Bill Alexander's
The Magic of Oil Painting
Season 7, Episode 7, Marced River Yosemite - AVAILABLE
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The, uh, moon never weighed
or done the, my that are made.
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The magic light is on that our
mighty canvas and that mood
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in the river is floating off.
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Sunset beautiful before the moon comes
up to sun is setting well, sometime
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the moon is up and just under setting.
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That's a funny thing.
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Sometimes you'll watch things.
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The moon is even on the daytime on
the sky, but I was, my 80 son said
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into that are mighty sunset and
not the river Comodo that's unsaid,
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but bit of a snowy icy, icy river.
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So we will use sunny colors.
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No, forget the magic.
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Right.
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That's under canvas and don't
put too much magic right on.
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Please listen to me.
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I said most every time I paint,
not too much, just put it this way.
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It didn't have paint.
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Really stick, take a paint right
now we have a Dick pain, but what
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we do, we put the thinner paint
on no, hold the, how you get the
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ticket paint on that thinner paint.
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So I actually, I lied to you.
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It's not, no was what it is.
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The canvas is sucking up the paint right
now, and it becomes a thicker paint.
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But if you put too much on, it stays
at then the paint and you never,
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never get dust paint on the canvas.
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Did I say enough?
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I hope I should say it on
every TV show before I start.
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I should really, because
it's very important.
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That is without when you have
too much magic white, you just
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cannot paint this all it is.
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So I, I, I trust to say over and
over this, make sure you don't
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have too much magic, right?
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No, I will use the sun's at close orange.
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You start at the nice color
orange . A little bit of that,
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just a simple orange color.
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I know there will be trees on the side,
maybe a tree, some in front or whatever.
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And so wherever you think you don't
have to show, you don't have to show.
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And I use a touch of Indian yellow
in here that Indian yellow makes
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it even nice a day that makes it
very rarely, and you'll find it
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right into the, to the river there.
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And that is what makes it so nice.
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see.
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I never talk about I should, I should,
because I use piece that canvas.
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I see that painting, finishing my mind.
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Uh, God yard, maybe I'm guilty.
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I feel guilty.
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No, because I paint, I paint so many.
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I'm 20 years on TV and I feel so easy.
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It's so easy to do.
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And I have forgotten this
law, the newcomers come in
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and they'll see me doing it.
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And they think how the hell I start.
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I better talk about you space
that canvas in your mind.
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Then that's where people draw that,
draw that painting on the canvas,
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but that's the beginning of a pain
of artists and all the artists don't
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draw any more because you draw in
your mind throw all that in my mind.
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I know already there's other three here
or three, maybe heard of a mountain
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coming down and the copy storage there.
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And so I have it already all in my mind.
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It's all there.
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But in the beginning, you
really have to learn that.
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Now I can see, I, I should really be
punished as they never talk about that.
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And there are so many
newcomers they're there.
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The first time they see the
show and then they say, what the
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hell I'm doing with the canvas?
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Have a white canvas.
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I don't know what to do.
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So spaces in your mind.
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First, this you, then,
then it becomes easy.
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And then when you paint, don't worry
too much because we do it so fast.
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When you say I paint
the tree there, right?
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How you put the sky in there when you
put the three in there, but you do
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it so fast, there's it just easier
to finish up the whole background
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and then put the three into that.
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So now maybe we cleared the
air and let the bed lift bit.
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There's all orange
colors here just simply.
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Orangy colors or Angie colors.
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And now I will add a bit
of a lift in Crimson.
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She ain't go into alizarin
Crimson and add a bit of alizarin
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Crimson from the top down.
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Maybe no blue attached off passion blue.
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You look at that blue.
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That's already can't you see it?
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Look, that's all I got on blue.
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Look at that.
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Just the little drops there that's already
was too much with alizarin Crimson.
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Watch how dark it is.
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Look at it.
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It's too much already.
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V I showed you.
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I showed you how you shouldn't do it.
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Okay, good.
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But I will wash it out here and here
and there and make it nice because nice.
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All over.
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Be careful depression, blue pressure blue.
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I tell you that pressure
blue is under my false teeth.
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It's under my VIG is under my eyeglasses.
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It just on my pillow in the bad.
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I don't know what the hell
I get that pressure in blue.
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Always that pressure blue follows me.
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That's the fun.
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That's the greasiest.
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The hardest color on earth.
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All the other colors, they're
milder, but the pressure blue gives
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a little tension, ah, too much again.
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Oh, too much.
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And then you ruin your whole work.
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Let me warn you about that
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Zillow.
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No, we really put your voice
into the foot from the door.
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But when you, when you go
into that now, yes, the, the.
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Don't overdo it.
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Right.
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Divide.
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Because it's hard to wash it out, rather
do it, like, as he hits it, it needs a bit
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more or key and other put a bit more in,
but yes, just, Oh God, touch that blue.
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That's all the, no, I bet you.
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No, that's good.
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Still good.
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I wonder the darker there.
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And I wonder again, just
attach off that blue
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too much
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move.
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Never, ever.
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It's a nice, Oh God happy
melodies with a happy heart.
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My father came from Ireland
to set it down somewhere.
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He brought with him a happy heart and
it should have gone to kill bears.
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And then he took him Saturday for five.
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I do believe from France, the road and
all their beds, that little house for too.
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And the road about their fence.
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We are proud to be Americans
and a nice, when they came here,
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they started off with nothing.
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Now, how did that really
get them to death?
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No, I suppose to have been deceived
by that as a part of the, you
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get so Sparky yet, so full of
energy, you guys are full of.
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I will not say it.
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And then you fire him.
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You're fired.
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You're fired.
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You're fired.
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so good.
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Good start.
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Good start.
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Now I will use my almighty fan
brush, make sure it's nice and clean.
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And I will.
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I like to build that up a little
bit with white and Indian yellow.
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She has a bit of more sunshine there.
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See, and this gives me a little
bit more sunshine down there and
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make it so as this it's vibrating.
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It's, uh, it's not like a block just
to make a dance look like this, this
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dance, dance, dance it on their own.
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That gives you a beautiful painting.
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He over there, I didn't go up.
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It get darker darker though, but you
have that dancing sun movements and
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you dance it right into the water too.
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Yeah, you good?
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Good, good.
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No, this guy has finished, has finished.
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We were put right on the side,
maybe a tree, a dark dark tree.
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I use my fan brush.
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Now I use a bit of that pressure
and blue and odors in Crimson.
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He was lots of alizarin
Crimson in the evening.
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Evening.
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Caught us are nice with soaked
with flashing blue, but.
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Alizarin Crimson first, just to
let attach, uh, God know, whatever,
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whatever three years to put in, but
you see it space in your mind, again,
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a space in your mind and make the T
whatever you think, whatever you think.
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Yeah.
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Oh, it's such a wonderful thing.
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And you think about the
word and this and his best.
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And his best.
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Look at that tree standing there.
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I ain't eat it in the Maya.
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That's a nice song.
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Sometimes.
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Does the VARs can be joined inspiring.
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This, you can bring out the best of that.
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You're safe by this
humming beautiful songs.
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so, you know, that sun set comes more
out by having those dogs, but more
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or less in Crimson, I applied too
much that pressure Blue's already
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taken over too much there even.
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Passion blue.
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Uh, allegedly Clemson is the color
here, but you have to have it a
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bit darker that you use passion
blue to do talking to Dawn.
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He they're putting in half.
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putting it into the vault R and D Oh God.
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Look at that.
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Beautiful.
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There's much to beautiful blue
sky Wade, blue sky and not a nice
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dream, always to see peace on earth.
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People love each other.
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And, and, uh, uh,
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I think it's coming together now is
thank God man is waking up right.
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This wonderful VAR needs, wonderful
peepers to keep it running for us.
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he lives in Crimson and I
bring it out more and I bring
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it out in the middle here.
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Watch this.
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Now I just put it in a little
bit of water there into the
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water there you see, but watch.
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Show you use other fan
brush in the middle.
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Now try to play a little bit more
of a terrain or with, with orange
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in that, those colors then, because
the suns that has soaked the trees,
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the red is soaked with red there.
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Can you see.
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Let it be in the sunset, but more
so soak the trees with the sun.
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Then you get the polar over painting.
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00:13:06,410 --> 00:13:09,140
Otherwise it's just too naked, too naked.
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Let the sun soak the tree with him there.
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00:13:19,400 --> 00:13:20,569
Yeah, that's nice.
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No, I think you must agree isn't that?
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No matter what you do, this
is just a common sense thing.
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00:13:29,660 --> 00:13:31,550
I would do it on the field too.
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00:13:31,760 --> 00:13:35,390
If I had the feeds, I would
have a sons that I never
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00:13:35,390 --> 00:13:37,310
soaked the grass with the sun.
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00:13:38,060 --> 00:13:43,610
The grass is all, some of them moist it's
always has a bit of moist and the Sondra
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00:13:43,640 --> 00:13:46,640
always sparked a little bit in that moist.
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00:13:47,850 --> 00:13:55,180
No here, you don't have to, but
this is like a cigarette I tried,
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00:13:55,220 --> 00:13:56,630
but it's just not necessary.
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00:13:56,630 --> 00:13:57,710
It's not necessary.
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00:14:00,200 --> 00:14:02,630
Just bringing little
pockets out of eight here.
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00:14:02,660 --> 00:14:05,030
They're orange colors.
222
00:14:14,915 --> 00:14:20,255
no, we would pull the same thing down in
the water here, that orange color to the
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00:14:20,255 --> 00:14:23,285
sun, pull it right into the water there.
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00:14:31,745 --> 00:14:39,935
try to paint that wonderful
feeling of living on this earth.
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00:14:41,564 --> 00:14:45,585
I think when you create the
why I show you, it keeps you
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00:14:45,585 --> 00:14:50,025
healthy for longer and happier.
227
00:14:51,495 --> 00:14:54,255
The, the street fire into the water.
228
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Just straighten it out.
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00:14:56,235 --> 00:15:03,105
If I could see it there and maybe
this one here, a little bit tire.
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00:15:07,835 --> 00:15:08,585
That's good.
231
00:15:09,945 --> 00:15:12,525
No, here you can use,
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00:15:16,005 --> 00:15:21,765
I will cut in stones and heavy,
uh, like a real river there.
233
00:15:32,705 --> 00:15:33,905
No, he had the same.
234
00:15:48,305 --> 00:15:49,565
that's why they would be stolen.
235
00:15:49,565 --> 00:15:51,755
So that would be something
that's coming around there.
236
00:15:52,205 --> 00:15:54,545
As long as they have
it divided twice here.
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00:15:55,205 --> 00:16:00,005
Maybe he actually put a bit more mortar.
238
00:16:03,330 --> 00:16:07,470
Orange lit little touch there.
239
00:16:19,650 --> 00:16:21,180
Good, good, good, good.
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00:16:21,980 --> 00:16:25,730
No, he was using a big brush,
make sure it's just nice and dry
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00:16:25,730 --> 00:16:28,550
and clean and pull it all down.
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00:16:30,360 --> 00:16:34,860
See, I can't do that because I
have a heavy, strong, thick paint.
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00:16:35,310 --> 00:16:38,760
Try to find that mighty take strong paint.
244
00:16:39,420 --> 00:16:41,670
And with that, you can paint.
245
00:16:42,900 --> 00:16:43,709
Didn't paint.
246
00:16:45,090 --> 00:16:45,720
Wouldn't do it.
247
00:16:46,380 --> 00:16:50,670
Do you know, I go inside where
he looked at that no, there was
248
00:16:50,670 --> 00:16:55,949
us coming along and you can touch
cried hard because you have a solid.
249
00:16:56,520 --> 00:16:58,140
Hard paint.
250
00:16:58,890 --> 00:17:04,200
No, I used the white and the touch
of blue, but I tell you over and
251
00:17:04,200 --> 00:17:12,079
over that threshold, blue eats you
up habit just enough, just enough to,
252
00:17:12,170 --> 00:17:14,329
it gives you that bluish tach there.
253
00:17:14,329 --> 00:17:15,020
That's good.
254
00:17:15,770 --> 00:17:19,810
He know every fire off here, far away.
255
00:17:19,909 --> 00:17:22,970
The beginning of that,
of that Creek there.
256
00:17:34,700 --> 00:17:38,389
Is that the moon or whatever
we could put the moon on top.
257
00:17:42,409 --> 00:17:44,389
laid are done in my
258
00:17:50,240 --> 00:17:51,379
Oh, Oh.
259
00:18:01,640 --> 00:18:03,650
see what's in the shadow.
260
00:18:03,650 --> 00:18:04,070
No.
261
00:18:04,580 --> 00:18:08,060
And then if you confirm it's
snow, you can use yellow.
262
00:18:08,090 --> 00:18:09,560
Watch he that's all blue.
263
00:18:09,710 --> 00:18:14,450
No, I use, I use God into that.
264
00:18:15,620 --> 00:18:17,810
He liked the up to here.
265
00:18:17,810 --> 00:18:19,820
The sun throw us a shed door.
266
00:18:20,310 --> 00:18:24,300
Into the in-between let little
bit spark the sun there.
267
00:18:24,720 --> 00:18:27,990
See, got painted over the power of God.
268
00:18:28,110 --> 00:18:31,920
Have a nice, the power,
the power of a painting.
269
00:18:33,150 --> 00:18:34,770
He paved with light and shadows.
270
00:18:34,770 --> 00:18:36,420
Maybe here is for a little bit of sun.
271
00:18:36,450 --> 00:18:39,880
The sun is touching here, here, here.
272
00:18:49,935 --> 00:18:50,445
E?
273
00:18:53,465 --> 00:18:59,795
No, you, you, you, he was at a
mighty brush again, the big brush,
274
00:19:01,445 --> 00:19:05,765
nice and clean, nice and clean.
275
00:19:06,515 --> 00:19:08,375
And give him this a little bit here.
276
00:19:08,795 --> 00:19:13,595
It's straight out, but very, just
a little loose touch, not hard.
277
00:19:13,805 --> 00:19:15,965
Don't touch it too hard
and you'll ruin it.
278
00:19:18,155 --> 00:19:18,845
So that's good.
279
00:19:19,485 --> 00:19:20,565
That is good.
280
00:19:21,105 --> 00:19:26,315
No, I very, I really act like there
are three tonics, a little bit
281
00:19:26,315 --> 00:19:33,395
here, little bit there into the
sunshine, but against the son, you
282
00:19:33,395 --> 00:19:35,825
don't see much against the sun.
283
00:19:35,855 --> 00:19:40,295
You don't see much tree trunks as
everything turns out like you're serious.
284
00:19:41,764 --> 00:19:44,524
No, I use black.
285
00:19:45,305 --> 00:19:46,865
That's heavy, right?
286
00:19:47,534 --> 00:19:48,585
Heavy right.
287
00:19:48,615 --> 00:19:53,024
And black and alizarin Crimson.
288
00:19:54,645 --> 00:20:00,735
He likes this and I
will create some stones.
289
00:20:00,735 --> 00:20:03,014
This here's one big one.
290
00:20:03,155 --> 00:20:03,815
Yeah.
291
00:20:10,445 --> 00:20:10,895
Yeah.
292
00:20:11,650 --> 00:20:14,550
Yeah, this creates some
stones in the dark.
293
00:20:14,550 --> 00:20:18,060
He doesn't see him anyway, but then
as it comes to art, you see them here.
294
00:20:32,240 --> 00:20:33,170
he ain't going to be here.
295
00:20:33,170 --> 00:20:37,760
The other stone or the big
stone there in the water.
296
00:20:40,679 --> 00:20:47,010
And let that reflects in the water that
stone reflects the new water there.
297
00:20:47,730 --> 00:20:51,899
He, how you brings out the big one, dad.
298
00:20:51,929 --> 00:20:56,129
Ah, that's a big one hanging on there.
299
00:21:09,670 --> 00:21:10,350
Darker.
300
00:21:29,475 --> 00:21:34,605
No, you highlight that you can highlight
that with sun colors and this piece
301
00:21:34,605 --> 00:21:37,055
here, I let the sun hit it here.
302
00:21:42,165 --> 00:21:42,965
That stone
303
00:21:50,465 --> 00:21:52,715
on this one, I like to
put into the shadow.
304
00:21:53,135 --> 00:21:55,115
I put a bit of blue on top.
305
00:22:03,014 --> 00:22:03,825
Nice.
306
00:22:04,365 --> 00:22:05,955
Oh, that's nice.
307
00:22:06,524 --> 00:22:08,264
He here, here, here.
308
00:22:08,435 --> 00:22:09,304
AMEC water.
309
00:22:09,665 --> 00:22:15,245
Make sure you have a dry brush
and a clean brush, clean brush.
310
00:22:15,725 --> 00:22:18,004
He sometime you just grab
the brush and you're done.
311
00:22:18,004 --> 00:22:19,385
No, there's something in the brush.
312
00:22:19,985 --> 00:22:21,935
See, I put it out like this.
313
00:22:23,735 --> 00:22:24,725
He had the same.
314
00:22:29,565 --> 00:22:33,525
Then you, you, you use right.
315
00:22:34,155 --> 00:22:37,695
And here in this case ever
used sunshine in front here,
316
00:22:38,145 --> 00:22:39,885
I cut this line a bit longer.
317
00:22:41,875 --> 00:22:44,985
You need the beginning is
where the sun hits it here.
318
00:22:45,015 --> 00:22:51,195
Two E and then S U R N.
319
00:22:52,695 --> 00:22:54,075
He uses the texture of blue.
320
00:23:00,585 --> 00:23:03,315
You dad in the shadow.
321
00:23:10,785 --> 00:23:11,085
Yeah.
322
00:23:11,085 --> 00:23:11,445
Yeah.
323
00:23:13,695 --> 00:23:16,875
See, now he was a bit blue here.
324
00:23:28,730 --> 00:23:30,170
no, you can blast.
325
00:23:30,190 --> 00:23:31,460
And some were stones.
326
00:23:31,490 --> 00:23:39,380
Maybe he is one his other one here,
other one there and there and everywhere.
327
00:23:39,500 --> 00:23:44,330
And she would make a nice
heavy power for power father.
328
00:23:48,230 --> 00:23:50,330
yeah, we still fucking
with fourth in between.
329
00:23:50,720 --> 00:23:54,380
They have to make it, so it
just looks like water, water.
330
00:23:56,840 --> 00:23:57,100
Good.
331
00:24:00,070 --> 00:24:00,400
Good.
332
00:24:01,580 --> 00:24:03,140
Then highlight this again.
333
00:24:03,380 --> 00:24:05,060
Maybe other stone here.
334
00:24:10,880 --> 00:24:15,170
and that will be their moon, her liver.
335
00:24:23,300 --> 00:24:25,040
the song, such odd songs.
336
00:24:25,040 --> 00:24:29,330
There was a wonderful stabbing
and he could give you a kind of
337
00:24:29,330 --> 00:24:33,080
history and divorce was so nice.
338
00:24:34,320 --> 00:24:38,670
And you could live with that moon river,
you for dream about that moon, the river.
339
00:24:39,750 --> 00:24:40,020
And
340
00:24:44,380 --> 00:24:49,020
I think we would get back to nice
songs again, if people become normal.
341
00:24:49,020 --> 00:24:54,630
Again, we all got to agree stuff, you
know, sometime it's hahaha and Whoa, Whoa.
342
00:24:55,080 --> 00:24:59,820
And he, he, and it is good,
but then it comes to time
343
00:24:59,820 --> 00:25:01,260
where we come normally again.
344
00:25:02,939 --> 00:25:03,990
Novice enough.
345
00:25:04,590 --> 00:25:04,649
Yeah.
346
00:25:05,419 --> 00:25:09,560
And then, then when you wake up,
you can deliver it that Ghana
347
00:25:10,220 --> 00:25:11,960
too much stress too much here.
348
00:25:15,710 --> 00:25:16,070
Okay.
349
00:25:17,679 --> 00:25:20,240
I have a nice isn't that ever nice.
350
00:25:21,179 --> 00:25:24,860
It doesn't make you,
it makes you feel she.
351
00:25:28,140 --> 00:25:31,290
To do more, to do more and more and more.
352
00:25:31,950 --> 00:25:33,570
And here we go.
353
00:25:34,020 --> 00:25:34,590
Boom.
354
00:25:50,240 --> 00:25:51,080
he just blew.
355
00:25:51,090 --> 00:25:52,820
That's just such a wonderful color there.
356
00:25:53,270 --> 00:25:54,920
It does the whole thing.
357
00:25:58,800 --> 00:25:58,920
No.
358
00:25:59,150 --> 00:26:06,050
See how easy you can create free,
loose, powerful, and all your
359
00:26:06,050 --> 00:26:07,730
paintings would be originated.
360
00:26:08,360 --> 00:26:15,410
It's easy to say original, original
work than the lousy copy, and I
361
00:26:15,410 --> 00:26:17,300
hope you can become an engineer.
362
00:26:18,945 --> 00:26:23,145
You will be my friend forever
and ever, and ever, and ever.
363
00:26:23,505 --> 00:26:27,465
And if you want, you can always add a
little bit of sunshine here and there.
364
00:26:28,515 --> 00:26:32,115
Sometime you say just a
little pack of sunshine there.
365
00:26:40,715 --> 00:26:47,555
So what you say, I can go on fiddling
and fiddling and fiddling and fiddling.
366
00:26:48,195 --> 00:26:50,925
And they got to know
where enough is enough.
367
00:26:52,005 --> 00:26:53,415
So you like it.
368
00:26:54,255 --> 00:26:55,305
Let's see here, here.
369
00:26:55,455 --> 00:26:57,525
I got to have that line
in before I say no.
370
00:26:57,845 --> 00:26:58,475
Okay.
371
00:27:05,195 --> 00:27:05,645
isn't that?
372
00:27:08,015 --> 00:27:09,155
Thank you for watching.
373
00:27:09,185 --> 00:27:09,635
Bye bye.
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