Bill Alexander's
The Magic of Oil Painting
Season 4, Episode 3, Bills Covered Bridge - AVAILABLE
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And I meet you under the covered bridge.
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Isn't that wonderful.
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This week we are together again.
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The covered bridge.
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I made a lot of trips to new
England, uh, um, main country.
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And you see a lot of the covered
bridges and I figured why not
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pay anyone because we never, I
think I never have done it on TV.
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I would like to show a big
variety of doing things.
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So let's do it.
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Okay.
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Everyone is doing it.
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Put that on my ID magic right on that,
on my ready canvas and without our mighty
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mood and without our minority feeling and
we get our mighty covered bridge on again.
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That's the main idea.
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Yeah.
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Good, good, good, good.
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It's not something you have
to really pump yourself up.
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When you want to do something.
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It is your unveil power.
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What brings you to.
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And mighty painting, creative
power that our mighty creative
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power is such a wonderful thing.
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And as nice as we have it.
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And it's nice, this youth
can be aware of this.
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You have it, you have it.
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We all have it.
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I didn't know this.
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I have it in the beginning.
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I had to have a postcard after the book.
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I have to see something.
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And when you really dank, we all
live through the years to this
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board, we have seen this and this.
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By not just bringing it home fires
on the canvas, put it in the sunshine
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in the rain, put the mood and, and
it just a wonderful buy of living.
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See, that's what I would like to show yet.
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And that makes a nice day
it's exciting day goes by.
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It's something new and you have.
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Put it on the canvas too much magic bites.
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No good.
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Not enough.
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No.
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Good.
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Just have enough food
as it is a tick paint.
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All of a sudden, you remember, we
talked so much about it, then the
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paint will stick on the ticket pain.
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And when you see, you know, I put
the dinner paint on the canvas, then
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you would say, this guy is lying.
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No, no, no.
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The canvas eats that paint right now.
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Right now it does suck and everything
up and it becomes a ticket paint.
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It becomes tacky, but don't leave too
much on the then, then it becomes,
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it will be a headache for you.
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So we will have a happy
summer sky and think you are
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traveling to the main country.
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Why what's the reason about the covered
bridges actually is for the snow really?
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Because the mean.
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New England is lot of winter there
and the vendors, the bridges stares,
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you get, they get so slippery.
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This, you can, you have to have a
covered bridge in order to work through.
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And then on the other side, no matter
what, and that the city's invited,
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we have covered bridges debt.
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Okay.
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We would put the happy, uh,
Blue sky on, I used Taylor green
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and pression blue to get there.
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I was to create a, kind of a greenish
greenish summer sky and happy summertime
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and all the trees and leave
the green and red things.
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All the blues.
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Kind of a green clean sky there and
here's the voices from the covered bridge.
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On the other side, we
will let that bridge.
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See does the water, maybe I put a little
bit more blue on this, a bit more blue
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in front and not that green in the back.
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So a bit more passionate
blue in front and on top.
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Give me a nice perspective sky.
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You're defined.
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And your rub heart.
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Keep it dry, keep it dry.
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Keep it dry.
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Let it be greenish.
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Nice.
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What the depth already?
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You see the waters line flat.
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It appears the canvas is straight,
but we create optical illusion.
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There's our might illusion
is what makes that painting.
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So.
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How,
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so, Nope.
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We hypnotized the whole thing.
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You can see it's hardly no paint on.
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It's easy to paint on the canvas for you.
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Have no heavy paint.
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I start from the bottom and go up, up,
up, up, up, and then I have no problem.
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He, no, you can go from the bottom
up if you want, because they have
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some paint on the brush already,
and then you open the bottom up
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and then you smooth out the value.
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One.
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Dad, dad, dad, dad.
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That's good.
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It doesn't matter what you create now.
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New ambulant, uh, main country
they're mountains, but all the
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mountains, they are put it this way.
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Maybe I paint some, they are
loaded, loaded with, with trees.
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Three my own 10.
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So it will be, we'll say, here
is a mountain they're like
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rolling, rolling mountain, rolling
Hertz and all the standing up.
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You see what I do always make it.
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So like it's standing up there.
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And that gets lighter, lighter, lighter.
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Yeah.
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We there somewhere, this then appears
on the hair betrayed off and then
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you got new England or main country.
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You get it to get better.
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Yeah.
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Did you get there?
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Honest, upstanding lines
because you make it standing.
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It is not lying flat.
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Good.
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Good.
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No, you can add the colors you want.
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You can make an autumn.
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See, you know that you
can make a vendor scene.
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But I started off with just summers,
you know, Eddie, but it doesn't matter.
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You put the mood and even as this is some
machine, but you can make a colorful, you
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can make it, uh, in the register tune.
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You can have larder red.
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Trees in between, uh, AKA trees,
you know, all kinds of colors,
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trees have different type of a Birch
divide birds you can put in there.
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And I just fell in like that.
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And I said, and you see,
he was a touch of yellow.
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And we were saying the light
is coming from this side skis.
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And I really have that hell nice and
sunny on this, on the sunny side.
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He has the sunny side of the, the hair
and yeah, the other sunny side here.
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Yeah, little bit.
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Hey, it gives you a
friendly, friendly here.
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He can light it up and on the
Sunday side, the like that.
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On the floor and in between, like, there
are a lot of trees, a lot of grounds.
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There's this it's a UC, is this
it's a bit nicer, usually congee.
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Hey Dan, this is Heidi.
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Maybe here in between.
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You have something cooking.
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he hit him that kind
of a happy color here.
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The same.
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Hey, just attaching, let, make it,
make sure you don't have blobs.
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The oldest details that make
it's a nice, nice painting.
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Hey, nothing is blobby
is still all like leaves.
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And
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now you can aim for maybe
a darker three in between.
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He can say here's a darker
three in between or.
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Do you know that to set it off
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and try to create kind of a new, but
you think there's a river coming through
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the, it, it gives you a feeling that
got to be water running down, because
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if you leave it open there and have
other dark tree as a San bird, I would
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have all the doctor on this side here.
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He nice and loose.
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Look beautiful.
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See that automatically will tell you in
between is nothing that means with others.
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There is some water.
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See, look at that beautiful
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sea and you create your
happy little world.
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No better leave that open
and I will have to tank.
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Now.
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I have to find out where
I put my covered bridge.
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What is the road coming?
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This, why this, why this
by or this vide through?
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Or have the covered beds long?
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And I would say we, but dang,
there's a road going this way here.
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See, and this is the voter here.
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See, and that, that is in the covered
bridge will be here somewhere and we
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create, we create this kind of, uh,
make it darker, make it nice and dark.
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In the water.
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It should be always darker than,
than, uh, in the back of the trees.
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I don't know why it is like that,
but it looks like in the water.
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It's always, it's always
more, it's more whatever.
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Good, good, good, good,
good, good, good, good.
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No, here we do the same thing.
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We just.
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Try to dance the streets
into the water there.
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And that in the background,
we went for it too much.
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There's just whatever happened there.
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So we very, very, very well.
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We were put more power in there.
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Have, uh, have that light coming from
that side, I put more power in there
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that gives you more powerful painting.
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First, you need dark
in order to show light.
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If you have that doc first, and it's
no problem to put some light in there.
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So they're half some on this side.
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Maybe I create a four, three, the, I use
take blue and SAP green of my palette
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and make my brush like a sharp brush.
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Can you see that is a sharp,
sharp edge on the brush.
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See, and then we fire and maybe
here we put the, Oh, we put
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the big four tree in there.
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Just set off to, to, uh,
to make it more powerful.
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Look at that.
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Yeah, no, that's fine.
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Go for it.
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Yeah.
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That's, that's a trade off and your files
right into the water desk to, he had
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gives you, you, you create your own power.
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You want to have that penny,
you wants to sell that penny.
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You wants to make it to this.
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When you see it, she wants to have it.
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So, you know, as long as you paint as
more, you learn that kind of thing.
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I was a lot on shopping centers in my
life and I learned what people need
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and what they want and how to sell it.
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And I made a good living or
a happy living with this.
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Right.
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Then, then, then you, you, you,
you create a tree trunk there.
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then you use a little
bit of a dinner, right?
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And maybe a touch of alizarin,
Crimson and Indian yellow.
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Yeah, that gives you a nice,
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nice, happy color.
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There fires right into the water here.
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You can do the same thing.
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See how it looks beautiful.
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It fires right into the water.
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He already, you dress it up and dress
it up and it gets nicer and nicer.
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See?
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No, I think I need a bit more dark.
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And here in this case, you.
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Cut up that long line in between the
gunshot with the whole thing, maybe
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here to you, then, then, then it
looks like leaves out in front too.
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Okay.
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00:15:52,260 --> 00:15:53,370
Okay.
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No, that means it's a happier road gone
down there and we very, very be aware.
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We will have.
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I will use our lives in Crimson,
that little bit of vibe, what
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00:16:09,285 --> 00:16:12,915
they have here, tach off blue.
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00:16:13,785 --> 00:16:15,105
That's a good color.
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Yeah, maybe that's a nice color.
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And we will create the other side of
the bridge to other side of the bridge.
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That's the other side of the bridge now.
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00:16:38,865 --> 00:16:43,775
And there is a roof on the other
side is the other roof too.
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00:16:44,405 --> 00:16:46,324
There's a roof
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00:16:54,305 --> 00:16:55,805
on all the sides.
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00:17:03,045 --> 00:17:09,525
And then here, it's the bottom
of that's what the road is.
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00:17:10,395 --> 00:17:12,734
Well, you have a happier
road going down there.
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You become an architect,
you really create a story.
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The why you think it
would, it has to be buried.
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It was buried.
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So no, no.
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There's a, it's an openness.
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You can always bend your drive through.
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You can look through there's
openings, where you can look to, and
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00:17:45,690 --> 00:17:49,860
we leave that as an opening there
and here's the roof and other side.
244
00:17:53,190 --> 00:17:56,480
And no on this side we put,
245
00:17:59,480 --> 00:18:00,050
right.
246
00:18:00,770 --> 00:18:00,860
Okay.
247
00:18:00,920 --> 00:18:04,100
And we created a kind
of a color like this.
248
00:18:06,225 --> 00:18:09,465
And we put a roof over like this,
249
00:18:12,825 --> 00:18:13,695
on this side.
250
00:18:13,695 --> 00:18:14,115
Now
251
00:18:25,665 --> 00:18:28,725
he know the same thing.
252
00:18:29,085 --> 00:18:33,735
You, you, you would have your
fire into the water there.
253
00:18:37,110 --> 00:18:41,520
That gives you some reflection
in the water, and that would look
254
00:18:41,520 --> 00:18:53,490
like this E and now you, you,
you, you, you have a, I would say.
255
00:19:04,215 --> 00:19:05,835
From being like this
256
00:19:10,535 --> 00:19:16,595
founding, like this,
something like this, you see.
257
00:19:19,875 --> 00:19:30,014
And then here, here you create the
happy little road there you see, partly.
258
00:19:33,585 --> 00:19:35,145
And then of course, I'm here too.
259
00:19:36,885 --> 00:19:42,524
He know he can shoot over the bridge,
cross over the bridge, cross over the
260
00:19:48,120 --> 00:19:48,540
Yeah.
261
00:19:48,920 --> 00:19:54,480
Give him that feeling of it's
has that kind of ending there.
262
00:19:59,520 --> 00:19:59,910
Good.
263
00:20:03,900 --> 00:20:05,250
And no,
264
00:20:12,810 --> 00:20:25,050
Mick bought out a debt and we very,
very, very let that come off here.
265
00:20:33,919 --> 00:20:34,500
See.
266
00:20:38,955 --> 00:20:43,505
And were you were
coming it's not wonderful.
267
00:20:43,505 --> 00:20:48,125
How you just, in your own mind,
you see, it has to be standing up.
268
00:20:48,125 --> 00:20:53,105
It has to be a bridge, has to be water
under the bridge and you have a side
269
00:20:53,105 --> 00:20:58,985
their side, and that all reflects
into the water to here somewhere.
270
00:21:10,250 --> 00:21:11,030
it is true.
271
00:21:12,050 --> 00:21:17,630
I should have it a bit more down
the, I show you what you shouldn't
272
00:21:17,630 --> 00:21:19,790
do, how you shouldn't do it.
273
00:21:20,480 --> 00:21:23,990
It should be more down, but you
see how you get out of that.
274
00:21:24,080 --> 00:21:32,210
I will show you, you just pulled that
down, put that down, put that down.
275
00:21:41,930 --> 00:21:48,139
now you can have a little
bit of a look through here.
276
00:21:48,440 --> 00:21:52,580
Like we said, you see more, the
board has come, you see more this
277
00:21:52,580 --> 00:21:58,340
side, then you create kind of a
little bit of a in look there.
278
00:21:59,130 --> 00:22:00,270
On one side.
279
00:22:00,420 --> 00:22:05,790
See you see under the bridge, you see
a little bit on this side is the dark.
280
00:22:06,040 --> 00:22:07,830
You have this kind of a look.
281
00:22:08,310 --> 00:22:10,410
See that that's the way you build it.
282
00:22:10,650 --> 00:22:14,760
No, when you start that often, it is fun.
283
00:22:14,820 --> 00:22:15,870
It is fun.
284
00:22:16,710 --> 00:22:18,360
It's a lot of fun.
285
00:22:21,860 --> 00:22:25,670
Hey, no, we can highlight here.
286
00:22:26,700 --> 00:22:28,860
The bridge that's better.
287
00:22:29,370 --> 00:22:30,419
No, we get it right.
288
00:22:31,320 --> 00:22:37,220
Sometime it gets a bit confusing, but
if you catch it before you let it go on
289
00:22:37,220 --> 00:22:39,169
the market, then at this order, right.
290
00:22:42,230 --> 00:22:49,430
See, now you can have on other side,
the greens and the colors and the, on
291
00:22:49,430 --> 00:22:53,990
the other side for, by you see this,
you look in this vibe, that means.
292
00:22:54,585 --> 00:23:01,635
Yeah, here, here and here you see
a little bit of the greens and
293
00:23:01,635 --> 00:23:06,885
other side he's ever disappearing.
294
00:23:07,425 --> 00:23:08,595
He is grass.
295
00:23:13,865 --> 00:23:15,335
Here's grass.
296
00:23:21,695 --> 00:23:23,105
Here's grass.
297
00:23:24,690 --> 00:23:25,860
He had works.
298
00:23:26,640 --> 00:23:31,650
And now you, you, you,
you fire in like this
299
00:23:35,720 --> 00:23:37,520
fire in like this.
300
00:23:41,690 --> 00:23:42,230
Yeah.
301
00:23:43,070 --> 00:23:44,990
And then you make water out of that.
302
00:23:52,110 --> 00:23:55,080
And this is a beautiful feeling
when you have that dribbling
303
00:23:55,379 --> 00:23:57,330
in the water, that that's good.
304
00:23:57,750 --> 00:24:04,290
And now you create some happy little
water lines, water lines, and there
305
00:24:07,850 --> 00:24:10,110
he started out from far away.
306
00:24:12,240 --> 00:24:13,919
Hey, it comes under the bridge.
307
00:24:24,200 --> 00:24:25,430
see how it works.
308
00:24:26,450 --> 00:24:27,800
It's a lot of fun.
309
00:24:41,270 --> 00:24:43,070
he know you do it here too.
310
00:24:43,950 --> 00:24:45,090
Thoughts here.
311
00:24:45,090 --> 00:24:46,590
You have the line on there.
312
00:24:46,620 --> 00:24:49,620
You have, yeah, that
there's a Pearson yonder.
313
00:24:49,620 --> 00:24:50,070
There.
314
00:24:50,880 --> 00:24:54,810
You have a little line on
here, the line on here,
315
00:25:02,910 --> 00:25:11,250
and, and now time you are
driving through new England.
316
00:25:11,850 --> 00:25:17,610
And you see as wonderful covered
bridges and you drove to the bridge
317
00:25:18,149 --> 00:25:21,660
and you think sometime I got stopped
the music and go fishing there.
318
00:25:22,139 --> 00:25:24,090
See, that's sometimes fun too.
319
00:25:40,754 --> 00:25:45,965
Just put some life in
there that makes it nice.
320
00:25:55,095 --> 00:26:00,825
He know, he better go in here
to the water and create the kind
321
00:26:00,825 --> 00:26:04,125
of water movement in the river.
322
00:26:08,295 --> 00:26:13,185
And he had to, and isn't that knife?
323
00:26:15,990 --> 00:26:22,530
You can go on and on and on
and on, and you have that.
324
00:26:22,620 --> 00:26:26,610
I might be covered bridge
there and you go to that bridge
325
00:26:27,179 --> 00:26:29,639
and yeah, the water on there.
326
00:26:30,899 --> 00:26:33,990
And maybe I give him a
copy of highlights here.
327
00:26:33,990 --> 00:26:39,720
Just a couple of highlights,
maybe here in order to back it up
328
00:26:39,720 --> 00:26:41,879
a little bit here a little bit.
329
00:26:45,630 --> 00:26:48,930
Maybe here a little bit,
like this disappears there,
330
00:26:49,110 --> 00:26:50,550
here, the road is appears.
331
00:26:50,940 --> 00:26:52,350
And what happened.
332
00:26:52,890 --> 00:26:56,460
There is a happy new Anan bridge.
333
00:26:57,030 --> 00:26:58,050
You enjoyed it.
334
00:26:59,190 --> 00:27:00,420
Thank you for watching me.
335
00:27:00,480 --> 00:27:01,230
And I love you.
End .srt file.
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