Sunday, December 13, 2020

S04E09 Midnight Roses - AVAILABLE

Bill Alexander's
The Magic of Oil Painting



Season 4, Episode 9, Midnight Roses - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

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Oh, isn't that ever wonderful.


2

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I'm so glad to be with you again.


3

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It must, you would put it on

me, but I thank you for that.


4

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I enjoy it.


5

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And that's wonderful when you enjoy it.


6

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And I think as older you get

as more power you gain because


7

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you brainwash yourself, always.


8

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I am the power.


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I am the tomorrow.


10

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Are you able to make the board sing?


11

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And I really make people so happy.


12

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Everyone will stay on

the street corners and


13

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on them for that.


14

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Nice to have a little

bit of a happy humor.


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Keep it in your house.


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It's good.


17

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And you know what I want to

show you now, call us flowers.


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Like a bouquet of flowers in a pot

with the shadows, with the sunshine.


19

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Dang, you are next to God.


20

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You lead the light and to Devard

and there's another wonderful, you


21

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are the leader for light and you

want light here and it was light.


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The hair and, and your shadows, where

you have light, you have a shadow


23

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behind them trying to talk to you

like dad with too much power Lord.


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You're on inside with

that on my mighty power.


25

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And I can see it already finished.


26

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I talked to myself so much and

I brainwashed myself so much.


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This Isaiah already finished.


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And I see what I did here on

this particular palette is nice.


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I put lots of colors on because

I want to really use colors and


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it will do it all with the knife.


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Again, I only conditioned it with as a

background and I show you how I do the


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background this time I will have magic.


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Right.


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But it is a little bit of

magic right around here.


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So this is just like

that, just like that just


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Because they want us to one store

right away, which I, the background


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touch of dark dash of blue.


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And


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you can fight it if you want

to get more dark, but Madonna.


40

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In no time, you create a kind of

a background, maybe darker on that


41

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side, where the light is coming from.


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The, uh, the two blue denim has

used a touch of, of violet touch.


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Look at test.


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It takes you right there, the little

touch of violet and from the side, and


45

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you have all kinds of other colors there.


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And he went down there, a little

attached there that attach.


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So just, you have a nice.


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Power for power for background, maybe

darker through the bottom there.


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And when you say darker,

then you talk darker.


50

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Oh my God.


51

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I was about beautiful painting already.


52

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I can see that beautiful,

beautiful painting.


53

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I can, Oh, I can help.


54

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And maybe if you put a bit of red there.


55

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Yeah.


56

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Maybe a touch of red there that really

give you a little bit of a TB feeling


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that we're giving you a little bit of

a table feeling and then bring it up,


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bring it up, bring it up, bring it up.


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Got it.


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And then here, here, I see

already a powerful, powerful


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shadow on the table running from

that flower pot and the flowers.


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And the light comes from the side.


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That means that all of us at

got to throw a shadow dance.


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And we do it already.


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If you see it in your mind finish

that's no problem, no prob limb touch.


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Your violet is good.


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Gives you a nice color to add one.


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I don't know, here, here, every break

in every break in with kind of a, this


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kind of a color and not wonderful.


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Look at that.


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Very colorful painting.


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Very colorful painting.


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Okay.


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Not much funny around dark light.


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Now I will, I will wash my on

mighty brush and then I will, I


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will, where he do it like that.


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Make sure you have a nice dry brush.


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Maybe just then.


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Uh, the indication now I will use

my on my knife and I ever think, I


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ever think just like a modern, a bit

of a, uh, abstract, there's a, uh,


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see you space it in your mind, space it

in your mind, then you have the right set.


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Yeah.


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And this side is the shadow side.


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So you have it dark.


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Maybe here's all the leaves.


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There's other leaf has

all the leaves out of the


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black SAP, green Taylor, green, they

all, and they put it all together.


88

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Oh, let it hang down like this.


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SI SI SI SI SI Senora.


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Good.


91

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I'm good.


92

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See you here in the middle.


93

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Just darken it up.


94

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Touch of black Taylor green desk,

black darkness up, but make it join


95

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us all, lose, all lose is isn't.


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She, you see it all like that.


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Eh, and here on the bottom, you

have the feeling of, uh, uh,


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feeling of viz, something like this.


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Again, you have stairs and don't forget


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the shed.


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Was there more, anyway, you have

a light there got to be shadows.


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Something like this.


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Then on this side I will

use, I will clean my knife.


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I think it touched you for eight

touch off of violet, violet real well.


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And I would say.


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and then you fire in right there,

fire shadows, and underneath there.


107

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Yeah, it makes a nice, powerful

painting and a bit of a glue.


108

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Maybe here, you put a little

bit of a glue in there,


109

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then maybe we give them that bit of

extra on Desiree, really private colors


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this time, make it really powerful.


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he, the baby work it out and

it would come nicer and nicer.


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And nicer and nicer.


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No, no.


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We were finished the other

side, just the light side.


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I was what I do.


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I put some yellow into the green

Taylor green and zap green.


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And


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this space in your mind.


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Maybe a couple of darker colors.


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It's always nice for lights.


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This must be lots of shadows and like

this and ideas and hanging around.


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They're fun.


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E and then all of a sudden you put

in that's a Rose flower up there.


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It stuck in between.


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And here it's a nice flower there


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E and we make it even nice lights.


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Uh, here is flower.


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Ye.


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And there it's Lily and behind

the flowers are a shadow.


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He Dan, and then here is a

flower, whatever that is.


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We just create colors, create colors.


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Yeah.


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A wonderful how you can

really play with cars.


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The, and then you just sometime

a runner leave in there and


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don't show the whole thing.


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You know, here's something.


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Just cut it.


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Just cut us, make it shorter.


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It really becomes a color

for Carla for painting.


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And that's nice to apply

with all those things.


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Hey, darker colors here.


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Darker colors underneath there.


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Eh, dog, Carlos, and don't

be shy just prior to him in


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obviously light and shadows.


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You're the leader of light for,

they said right in the beginning.


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And if you lead the

light, right, you got fun.


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You enjoy shy.


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Lots of.


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Lots of dark colors on one

side, lots of light colors on


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us, but you have light colors.


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This leaf will always

throw a shadow underneath.


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You know, you have to have that though.


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First, make it always dark

and then fire into the light.


154

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C is nuts, funder for her.


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00:12:26,310 --> 00:12:33,240

Some kind of a feeling of a leave of

the, of a shape of a leaf even curled up


156

00:12:33,270 --> 00:12:35,490

or the that's just a nice shape there.


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Eh, yeah, a farm it now we are

building nice leaves, maybe here,


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one like this, this way, this way.


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And that's why.


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And otherwise, that's why,

that's why, that's why that's why


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the, of was that try that way.


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Just judge be the judge.


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Do whatever you think it, that

it suits your needs of dune.


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And then you're just doing great.


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Eva.


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I do.


167

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I display with tap because, and

then this here is one flower.


168

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Are they coming out that way?


169

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The light coming out right there


170

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is the other one.


171

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Maybe here is the other one.


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And I looking at you.


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This other one here,


174

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then you can private for

a fight and a nice, nice,


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00:14:08,600 --> 00:14:09,320

um,


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you just highlight that, make it,

is she, or isn't she, the, this is


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what makes AppSec too interesting

when you, when you play with that,


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you know, when I think back 10 years

ago, I wouldn't paint like that.


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I couldn't, I was too new.


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I was still too, but as older

you get as more you ask for.


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For power.


182

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He wants to have something.


183

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And the power is really in, in, in colors.


184

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How will you put the colors on C


185

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then here on the, on the shadow

side, you can have a darker


186

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or Rose dark color there.


187

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But put spark and put sparks.


188

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And he like, is he a part of


189

00:15:18,875 --> 00:15:23,495

he just, just managing

things, managing things.


190

00:15:23,495 --> 00:15:26,975

Maybe here is one rides

on the outside, in between


191

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I'm thinking like this


192

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and obviously a bit of

highlighting highlight.


193

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Just let it hit a little bit.


194

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There.


195

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He, that, that makes it nice.


196

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And if you give it in this case,

he ever show you what you do


197

00:16:00,650 --> 00:16:03,740

after then you just run leaves


198

00:16:08,060 --> 00:16:11,810

the around the leave,

coming down like this.


199

00:16:15,290 --> 00:16:17,839

So then you cover up

things you don't want to.


200

00:16:18,569 --> 00:16:20,069

But you get it very powerful.


201

00:16:20,100 --> 00:16:23,939

He has a very powerful,

colorful canvas together there.


202

00:16:25,280 --> 00:16:29,209

They maybe here, if that tour,


203

00:16:34,459 --> 00:16:36,469

maybe here is the other one.


204

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And that's wonderful when you

can play with all those colors.


205

00:16:44,025 --> 00:16:50,325

I know I just build up colors,

colors and try it at home.


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If you really, you will enjoy it.


207

00:16:54,375 --> 00:16:55,665

You will enjoy it.


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Then, then you bring out, tell us a

sample ever have a little bit of a


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blue, just a blue to show you the rim.


210

00:17:05,464 --> 00:17:08,015

The bit the beginning of the waist there.


211

00:17:10,409 --> 00:17:11,969

Blue is still a shadow color.


212

00:17:13,679 --> 00:17:16,709

He that little bit of a tach, but it does


213

00:17:22,909 --> 00:17:25,669

powerful, powerful, powerful clutters.


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Yeah.


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00:17:26,540 --> 00:17:27,679

Oh, here,


216

00:17:31,340 --> 00:17:32,719

maybe here.


217

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handle.


218

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Nice.


219

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It's funny.


220

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You get excited.


221

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You excite yourself with colors.


222

00:17:51,050 --> 00:17:57,050

I think I can see a guy, but creates

music, beautiful harmonizing tunes,


223

00:17:57,679 --> 00:18:01,919

and, uh, And you can play with

those tunes it's for your ear.


224

00:18:01,919 --> 00:18:07,740

And what a joy, what a happy day goes

by, by just experience, beautiful,


225

00:18:07,740 --> 00:18:09,870

happy tunes, harmonizing tunes.


226

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It brings you into other ward.


227

00:18:12,870 --> 00:18:15,720

And I think that is a part of living.


228

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And when you go to bed at night and

you have all that experience, you


229

00:18:20,490 --> 00:18:22,919

feel so healthy and so powerful.


230

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And then I obviously said,

dear Lord, he was good to me.


231

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He really gave me a power for the day.


232

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He knows he just powered up forever.


233

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You think stepping a little bit back

and then Z whatever you, maybe we


234

00:18:43,955 --> 00:18:49,055

can put even the other color for

Rose and there other color for Rose


235

00:18:49,295 --> 00:18:53,345

or the, they gather Rose of Texas.


236

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That is good.


237

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Just get to throw together

as you feel it is.


238

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It has, the inside is beautiful here.


239

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This row is we give them a little bit

of an insight there that looks out


240

00:19:19,065 --> 00:19:22,275

like that and, and just beautiful.


241

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Beautiful.


242

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Hey on this side here,


243

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he put colors on your work with colors.


244

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It's all.


245

00:19:48,020 --> 00:19:53,450

You have colors without Carlos

fear, nothing and put the colors


246

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on, but every good thing, no.


247

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We, you can live with it.


248

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We'll make you happy.


249

00:19:59,415 --> 00:20:12,524

And that is one there for T C Senora

E no, I could easy let it the sun or


250

00:20:12,524 --> 00:20:15,254

the light dance on the table there.


251

00:20:30,125 --> 00:20:32,555

see if you have a pain, what breaks?


252

00:20:32,555 --> 00:20:33,305

What makes you?


253

00:20:33,635 --> 00:20:36,425

It helps me a lot too,

to live with that pain.


254

00:20:38,885 --> 00:20:44,735

So you can really, and here you

can make it like water on the TV.


255

00:20:46,005 --> 00:20:51,345

Brush it all in, or

just fired in like this.


256

00:20:51,375 --> 00:20:52,815

And that makes it nice.


257

00:20:53,175 --> 00:21:01,425

The, on this side and we'll have a

bit more, um, violet colors, something


258

00:21:01,425 --> 00:21:05,715

popping up here, but the shadows she

had just had there as, maybe on the end


259

00:21:06,355 --> 00:21:11,445

little bit of light popping up there,

maybe in the back, you can say behind


260

00:21:11,445 --> 00:21:13,845

the flower stares, the light floating in.


261

00:21:18,675 --> 00:21:25,145

Yeah, well, they want to show you here

to play with colors and it's a joy.


262

00:21:25,325 --> 00:21:26,435

I really enjoyed that.


263

00:21:29,855 --> 00:21:29,975

Yeah.


264

00:21:30,045 --> 00:21:32,895

You can just harmonize with harmonizes.


265

00:21:32,945 --> 00:21:33,004

Yeah.


266

00:21:33,995 --> 00:21:41,615

Uh, maybe here, uh, you can overload it.


267

00:21:42,360 --> 00:21:44,100

Maybe here we put the other,


268

00:21:55,040 --> 00:21:59,960

all the rules in there,

something like this.


269

00:22:00,710 --> 00:22:06,680

And if you feel you're you have

opening there, then close it up.


270

00:22:07,185 --> 00:22:09,254

But leaves have a dark colors.


271

00:22:09,645 --> 00:22:11,885

So this, you feel very comfortable.


272

00:22:15,105 --> 00:22:19,635

Now I will highlight them more

on this side, on the light side.


273

00:22:24,185 --> 00:22:29,285

the, just highlight more there that you

have light all the light from one side


274

00:22:29,465 --> 00:22:35,555

and dark and all the side, and then you

get the beautiful, beautiful, happy.


275

00:22:36,479 --> 00:22:38,669

Happy painting to get there.


276

00:22:39,810 --> 00:22:40,199

Here.


277

00:22:40,199 --> 00:22:44,459

It might be nice just to have a little

bit of that light hitting that rim.


278

00:22:51,300 --> 00:22:51,659

Hey.


279

00:22:51,750 --> 00:22:52,229

Yeah.


280

00:23:06,080 --> 00:23:07,250

Isn't that nice.


281

00:23:07,490 --> 00:23:10,070

I really get all excited

about those colors now.


282

00:23:10,910 --> 00:23:13,670

And it excites you more

as you go on living.


283

00:23:15,350 --> 00:23:22,970

Maybe here we give him, I just

putting it out a bit more here.


284

00:23:22,970 --> 00:23:26,600

That thread, like a flower is looking up.


285

00:23:28,140 --> 00:23:29,820

And a bit of light heads there.


286

00:23:30,960 --> 00:23:33,660

He can give him obviously

a little bit of insight.


287

00:23:36,930 --> 00:23:37,260

Yeah.


288

00:23:37,260 --> 00:23:38,760

A bit of insight there.


289

00:23:39,510 --> 00:23:44,190

So that brings it out a little

bit more and violet is a nice


290

00:23:44,190 --> 00:23:48,000

color to use for the inside there.


291

00:23:48,960 --> 00:23:49,560

See,


292

00:23:53,190 --> 00:23:56,310

yeah, we really give him a bit

of a dark in the background.


293

00:23:57,075 --> 00:23:59,805

Like a shed door was this, a

shed is coming from this side.


294

00:24:00,045 --> 00:24:01,754

Light is coming from that side.


295

00:24:02,045 --> 00:24:02,465

Okay.


296

00:24:05,015 --> 00:24:06,785

And again, I use violet here.


297

00:24:07,535 --> 00:24:14,015

I know you dissed just powered

it up, divide you dank.


298

00:24:14,045 --> 00:24:21,455

It should be, it got to be your

painting and without you feeling


299

00:24:21,455 --> 00:24:24,305

good, that penny was not right.


300

00:24:25,385 --> 00:24:25,865

So.


301

00:24:27,615 --> 00:24:33,524

Maybe maybe no, we will have, we

will have a couple of bright, bright


302

00:24:33,524 --> 00:24:36,165

red because this light side here


303

00:24:41,294 --> 00:24:42,044

that's good.


304

00:24:44,385 --> 00:24:45,584

We'll call us more colors.


305

00:24:46,544 --> 00:24:46,935

Yeah.


306

00:24:52,085 --> 00:24:53,435

what a powerful painting.


307

00:24:54,605 --> 00:24:56,915

No, if you were around some,


308

00:25:06,125 --> 00:25:12,005

make the TV bit more power

far from the light side.


309

00:25:12,245 --> 00:25:14,795

Maybe we give them a little

bit more shadow there.


310

00:25:15,540 --> 00:25:18,360

Bit darker, because that

will give you more power.


311

00:25:18,810 --> 00:25:20,670

Even the light comes from that side.


312

00:25:28,730 --> 00:25:29,060

Yeah.


313

00:25:29,710 --> 00:25:33,440

You can have white and

blue, white, and blue.


314

00:25:33,680 --> 00:25:37,100

He, something like this color,

you make it up and let a little


315

00:25:37,100 --> 00:25:39,260

bit of a blue spark there.


316

00:25:39,770 --> 00:25:43,220

See a little bit of a blue

spark there, like pottery.


317

00:25:44,385 --> 00:25:45,195

It was here.


318

00:25:47,565 --> 00:25:51,975

He fired and on the

button to all together.


319

00:25:53,445 --> 00:25:56,775

Let, to give you a little abstract,


320

00:26:05,925 --> 00:26:11,355

I'm very, very happy with my color

apply and I hope you enjoyed it too.


321

00:26:12,750 --> 00:26:14,670

Then we was good.


322

00:26:15,300 --> 00:26:16,710

We was good to each other.


323

00:26:16,980 --> 00:26:20,910

I just like to have that little bit

of a red harmonizing, just that little


324

00:26:20,910 --> 00:26:22,860

bit of a red harmonizing in there.


325

00:26:24,720 --> 00:26:27,420

What ours, we need nothing,


326

00:26:31,560 --> 00:26:34,020

just a little bit sparks there and there.


327

00:26:35,715 --> 00:26:41,745

And that is it what to call us

so colorful and so powerful.


328

00:26:41,925 --> 00:26:42,915

Did you enjoy it?


329

00:26:44,115 --> 00:26:49,275

Do it tome, sit down sometime line

up all the beautiful colors and put


330

00:26:49,275 --> 00:26:51,135

it wherever you think it should be.


331

00:26:51,795 --> 00:26:58,035

And left is a beautiful, powerful

painting, and it will live forever.


332

00:26:58,665 --> 00:27:00,195

Thank you for watching me.


333

00:27:00,315 --> 00:27:00,855

Bye bye.


334

00:27:07,995 --> 00:27:08,084

Okay.


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