Bill Alexander's
The Magic of Oil Painting
Season 4, Episode 8, Grand Canyon - AVAILABLE
Here's the .srt which was extracted from the Speech-to-Text website.
Proofreading is required, editing, grammar.
Begin .srt file.
1
00:00:05,040 --> 00:00:08,130
Whoa down in the Valley.
2
00:00:12,090 --> 00:00:14,309
We have some songs in my mind.
3
00:00:14,399 --> 00:00:21,259
So I'm happy to, and what I want to paint
kind of a Canyon ID, but the Valley and
4
00:00:21,320 --> 00:00:26,000
you have to, God, you have to vibrate
before you start putting it on the canvas.
5
00:00:26,270 --> 00:00:30,290
I know, I see it in my mind and
it's easy for me to put it on.
6
00:00:30,560 --> 00:00:34,040
Maybe you have to learn
that when you start use the.
7
00:00:34,800 --> 00:00:38,269
You really have to see a
picture, either food too.
8
00:00:38,269 --> 00:00:42,260
Sometimes you have a book and
there's so much on Canyon and,
9
00:00:42,290 --> 00:00:44,720
but I have seen it and I have it.
10
00:00:45,650 --> 00:00:49,309
When I see something, I have no
problem to put that on the canvas.
11
00:00:49,519 --> 00:00:54,739
That means you really can learn it and
never show you how I ever do it again.
12
00:00:54,980 --> 00:00:59,780
We fire in and he.
13
00:01:05,670 --> 00:01:07,560
you know, you hear the echo or who?
14
00:01:07,680 --> 00:01:08,880
The other guy on the other side.
15
00:01:08,920 --> 00:01:09,780
Oh, who?
16
00:01:09,970 --> 00:01:14,100
Oh, wonderful.
17
00:01:14,460 --> 00:01:18,030
Well, you hear the echo
from Canyon to Canyon.
18
00:01:18,560 --> 00:01:23,450
Oh, Oh, you see my hair
getting stiff, standing up.
19
00:01:24,200 --> 00:01:25,700
It's just wonderful.
20
00:01:26,210 --> 00:01:28,340
Wonderful to live like that.
21
00:01:28,610 --> 00:01:32,479
It gives you a powerful
day power for beginning.
22
00:01:33,705 --> 00:01:37,695
And, and when you're finished with
that, you lean back and you have a
23
00:01:37,695 --> 00:01:45,465
big bottle of what car and on one side
bottle of whiskey and then you fire
24
00:01:45,465 --> 00:01:48,015
off and then you get the red cheeks
25
00:01:51,195 --> 00:01:53,565
that, Oh no, no, no, no, no.
26
00:01:53,565 --> 00:01:54,855
I'm not so bad.
27
00:01:55,275 --> 00:01:56,325
And that's too bad.
28
00:01:56,805 --> 00:01:59,055
I am a little bit bad, but not so bad.
29
00:02:00,585 --> 00:02:01,635
I used to drink a lot.
30
00:02:02,835 --> 00:02:03,915
I can't do it anymore.
31
00:02:03,915 --> 00:02:04,605
And that's bad.
32
00:02:06,165 --> 00:02:11,325
It's a shame, but God tells you your time.
33
00:02:11,325 --> 00:02:12,855
Is there credit?
34
00:02:13,350 --> 00:02:16,020
Or go down your hair.
35
00:02:18,560 --> 00:02:21,230
See again, too much is no good.
36
00:02:21,410 --> 00:02:26,990
I just go over the hole and I condition
my canvas again to VARs the colors I would
37
00:02:26,990 --> 00:02:29,720
like to see and usually Canyon colors.
38
00:02:30,170 --> 00:02:36,710
Uh, uh, there, there's a kind
of a turquoise, not Turka art
39
00:02:36,740 --> 00:02:40,400
colors, like move a violet.
40
00:02:41,715 --> 00:02:45,465
In crimsons all just kind of call us.
41
00:02:45,885 --> 00:02:50,205
So blue does a kind of a
blue, blue, blue, blue.
42
00:02:50,385 --> 00:02:51,105
Is that the name?
43
00:02:51,105 --> 00:02:57,765
I don't know, but anyway, you try
to create a, kind of a touch of
44
00:02:58,455 --> 00:03:04,605
the have here, violet and blue, and
then I will put it together here.
45
00:03:06,105 --> 00:03:10,065
He puts together here and we
receive as the outcome will be.
46
00:03:10,185 --> 00:03:10,335
Okay.
47
00:03:13,505 --> 00:03:18,305
Kind of a funny color, but I would like to
see this kind of a different color there.
48
00:03:19,055 --> 00:03:21,695
Eh, crazy lots of depth.
49
00:03:21,905 --> 00:03:26,825
I want to show you a lot of depth
there and you come down and it should
50
00:03:26,825 --> 00:03:28,775
get lighter because the magic right.
51
00:03:28,775 --> 00:03:35,105
Gets in and gets lighter,
lighter, lighter.
52
00:03:36,465 --> 00:03:39,205
I told her and that's on my test.
53
00:03:40,035 --> 00:03:45,165
And then you whisper, you don't talk
loud anymore as a whisper there.
54
00:03:46,020 --> 00:03:46,920
He brought it out.
55
00:03:46,950 --> 00:03:47,910
Nice and light.
56
00:03:48,600 --> 00:03:51,090
Nice and light there.
57
00:03:51,480 --> 00:03:53,430
Here, you can just clean your brush.
58
00:03:53,930 --> 00:03:56,700
I need colors there anyway,
but that's, that's not water.
59
00:03:56,700 --> 00:03:57,410
That's just nothing.
60
00:03:57,410 --> 00:04:01,760
It's just a disagreement bras because I
need call a stare and they hit the draw.
61
00:04:02,000 --> 00:04:05,079
He does call us the latter test test test.
62
00:04:07,100 --> 00:04:11,450
I hear it in the little touch of alizarin
Crimson there on the bottom here.
63
00:04:12,710 --> 00:04:13,070
See.
64
00:04:14,265 --> 00:04:16,605
I hear that and they bring it up.
65
00:04:17,315 --> 00:04:21,255
You have that vibe on a canvas that
gave you that kind of a little bit
66
00:04:21,255 --> 00:04:31,005
of, of a mighty distance there,
clean your brush, clean your brush.
67
00:04:32,085 --> 00:04:40,565
And we fired him a little bit, maybe
over red about this dang about red.
68
00:04:40,775 --> 00:04:42,185
Usually it's always too much.
69
00:04:42,755 --> 00:04:43,115
Yes.
70
00:04:45,750 --> 00:04:46,530
Ah, that's good.
71
00:04:46,980 --> 00:04:48,720
Oh, I come out this too, right?
72
00:04:49,800 --> 00:04:50,160
Yes.
73
00:04:50,280 --> 00:04:52,080
Right, right.
74
00:04:56,940 --> 00:04:57,360
Good.
75
00:04:57,690 --> 00:04:58,080
Good.
76
00:04:58,230 --> 00:05:04,770
No, I will use my knife again, my arm, my
80 knife, but see the cars I pick here.
77
00:05:05,460 --> 00:05:12,510
Uh, uh, I have a use this kind of a
blue, I just gave it off a little bit,
78
00:05:13,290 --> 00:05:15,600
a little touch of alizarin Crimson.
79
00:05:16,830 --> 00:05:19,890
See, and E the car a, I just.
80
00:05:21,530 --> 00:05:26,540
Cape up a bit of that blue there that
just, just, just Mexicans side of
81
00:05:26,540 --> 00:05:32,150
that color, what you think it will
give you and then try to see it.
82
00:05:32,210 --> 00:05:33,980
Maybe it leaves a bit more blue.
83
00:05:34,610 --> 00:05:35,870
Maybe I go into the
84
00:05:39,110 --> 00:05:40,370
blue and.
85
00:05:42,615 --> 00:05:43,365
That could be.
86
00:05:43,365 --> 00:05:44,925
I start off with that distance.
87
00:05:45,135 --> 00:05:52,425
The, I, I have here depends on how
far, how high you are, how low you are.
88
00:05:52,845 --> 00:05:58,395
If you look up to the can run or you look
down to the Canyon, I will, I want to
89
00:05:58,395 --> 00:06:03,825
show you two parts, the far of iPod and
the happy Valley in between, and then the
90
00:06:03,825 --> 00:06:07,065
big cliffs in front, and then it ends up.
91
00:06:07,395 --> 00:06:10,185
So it just, we have to
start with far away.
92
00:06:10,755 --> 00:06:19,065
Well, I went for my far far, but
Hey, it just doesn't matter how you
93
00:06:19,065 --> 00:06:21,945
get far away this way or this way.
94
00:06:38,930 --> 00:06:41,870
does he keep it as far as I, as you can.
95
00:06:42,920 --> 00:06:45,650
And then come on
96
00:06:54,260 --> 00:06:59,270
he's asked us why they would like to
show you how you can have on my distance
97
00:06:59,750 --> 00:07:02,420
and you come forward as far as their.
98
00:07:21,655 --> 00:07:31,455
They, uh, no, we were, we were
firing with kind of a, a yellow and
99
00:07:31,455 --> 00:07:37,545
red, like an orange color, but a
touch of this to put art together.
100
00:07:38,235 --> 00:07:43,575
The, and then we will see this,
the light is coming from this side
101
00:07:43,575 --> 00:07:45,885
and you have a you're far away.
102
00:07:46,245 --> 00:07:46,785
Okay.
103
00:08:00,635 --> 00:08:08,255
See, project is very, very,
very, very, very distance.
104
00:08:08,255 --> 00:08:11,525
I was really shallow or
mighty distance there.
105
00:08:22,295 --> 00:08:23,705
see the same colors.
106
00:08:23,705 --> 00:08:27,635
You can have a little
Lenny plateau up there.
107
00:08:44,960 --> 00:08:46,750
just pull it down tight.
108
00:08:46,760 --> 00:08:53,090
You see in the far right distance,
mountain movements down, and then really
109
00:08:53,090 --> 00:08:55,910
come close and close and close first way.
110
00:08:55,940 --> 00:08:58,100
The far right movements.
111
00:08:58,710 --> 00:09:00,210
Well, I moved my hands.
112
00:09:01,440 --> 00:09:03,240
They let her bed
113
00:09:07,460 --> 00:09:07,900
and.
114
00:09:22,575 --> 00:09:27,795
Oh, it's just wonderful to have
that on my dream, have the vision.
115
00:09:28,155 --> 00:09:31,965
You can learn it, but then if
you, in the beginning, like I said
116
00:09:31,965 --> 00:09:34,815
before, we all need something to see.
117
00:09:35,235 --> 00:09:40,815
I had to see something in order to,
to really go on and do those things.
118
00:09:45,480 --> 00:09:51,240
And let your knife do the job in
between and behind and whatever
119
00:09:52,230 --> 00:09:55,530
here we would create idea kind of a
120
00:10:00,180 --> 00:10:01,920
distance going down.
121
00:10:08,220 --> 00:10:08,760
See.
122
00:10:12,000 --> 00:10:16,740
And that is fun to, for just
keep on forming in your mind.
123
00:10:16,839 --> 00:10:23,130
You, you buried in your mind, all
the ins and outs and ups and downs
124
00:10:23,130 --> 00:10:28,740
and plateaus in between, and,
and then it's will come together.
125
00:10:48,005 --> 00:10:49,235
Oh, wonderful.
126
00:10:49,505 --> 00:10:50,045
Wonderful.
127
00:10:50,225 --> 00:10:53,345
Again, create the new with more pain.
128
00:10:54,500 --> 00:11:00,089
Lord make up a kind of a distance
again, but I need the same color,
129
00:11:00,390 --> 00:11:03,150
maybe a little touch of a move there.
130
00:11:04,439 --> 00:11:13,130
And blue, blue, blue, blue
yonder, blue, blue yonder.
131
00:11:13,670 --> 00:11:14,839
The blues.
132
00:11:14,839 --> 00:11:17,000
I got the blue, I got the blue.
133
00:11:17,985 --> 00:11:21,495
And that just let movement go down there.
134
00:11:22,035 --> 00:11:28,425
Can you see her as it gets busier
and busier whose voice is in there?
135
00:11:33,045 --> 00:11:38,025
I think that that's just what makes
you so nice that you can really guess
136
00:11:38,115 --> 00:11:42,575
dream off your life and our you tank.
137
00:11:43,505 --> 00:11:44,885
And, you know, it's a funny thing.
138
00:11:44,945 --> 00:11:46,025
I was in Lauder.
139
00:11:46,740 --> 00:11:49,950
Prisons and other troubles in my life.
140
00:11:50,280 --> 00:11:55,320
But I, myself mentally, I never was in
trouble because I always had the vision.
141
00:11:55,890 --> 00:11:58,290
Some were shining.
142
00:11:58,290 --> 00:12:02,250
The birds were saying
the void is a one four.
143
00:12:02,550 --> 00:12:05,490
And if you see it's a wonderful,
why the hell it should be?
144
00:12:05,520 --> 00:12:06,810
Should you be in turnover?
145
00:12:06,830 --> 00:12:08,480
There is no such thing.
146
00:12:09,150 --> 00:12:10,560
There's no such thing.
147
00:12:10,560 --> 00:12:11,460
That's your entourage.
148
00:12:13,550 --> 00:12:18,800
Just wonderful and makes your Harrity
powerful and look at what that paint
149
00:12:18,800 --> 00:12:23,790
can do with brakes on you see for
this kind of work, it is just perfect.
150
00:12:24,240 --> 00:12:29,730
And you create a stri angles, you know,
the D like this and like this, and
151
00:12:36,300 --> 00:12:38,390
he in, down below in the valleys.
152
00:12:39,315 --> 00:12:45,525
He has conditioned the whole
thing, conditioned the whole thing.
153
00:12:47,255 --> 00:12:50,435
No I've ever used a bit of right.
154
00:12:50,435 --> 00:12:56,585
And read even, and promote a little bit
more dark corners, you know, like yeah.
155
00:13:09,140 --> 00:13:09,830
that's wonderful.
156
00:13:11,090 --> 00:13:13,430
The debit bite and the Tetra for ed.
157
00:13:13,460 --> 00:13:14,750
He was a get together here.
158
00:13:15,080 --> 00:13:19,220
And then again, like the corner
said, the beginning of that.
159
00:13:19,400 --> 00:13:25,040
See that one from like USC,
maybe here, one beginning there.
160
00:13:36,165 --> 00:13:37,425
A maybe here.
161
00:13:52,370 --> 00:13:56,030
and it's just a wonderful,
that pain breaks on use here.
162
00:13:56,060 --> 00:13:57,860
The Luger does details.
163
00:13:58,310 --> 00:14:02,390
How can you do it with the, with the
soft paint you can never, never even do.
164
00:14:02,630 --> 00:14:04,010
If you try it one voice.
165
00:14:28,620 --> 00:14:30,450
Yeah, keep the distance.
166
00:14:30,780 --> 00:14:31,980
Don't get loud.
167
00:14:32,050 --> 00:14:35,400
Call it because I want to show
you that one level Valley,
168
00:14:35,650 --> 00:14:37,590
then, then you can start off.
169
00:14:37,830 --> 00:14:43,320
So I think now I can already, I got
the beginning of all that far, right.
170
00:14:43,340 --> 00:14:46,910
And assets as gives you
a good beginning there.
171
00:14:47,840 --> 00:14:49,670
Eh, no vivid.
172
00:14:50,145 --> 00:14:53,895
Break out break free black.
173
00:14:53,895 --> 00:14:57,765
And I know I created kind
of a new, closer color.
174
00:14:58,064 --> 00:14:59,535
He just a closer color.
175
00:14:59,834 --> 00:15:03,755
And maybe here, we already
start and literally is a Ridge.
176
00:15:04,925 --> 00:15:07,204
He is all the other collapsing.
177
00:15:08,285 --> 00:15:09,605
like dry angles.
178
00:15:09,694 --> 00:15:12,964
You see there was in here, maybe here.
179
00:15:14,824 --> 00:15:15,725
You're coming closer.
180
00:15:15,725 --> 00:15:16,265
There.
181
00:15:17,339 --> 00:15:21,780
Now we can create a brand new
brand new brand new beginning
182
00:15:36,530 --> 00:15:36,800
Z.
183
00:15:36,800 --> 00:15:41,180
And then you can always put that,
that beautiful color on top.
184
00:15:41,180 --> 00:15:43,880
Like here, give him a plateau there.
185
00:16:00,405 --> 00:16:01,695
Have the, have it.
186
00:16:02,235 --> 00:16:04,485
Uh, have a chance to do it.
187
00:16:04,515 --> 00:16:09,285
So this, you, you have to learn to
come closer and closer with your call
188
00:16:09,285 --> 00:16:14,074
us the, this stands back then, and you
can close it there and close it there.
189
00:16:14,314 --> 00:16:16,265
And finally, you find your inside.
190
00:16:16,655 --> 00:16:21,365
You find your inside there, then
all of a sudden you make it close
191
00:16:21,365 --> 00:16:27,755
and I create the other close
color, but yellow move is good.
192
00:16:27,875 --> 00:16:29,165
That's a good color here.
193
00:16:29,165 --> 00:16:30,725
And on the Canyon.
194
00:16:31,365 --> 00:16:36,915
Kind of a more black and
white with the red sea.
195
00:16:37,275 --> 00:16:38,505
That's a nice color.
196
00:16:38,985 --> 00:16:42,435
And now you, you, you,
you start off like, eh,
197
00:17:01,250 --> 00:17:03,560
and can you see all
those thousand details?
198
00:17:04,069 --> 00:17:07,190
It's not wonderful when you can
paint like that and you bring
199
00:17:07,190 --> 00:17:09,050
your chest, bring it forward.
200
00:17:09,079 --> 00:17:11,150
So there's just.
201
00:17:11,915 --> 00:17:18,555
See, and then you create maybe here and
no, I want you to see stair in there.
202
00:17:28,234 --> 00:17:31,475
the, no, this is this side.
203
00:17:31,475 --> 00:17:34,925
No, you start off here plateau.
204
00:17:46,334 --> 00:17:50,594
Then you show you show you show
205
00:17:53,685 --> 00:17:58,004
gone down there, going down there.
206
00:18:10,370 --> 00:18:10,939
then make it.
207
00:18:10,939 --> 00:18:19,850
So does it looks like sand or I ever
mix it kind of what you see the colors.
208
00:18:20,030 --> 00:18:23,899
It's hard to explain how you
see the colors I need here.
209
00:18:23,899 --> 00:18:26,899
Kind of a Zen the color there.
210
00:18:52,925 --> 00:18:53,235
yeah.
211
00:18:53,264 --> 00:18:58,024
Then you create this, this, the
light is coming from this side, then
212
00:18:58,024 --> 00:19:02,495
it would be, it would be like this.
213
00:19:02,495 --> 00:19:09,305
If you want to see this side here as would
be like, this is the part of this side.
214
00:19:11,475 --> 00:19:14,505
And then you would create
a plateau up there.
215
00:19:19,745 --> 00:19:21,635
Then the paint will do the job.
216
00:19:43,595 --> 00:19:49,495
So that makes it so nice by
just adding this cliffs to that.
217
00:19:49,534 --> 00:19:51,425
Here's a Clift on there.
218
00:19:51,435 --> 00:19:53,135
There's the other one there.
219
00:19:54,004 --> 00:19:54,784
And.
220
00:20:03,870 --> 00:20:05,459
He may be here in between.
221
00:20:05,459 --> 00:20:11,669
We have a sand movements and movements.
222
00:20:16,040 --> 00:20:21,320
It's wonderful to really be
a part of a creative power.
223
00:20:21,979 --> 00:20:26,689
And you can ask for that and
you can get it because I had
224
00:20:26,780 --> 00:20:29,449
learned that and I could learn it.
225
00:20:29,810 --> 00:20:32,030
You can easily do that.
226
00:20:33,210 --> 00:20:34,740
Because I cannot see.
227
00:20:34,800 --> 00:20:37,110
It's really not, nothing
difficult on that.
228
00:20:49,850 --> 00:20:54,110
then you think about a bit
of green grassy stuff on top.
229
00:20:54,980 --> 00:20:56,659
Cause it's stuff on top.
230
00:20:56,659 --> 00:21:00,530
I will mix a kind of a yellowish green.
231
00:21:01,680 --> 00:21:03,810
Touch of blue into that.
232
00:21:04,710 --> 00:21:09,240
So just, it has a nice, happy,
happy green on some spots.
233
00:21:16,530 --> 00:21:17,380
see here.
234
00:21:17,600 --> 00:21:22,280
Amber, do you have a feeling there?
235
00:21:22,290 --> 00:21:29,060
Something depends on the time of the
year, the spend on the time of the year.
236
00:21:31,455 --> 00:21:33,435
You know, when the desert blooms.
237
00:21:33,675 --> 00:21:37,185
I remember when I lived in Los
Angeles, we went to the desert to
238
00:21:37,215 --> 00:21:43,025
Palm spring, the desert blooms and
March off, or whatever the joy to,
239
00:21:46,385 --> 00:21:49,985
to go down there and, and
see all those flowers.
240
00:21:50,045 --> 00:21:55,325
If judges can be very flower for the
same, the Canyon, they can be very
241
00:21:55,325 --> 00:21:58,235
powerful and very colorful it by.
242
00:21:59,075 --> 00:22:03,125
Bye the right time of the year.
243
00:22:03,395 --> 00:22:05,675
And that's what you pay
in the time of the year.
244
00:22:08,205 --> 00:22:10,125
And see what colors they
use, all kinds of colors.
245
00:22:10,334 --> 00:22:14,854
I cannot explain to you that even, but
you must learn to there's a certain
246
00:22:14,864 --> 00:22:17,475
shadow color and a certain light color.
247
00:22:17,774 --> 00:22:22,185
See, and if you have the here as
Emma does a shadow, because it
248
00:22:22,185 --> 00:22:26,745
comes from the side, but then here,
here's an after and you're finished.
249
00:22:26,955 --> 00:22:30,584
You're on the kind of a sunshine in
there and all the sunshine there.
250
00:22:31,030 --> 00:22:32,440
No, that's undefined there.
251
00:22:32,440 --> 00:22:34,510
See, so, but you're underground.
252
00:22:34,510 --> 00:22:39,100
And so far, because from this side, this,
uh, buried up there also shadowed there.
253
00:22:39,640 --> 00:22:41,440
He, in that, that's what makes it so nice.
254
00:22:41,620 --> 00:22:45,930
If you try to understand it,
you become the leader flight.
255
00:22:46,170 --> 00:22:48,510
And I mean, there are mighty lead off.
256
00:22:48,720 --> 00:22:52,740
Like there's no feeling around the here.
257
00:22:52,740 --> 00:22:55,020
I bring that up.
258
00:22:59,010 --> 00:22:59,370
Eh,
259
00:23:10,325 --> 00:23:14,975
He there's no beautiful Valley in
between and you still can dress it up.
260
00:23:15,004 --> 00:23:19,975
You stay whenever you feel that
something bothers you, you can stay,
261
00:23:24,395 --> 00:23:25,284
you can stay.
262
00:23:26,370 --> 00:23:33,240
Go in there and see some little
lights in there has just a wonderful
263
00:23:33,240 --> 00:23:34,590
how you can bring it together.
264
00:23:35,550 --> 00:23:39,450
And then docs very dark
behind here in December.
265
00:23:39,450 --> 00:23:43,020
I would make it like even higher there.
266
00:23:47,055 --> 00:23:48,615
But let us break, see this.
267
00:23:49,365 --> 00:23:51,045
Can you make a close up on this?
268
00:23:51,465 --> 00:23:56,265
It's such a wonderful thing, but you see,
but then again, when you put it together,
269
00:23:56,445 --> 00:24:01,575
you would think it needs all of us that
down here on this side, I put, I put
270
00:24:02,245 --> 00:24:04,515
kind of a light and that gives you that.
271
00:24:05,700 --> 00:24:07,240
Light hits that side.
272
00:24:07,240 --> 00:24:13,020
Um, and maybe hear a little bit
of light and can you see how you
273
00:24:13,830 --> 00:24:15,720
get the power of that together?
274
00:24:16,710 --> 00:24:19,470
And it becomes a very,
very powerful painting.
275
00:24:28,800 --> 00:24:34,110
No, no, we just can put it down there.
276
00:24:50,790 --> 00:24:51,990
Oh, that's nice.
277
00:24:53,220 --> 00:24:55,110
That is nice.
278
00:24:57,030 --> 00:25:00,180
Hey, powerful.
279
00:25:01,035 --> 00:25:02,685
And August does standing.
280
00:25:02,715 --> 00:25:04,575
Upstrokes see.
281
00:25:06,285 --> 00:25:11,745
And then if you once to show a little bit
of the lights, I just make it up there.
282
00:25:13,715 --> 00:25:17,565
You can show a little bit
of a Sandy Sandy side there.
283
00:25:24,110 --> 00:25:27,830
and the colors are only the
colors will give you all that
284
00:25:27,830 --> 00:25:30,650
wonderful, wonderful feeling there.
285
00:25:31,880 --> 00:25:36,410
No, and it's more, you come to
the front as closely come then
286
00:25:36,410 --> 00:25:38,300
maybe here, it's all there.
287
00:25:38,300 --> 00:25:45,710
Just the other big pillow standing there,
and then you can form it, your buy.
288
00:25:47,205 --> 00:25:47,625
Hey,
289
00:25:53,525 --> 00:25:54,695
it's wonderful.
290
00:25:55,835 --> 00:26:02,705
Yeah, you were just filling in here was
just having a nice new beginning there and
291
00:26:02,705 --> 00:26:04,445
light think the lights will hit obvious.
292
00:26:04,445 --> 00:26:09,155
That's why just play with light
and shadows, light and shadows.
293
00:26:10,355 --> 00:26:14,045
And then maybe here, I
just put the real dark.
294
00:26:14,760 --> 00:26:17,459
Dark plateau.
295
00:26:17,459 --> 00:26:25,169
And then it runs out like this again, the
that has a little bit of light in front.
296
00:26:25,469 --> 00:26:31,199
And you put your bit of a happy green
on top of a bit of clouds on top.
297
00:26:31,620 --> 00:26:32,639
Is he there?
298
00:26:32,820 --> 00:26:35,730
There, there, there, there.
299
00:26:36,290 --> 00:26:37,790
And what happened?
300
00:26:38,659 --> 00:26:39,560
What happened?
301
00:26:40,340 --> 00:26:41,840
You have it done.
302
00:26:42,930 --> 00:26:47,370
C was a new type of a painting.
303
00:26:47,790 --> 00:26:53,040
And I hope he learns, it's a kind of
abstract ID, but it's very powerful
304
00:26:53,370 --> 00:26:57,630
and it will make you, it really
gives you that creative power.
305
00:26:57,630 --> 00:26:58,800
It makes your life.
306
00:26:59,400 --> 00:27:00,660
Thank you for watching me.
307
00:27:01,410 --> 00:27:02,640
We will see you again.
308
00:27:02,910 --> 00:27:03,570
Bye bye.
End .srt file.
Speech-to-Text Subtitle .srt Files Copyright © by Alexander Skobeleff 2020
Copyright © www.AlexanderArt.com, 2020.
® All Rights Reserved, 2020.
No comments:
Post a Comment