Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 4, Evening At Eagle Lake - AVAILABLE
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and I love you not nice start.
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I really do love you because we are
together already for 17 wonderful years.
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You know, it's just exciting
for me to be back again.
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And I have a kind of a happy
sunset in my mind and everything
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is exciting around me today because
let's night I watched the sunset.
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I tell you, it was, I thought God
came out of that and I want to paint
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that and it will show you how easy if
you fire into a wonderful zone set.
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The magic rights is on
the canvas without magic.
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Right?
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What would we do?
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What could we do?
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It's a wonderful thing to have that
because I need the canvas slippery
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and now everything I put on will slip
on beautiful that rain in the sunset.
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Oh God, what you look at that beautiful.
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Start off with that on my viewer aid.
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And I saw a raid beautiful red, and that
was vibrating others, right through no of
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you fire it right into devoted to dang.
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I was tied to make your side
for horizon line in your mind.
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And then we fire off.
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That was the upper part as the lower
part then, and then we get gone.
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Don't put too much on through
otherwise few ground or a
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Saturday, but just enough that you.
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This you can, there'll be
a mixing on the canvas.
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We are mixing on that on mighty canvas.
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Good.
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Now I will use a touch
of alizarin Crimson.
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That's just powerful sunset color.
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See, it has a kind of a.
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Um, is this a raid too, but it has a touch
of blue and I believe that's what it is.
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So maybe fire the same thing, the
right, the water up there here, you
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know that, but I will use a nice
smooth color dare, and that would be.
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Taylor green?
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No, some one might think I'd know that
Taylor green, the tele green will not fit.
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He, he attached of Taylor green
like this, but take it off.
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Not, not too much.
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Just, just Z.
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Can you see tests?
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Just so, and then I would
say on horizon there.
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Isn't there already too much.
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I showed you how you shouldn't
do it, but it's fine.
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I get out of debt, but it's hard when
you start painting and you do it.
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The, I use the attach of yellow into
that now C and, and the red kind of a C.
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That's the color.
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I actually had my mind fires right
into the water fires, right into water,
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and a nice when the teacher makes
a mistake, you feel more easy.
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And once you have that as the horizon,
you Mustang, horizon line like that, and
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that little bit of a color like that.
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And then we build up that red,
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you build a thread all around it, no
yellow and red kind of orangy color.
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Watch this.
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See now we would think
the sun is someday here
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and start obvious off from the sun.
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C wash your brush, Ian yellow.
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Do the same thing here.
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Can you see how nice you already
get SkyWater sky, water, sky water.
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And that makes it just easier and easier.
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Eh, I live in Crimson and a
little tattoo of Taylor green,
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but lots of alizarin Crimson.
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Make it very loose, very loose guy, the
fire, the same thing right into that.
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On my deep water.
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There we go with that then a
nice Dan, I use my own mighty
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fan brush and ever use yellow.
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And it touched your vibe.
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Can you see all your tickets off
yellow and attach with right.
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And I dang the sun is tear and
go off the sun around the sun.
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Can you see all of us
under the sun comes up.
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Now I tell you, we have only so much
light in our car an hour, an Oliver paint.
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So we have to create a illusion.
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We cannot paint a sunset device.
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You see it because our
paint is not neat for that.
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So what we have to do, we have to
create the illusion and to create.
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That's why you are an artist
we create on mighty illusion.
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And the illusion under can come
by putting more dark on around.
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Now here, I would say put more dark on
and you have more light, you know, a
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newcomer would say, the guy is crazy.
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You say, put more dark on.
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Then they got more light.
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That is illusion because as more
dark I paint around no as more, I
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can only get that too much light.
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Then that light will look lighter.
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So with other words, you being
next to God, almighty creator, you.
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Create those kinds of illusions.
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And that makes a powerful artist.
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Or when I think back, I
got to tell you that too.
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I met such wonderful artists now,
since I am so long on TV and you
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wonderful people kept me on TV
because it was obvious you phoned in.
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I met such wonderful artists and I
tell you there are artists out there.
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I wish they all would be on TV.
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Today.
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I feel, you know, a lot of the
young people they started offer.
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I.
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And up to, for me, it's
the end of the whole thing.
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And younger people that start
off with all what they hear on
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TV and, and came to our classes.
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And I tell you, we have in America,
some powerful, powerful artists, you
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should buy their work that it's worth.
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Every penny I buy.
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You know, I have hardly not
one of my paintings home.
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I buy other artists the bark
because I see the power of
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those young and exciting people.
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And it makes me so happy to see
to me, it is opposite ending.
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I always think next time I will
not be on anymore, but the crazy
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thing you phone in and you always
say, get that bill back on again.
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And I'm very, very happy about
that because it seems to be a
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burden Igor or whatever you say.
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And then I can go on again.
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But my dream is I thank you for
everything you have done for me.
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And that's why I like to strengthen
you with your almighty art power.
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the end that art does artists power comes
by creating those kinds of illusions.
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See, again, I put that light on there.
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Can you see the sun comes up?
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And you were off of, of, of, of, of, of
the after son, after son, the no play,
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obviously game, sky, water, sky, water.
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What I do, and I know
I condition my canvas.
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See, I condition fired right in there.
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Can you see already this alone?
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It's a nice painting is not.
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Look at that just this alone can
give you such a satisfaction.
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And again, it is your on mighty power.
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Once you create to, to, uh, that creative
power in, you will make that all happen.
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The no other owner wants to have this
orange color, you know, I mix, can you
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see, I mix on the canvas because, uh, uh,
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Red and yellow it's orange color.
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And then you can create it on your
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obvious.
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Start off around the sun and walk
off because you pick up the dirt
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there, but more or less in Crimson.
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No, I wants to create this kind of a.
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Then you have all the colors.
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Can you imagine this?
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In-between the little bit of
a muddy color and then there's
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this beautiful sunset there.
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And often the red.
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Right.
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It's in the sons, uh, you know, so many
songs, so many the mood, when you paint
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like that, there's something in the air.
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You, you wants to thank someone
for all the things you can do.
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And you can, uh, I don't know
if this art, because it's got
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something, but is this good?
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Is this healthy and keeps you,
keeps you fresh all the time.
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Liver's ass.
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Just create, create, create, do it.
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You're right on the end, you will say.
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And I had it.
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My right.
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It was your eye.
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Oh, isn't that wonderful.
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again, nobody fight and see us more dark.
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I created the round as more.
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That light will come up.
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If I wanted lighter, then
I put more darker in there.
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No, you understand my thing and
see that it's just illusion.
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You cannot make that lighter, but by
making that darker, this appear slighter.
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They're talk enough about it.
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I'm all excited.
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Good.
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See and this excitement
that is like, uh, dr.
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Scott for you, my God,
your heart is going strong.
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Your blood.
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I feel going through my veins with so
much power as the joy to be on this earth
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at that.
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And actually the painting
right now feeds me.
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I feel a certain, a certain
power coming out of that.
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What I see here, look in a beautiful,
I create a little rim there and,
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uh, uh, uh, uh, don't go close.
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I know he just got off.
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again.
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Yeah, Lucy August the same color
scale invite, but keep it in the
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yellow and again, through the sun,
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make it exciting.
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Make it.
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So this is really, um, it's a loose, yeah.
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Don't make it shallow.
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The lots of excitement
should be in that painting.
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Lots of excitement.
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The, I always wash my brush and clean
that fan brush right here on my, my paper.
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People taller their Vita
again, see, look at that right.
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And touch your, hear Lou and that ever.
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Nice.
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Ah, you could eat it.
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You could lick it off.
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E no, I will create kind of
a far have I know he, no, no.
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You go into the details.
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I would say here, eh, Bring that up to
the point, the bringing that up to the
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point there, that little bit of Taylor
green, but I put in, I did put a bit
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too strong, but you saw how it is done.
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He created that kind of a sky there.
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Good.
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No, the next step would be, I will have
red and yellow, like a good orange color.
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You see this kind of orangy color
and I create a kind of override.
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Oh God,
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it's not nice.
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When you can apply with colors like that.
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And it makes sense.
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It makes sense.
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The, let that bounds a little bit.
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Let her test score into yonder there.
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Um, maybe like that.
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That's good.
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See, and then you, you, you.
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You red, an orange color fires in Nevada.
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There,
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he put that light together, even in
the vote or whatever, tied to pull
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it together and let it go down there.
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Let it be in the dark.
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He then you can easy, easy.
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Yeah.
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Yeah, maybe here we would
have a good darker there.
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the same here.
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Always tied to harmonize sky
and water, sky and water.
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And that works.
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That works good.
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Um, now the next step would
be, I use my big brush.
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You know, it's just crazy.
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When, when you paint that way you
grow, you grow so fast, so powerful
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because you feel I am in such
a, in such a power on my canvas.
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See here, I would like to have this kind
of lines going down all of a sudden.
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Into the water.
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No, if you want to, you can leave.
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This device is I will just
give him the highest highlight.
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That means a little bit
more white into the Gallo.
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Little bit more white, little bit
more of a white little particular.
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Look here, little bit more
white into that yellow.
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And that should be the brightest
color, but don't keep it white alone.
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Then you lose your sunset
the little bit yellow.
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See, can you see it's off white now?
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This is the highest I can ply
as the highest I can ply the,
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and you would just apply it in
the sunset around there dances.
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And so I make it, so
this is really exciting.
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See, I dance it in, see this working
on you at work into your heart.
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It's just powerful.
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Same in Nevada now, Nevada,
I will just go like this.
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Yes,
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no, you can use your big
brush if you want to.
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You,
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you can do it this way.
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If you want to see, I leave it
divided, this make some kind of a
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Z, it gives you kind of a sun rays,
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very gently, very gently.
240
00:17:59,729 --> 00:18:03,270
And always make sure if you
have too much paint, you get
241
00:18:03,270 --> 00:18:04,830
too much dirt into your brush.
242
00:18:05,010 --> 00:18:11,330
You see the make sure you always wipe
the brush off on your, your towel here.
243
00:18:11,899 --> 00:18:16,760
See, then you can even, sometime I
go back, see, I wants to have a bit
244
00:18:16,760 --> 00:18:19,489
of the sun rays coming in like this.
245
00:18:19,699 --> 00:18:24,709
Can you see, it gives me in that dark and
that light bit of a sun rays coming in.
246
00:18:41,195 --> 00:18:46,445
see, and try to find a heavier
paint office and paint.
247
00:18:48,185 --> 00:18:49,354
see, this is the problem.
248
00:18:49,534 --> 00:18:53,344
When your paint is a bit too thin,
then it would, it would not allow
249
00:18:53,344 --> 00:18:55,865
you to make those kind of movements.
250
00:18:57,630 --> 00:18:58,260
Okay,
251
00:19:04,570 --> 00:19:10,640
again, just, just a bit more clean
around and dabbled the throne.
252
00:19:10,670 --> 00:19:16,730
Like this gives you a really, and then
here again, the strokes can go right
253
00:19:16,730 --> 00:19:18,800
over here, over the reds a little bit.
254
00:19:19,280 --> 00:19:23,600
And then the next step would be
you use your big brush clean again.
255
00:19:24,300 --> 00:19:29,130
Make sure you have a clean
brush, mighty clean brush
256
00:19:31,230 --> 00:19:33,960
under dry brush, clean and dry.
257
00:19:34,140 --> 00:19:35,280
And now you go over there.
258
00:19:35,600 --> 00:19:35,900
Yeah,
259
00:19:42,590 --> 00:19:44,870
no, if you want, you can use your knife.
260
00:19:48,855 --> 00:19:54,645
You can use your own mighty knife and
you, you, you create kind of a watch
261
00:19:54,645 --> 00:19:58,605
this kind of orange-y orangy color.
262
00:19:58,995 --> 00:20:02,145
There is a horizon that is the powerful.
263
00:20:02,265 --> 00:20:05,715
Make the, make a dance there little bit.
264
00:20:06,765 --> 00:20:07,545
Yeah.
265
00:20:07,605 --> 00:20:10,125
See, make a dance there.
266
00:20:26,900 --> 00:20:29,870
C and a nice, don't worry about there.
267
00:20:29,960 --> 00:20:31,190
Don't worry about the side.
268
00:20:31,490 --> 00:20:32,630
Use that power.
269
00:20:32,630 --> 00:20:36,050
You have that as your power
now, and you work with that,
270
00:20:38,660 --> 00:20:40,640
you know, you come in here.
271
00:20:58,485 --> 00:20:58,935
See?
272
00:20:58,995 --> 00:21:06,705
No, you, you, you use your big
brush again, dry clean, and hit
273
00:21:06,705 --> 00:21:08,385
it along like this a little bit.
274
00:21:10,905 --> 00:21:11,565
It stands up.
275
00:21:11,565 --> 00:21:12,105
Nice.
276
00:21:12,825 --> 00:21:13,335
It's good.
277
00:21:13,754 --> 00:21:14,235
No.
278
00:21:14,620 --> 00:21:19,230
Against all that light, I would create
a, kind of a really dark alizarin,
279
00:21:19,230 --> 00:21:28,770
Crimson, alizarin, Crimson lizard,
Crimson, and we touch with Taylor green.
280
00:21:29,010 --> 00:21:29,909
That does good.
281
00:21:30,720 --> 00:21:34,070
The, I know you can far away.
282
00:21:34,940 --> 00:21:37,730
Uh, there's a little Island.
283
00:21:38,720 --> 00:21:42,350
It's an Island going by
there, up, down, down, up.
284
00:21:44,385 --> 00:21:44,655
Hey,
285
00:21:49,245 --> 00:21:50,355
you can pull it up
286
00:21:58,725 --> 00:22:03,495
and then you crown it in the sunset.
287
00:22:03,675 --> 00:22:08,295
You crown it with a bit
of orange, red and yellow.
288
00:22:08,445 --> 00:22:09,315
Watch this here.
289
00:22:09,885 --> 00:22:10,905
That makes it nice.
290
00:22:12,270 --> 00:22:12,840
Nice.
291
00:22:13,379 --> 00:22:17,429
This crown is a little bit here.
292
00:22:18,709 --> 00:22:22,520
Not strong enough, stronger, stronger,
293
00:22:25,580 --> 00:22:27,199
something like this.
294
00:22:28,070 --> 00:22:34,370
So you just let the sun dance
along a little bit there on top.
295
00:22:35,030 --> 00:22:35,300
See.
296
00:22:38,254 --> 00:22:39,815
And that's disappeared there.
297
00:22:40,025 --> 00:22:40,925
I wouldn't voted on that.
298
00:22:41,405 --> 00:22:42,245
Whatever it cost.
299
00:22:42,275 --> 00:22:42,575
No.
300
00:22:46,935 --> 00:22:48,795
See, that would be nice.
301
00:22:50,025 --> 00:22:58,065
The next step you use your big brush
and you create a legend Crimson.
302
00:22:58,095 --> 00:23:00,945
Look, I have lots of
paint here in my brush.
303
00:23:00,975 --> 00:23:07,275
Can you see it and tell the green, it
gives you a nice dark evening color.
304
00:23:07,735 --> 00:23:11,305
And I look at how much look
at the paint I put on there.
305
00:23:12,055 --> 00:23:15,835
A ton, a ton of paint
here that brush is loaded.
306
00:23:15,865 --> 00:23:19,285
Can you see that that
brush is loaded with pain?
307
00:23:20,665 --> 00:23:24,355
The, and I created kind of a
little dog, Paul, you know, just
308
00:23:24,565 --> 00:23:26,755
kind of a device, put it off.
309
00:23:26,785 --> 00:23:27,685
Can you see a divide?
310
00:23:27,685 --> 00:23:30,205
Take it off and know I fired him.
311
00:23:30,225 --> 00:23:34,845
Then here are mighty tree into the sunset.
312
00:23:38,774 --> 00:23:46,655
Can you see, Oh, isn't that something
never can make a better tree than death.
313
00:23:46,895 --> 00:23:48,845
Can you see how fast took me?
314
00:23:48,845 --> 00:23:52,835
Not more than three seconds to
have all those beautiful branches
315
00:23:52,835 --> 00:23:57,875
flying in the, this is what I wish
I could show you all the time.
316
00:23:58,774 --> 00:24:03,635
This is what I show you all the time,
because the power of your equipment.
317
00:24:04,395 --> 00:24:06,284
And that makes it so easy.
318
00:24:06,345 --> 00:24:08,115
See, look at that.
319
00:24:09,495 --> 00:24:13,294
And in the evening you don't have
to highlight because it just all is
320
00:24:13,294 --> 00:24:16,304
all this that the light got through.
321
00:24:16,814 --> 00:24:17,835
And that's it.
322
00:24:18,044 --> 00:24:18,705
Look at that.
323
00:24:18,885 --> 00:24:19,544
Look at that.
324
00:24:20,235 --> 00:24:20,985
Look at that.
325
00:24:21,135 --> 00:24:22,064
That's not wonderful.
326
00:24:24,945 --> 00:24:29,865
And now time you create a beautiful scene.
327
00:24:31,110 --> 00:24:35,790
In color, the sunset,
the power of the evening.
328
00:24:36,030 --> 00:24:39,390
And you have all those happy
little branches standing up
329
00:24:39,390 --> 00:24:41,700
there, see it just loose.
330
00:24:42,300 --> 00:24:43,290
And it's really sad.
331
00:24:43,770 --> 00:24:48,210
You will make a happy buck
and then you are a happy guy
332
00:24:48,570 --> 00:24:54,020
and that's all it is D yeah.
333
00:24:54,020 --> 00:24:57,590
I'm still excited about all
the new artists I met and
334
00:24:57,590 --> 00:24:58,820
I really pulled for them.
335
00:24:58,820 --> 00:24:59,960
They're young.
336
00:25:00,525 --> 00:25:03,225
Powerful and they are doing fantastic.
337
00:25:03,855 --> 00:25:04,875
They are doing fantastic.
338
00:25:09,415 --> 00:25:09,735
Yeah.
339
00:25:11,855 --> 00:25:15,695
Maybe like this and you
don't have to highlight much.
340
00:25:15,995 --> 00:25:22,115
You just use your own mighty knife and
you cut down a little bit of a tree trunk.
341
00:25:22,595 --> 00:25:23,405
It is.
342
00:25:24,015 --> 00:25:25,905
In the evening you don't see much.
343
00:25:26,505 --> 00:25:33,825
See, and then you can create a happy,
happy, happy little road coming out there.
344
00:25:36,375 --> 00:25:38,745
They'll get this paint.
345
00:25:38,745 --> 00:25:46,505
This breaks in a wonderful Lucas just
does just beautiful detail and no time.
346
00:25:46,745 --> 00:25:50,075
See if I had more time, I could show
you all the time, lots of other things,
347
00:25:50,435 --> 00:25:55,265
but the problem is TV is a wonderful
thing, but they don't give you time.
348
00:25:55,265 --> 00:25:56,165
That's a problem.
349
00:25:56,525 --> 00:25:59,015
So, but anyway, look, look what you got.
350
00:25:59,895 --> 00:26:03,945
But you see it's about you got it.
351
00:26:03,945 --> 00:26:08,535
And you got it in like this
little bit like this, and
352
00:26:08,535 --> 00:26:09,885
then you visited a happy too.
353
00:26:12,845 --> 00:26:12,935
Okay.
354
00:26:13,505 --> 00:26:18,725
And maybe here, I would just, just use
a little bit of a, kind of a red, a
355
00:26:18,725 --> 00:26:22,775
little bit of a red color on the side.
356
00:26:23,345 --> 00:26:25,025
You see there.
357
00:26:26,775 --> 00:26:29,445
And that is what it is.
358
00:26:30,405 --> 00:26:34,425
He may be here a little bit of a
red, it's just a bit of Fred dish.
359
00:26:34,935 --> 00:26:35,595
Can you see this?
360
00:26:35,595 --> 00:26:40,845
A little bit of a red on top there
that would do the whole take and
361
00:26:40,845 --> 00:26:44,475
the sun on the, you know, in the
sun, but that little bit of a red
End .srt file.
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