Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 12, Sunlight I - AVAILABLE
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The bill on Xander show is brought
to you by Alexander art, create
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beautiful oil paintings faster and
easier than you ever thought possible.
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Even if you've never picked
up a paint brush in your life,
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Alexander art, you can paint.
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We promise Alexander art
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today.
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We will show you some kind of a moody ID.
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Um, you know, I showed you so many
other pennies already, but today I
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have something in mind to load up your
ideas about the mood of something you
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can paint a mountain or a farm in the
rain and the snow and the wind and
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the steam and in the mud, whatever.
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But I have something seen when you are to
the red woods as a sample, it is so dark
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and the need and uncoupled sun beams, they
shoot out from one side and the lighten
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up is part of it gives you a certain mood.
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You, you feel out of it on
your arm is in the dark.
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And all of a sudden out of nowhere
comes this beautiful zone beams and it
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lights up a distant part of divorce.
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And this aim for this ID.
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So we will, we will put the magic right
on and you know, roughly what I have
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in my mind, there's this, the sky, but
there will be loud at dark, you know,
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there's, it don't have to be the red
was you see it in every place sometime.
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And, uh, there you are magic, right?
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Every, put it on top.
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But more as we haven't really there,
maybe here a little bit on the bottom and
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I've, uh, I will fill the canvas, a wash,
my brush, a brush, my, our mighty brush.
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And I will use that black paint here as a
kind of a black pain again, and go up here
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and go right out there, wash the brush
and I need dark, lots of deep dark there.
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So it's good.
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To use just dark.
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He just helps me lead on it.
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Acts like magic Vite, but it has, I need
lots of dark vibes put Vite on if you need
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so much dark there, but I go into divides
and let it, Oh, see there that is there.
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see how nice it works.
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Not too thick, not so too much.
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Paint on, keep the paint off.
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So I first out here again.
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So he ended up leaves me.
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That leaves me dark in the middle
here, but it looks like this very
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wet and I don't like that vet.
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Now I showed you something,
but we'll be hard on you.
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The ticket paint.
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Now, here we are the stock.
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I got to have a Dick strong paint it, pick
a paint will not stick on a thinner paint.
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And what I got here is it
didn't paint right now.
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So I'm in trouble, help, help
I'm in trouble, but it's good.
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It's a good lesson.
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I needed that docs.
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I should have steered up my
black sea and that black is just
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took the oil off from the top.
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I show you exactly what I did
wrong, but I could get out of that.
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Don't worry about that.
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But in order for you to do right.
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Try to steer up that black paint
whenever you have it and make sure you
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have a T this is two, two, two din.
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And if I use a Dick paint, what I
really need, then, uh, it will not work.
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It didn't paint will
stick on the ticket pain.
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If I had the ticket paint on
there, that will be just perfect.
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But this time I did it wrong.
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I apologize for that.
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That's a nice one.
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The teacher does it wrong.
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I always was happy in school.
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When the teacher made a mistake, then you
see, you don't know everything either,
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either neither, neither, and this time.
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But see what I do here.
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I just brush it out a little bit
more, or I go into my dry paint here.
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You see, we always have
vapin and use this.
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See, that is more like it.
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You see what I did wrong?
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I just used the oil off
and that this is fast.
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My headache.
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So in my mind, every bee tree standing
there, and I can be like that.
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You have a good start now and
the paint, and now I have it with
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ticker and I can work with that.
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The is good.
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That was a good mistake.
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And I think it was a good, good lesson.
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If you work this technique, you need
obvious a Dick solid paint in order to
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make sun raises to make it break, make
the mountains, whatever, whatever there.
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Okay.
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So maybe now that's why we have
to make sure you have a dry brush.
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That's why we have the Rattlebox here.
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See, I have a little thing, but
I shaked that brush out this.
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I don't have any.
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Annie
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painting in the brush because paint
in that is your biggest enemy.
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Do you even make a happy blue sky there?
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No.
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You brought it nice together.
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All coming together.
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Eh, On the floor, even if he wants
to have it a bit more blue, just go
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on again from the top, but dry and
keep it dry, dry, dry, dry, dry.
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I'm so glad I showed you.
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But I did wrong.
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That will be, you will not forget it.
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She may be here.
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I put a bit of blue and I can put it
all over that blue because blue and
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yellow turns green and there will
be lot of green and that's fine.
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That's fine.
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That is one there for
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no.
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Nikki was Mike glad and naive, and I have
split the mountain and you don't have to,
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but it is just fading far of a far away
a mountain in the mist alizarin, Crimson.
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Little touch of alizarin Crimson,
but get you mix it a bit warmer.
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The something like this, he turned us
around and maybe here you're far away
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as a mountain boy.
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Can we see the details?
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Can you see the thousand details?
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He does this.
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That's what I wish he would use that
heart paint, kind of a hearth, paint,
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whatever you can find in the stores,
as long as it's solid and strong.
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And then you fire in.
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Uh, the, I use that phrase, right.
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But I want to have a little touch of
Indian, yellow in it, a little touch ever.
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See how I can.
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I want you to put more sunshine
in Indian gallows sunshine.
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Can we see here when I mix it?
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It gives me that little
bit of extra sunshine.
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Damn man.
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I ever, Oh, he say the
light's coming from this side.
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Okay.
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Then I call it in half.
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Oh, God, isn't that fantastic.
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Little bit.
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The details.
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They're good to look there.
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There's always one stroke and this
mighty stroke, and this is what
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makes life so exciting and easy.
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I see.
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Then here is the same as a blue sky.
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We have no sun.
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Patches just as a happy blue sky.
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See that little bit of Indian Gallo is
just like, sunshine gives you that little
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bit of on, but not too much yellow.
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I, this cut it in very clear for as
long as the tones, a little bit of,
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of sunshine color, it cuts it in half.
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But can we see the breaking feeling that
breaking it breaks and you, and that is
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what is very, very, very important, tiny.
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Again, but more.
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good.
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No, we will use the big brush, dry
and clean, and we brush out here.
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I want us to show you something like
blur blended in like mud, like mist
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as a kind of a mist coming out there,
kind of who missed call me out there?
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I E no, we were, we were, we were,
the sun is coming from this side.
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I very create a kind of a.
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Condition first I remove, I remove yeah.
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Things.
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See what is in the
brush now I wash it off.
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Can you see it as a, I had known my paper.
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Yeah.
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I conditioned that.
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And with, I make sure there's not.
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So the, what I want you to
pull in here, some sun rays.
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See, and the sun comes out and
there will be big trees on this
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side and big trees on this side.
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And, and the, as long as it is dry,
you remember I had already in the
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beginning kind of a wet paint and
that would handicap see, see you
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how much I can clean out there.
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So, no, we will, we will have a happy
beginning ever use this thick paint, touch
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off Indian, yellow in it, make it the
sunshine color, make it a sunshine color.
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And he was more.
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Can you see how I condition it?
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Make sure you have lots of
paint in your brush all over.
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See that brush has soaked that
brush has no that's with pain.
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The, yeah, no, I will see you must tank.
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There'll be trees in front of it.
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It comes from behind the trees.
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Hey, what happened?
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No, I can't go on too long
then I will mess it up again.
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Clean it on your paper, like I do here
and make yourself that whole thing again,
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make it so it, the brushes vetoed and
brought us no pain and you're just.
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Yeah.
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Oh, watch.
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We will.
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We will, we will act, there
is some kind of a far I will
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have, uh, this far my issue.
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Covered tree sticking out.
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I use this paint.
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Can you see here that gray?
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My mountain paint is maybe too dark.
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I lightened it up a little bit
with, with this white and Indian
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urine and have seed backpack.
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It's too light.
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The a bit darker when you
touch it to make your decision.
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That's that's good.
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Little touch darker.
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And you think like that
tree standing there,
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you see a couple of trees,
there's a pairing and in whatever,
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maybe.
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Make it uneven.
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There's done.
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Look like soldiers, just
standing in the row.
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So that's good.
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Now, again, with that paint,
you just go over again.
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Is he and let that.
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Come out with no, where there
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beautiful.
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You see, you can see in the mud
and the mist trees far away on the
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mountain side and the sun views come
out and, and all of a sudden, all of
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a sudden, you, you, you go into black.
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Look, what I do into blue, into SAP
green and your brushes again, load it.
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You see what happened to brushes
loaded and now you three up there.
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Can you see what happened?
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All of a sudden, now it
comes from behind the tree.
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Now you farm it to something,
but you have already planted.
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And that's what makes a beautiful
painting fire in the branch there.
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Other they're loose.
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No, you can just fill
in that whole corner.
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I knew what happened.
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See how nice you formed a
whole new world in the midst.
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The sun was coming from behind.
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And if you want, you can open
up a little bit in between, but
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already that is a nice painting.
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And then you just gone having
maybe here some big trees.
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He just left the dock.
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They just Mark it on,
like, like I show you here.
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Now we can create a beautiful insight.
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There, there very B there
have be here in front.
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There will be.
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So I got the beautiful in Luke now,
and this is decide what is unreal hit.
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See that's society by the sun
will hit everybody gendered there.
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And it'd be very gendered there.
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So we were filling the whole
thing at least, you know, roughly
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that's what you show that's what?
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The far right.
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Distance.
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Yeah.
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And now you can dress it up a
bit more, but it looks better.
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I need a couple of branches coming out.
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They're coming.
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They're coming out.
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They're coming out there.
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No, on this side.
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This, I do believe dark VRR.
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There are other, there are
there and the tree tongue dare
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cheat on there.
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Yeah,
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no, we will.
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The sun is coming from this side.
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I will use a, kind of a Indian Gallo and
that is, you know, it kind of a blue.
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00:18:23,834 --> 00:18:29,084
Watch now I couldn't explain, even though
there is a kind of a blue and that there
242
00:18:29,084 --> 00:18:35,774
is a kind of a red there's yellow and
white, and I mix myself a color like
243
00:18:35,955 --> 00:18:39,375
occur, but individual her red to see.
244
00:18:39,375 --> 00:18:41,195
And then what happened to here?
245
00:18:48,965 --> 00:18:51,935
The, you create.
246
00:18:55,065 --> 00:18:59,265
Can you see the sun going to hit in
between an album's in between the
247
00:18:59,265 --> 00:19:03,705
branches, the sun hit the tree trunk and
it lights up your tree trunk a little bit.
248
00:19:03,705 --> 00:19:07,265
They're there, but they're there.
249
00:19:08,355 --> 00:19:08,965
Look at that.
250
00:19:09,675 --> 00:19:10,155
Wonderful.
251
00:19:14,705 --> 00:19:17,255
I know a dude, but just do it like that.
252
00:19:17,255 --> 00:19:17,705
Fine.
253
00:19:18,125 --> 00:19:21,185
And if you want, you can have
a little scratches out there.
254
00:19:32,555 --> 00:19:34,895
Play it, play it against the light.
255
00:19:34,895 --> 00:19:35,225
Yeah.
256
00:19:38,580 --> 00:19:39,090
Good.
257
00:19:39,209 --> 00:19:39,540
Good.
258
00:19:39,659 --> 00:19:40,169
Good, good.
259
00:19:40,730 --> 00:19:43,040
No, on this side was the opposite.
260
00:19:43,399 --> 00:19:49,490
I would have more of that white paint with
two red like awkward tune, but in a rage,
261
00:19:49,939 --> 00:19:58,939
it has a kind of a smile that paint and
I have a, I have a three times light and.
262
00:20:01,379 --> 00:20:03,270
He has.
263
00:20:03,270 --> 00:20:03,750
Yeah.
264
00:20:04,010 --> 00:20:08,030
And you know, that's hard
paint that is like, like glue.
265
00:20:08,090 --> 00:20:11,090
It would stick when I put it
on average stick on there.
266
00:20:11,420 --> 00:20:14,690
The thing that makes it so nice,
you don't have to fit it too long
267
00:20:14,930 --> 00:20:17,030
to get it on your dish forever.
268
00:20:17,030 --> 00:20:18,290
You think it really light up?
269
00:20:18,915 --> 00:20:27,405
You have fires on, is he, maybe he
is a bit more that he is and he has
270
00:20:27,405 --> 00:20:32,595
said on here's a bag one bag fun.
271
00:20:43,410 --> 00:20:46,050
Make a big one day, but that's
272
00:20:49,820 --> 00:20:50,700
no, that's fine.
273
00:20:50,880 --> 00:20:58,670
No, you use your two inch brush the
linen one, the Linden brush, and you use
274
00:20:58,730 --> 00:21:08,870
yellow and white and a bit of Indian,
yellow, gold, and highlight this side.
275
00:21:08,940 --> 00:21:09,060
Okay.
276
00:21:17,480 --> 00:21:18,370
See, thanks.
277
00:21:18,370 --> 00:21:20,480
The sun comes in and hits this virus.
278
00:21:25,190 --> 00:21:28,010
Maybe a little touch of
green would be nice too.
279
00:21:28,550 --> 00:21:36,140
You know, we can have the branches flying
out there and let that dock be in between.
280
00:21:42,629 --> 00:21:43,620
Yeah.
281
00:21:46,610 --> 00:21:51,020
Can you see no, this, the dark side
light comes from this side and lines
282
00:21:51,020 --> 00:21:55,010
up the trees on this side, and now you
can play your little game is it's just.
283
00:21:55,129 --> 00:22:00,199
Beautiful to, to learn what
you got in your insight.
284
00:22:00,439 --> 00:22:05,179
And everyone sees a date coming up and
going back and going in and you see
285
00:22:05,179 --> 00:22:10,520
the sun coming up and you see the light
and shadows sometime the wandering,
286
00:22:10,790 --> 00:22:15,469
wandering zone patches on the fields
or in the mountains and all that.
287
00:22:15,570 --> 00:22:19,620
You got to learn to live with,
and that is what makes it so nice.
288
00:22:20,120 --> 00:22:23,480
That's what I'm so proud
of, of whatever you pain.
289
00:22:23,659 --> 00:22:26,389
It will be original and
it will never be second.
290
00:22:26,670 --> 00:22:31,550
You can only show it once the
highlight wherever you think.
291
00:22:32,000 --> 00:22:33,139
And look at that.
292
00:22:33,920 --> 00:22:35,720
See, and this is the sunny side.
293
00:22:38,570 --> 00:22:45,975
And then if you want, you can create a
mighty, mighty, mighty, uh, Oh me with
294
00:22:45,975 --> 00:22:52,395
the red and white and I, the Bush is
just standing there in the sunshine.
295
00:22:53,024 --> 00:22:54,225
The, uh,
296
00:22:58,205 --> 00:23:02,495
maybe here little catch
they would catch there.
297
00:23:03,125 --> 00:23:07,625
And then all of a sudden, they're
hear here a little bit, who
298
00:23:07,625 --> 00:23:08,945
are you bringing it to life?
299
00:23:09,245 --> 00:23:13,445
And then all of a sudden I would
use a knife, even for that.
300
00:23:14,129 --> 00:23:20,129
All of a sudden death is
just on line right in here.
301
00:23:29,570 --> 00:23:35,409
And that's something that's a happy
little wandering road to have beautiful.
302
00:23:36,585 --> 00:23:45,015
Call me out and this son has tears the
part of that road, he, and whatever
303
00:23:45,015 --> 00:23:46,755
it's called, whatever it's called.
304
00:23:47,315 --> 00:23:50,735
See, and then you can have
here a little bit of Allergan,
305
00:23:50,735 --> 00:23:53,195
Crimson, and, and just color.
306
00:23:53,285 --> 00:23:55,385
See, you can add.
307
00:23:56,325 --> 00:23:58,455
So just kind of a color
that's in the shadow.
308
00:23:58,455 --> 00:24:02,895
Now you can have a bit more
talk and blue is access.
309
00:24:11,120 --> 00:24:11,330
Okay.
310
00:24:15,220 --> 00:24:21,280
And this side light up as much as you
want that this Heuer side, that this is on
311
00:24:21,280 --> 00:24:25,240
the side, the sun needs side on history.
312
00:24:25,629 --> 00:24:26,649
Uh, go ahead.
313
00:24:27,879 --> 00:24:28,659
Cut cut
314
00:24:32,050 --> 00:24:32,860
down there.
315
00:24:33,220 --> 00:24:35,860
Uh, yeah, fine.
316
00:24:37,680 --> 00:24:43,230
And then if you want, you can
have a reds and blues and this
317
00:24:43,230 --> 00:24:45,000
kind of thing, color there.
318
00:24:45,000 --> 00:24:47,100
You can have a look.
319
00:24:47,610 --> 00:24:49,940
It gives you a, still in the shadow there.
320
00:24:49,960 --> 00:24:52,710
Some guy out there, he flew it out.
321
00:24:54,120 --> 00:24:54,659
Yeah.
322
00:24:55,530 --> 00:24:56,100
Here.
323
00:24:56,370 --> 00:24:56,459
Okay,
324
00:25:01,159 --> 00:25:02,419
that's on the shadow side.
325
00:25:02,600 --> 00:25:09,080
And even here you can go a darker,
darker, and he was just in a shadow.
326
00:25:10,095 --> 00:25:12,465
I can put it out like
this, if you want to.
327
00:25:13,185 --> 00:25:18,165
And the sun had stopped by, and then
here, here, here, here in your mind, you
328
00:25:18,565 --> 00:25:22,784
would create this on mighty big tree here.
329
00:25:23,235 --> 00:25:27,764
You see a part of that big
tree trunk is he is not Vonda.
330
00:25:30,690 --> 00:25:36,210
Is that all that disappears and yonder,
there is a part you see, little bit
331
00:25:36,210 --> 00:25:39,840
of that tree sticking out there and
there, and then, then Darrin there,
332
00:25:40,890 --> 00:25:48,420
and then you, you, you, you break it
up, break it up, see you in there.
333
00:25:48,630 --> 00:25:51,540
Some big branch movements.
334
00:25:54,780 --> 00:25:57,930
Maybe here you see what happened.
335
00:25:58,200 --> 00:26:02,720
Odd of a sudden you got
nice, happy little painting.
336
00:26:02,990 --> 00:26:07,070
And it was a very exciting little
thing, but with light and shadows
337
00:26:07,100 --> 00:26:08,900
and the mist and the sun beams.
338
00:26:09,170 --> 00:26:14,300
And I just want you to bring out a
little bit more, this light here,
339
00:26:14,750 --> 00:26:18,680
this light, that is the that's
the hit in the canvas again.
340
00:26:28,725 --> 00:26:31,695
Maybe he had a little bit,
give him a happy ending.
341
00:26:33,635 --> 00:26:37,195
Is he creative power out of nowhere?
342
00:26:37,205 --> 00:26:40,865
You put the mood, you set
the clock who's at the time.
343
00:26:40,865 --> 00:26:44,525
You that's why they always
say you are next to God.
344
00:26:44,795 --> 00:26:46,985
It's just so wonderful to live like that.
345
00:26:47,285 --> 00:26:48,485
Thank you for watching me.
346
00:26:48,485 --> 00:26:49,865
I hope you enjoyed it.
347
00:26:50,045 --> 00:26:50,675
I love you.
348
00:26:51,195 --> 00:26:52,905
One more beautiful oil paintings.
349
00:26:53,685 --> 00:26:59,565
Bill's paint and all your art supply needs
are only a click away@alexanderart.com.
350
00:27:00,555 --> 00:27:02,415
Just click on the online store link.
351
00:27:03,315 --> 00:27:03,915
You can paint.
352
00:27:04,365 --> 00:27:07,305
We promise Alexander art.com.
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