Bill Alexander's
The Magic of Oil Painting
Season 4, Episode 4, Black Canvas Still Life - AVAILABLE
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wonderful to be with you again,
is this a joy for me to show
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you something new all the time?
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Right now, I have a blank canvas here.
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First, I took my easily
again, down on the stream.
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I must to be inspired.
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I must have breeze the air, the fresh
air, bunch of smell of the grass.
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And, and now I fire in the
painting on my canvas here.
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Um, I thought again, I
show you a black canvas.
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The canvas is painted with acrylic.
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They like latex black latex.
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I shouldn't repeat what I want because
someone has not seen me before.
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And that's a dry and then paint
on that and have a dowel black
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bag, black latex, not shiny dowel
black latex will be wonderful.
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Right now I plan to paint
a vine bottle, big bottle.
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With a couple of grapes and maybe
orange and grapes, orange and,
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uh, and, and maybe grapefruit.
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Okay.
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I only have a half an hour.
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I will use SAP green, a
transparent SAP green.
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I put, because I aim for the green body.
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I aim for the green bottle.
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If everybody to have a red button, I
would use Alison Crimson on that canvas.
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See the same, like magic.
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Right?
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You just put SAP green on,
but got to be transparent.
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It's got to be a transparent color.
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Just the black, just the black
comes better out like that.
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and again, on the bottom, I must have
a darker because every still alive is,
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has always light coming from the top.
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And the dog is coming from the bottom.
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I use again in my brush
divide the brushes.
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I don't wash my brush, Prussian
blue Prussian blue sea.
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And you fire him from the bottom up.
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Right into that
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again, zap green and pressing
blue together and fired him like
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this more pressure, pressing
blue, more pressure than blue.
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How's it kind of a nice, nice dog there.
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So now we have a good, good beginning.
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your canvas in your mind?
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See, before I had to draw, I
would draw the bottling and, and
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it would take me so much time.
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I learned, I draw in my mind, maybe I
have a dark side here from this side.
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It's the dark side and
there is the light side.
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So, so, so, so let me.
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Show you little tricks there
first, before we go on painting
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V you can make those long lines
like this and you can see better.
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See like this,
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you see better now.
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Okay.
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Okay.
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Now I use the one inch
brush, a touch of yellow.
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Oh, that brushes back.
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You see like sure.
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Dry, nice dry brush.
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I saw my, you know,
you clean your brushes.
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That's happened to you too, because
you clean your brushes and you leave
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the painting then and light like
light the brush down, and then you
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paint all of a sudden, thank God I
saw here that painting it on the off.
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That's a good teacher.
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No, I ain't got the clean brush
and the dry brush and ivory speech.
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I would say the bottle starts there.
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And from here, from here, from
here, from here, then that bothered
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the stars that bothered the stars.
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And I, uh, I like, uh, Oh,
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And on this side, the same saying now
when you start, it is not too easy
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because make it smaller first and it will
automatically go bigger because it's,
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it's hard to get both sides the same.
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See, I can do it because I
do it 400,000 times already.
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So I practice that.
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Mm.
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See, no, that would be a happy
green bothers coming up there.
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And I just, just, just let
it go into yonder because I
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have the blue on the bottom.
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And now you would just, just, just
give them the thickness of the
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neck there gave him that feeling.
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And stand back this, you know,
you have both sides, right?
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The board side have to be right.
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See and asked you on painting.
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I cannot have getting happier
because, and it blows my battery.
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It goes to my feelings
because it comes to good.
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And, and it makes me happy.
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I'll make you happy to Z.
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What I will do in this case, I will use
my big brush and attach a white touch
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of white and a touch of red in this
case, because you're, now we have lots
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of green on there and I will create
a kind of a, uh, background there.
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See.
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That's very bring the bottle out more.
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Can use a bit more red if you want to.
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it gives you kind of a nice movements.
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Nice happy movements.
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Wash your brush, wash your brush,
and now you can bring it all
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together again, all together.
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Again, see, pull it all together
like this, and in no time.
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You got the nice, nice beginning there.
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Maybe on this side, on this
side, the light is the light
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is coming, coming, float in and
adjust the back the back bones.
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I bounced a little bit from here on, maybe
from here on he is a painting and sometime
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here's, the light is gone here forever
ever, ever Z float light down there.
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that's too bright.
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Let it be light there and darker,
darker, maybe just maybe a
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little, little touch lighter there
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and let the taper off deeper.
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Deeper.
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Good.
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Good, good, good, good, good, good.
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Good.
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Now again, tie it all together.
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Tie it all together.
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And now we very, we fire and
fire and maybe use a fan brush
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now, but give me a bit more.
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I like it.
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The darker there, it takes you
off turquoise in that dark here.
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They make it like this.
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See how I applied that colors now
with the dark and light, uh, coming,
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coming time, come on now for, you know,
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No the other side, just the opposite.
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I have a fine individual
bright light there.
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Green, green, green, green,
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dark light.
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First you have to struggle a little bit to
get, I have to bounce it out a bit more.
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You see?
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That's good.
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It's good to see how you're, how
you're struggling to get it right?
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No, when I got the, then that's
easy, then it becomes easy.
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Then it becomes easy.
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See, no, you, you, you fire in here.
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Sometime this little bit of, of a
rabbit, you know, like, eh, I always
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call it like tickling you tickle
that, that one particular spot, like
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the glass, you know, glass gives you
all kinds of funny feelings there.
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See just here or there a little bit.
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Now that bounce around again, it gives
you a nice, nice, powerful butter
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or, but, uh, White and
yellow, white and yellow.
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Maybe here we fire in, like
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again, more ask her maybe here is
where everything breaks right there.
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Everything breaks there,
everything breaks there.
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That's where the light is.
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If I have it cost, you know, like there
as the middle point from everything,
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see maybe he hasn't any bones and bones.
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They're tied to bounce it
around, around and around.
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So use your big brush and I just pull it
around the bed together, pull it together.
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Yeah, you get for now, you
can have those Zied sidelines.
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Sometimes I like them very much.
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00:12:06,875 --> 00:12:08,195
Sometimes just make a line.
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That fan brush is very good
for that and give him that.
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See, that's the string of the button.
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It helps.
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It helps.
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And as it fades, you
can use a big brush now.
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And you had had this here a little
bit back, you know, that came too far.
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Just push it back a
little bit, push it back.
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That's nice.
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00:13:05,969 --> 00:13:08,969
That looks like, that looks like inside.
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It looks like inside moist.
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Okay.
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You can go on and on and, and, and it
never ends, it never ends then, you
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00:13:20,760 --> 00:13:26,310
know, I will just fire and the top
highlights the highest of the highest,
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the highest of the highest maybe here.
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One of my D.
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Maybe hear one little bit of it
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here.
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I did that D.
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You can set the card in there if you
want to buy, buy ran, and it kind
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00:14:06,360 --> 00:14:09,570
of a car could call her, Hey there,
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and the texture of white and red
maybe here on the light side.
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He then, then you, you, you, you
can, you can, uh, you can fire him.
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See on this side and this other side,
the dark, the dark naked we have here.
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see.
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No, I think I got my bottle
roughly divided underneath there.
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A little bit dark.
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Eh, eh, now we, we, we, we were, we
were, we were have a yellow make a big
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grapefruit, big grapefruit, yellow,
and a touch of green goes vetted.
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Greenish yellowish and beg right in
front of here, right in front of that
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00:15:37,250 --> 00:15:41,300
by the, uh, in front of that bottle.
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00:15:44,990 --> 00:15:48,110
But you see the lights coming
from that side, make it just like,
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let it get dark doctor and talk.
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When you come down around
here only whisper, whisper,
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whisper, whisper, and get.
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More power, more power,
more power around it.
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This is what makes a nice grapefruit
when you have it nice and dark.
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00:16:02,385 --> 00:16:04,665
And now I can lighten it up a bit higher.
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Give it a bit higher color.
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They maybe like this.
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00:16:11,825 --> 00:16:11,975
Yeah.
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That's what makes it,
it's a powerful thing.
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Light and dark and way.
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That's very powerful, very powerful.
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00:16:20,015 --> 00:16:22,835
And let it disappear and yonder disappear.
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You actually.
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Sometimes don't worry about
what's going on there.
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00:16:28,380 --> 00:16:33,630
Now we will go right into the red and
we create the kind of orange color
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and that will be orange naturally.
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And I fire in here.
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00:16:37,760 --> 00:16:38,030
Yeah.
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If it's a smaller one, orange, orange,
orange, orange color, orange color
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00:16:48,920 --> 00:16:53,420
did the same thing again, like the
almonds into the dark dark doctor.
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He'll only whisper, but hear
you, you got the light you fire
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as on mighty light in there.
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Mighty bright, right?
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Bright, bright, the here,
bright, bright colors there and
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see, and then let it disappear.
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Disappear, disappear.
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Okay.
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00:17:17,450 --> 00:17:17,960
Okay.
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00:17:18,079 --> 00:17:23,030
Now you use a little,
the size of the grapes.
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Big ones, small ones,
stick ones, long ones.
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They get a bad year.
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00:17:27,675 --> 00:17:30,075
I ever put a couple of
happy grapes in there.
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00:17:30,375 --> 00:17:35,415
See, I use a little bit of whatever that
gala and you find them wherever you want.
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On
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number one, number two,
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00:17:48,125 --> 00:17:49,325
number three.
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00:17:50,220 --> 00:17:51,990
Oh one runs right into that.
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00:17:52,150 --> 00:17:52,870
Uh,
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00:17:56,280 --> 00:17:57,600
number four,
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00:18:02,490 --> 00:18:04,230
number five.
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00:18:08,240 --> 00:18:10,430
So you just destroy him, arrive.
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00:18:10,430 --> 00:18:11,510
You're brushing your hand.
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00:18:11,660 --> 00:18:14,570
Just make that twist kind
of a happy little twist.
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00:18:16,005 --> 00:18:17,565
And then you can have one grip.
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00:18:17,655 --> 00:18:19,485
They're going into that other group.
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00:18:21,415 --> 00:18:22,075
Um,
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and the other one here
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and the other one here,
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another one here.
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And our other one here
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and here.
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00:18:50,930 --> 00:18:52,910
And now you don't have to put with paint.
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I want you to let it to a darker Z.
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00:18:56,030 --> 00:18:58,820
The light is coming from the top
and those scrapes on the bottom.
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00:18:58,820 --> 00:19:02,000
They're darker and let them go darker.
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00:19:02,540 --> 00:19:04,280
Let them go darker.
232
00:19:04,700 --> 00:19:06,200
Let them go darker.
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00:19:06,560 --> 00:19:09,530
See, because I don't, I
don't add any more pain.
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00:19:09,870 --> 00:19:12,810
I must have him darker, dead to see.
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00:19:13,020 --> 00:19:20,879
And, uh, and, uh, and now
here there's like that.
236
00:19:21,520 --> 00:19:23,909
See, I need darker, dead, dead.
237
00:19:23,909 --> 00:19:27,060
I ain't got to put the bit of
paint on in order to have that
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00:19:27,060 --> 00:19:30,899
dog shown against that light.
239
00:19:46,920 --> 00:19:52,760
No, that that, no, that how nice you
got your grapes together and let them
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00:19:52,760 --> 00:19:55,550
disappear and dark and dark and dark.
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00:19:56,510 --> 00:20:00,170
Oh, and LV, VB hypnotize.
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00:20:00,180 --> 00:20:01,100
The whole thing there.
243
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Hypnotize all those grapes.
244
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SI no.
245
00:20:14,900 --> 00:20:15,650
Ew, Ew.
246
00:20:15,650 --> 00:20:15,980
Ew.
247
00:20:16,450 --> 00:20:16,970
Ew.
248
00:20:17,030 --> 00:20:17,350
Ew.
249
00:20:17,360 --> 00:20:17,720
Ew.
250
00:20:17,920 --> 00:20:18,310
Ew.
251
00:20:18,350 --> 00:20:23,840
Ew was white and a touch of
yellow and filing like this.
252
00:20:47,825 --> 00:20:52,175
See all of a sudden beautiful grapes
and not time you, you, you, you,
253
00:20:52,175 --> 00:20:59,625
you, you want to put the copy grave,
grape leaves and fire, and like the.
254
00:21:02,400 --> 00:21:03,510
No mercy,
255
00:21:22,980 --> 00:21:28,050
they just, um, Neve leave movements.
256
00:21:28,439 --> 00:21:29,909
I'm Mikey and mighty movement.
257
00:21:30,330 --> 00:21:32,760
Touch of red touch of red is good.
258
00:21:33,000 --> 00:21:35,219
You know, Lee, a grape leaves.
259
00:21:35,459 --> 00:21:40,919
Then the frost hits him, gave
him a couple of colors as good.
260
00:21:41,219 --> 00:21:41,909
Very, very good.
261
00:21:41,909 --> 00:21:43,500
Maybe here, upstairs.
262
00:21:43,500 --> 00:21:45,750
We fire one like this
263
00:21:53,209 --> 00:21:54,620
fire one like this.
264
00:22:03,465 --> 00:22:05,835
Uh, like this,
265
00:22:10,175 --> 00:22:14,435
see all the live, other
comes up like this.
266
00:22:15,605 --> 00:22:22,145
Uh, I should get that right
touch up and down, up and down.
267
00:22:38,090 --> 00:22:41,720
yeah, like big, big leaves, big leaves.
268
00:22:42,140 --> 00:22:44,150
Big leaves in here.
269
00:22:44,150 --> 00:22:45,080
Is this happening?
270
00:22:58,710 --> 00:23:03,150
Hey firing a little bit
of, uh, of that top there.
271
00:23:05,790 --> 00:23:09,750
Now you can flex it into the,
to the table if you want to.
272
00:23:12,150 --> 00:23:16,020
And you see, and now time
and now time, even when you
273
00:23:16,020 --> 00:23:17,550
think in that chart, the time.
274
00:23:18,015 --> 00:23:20,535
You still create quite a nice painting.
275
00:23:20,775 --> 00:23:24,825
I just, I did what I do here
is I like to inspire you.
276
00:23:24,855 --> 00:23:31,395
Number one, I like to get you off
drawing, become an real artist.
277
00:23:31,665 --> 00:23:36,075
Learn in your mind to fire
it on that on mighty canvas.
278
00:23:37,995 --> 00:23:41,565
It's good money and time
you save so much time.
279
00:23:41,895 --> 00:23:45,195
It would take me so long,
but I do now to draw it.
280
00:23:46,110 --> 00:23:49,050
And then when you fill
it in, you fill in lines.
281
00:23:49,800 --> 00:23:50,910
It doesn't make sense.
282
00:23:51,300 --> 00:23:55,440
See so much on my creative power there.
283
00:23:56,670 --> 00:23:59,490
Uh, here's one, leave one leave.
284
00:24:06,420 --> 00:24:07,560
Oh, we give them.
285
00:24:15,485 --> 00:24:16,775
I didn't like that corner.
286
00:24:17,345 --> 00:24:20,735
That's what you do all of a sudden when
you stand back and you say, I don't
287
00:24:20,735 --> 00:24:23,405
like that there then fire in something.
288
00:24:29,285 --> 00:24:29,735
Yay.
289
00:24:30,455 --> 00:24:30,905
Beautiful.
290
00:24:30,905 --> 00:24:35,705
Happy little leaf comes in there
and then you can highlight things.
291
00:24:35,970 --> 00:24:41,340
See, in this case here, I would
highlight that and bring it up there.
292
00:24:44,750 --> 00:24:45,560
Just beautiful.
293
00:24:45,860 --> 00:24:50,390
Just beautiful, but more maybe here
this one, I go right into the, maybe
294
00:24:50,390 --> 00:24:52,880
a bit more yellow, bit more yellow.
295
00:24:53,300 --> 00:24:55,430
I go right there and here.
296
00:25:08,930 --> 00:25:11,600
you know, grape leaves, grape leaves.
297
00:25:16,490 --> 00:25:16,700
hello.
298
00:25:16,970 --> 00:25:20,300
I showed the ribs and let
it disappear in yonder.
299
00:25:25,290 --> 00:25:28,860
See, maybe here's one
standing up like this.
300
00:25:50,570 --> 00:25:56,209
And then you create, you create
the middle rib and walk from there.
301
00:26:09,725 --> 00:26:12,635
Yeah, you are now the big brush.
302
00:26:13,175 --> 00:26:18,485
Here's your big brush and
just make it nice and smooth.
303
00:26:19,205 --> 00:26:20,165
Nice and smooth.
304
00:26:20,195 --> 00:26:20,825
You see here.
305
00:26:22,155 --> 00:26:28,425
Yes for your field does lines to bring
on nice together, a nice together,
306
00:26:31,745 --> 00:26:35,675
uh, nice to go see, but having that
pain so tick and strong, you're done.
307
00:26:36,004 --> 00:26:36,335
You're done.
308
00:26:36,605 --> 00:26:39,845
You just, you make a desk nice and smooth.
309
00:26:40,385 --> 00:26:41,405
Nice and smooth.
310
00:26:54,185 --> 00:26:56,345
See then you stand back.
311
00:26:58,115 --> 00:26:59,705
Whatever I like to spark.
312
00:27:00,274 --> 00:27:04,445
I like to spark still a little bit
once my light brush or I got my hands.
313
00:27:05,105 --> 00:27:06,514
I like to spark.
314
00:27:10,175 --> 00:27:13,504
just one little hit right there.
315
00:27:15,395 --> 00:27:15,665
Good.
316
00:27:16,635 --> 00:27:17,835
That's all I'm going to do.
317
00:27:18,205 --> 00:27:19,185
Did you enjoy it?
318
00:27:19,365 --> 00:27:20,625
Did you learn something?
319
00:27:21,165 --> 00:27:21,825
If you did?
320
00:27:22,635 --> 00:27:23,835
I thank you for being with me.
321
00:27:24,555 --> 00:27:25,005
Bye bye.
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