
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So on the floor.
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And then he has dogs.
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They're dogs, they're dogs, they're
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black passion blue, and
this colors and dark there.
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Darker than dark the
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SAB green Taylor green.
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Passion blue and whatever is
left of the mountain colors.
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That gives you a little
bit of light there.
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Then I come in like this and like
this, and like this look at that.
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No, the mountain is just.
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See what happened all of a sudden,
far by and front is all those trees.
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First I make green trees or, or
the dark are the dark T's first.
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Before you got into the autumn colors.
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So you, then you need light and shadow.
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I need the shadow side and I
use that for the shadow side.
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Oh, that's come good.
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Can you see your, how
your imagination goes?
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How you, how your, how your insight goes?
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How, how, how your artist feelings coming
out now that it's just rolling out.
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That's just raw, you know,
it's dark all around for us.
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Then you have dark.
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Then you can show light.
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There is no light.
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If you don't have dark.
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Hey make a doc.
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So that's fine.
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She made it all dark first.
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I need lots of dark in order to
show light, light and light nothing.
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And nothing is nothing
darker, darker, darker.
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So, no we were separate or things can be
very, really, really, really go into that.
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First.
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I put the little tree trunk in here.
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So you, this is the beginning.
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E.
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Okay.
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No, we were for the cover
branches on top and that the
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tree just stick out like this.
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So no, we will be using one inch
brush and I go into the magic.
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Right.
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And I mix my serve.
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Happy.
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I could color with Ted with the
Indians, yellow, Indian, yellow,
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and white first do it like this.
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And I will, I will have here
some happy autumn colors that
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is called interested dog.
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I was from the top at the top is
open and they leave it like that.
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Dan you mix, you say, do you know,
I have a D they get the colors, the
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colors come into your, to your brush
and you have to fight it somewhere.
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Maybe here, here would be good.
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That's nice.
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I always dog on the bottom.
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The I use my paper, the people
that are just to clean out
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the, the, the, the watch.
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Let me show you the whole thing now
again, then you can see what happened now.
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The brushes are nice and clean.
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It's not as easy.
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The brush is nice and clean.
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No, but when I attached that here then
automatically, that does cause on to.
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To my brush the, in what the brush does.
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See, it just turned, it picked up
the paint from the canvas and what
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I do, usually I rub it off here.
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So this I don't get rid
of all that insight color
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because you save rather paint.
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So I go into the magic white again, it,
then the paint would stick on the ticket
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paint and use more, more of those colors.
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Here.
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It'd be a nice
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dog, a dog that got a dog.
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That's the main thing.
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And then I wash it off again.
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Can you see, I just rub it off.
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Did that color?
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What came in from the canvas
to my brush and then I pick
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up new, but I need more vide.
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I need more, right.
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Right.
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I always think of loaded my
canvas, my, my, my pilot.
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He know C five, watch this,
have it very bright on top.
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And as you come down and get darker,
darker, darker, darker, but then when
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he wants to go on again, See against
that dark, you have a new stars.
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Can you see if I would leave it all light?
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I will not have this
star Z I pack against it.
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Now you understand why you have
to have a dark, let it go dark.
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Let it be light on top.
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I just go from the shadow side.
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I like to have this light
coming from this side.
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And then again, if I want to know what I
should just show you how, how that works.
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See no, by having a darker it
again, they have the light there.
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Can you see?
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I will not have it.
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If I had it, you can see.
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No, the flare-ups behind this is in
front cause further, further, further.
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Okay.
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That's why I said it's
just a demonstration.
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Okay.
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No, we will.
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I will have to clean my brush completely
because I wants to have some happy
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red on the canvas in order to get that
happier red, I will have a happy, clean.
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Clean, I was use a right
into the red in this case.
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The end of that dread becomes a
kind of a happy, happy, bright rage.
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And I think I would have it dare, uh,
look at that red, red in the middle there.
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Manual right in the middle of
there and maybe a clean up again,
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this peak, see it just to dirt.
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And then I have the rest is clean.
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D D D I would push it up here.
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All of a sudden dad is for, I dang.
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It would look good if I had
some red peaking out there.
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See, now you can see how you
build up against that dark.
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The, the autumn colors.
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If I wouldn't have the dog,
I couldn't have all that.
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Okay.
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He, no, he already, in my
mind, this is water here.
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Then I fire in this red, this red and that
red four by comes up pipelines in there.
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See, see then that, that shows
on so-and-so and that's fine.
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No, I V I wear, I will have here.
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Well, maybe I showed you back first.
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See you sometime
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you make it on my dish.
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Scratch a there
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See this as a background.
245
00:19:10,910 --> 00:19:13,160
yeah, that's ever be filled in again.
246
00:19:14,780 --> 00:19:24,830
No, I will use the other brush and it
will have a happy, happy light green light
247
00:19:24,830 --> 00:19:32,630
green to lighten up, highlight the SAP
green and maybe which of Taylor green.
248
00:19:33,260 --> 00:19:35,810
He has give me a nice green for this here.
249
00:19:36,705 --> 00:19:37,485
He just gave me,
250
00:19:41,195 --> 00:19:43,445
can you see against the light,
251
00:19:48,425 --> 00:19:53,945
this, this side, I believe dark again.
252
00:19:55,385 --> 00:20:00,545
I will highlight this side
a better light, light green.
253
00:20:02,995 --> 00:20:07,035
He use, leave the dock
hoods because you need them.
254
00:20:07,365 --> 00:20:09,435
That's very, very important to have it.
255
00:20:10,425 --> 00:20:15,825
And then I wear, I wear have
enlight green tree popping up.
256
00:20:15,825 --> 00:20:16,785
I was on here.
257
00:20:24,705 --> 00:20:27,195
Can you see how you space, how you.
258
00:20:27,810 --> 00:20:31,860
Promote how you create in
your mind that dog, a dog.
259
00:20:33,300 --> 00:20:36,690
And these are the three
you have autumn colors.
260
00:20:36,690 --> 00:20:38,190
They're so wonderful.
261
00:20:44,540 --> 00:20:46,850
no, I will use the reds.
262
00:20:47,120 --> 00:20:49,550
Let the rates pick out here too.
263
00:20:50,600 --> 00:20:52,760
It maybe here this happened.
264
00:20:53,540 --> 00:20:53,750
Yeah.
265
00:20:53,780 --> 00:20:54,710
Some reds.
266
00:20:56,250 --> 00:21:01,379
And if you never want to believe me,
but threes have some time they call
267
00:21:01,379 --> 00:21:04,889
us because how the wind got on him.
268
00:21:05,550 --> 00:21:11,429
There's a tree coming out there in the
back, whatever the color, see then this
269
00:21:11,429 --> 00:21:14,129
other tree, but obvious vibe off often.
270
00:21:14,580 --> 00:21:15,360
Can you see here?
271
00:21:15,360 --> 00:21:17,580
If you could see it, see how dirty it is.
272
00:21:17,730 --> 00:21:21,030
It's only because the peak, the
head, the tip of their hair.
273
00:21:21,750 --> 00:21:22,860
No, no, no.
274
00:21:22,860 --> 00:21:24,510
I already wipe off the color.
275
00:21:24,510 --> 00:21:25,439
I don't want that.
276
00:21:26,310 --> 00:21:27,780
Do you understand this thinking?
277
00:21:28,139 --> 00:21:28,530
Obvious?
278
00:21:28,540 --> 00:21:30,149
Make sure you don't lose.
279
00:21:30,510 --> 00:21:33,810
Otherwise you would have to wash the
whole brush and you lose so much pain.
280
00:21:34,260 --> 00:21:35,750
The customer money.
281
00:21:37,159 --> 00:21:38,120
I to do it on
282
00:21:41,899 --> 00:21:43,550
custom money, paint, cost money.
283
00:21:44,179 --> 00:21:45,050
You can't have.
284
00:21:51,575 --> 00:21:52,745
he had a knife here.
285
00:21:52,775 --> 00:21:56,254
How is the trade cause right
in front, the different rates.
286
00:21:56,315 --> 00:22:00,725
This is a lighter, red, bit more white
and with more dark then, and you got all
287
00:22:00,725 --> 00:22:02,725
kinds of nice colors coming out there.
288
00:22:02,765 --> 00:22:02,945
Yeah.
289
00:22:07,145 --> 00:22:14,225
Again, wipe this off and you, you,
you, you fire in other red right there.
290
00:22:15,375 --> 00:22:16,355
All right, Dan,
291
00:22:22,475 --> 00:22:28,265
even on this side, you could, you could
use, uh, uh, other like Alison Clemson,
292
00:22:28,535 --> 00:22:30,875
the darker red because of the shadow side.
293
00:22:33,515 --> 00:22:33,845
E
294
00:22:37,475 --> 00:22:37,985
okay.
295
00:22:38,315 --> 00:22:42,515
How did the light to the sunshine
and the dark to the two day.
296
00:22:43,335 --> 00:22:44,385
She had her side.
297
00:22:51,785 --> 00:22:52,955
Good, good, good.
298
00:22:53,195 --> 00:22:55,145
It would be very colorful painting.
299
00:22:56,015 --> 00:23:00,305
And I know here I find
some other red there.
300
00:23:00,305 --> 00:23:01,985
If I add some other red.
301
00:23:09,090 --> 00:23:12,689
E maybe here, here I wear,
302
00:23:19,270 --> 00:23:26,490
I wear, I wear, I wear have
some yellow and you must think
303
00:23:26,490 --> 00:23:28,500
this will be water soon here.
304
00:23:29,340 --> 00:23:30,870
That will be words as soon.
305
00:23:30,899 --> 00:23:35,535
Uh, And very big like this,
306
00:23:45,045 --> 00:23:45,465
the
307
00:23:48,465 --> 00:23:50,265
Indian, yellow is a nice color.
308
00:23:50,265 --> 00:23:50,925
Look at that.
309
00:24:01,050 --> 00:24:02,060
Yeah, good.
310
00:24:02,510 --> 00:24:09,710
Maybe here we have some darker red
is that dark red and the shadow
311
00:24:09,710 --> 00:24:12,689
side underneath the trees there.
312
00:24:12,740 --> 00:24:15,830
You see maybe here's some darker ads.
313
00:24:16,159 --> 00:24:18,439
There's all kinds of
extra colors in there.
314
00:24:19,129 --> 00:24:22,669
He, that splits up with all the
colors he wants to think of.
315
00:24:23,389 --> 00:24:26,780
He, no, you, you, you, you, you used it.
316
00:24:27,510 --> 00:24:28,710
The big brush.
317
00:24:30,240 --> 00:24:32,250
I have a nice clean, big brush.
318
00:24:32,610 --> 00:24:34,290
And you make water out of that.
319
00:24:35,090 --> 00:24:35,390
Yeah,
320
00:24:47,450 --> 00:24:50,840
he look at that.
321
00:24:51,140 --> 00:24:52,250
Maybe go a bit in here.
322
00:24:52,250 --> 00:24:53,750
Like it comes from here.
323
00:24:54,450 --> 00:24:57,120
It's higher than we have
it, like in this land there.
324
00:24:58,379 --> 00:25:00,899
And there's a Cove coming in there.
325
00:25:02,610 --> 00:25:09,090
SI no, if we make water
out of that, look at that.
326
00:25:09,270 --> 00:25:13,169
All of a sudden you have water
that took me copier seconds on
327
00:25:13,169 --> 00:25:15,510
the, having that water there.
328
00:25:15,960 --> 00:25:19,800
He know you make yourself
a nice shoreline there.
329
00:25:26,795 --> 00:25:28,745
he cut in like that.
330
00:25:29,945 --> 00:25:32,735
And all of a sudden look at that.
331
00:25:33,485 --> 00:25:37,495
You can go in your shoreline
light this bill just after this.
332
00:25:37,535 --> 00:25:39,215
Cool Derek, is he here?
333
00:25:39,605 --> 00:25:40,145
Cumulated.
334
00:25:40,175 --> 00:25:40,535
Cool.
335
00:25:40,535 --> 00:25:41,375
Father of a son.
336
00:25:42,985 --> 00:25:57,825
And then here that made a big, the
sidewalk can walk around there.
337
00:25:59,625 --> 00:26:04,215
See that makes it a nice painting.
338
00:26:07,605 --> 00:26:15,525
And now you can put all the autumn colors
in, on that road to the, whatever you
339
00:26:15,525 --> 00:26:19,155
have a little bit of red and whatever,
whatever, whatever, whatever, whatever.
340
00:26:19,815 --> 00:26:28,785
See dad, dad uplines and then you,
you, you can make a cool here.
341
00:26:31,580 --> 00:26:40,909
I did this and in no time and
no time your painting is done.
342
00:26:41,840 --> 00:26:44,120
Isn't that fantastic.
343
00:26:44,840 --> 00:26:50,209
Maybe couple of water lines in here, dad.
344
00:26:50,719 --> 00:26:51,709
What'd you think about it?
345
00:26:51,919 --> 00:26:52,729
You enjoyed it.
346
00:26:53,209 --> 00:26:54,379
Thank you for watching me.
347
00:26:54,469 --> 00:26:55,100
I love you.
348
00:26:56,120 --> 00:26:56,209
Okay.
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