Sunday, December 13, 2020

S04E05 City Silhouette - AVAILABLE

Bill Alexander's
The Magic of Oil Painting



Season 4, Episode 5, City Silhouette - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

1

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The judge will be with Judy again,

but this time it is you and me.


2

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Not you or me or me or you because to

get every remit, make a better void.


3

00:00:20,805 --> 00:00:26,325

And we paint bigger paintings and

we will put the spark in life.


4

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And this is a bit of wonderful.


5

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Blind art.


6

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Okay.


7

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I have to bother myself up.


8

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I have to talk like that before I start.


9

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Otherwise I am blah.


10

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Usually you're out the money and you

John, and Oh, what the hell him doing?


11

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No.


12

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No, you have to put a spark into

your life in order to really do what


13

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you're doing or what you want to do.


14

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Now you see a white canvas behind me.


15

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No, what the devil I do with it.


16

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I have nothing to see.


17

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I have just to use my almighty imagination

and my power of creating creative power.


18

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Oh, great of power.


19

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Is I tell you that is something wonderful.


20

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You can learn it if you want it.


21

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But, uh, I have really learned it

and I can use it in a forest now.


22

00:01:16,665 --> 00:01:19,065

Um, What'd they want you to do here?


23

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I have in my mind to pain, uh, you

know, be paint something mountains


24

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or trees in the background.


25

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This time I see far by a big, big city,

but all the skyscrapers in the morning,


26

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and I have a leak in front of it or vote

in front of him right into the water.


27

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When you see it already,

now I can see already.


28

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Far away city in the sun.


29

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I will fire after the

sun, the rain, the meter.


30

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Can you see how a pain is born?


31

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That's what you have to do.


32

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Otherwise it just will not work.


33

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And I have to do it with

myself all the time.


34

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Talk to myself and put myself

in gear and Oh boy, it works.


35

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Put that on mighty magic right on.


36

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And everything is on my Haiti.


37

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Everything is bubbling.


38

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Everything is.


39

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Uh, as far as I see the beautiful sun

in the back of that, you know, Sometimes


40

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you drive really, you can see that in

certain parts, you drive by us or come


41

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to VARs to sit there and this, the sun

in front of you and, and you make piggy


42

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eyes, little piggy eyes, and you put

your blinds down and the car, as you can


43

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see what you can see, talk to yourself

now and try to see that our minority


44

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big silhouettes of, of any city and

able to just dream up, uh, Dream city.


45

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Okay.


46

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So we have that on my Dematic writers on

the canvas, and now I will put my mighty


47

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Russian, had her mighty paint dinner here.


48

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And you see what I do all the time.


49

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I have to talk to myself to

make myself bigger than I am.


50

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When you see a peacock, you know, when he

comes out there and he wants to impress


51

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you, he poached their feathers out.


52

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And that's what I do right now.


53

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I put my feathers out.


54

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Oh, what a beautiful voice.


55

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And when that beautiful voice, you drill

it into yourself and all of a sudden you


56

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can believe it believing, you know, every

preacher tells you that  believe me.


57

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I think we believe ourselves

and we can apply it ourselves


58

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to kind of a happy game.


59

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And that is a happy game.


60

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You apply.


61

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See, watch fire off here.


62

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I have a nice dry brush.


63

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Now take off whatever is too

much, and I will show you how easy


64

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I get my sunshine in the back.


65

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A dry brush.


66

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Again, make sure you have a dry brush.


67

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I will put some yellow in

the middle right there.


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Okay.


69

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That's the sunshine and

tape it off to the side.


70

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Like the sun is in the middle

here somewhere and in the vote I


71

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put already and it gets darker.


72

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And what I do now, I go

into the rain like that too.


73

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And fire off a bit of red

on this side and this side.


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And again, like there's 500 off on

this side, you know, all of a sudden.


75

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It gets darker after sun already.


76

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We keep the sun beautiful in a meadow,

and now I use a tattoo alizarin Crimson


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the next stage, and it gets darker.


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Now you see, look at that.


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And on this side too, and now time

you have your canvas conditioned, too.


80

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The better to whatever you want to see.


81

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So there's a sunshine in the

meter and there is darker and


82

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darker and darker, easier.


83

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Beautiful.


84

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You remember the philosophy?


85

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We are mixing on that on my D canvas.


86

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The, I still take it off like this

here and now I mix in that color other


87

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column to make it even bit more darker.


88

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See, but more here.


89

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He said, Oh, I take it off.


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Very simple.


91

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Very simple.


92

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Yeah.


93

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Not fooling around and not you just go at

it and I show you how you can get at it.


94

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No paint, no paint.


95

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If you have bladder

paint on fat, get it now.


96

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Paint on that canvas.


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Be stingy.


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Okay.


99

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Good.


100

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Good.


101

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Good.


102

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Good, good.


103

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Make sure you have a dry

brush now comes something.


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I want you take a touch

of blue, but Oh God.


105

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Look at the blue and that.


106

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Thank you.


107

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Got blue on the canvas.


108

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Look how I take it off.


109

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Look away just a little bit.


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All flashing over and give him one shot.


111

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Give him another shot.


112

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Here is most, most of

the time it is too much.


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Right.


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The now I think is okay.


115

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It mix it with Alison Crimson.


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I can easy.


117

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You see easy, get lighter,

lighter, lighter, lighter.


118

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Ah, isn't this a joy, the lighter,

lighter you are mixing now I'm


119

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mixing on, but don't go too far

with that blue into the yellow.


120

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Take a green, we got the green,

but that's still good up to now.


121

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I'm in good shape.


122

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V the sun is in the middle of

a fire in touch of white tea.


123

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I take it off like this fire into

the sun there in the middle of a fire


124

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under the sun, right in the water.


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See, there you go.


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Yeah.


127

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No mercy, no mercy.


128

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Let it touch you Fred.


129

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Now you just dress it

up the way you want it.


130

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Maybe a bit more, but that's

red sea on top the sun.


131

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It gets darker on top here in the middle.


132

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You can, but they are very

big . They will be the city that


133

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we wouldn't worry too much, but

every gorgeous from the top down.


134

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And look what I got.


135

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I got the beautiful, happy beginning.


136

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Happy beginning.


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Happy beginning.


138

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The now it doesn't matter.


139

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You want, you want to show more

sky then set your is depends


140

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on how you space your ID.


141

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I will have it.


142

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Maybe the waterline, I would

say roughly will be here.


143

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That's the water line.


144

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That's where the voice aligned

is and the city is no behind.


145

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No behind.


146

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Wonderful.


147

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Now the, now we have, I will

show you, I will show you.


148

00:08:03,575 --> 00:08:05,435

I will show you how we do that.


149

00:08:05,705 --> 00:08:12,455

Now I take a bottle of wine, put it

up here and have the same colors.


150

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The, I have to do it at the later tach.


151

00:08:16,605 --> 00:08:19,335

Mix yourself enough paint.


152

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They're the same color like this would be,

we know we have a touch of red touch of


153

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yellow and white, and I will put a touch

of alizarin Crimson and see like this.


154

00:08:36,914 --> 00:08:38,655

And so.


155

00:08:39,435 --> 00:08:40,015

You see that?


156

00:08:40,015 --> 00:08:42,255

Just the color I have right now.


157

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That's the color I have red.


158

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No, no, you, you, hold on.


159

00:08:46,635 --> 00:08:47,925

It's a bit too light.


160

00:08:48,105 --> 00:08:52,575

You see, I have a TA, but the

touch of black, maybe just


161

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a touch of black into that.


162

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Just a little touch of

black and from here on no.


163

00:09:00,015 --> 00:09:01,725

Oh, mix that's enough.


164

00:09:02,265 --> 00:09:08,145

See, I really dang far by

four, right in the sunlight.


165

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There's this skyscraper

standing there, there.


166

00:09:14,205 --> 00:09:19,575

So I'm standing there and

this one standing there.


167

00:09:20,895 --> 00:09:21,195

Yeah.


168

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I line you up.


169

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Ah, you know, the new big city he says

yes, maybe one, this lane up here.


170

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He, he and Ron is here.


171

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and one is here below is

covers off the whole thing.


172

00:09:40,400 --> 00:09:43,250

And maybe one covers

up here the whole day.


173

00:09:43,670 --> 00:09:49,960

The you create, you see far of a city

and there's stairs far right there.


174

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Some smoke stacks.


175

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I don't know how to Deborah.


176

00:09:52,370 --> 00:09:54,950

They got in there, but

there are some smoke stacks.


177

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There's kind of a bit of a

industrial stuff in between


178

00:09:58,820 --> 00:10:00,470

is the smallest smoke stack.


179

00:10:01,635 --> 00:10:06,104

The bars are you see

a little church there?


180

00:10:06,675 --> 00:10:08,385

There's a little church there.


181

00:10:10,535 --> 00:10:11,675

Okay.


182

00:10:11,744 --> 00:10:12,015

See.


183

00:10:15,515 --> 00:10:20,525

How you build a sealant fleet,

unable to show you because I have


184

00:10:20,525 --> 00:10:21,935

it put something in front of it.


185

00:10:22,115 --> 00:10:28,325

I start from far have I, you always start

far by the buildings first, far by, and


186

00:10:28,325 --> 00:10:30,125

then you come closer, closer, closer.


187

00:10:30,275 --> 00:10:34,955

And I would like to show you that how easy

it is, you can do all kinds of things.


188

00:10:35,105 --> 00:10:39,365

It doesn't have to be a city, but

I only want to show you how you.


189

00:10:39,780 --> 00:10:40,949

Get depth.


190

00:10:40,949 --> 00:10:45,780

And without any headache, you see how

easy I have mixed the colors there.


191

00:10:45,780 --> 00:10:50,990

And I know you can go on and on and

on and on and on, on the forever,


192

00:10:50,990 --> 00:10:55,490

whatever we say, that's a, the other

bigger one there and longer one.


193

00:10:55,699 --> 00:10:59,750

And maybe he has a little house, a

little house, you see a little house


194

00:10:59,750 --> 00:11:03,170

there and other house there and

whatever, whatever in the bottom,


195

00:11:03,560 --> 00:11:06,680

the good, no, you come closer.


196

00:11:06,829 --> 00:11:08,870

You know what you do when

you have to come closer.


197

00:11:09,405 --> 00:11:12,045

Add a little bit of

black to the same thing.


198

00:11:12,225 --> 00:11:17,445

Now I have it attached darker, and

that means I come forward with a touch.


199

00:11:17,455 --> 00:11:19,605

Darker will give you the ID.


200

00:11:19,875 --> 00:11:22,275

It is closer, but be careful.


201

00:11:22,620 --> 00:11:27,060

But you all closer than it comes

higher, it's still the same color.


202

00:11:27,290 --> 00:11:30,020

Add be careful you can overdo it.


203

00:11:30,020 --> 00:11:30,710

And it's hard.


204

00:11:30,800 --> 00:11:37,340

It's obviously easy to add more, but

there's a devil of a job to get rid of it.


205

00:11:37,340 --> 00:11:39,680

Again, the you the wash.


206

00:11:39,980 --> 00:11:43,190

I just careful put a

bit more black in there.


207

00:11:44,480 --> 00:11:44,810

I see.


208

00:11:44,810 --> 00:11:46,130

And that gives me a nice.


209

00:11:46,740 --> 00:11:47,250

Nice.


210

00:11:47,250 --> 00:11:52,830

It should be now mind if

I go over that same house?


211

00:11:53,670 --> 00:11:54,300

Oh yeah.


212

00:11:54,450 --> 00:11:59,040

He know that same house is already

coming better than this other,


213

00:11:59,100 --> 00:12:01,080

other building in front of it here.


214

00:12:03,930 --> 00:12:05,610

And there's the other building there.


215

00:12:08,474 --> 00:12:11,415

I would not like to make big

buildings in front of it.


216

00:12:11,775 --> 00:12:15,915

I rather, uh, the, if you want

to cover up something, then you


217

00:12:15,915 --> 00:12:17,655

make a big building out of that.


218

00:12:18,584 --> 00:12:23,954

Hey, look, how easy, how easy

you just cut it in like this.


219

00:12:29,175 --> 00:12:34,605

See, and then maybe here, I wouldn't

like to cover up the church, but I


220

00:12:34,605 --> 00:12:37,275

will put a bigger building there.


221

00:12:38,895 --> 00:12:42,495

You have to cover up other buildings

because that is the next, the


222

00:12:42,515 --> 00:12:44,895

next, maybe here I will go so far.


223

00:12:44,895 --> 00:12:49,155

That's a big, uh, maybe each

story barely then front.


224

00:12:49,365 --> 00:12:51,045

And here's the other thing.


225

00:12:52,245 --> 00:12:53,985

And here's the other in between.


226

00:12:55,305 --> 00:12:57,074

Can you see how you better charities?


227

00:12:57,885 --> 00:13:01,545

He then Nan, you, Oh, you all hire here.


228

00:13:01,995 --> 00:13:05,115

And who has the highest building?


229

00:13:05,125 --> 00:13:05,625

The cities.


230

00:13:05,625 --> 00:13:06,224

They're all.


231

00:13:06,435 --> 00:13:07,694

Everyone wants to show.


232

00:13:08,204 --> 00:13:10,425

We have the biggest burning man.


233

00:13:10,425 --> 00:13:11,495

You come to, you call it.


234

00:13:11,495 --> 00:13:13,324

They tell you, look at that one.


235

00:13:13,324 --> 00:13:14,224

The wording there.


236

00:13:14,435 --> 00:13:16,145

Ah, it's the bag is in the bar.


237

00:13:17,165 --> 00:13:18,005

Okay, good.


238

00:13:18,724 --> 00:13:19,145

Good.


239

00:13:19,620 --> 00:13:25,950

They, no, they just stopped for a

stop for a rest and then the, on your


240

00:13:26,040 --> 00:13:29,490

fire and fire and whatever, whatever.


241

00:13:30,110 --> 00:13:34,550

Oh, I have to come closer again

again, just a little bit of


242

00:13:34,580 --> 00:13:37,160

black into that same thing.


243

00:13:37,550 --> 00:13:39,530

And I am a step closer.


244

00:13:40,070 --> 00:13:45,320

You see an always-on by doing that,

maybe I get this building already darker.


245

00:13:46,125 --> 00:13:47,714

See, you know, that's dark.


246

00:13:47,714 --> 00:13:53,005

I mean, we make a choice, just add

bacon on this side, this comes up and


247

00:13:53,015 --> 00:13:55,714

maybe here it has as a big Cutera.


248

00:13:56,574 --> 00:13:57,275

Okay.


249

00:13:58,025 --> 00:14:03,185

You can already run in vendors,

like make marks, like lines of


250

00:14:03,185 --> 00:14:07,505

vendors coming up there as you come

closer, you get detailed stare.


251

00:14:07,775 --> 00:14:09,005

Maybe here.


252

00:14:09,045 --> 00:14:10,084

There's the other one.


253

00:14:10,620 --> 00:14:15,360

The, I know that just appeared the,

this is far, this comes close, that


254

00:14:15,360 --> 00:14:21,600

this is closer and that is the way you

add and you come closer and closer.


255

00:14:22,260 --> 00:14:24,300

Maybe I have not much room in the canvas.


256

00:14:24,449 --> 00:14:26,189

I make a bird one day.


257

00:14:28,250 --> 00:14:33,080

Me and the knife is just wonderful

to do those kind of things.


258

00:14:34,370 --> 00:14:36,350

Maybe here we put them together.


259

00:14:37,785 --> 00:14:40,995

Oh, there you are he ever

put that together again?


260

00:14:40,995 --> 00:14:50,255

And finally, finally, finally, finally,

finally see how easy it is to do.


261

00:14:50,255 --> 00:14:52,565

Just say now we come closer again.


262

00:14:52,655 --> 00:14:57,545

I go into the same black and put that

son of a gun in there again, and I


263

00:14:57,545 --> 00:15:00,575

have a darker and now the now comes to.


264

00:15:01,005 --> 00:15:05,265

We say, I will not go further anymore

because they wants to keep it as far.


265

00:15:05,535 --> 00:15:07,515

And there is a that way.


266

00:15:07,755 --> 00:15:09,495

What's the name of that big birding there.


267

00:15:10,935 --> 00:15:11,385

Okay.


268

00:15:11,795 --> 00:15:14,105

The name is V we accepted.


269

00:15:14,195 --> 00:15:18,995

We accepted, it has a little elevator

shaft up on top that you can, uh, you


270

00:15:18,995 --> 00:15:24,275

know, you can build in your own mind

and talk to yourself and dream long


271

00:15:24,275 --> 00:15:26,645

with red, whatever, whatever, whatever.


272

00:15:27,360 --> 00:15:29,460

Hear me here.


273

00:15:29,790 --> 00:15:37,860

And as a Bay, didn't come along like a

big, heavy ball, uh, right into the water.


274

00:15:38,310 --> 00:15:43,610

The UN I have to do it

very fast if I do it.


275

00:15:43,640 --> 00:15:47,660

Uh, the, I just show you don't

take me serious when I do this,


276

00:15:47,660 --> 00:15:49,310

because I want to inspire you.


277

00:15:49,520 --> 00:15:54,770

I would like to see you, um, getting

into this oddest kind of IDs.


278

00:15:55,245 --> 00:16:01,785

So I don't sell this kind of pain, but

it will be a good show how you get gone


279

00:16:02,115 --> 00:16:07,985

and maybe yeah, in the front of this

big birding there, the big burning.


280

00:16:08,285 --> 00:16:10,295

Now this is right in the water there.


281

00:16:14,105 --> 00:16:17,825

And then you find one here, high up.


282

00:16:28,370 --> 00:16:30,230

I just would like to show you details.


283

00:16:30,440 --> 00:16:33,200

I don't expect to finish

that kind of painting.


284

00:16:33,410 --> 00:16:37,010

I just really there's so much on the air.


285

00:16:37,010 --> 00:16:41,840

I know there are so many artists

demonstrating and we all, and I


286

00:16:41,840 --> 00:16:47,120

really wish I could be the greatest

teacher on earth when I'm dead.


287

00:16:47,360 --> 00:16:49,100

You should say that.


288

00:16:50,145 --> 00:16:51,405

And he was a good teacher.


289

00:16:51,925 --> 00:16:52,815

He was a good teacher.


290

00:16:52,845 --> 00:16:54,015

That's what I would like to hear.


291

00:16:55,185 --> 00:16:57,855

You know, you have at far, have

I closed the closer, closer now?


292

00:16:57,915 --> 00:17:01,815

I will not go further because the time

won't allow me that, but here you can


293

00:17:01,815 --> 00:17:06,255

do it and whatever and laugh about it.


294

00:17:06,885 --> 00:17:11,295

I know you said the sun comes in

and the sun, what should I do now?


295

00:17:11,444 --> 00:17:13,605

I went to the white, I know.


296

00:17:13,605 --> 00:17:17,085

Let the sun hit this side a little bit.


297

00:17:17,444 --> 00:17:17,775

See.


298

00:17:18,555 --> 00:17:25,395

This side, watch this side a little bit

here, a little bit here and a little bit.


299

00:17:25,815 --> 00:17:27,645

It's a bit Vida or charter.


300

00:17:28,155 --> 00:17:29,765

You see, can you see now?


301

00:17:30,005 --> 00:17:31,985

Let the sun hit all those glasses.


302

00:17:32,195 --> 00:17:36,395

That's all full of glass

and follow such a spark.


303

00:17:36,575 --> 00:17:38,435

Now here and this kind of a day.


304

00:17:38,705 --> 00:17:43,145

I don't know the, this is an

emitter is harder, but you can


305

00:17:43,145 --> 00:17:44,555

go already on the chimneys.


306

00:17:44,585 --> 00:17:47,495

Maybe I put a little bit of

light on the chimneys there.


307

00:17:51,195 --> 00:17:51,615

He,


308

00:17:56,345 --> 00:18:03,185

and then here you fire in felled

them light, see, show them.


309

00:18:03,185 --> 00:18:03,935

Right.


310

00:18:04,535 --> 00:18:05,885

And then here.


311

00:18:06,270 --> 00:18:10,420

Show them light, but then you have to

the, as you come closer, you have to


312

00:18:10,590 --> 00:18:15,510

perspective, you see this, this lines,

this frustrate what I did before, but


313

00:18:15,510 --> 00:18:19,890

this has to go perspective in, in, in N.


314

00:18:20,685 --> 00:18:21,584

That's what it is.


315

00:18:21,615 --> 00:18:24,764

That's what it is, is

what this is about it is.


316

00:18:24,905 --> 00:18:27,064

And, uh, he had to do it like this.


317

00:18:27,395 --> 00:18:35,405

We like it's gone in forever and ever, and

he had just an, a shadow  and, and then


318

00:18:35,405 --> 00:18:41,554

finally, finally you build the impression

of, of the here you have a bigger wall.


319

00:18:41,824 --> 00:18:46,225

The, I try to give you, see it

better, the habit a little bit


320

00:18:46,235 --> 00:18:47,495

on the Crocket side, there.


321

00:18:49,485 --> 00:18:55,965

And don't be so fast because it's like

a, uh, abstract, but it's beautiful.


322

00:18:55,965 --> 00:19:02,075

You can make nice, nice movements there

and you see already, you build on mighty


323

00:19:02,075 --> 00:19:06,215

powerful city there so much power in that.


324

00:19:06,755 --> 00:19:08,645

And that's what makes it so nice.


325

00:19:09,965 --> 00:19:13,265

The modern cities are just

wonderful to paint them like that.


326

00:19:13,535 --> 00:19:17,850

They, uh, But you see perspective,

I can see the lines are,


327

00:19:17,860 --> 00:19:19,740

it's gone as a focal point.


328

00:19:19,940 --> 00:19:24,350

You have somewhere over the rainbow on


329

00:19:29,000 --> 00:19:30,470

and then you just fired.


330

00:19:30,470 --> 00:19:35,030

And an always with that full Groupon

into that point and all the, like


331

00:19:35,090 --> 00:19:38,720

the, this is too straight and

evidence do street and use your finger


332

00:19:40,310 --> 00:19:41,870

that their finger do the walking.


333

00:19:44,310 --> 00:19:47,910

I would do as soon as you really

understand, but see here, I would show you


334

00:19:52,070 --> 00:19:52,760

makes sense.


335

00:19:53,270 --> 00:19:54,860

That is what it would be.


336

00:19:54,920 --> 00:19:55,910

I wish I could.


337

00:19:56,210 --> 00:20:00,080

Really, this is where you

learn to have perspective.


338

00:20:00,680 --> 00:20:04,940

Maybe here is the, all the Verity then.


339

00:20:05,460 --> 00:20:11,530

Yeah, there's other day and between

and in between in the top and behind,


340

00:20:11,530 --> 00:20:17,280

and not the little short, sharp,

a little bit of light there to


341

00:20:18,210 --> 00:20:20,640

the, then here, even that, Oh, it.


342

00:20:27,080 --> 00:20:28,370

Hey, how nice it works?


343

00:20:28,580 --> 00:20:30,200

No, it would put a little bit on top.


344

00:20:30,200 --> 00:20:33,950

Like the roofs, uh, you know, the

sun is gone over the roofs and


345

00:20:34,220 --> 00:20:37,520

it gives you a little bit of a

sheen or shine or a fee or fine.


346

00:20:37,919 --> 00:20:43,419

And then all of a sudden

he is just so wonderful.


347

00:20:43,830 --> 00:20:47,730

One other one, and you can

put a bit of dust in there or


348

00:20:47,730 --> 00:20:49,919

missed in there in between.


349

00:20:49,919 --> 00:20:51,629

You can let it just collapse.


350

00:20:51,810 --> 00:20:58,080

No, what I do watch, I just fire in

the buildings in here to the water


351

00:21:01,439 --> 00:21:01,980

here.


352

00:21:02,879 --> 00:21:05,159

Add a little bit of dust or whatever.


353

00:21:05,550 --> 00:21:10,610

The city, city movements, city

steam, the cars, the pollution.


354

00:21:10,909 --> 00:21:13,550

When they come into Los Angeles,

they come from biggest field.


355

00:21:13,969 --> 00:21:16,790

Oh my God, that hits her right there.


356

00:21:17,419 --> 00:21:20,360

Then you can put that in a

little bit in the middle there.


357

00:21:21,314 --> 00:21:26,205

It's not nice to have it, but it is

there though by not being realistic.


358

00:21:26,355 --> 00:21:27,044

Okay, good.


359

00:21:27,075 --> 00:21:28,425

Good, good, good, good, good, good.


360

00:21:28,784 --> 00:21:34,215

So it will be better if we win, we

will fire off here that dog D and


361

00:21:34,215 --> 00:21:40,605

then here or whatever, tied to aim,

whatever you think in the backgrounds.


362

00:21:42,675 --> 00:21:43,965

Maybe more here.


363

00:21:47,175 --> 00:21:48,044

One there.


364

00:21:50,564 --> 00:21:54,854

Now you use your big brush

and you fire him like this


365

00:22:02,375 --> 00:22:04,864

and use your, you can move it to retire.


366

00:22:04,985 --> 00:22:06,814

Depends on whatever you wants to see.


367

00:22:06,965 --> 00:22:08,945

I would say I go a bit higher there.


368

00:22:09,585 --> 00:22:10,365

Then you have it.


369

00:22:10,425 --> 00:22:12,495

Uh, so I wouldn't worry.


370

00:22:12,495 --> 00:22:13,425

What's on the side.


371

00:22:13,635 --> 00:22:18,765

I only wants to be a good

teacher and the ideas do it as


372

00:22:18,765 --> 00:22:21,195

much as you can in 28 minutes.


373

00:22:21,525 --> 00:22:23,055

Otherwise you will not.


374

00:22:23,975 --> 00:22:27,125

No, you need a little bit of

that sunshine in there too.


375

00:22:27,625 --> 00:22:29,435

These are what I do now.


376

00:22:29,795 --> 00:22:31,855

I add a little bit of the here.


377

00:22:31,895 --> 00:22:32,005

Yeah.


378

00:22:32,005 --> 00:22:35,825

It would be nice if it has that he

has, would be nice if it had that.


379

00:22:36,615 --> 00:22:42,585

You see maybe here the char, she

can hardly see there, but try to


380

00:22:42,705 --> 00:22:49,485

fire and see all that bit of smart,

whatever fires right in there too.


381

00:22:50,475 --> 00:22:55,835

And then fire and fire and no

mercy, no mercy for in here.


382

00:22:59,895 --> 00:23:01,295

hanging around there.


383

00:23:01,990 --> 00:23:03,630

He is in between CC.


384

00:23:03,630 --> 00:23:07,680

They try to follow roughly whatever,

whatever, whatever, whatever.


385

00:23:08,960 --> 00:23:14,330

See, I have to do it very badly,

fast in order to meet the time.


386

00:23:14,330 --> 00:23:18,830

But I think you learn a lot by

just seeing what can be done.


387

00:23:18,860 --> 00:23:23,150

You have time home, do it

nice and take the time.


388

00:23:23,150 --> 00:23:26,540

And the, and if you have an

inlay, this use your big brush.


389

00:23:26,540 --> 00:23:29,630

Again, use your own mighty brush again.


390

00:23:31,080 --> 00:23:31,890

Make sure.


391

00:23:32,340 --> 00:23:35,940

Make sure that brush is dry or

God makes sure that brush is dry.


392

00:23:36,270 --> 00:23:38,190

See, that's where I have that box.


393

00:23:38,430 --> 00:23:39,990

We have a song it's true.


394

00:23:40,040 --> 00:23:41,240

Long Dick paint.


395

00:23:41,570 --> 00:23:43,040

It is nothing is slippery.


396

00:23:43,190 --> 00:23:46,910

It is, it is see our paint or

that paint is so fantastic.


397

00:23:47,240 --> 00:23:48,710

It is the best in the rest.


398

00:23:49,040 --> 00:23:54,470

Now the best in the world, the now

you find, and it will follow you Z.


399

00:23:54,650 --> 00:23:55,550

It is the pain.


400

00:23:55,580 --> 00:23:55,760

What?


401

00:23:55,760 --> 00:23:56,780

Let you stretch it.


402

00:23:56,960 --> 00:23:58,160

It's like a rubber.


403

00:23:58,945 --> 00:24:02,145

Look at that, they know you fired off.


404

00:24:02,145 --> 00:24:07,475

So I had movements and I was

anemic voter that you see there.


405

00:24:07,475 --> 00:24:13,985

You're not, no you can't and mighty

knife and you, if you want to have


406

00:24:13,985 --> 00:24:16,544

color stare in front, you can use.


407

00:24:17,135 --> 00:24:22,685

So it's the shoreline that there is, uh,

uh, he is on the shoreline there, sir.


408

00:24:23,129 --> 00:24:27,870

Yeah, a little bit, you get more

power in by, by the desk, this desk.


409

00:24:28,980 --> 00:24:34,830

Why do you say storage through

storage houses and, and, uh, whatever,


410

00:24:34,830 --> 00:24:41,550

whatever, whatever the damn yard,

and then you can, you can, Oh,


411

00:24:41,550 --> 00:24:43,740

you can go for all kinds of stuff.


412

00:24:43,889 --> 00:24:48,240

You can have, uh, uh, uh, you know, like.


413

00:24:50,010 --> 00:24:52,290

Heist, what a heist up that stuff.


414

00:24:52,320 --> 00:24:53,370

What do you call them?


415

00:24:53,730 --> 00:24:54,120

Uh,


416

00:24:57,600 --> 00:24:57,990

the


417

00:25:01,129 --> 00:25:02,120

shipped everyone.


418

00:25:02,340 --> 00:25:05,780

I have no time for ships, but

you can put chips in there and,


419

00:25:05,879 --> 00:25:07,639

and whatever, whatever you want.


420

00:25:07,639 --> 00:25:08,750

And that makes it so nice.


421

00:25:09,200 --> 00:25:14,659

But otherwise I show you how you

can really create a wonderful


422

00:25:14,659 --> 00:25:17,940

painting in such a short time with.


423

00:25:18,345 --> 00:25:21,795

But your unmatched donation,

but you're under dreaming power


424

00:25:22,365 --> 00:25:24,375

that you're on dreaming power.


425

00:25:29,495 --> 00:25:29,945

Yeah.


426

00:25:31,925 --> 00:25:32,555

exciting.


427

00:25:32,555 --> 00:25:37,265

In front of their small little belly

and the big city behind the, and then


428

00:25:37,265 --> 00:25:43,175

again, you're you, you, you, you, you

make sure you're, but a light stroke,


429

00:25:43,175 --> 00:25:46,565

a very light, very light stroke.


430

00:25:47,185 --> 00:25:51,045

See, and then you make

water out of that again.


431

00:25:51,555 --> 00:25:57,735

And then you, you just dang, there

are, uh, the, something like this,


432

00:25:58,695 --> 00:26:05,495

eh, cement on the C look at that.


433

00:26:05,525 --> 00:26:07,745

It's a nice to build the city yourself.


434

00:26:07,955 --> 00:26:10,895

Can you imagine how many years

ago it takes to build that city


435

00:26:11,135 --> 00:26:14,225

and you did it in 28 minutes.


436

00:26:15,675 --> 00:26:21,825

That is something that is not that close

to you, that you are next to God with


437

00:26:21,855 --> 00:26:24,105

all your power, with all your might.


438

00:26:24,495 --> 00:26:29,435

You can do this one, the four things

he dude does wonderful things.


439

00:26:30,125 --> 00:26:30,635

Daniel.


440

00:26:31,245 --> 00:26:37,625

And you look at that, no, you just moved

the vote around a little bit like this.


441

00:26:37,625 --> 00:26:42,935

And like, there's nothing like this and

like this and like this and like this.


442

00:26:43,590 --> 00:26:50,880

Then then, then, then, then there,

and then you use your big brush.


443

00:26:51,420 --> 00:26:55,080

You use your big brush, spread

it out, you see how nice you


444

00:26:55,080 --> 00:26:56,790

make that you pull it long.


445

00:26:57,090 --> 00:27:01,350

And all of a sudden look at that.


446

00:27:02,395 --> 00:27:07,695

Isn't that something now you just

dress it up to by you want it.


447

00:27:07,725 --> 00:27:11,225

There's a, maybe here would like

to have in the front a bit more


448

00:27:11,495 --> 00:27:16,445

details you see right in the front

and that yeah, it is what it is.


449

00:27:17,195 --> 00:27:18,275

Then you enjoy it.


450

00:27:18,905 --> 00:27:22,505

Building big cities

like that in 30 minutes.


451

00:27:23,195 --> 00:27:25,175

I bet you, you learn a lot from that.


452

00:27:25,325 --> 00:27:26,555

Thank you for watching me.


453

00:27:27,005 --> 00:27:27,605

Bye bye.


End .srt file.


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