Bill Alexander's
The Magic of Oil Painting
Season 6, Episode 9, Western Skies - AVAILABLE
Here's the .srt which was extracted from the Speech-to-Text website.
Proofreading is required, editing, grammar.
Begin .srt file.
1
00:00:05,550 --> 00:00:06,090
Hi.
2
00:00:06,120 --> 00:00:08,610
Hi, I love you.
3
00:00:09,090 --> 00:00:10,560
I'm so happy today.
4
00:00:10,560 --> 00:00:14,580
I would hug the whole wall and
I thought in that happy feeling,
5
00:00:14,580 --> 00:00:16,710
what I see, I bothered myself up.
6
00:00:16,740 --> 00:00:20,370
I, you know, me on this earth,
everything is vibrating.
7
00:00:20,515 --> 00:00:24,025
I thought I paint a happy
sunset, a happy songs.
8
00:00:24,025 --> 00:00:28,855
I close my eyes and I see a happy
songs that maybe happier road and do
9
00:00:28,855 --> 00:00:33,705
the songs that, and you walk on that
road and do that on my, the sunset
10
00:00:33,725 --> 00:00:36,165
and, and Ugh, beautiful feeling.
11
00:00:36,265 --> 00:00:37,245
Ah, beautiful.
12
00:00:39,365 --> 00:00:43,455
So nice to be alive life on this earth and
live on the foot to that, to your side.
13
00:00:43,455 --> 00:00:47,475
If Bonnie gets out of op Ben
ever, the story he wants to tell
14
00:00:47,475 --> 00:00:49,575
on your canvas, you unload it.
15
00:00:49,815 --> 00:00:55,245
So at sunset, maybe we get out, we grab
the guy, but a little bit of yellow.
16
00:00:57,845 --> 00:00:59,144
the sun, the shiny cars.
17
00:00:59,144 --> 00:01:00,555
And it's on the road already.
18
00:01:00,555 --> 00:01:00,995
They're there.
19
00:01:00,995 --> 00:01:01,825
They're there.
20
00:01:01,825 --> 00:01:02,334
They're there.
21
00:01:02,745 --> 00:01:06,315
See, now all the, we
grabbed a touch of red.
22
00:01:06,985 --> 00:01:11,875
I got the orange color there, but the
red is the same as orange and yellow,
23
00:01:11,935 --> 00:01:13,914
red and yellow is orange, you know?
24
00:01:13,914 --> 00:01:16,285
So, so maybe we go right there we go.
25
00:01:16,285 --> 00:01:16,645
Right there.
26
00:01:16,645 --> 00:01:16,705
Yeah.
27
00:01:16,815 --> 00:01:21,525
All around, all around and into
the orange, into the yellow.
28
00:01:21,735 --> 00:01:23,745
And that gives me kind of a V already.
29
00:01:23,745 --> 00:01:25,155
The sun shines there.
30
00:01:26,055 --> 00:01:30,975
And all that, all that condition, the
whole condition, the whole canvas.
31
00:01:31,125 --> 00:01:34,425
So that's where we might leave
a little bit of blue on top.
32
00:01:34,695 --> 00:01:36,915
We might leave a little
bit of blue on top.
33
00:01:37,545 --> 00:01:43,095
We CA conditioned the whole
can, where that whole can near
34
00:01:43,105 --> 00:01:44,505
the next gum snacks comes.
35
00:01:44,505 --> 00:01:45,615
Next comes next.
36
00:01:46,785 --> 00:01:51,885
The whole canvas here too, right?
37
00:01:51,885 --> 00:01:52,545
The devil I'm.
38
00:01:52,545 --> 00:01:53,235
So Paso.
39
00:01:54,405 --> 00:02:01,605
Careful now with that red in my brush,
I will grab a touch of touch of passion
40
00:02:01,605 --> 00:02:09,735
blue, and I go over that pressure blue on
the top, on top there, the entry, the red
41
00:02:09,914 --> 00:02:13,155
is harmless blue and red is good together.
42
00:02:13,665 --> 00:02:14,925
It's living good together.
43
00:02:15,045 --> 00:02:15,915
It's no problem.
44
00:02:16,485 --> 00:02:19,575
The, but careful it makes it dirty.
45
00:02:19,575 --> 00:02:21,615
Your blue, your red gets dirty.
46
00:02:23,130 --> 00:02:23,790
But that's good.
47
00:02:23,910 --> 00:02:29,250
Little bit of blue coming into the sunset,
the little blue coming into the sunset.
48
00:02:29,880 --> 00:02:30,000
Okay.
49
00:02:37,640 --> 00:02:43,370
Sometime I wish I would be the greatest
teacher on earth and I would do everything
50
00:02:43,400 --> 00:02:45,800
so good to you that you really enjoy it.
51
00:02:46,040 --> 00:02:50,870
And then when it goes obvious
gas pilot in the front, so.
52
00:02:51,315 --> 00:02:53,625
I thought I should do it the
next time we put the holes in
53
00:02:53,625 --> 00:02:56,085
here and some rubbers in front.
54
00:02:56,505 --> 00:02:59,025
And then I know when I paint
like that, it will pull it this
55
00:02:59,025 --> 00:03:00,795
way and then you can see it.
56
00:03:00,855 --> 00:03:05,865
You see, because I know when I would sit
there, but you said I would, would like
57
00:03:05,865 --> 00:03:08,175
to know what the devil he's doing there,
58
00:03:13,475 --> 00:03:14,795
but then when you.
59
00:03:15,855 --> 00:03:16,545
Paint.
60
00:03:17,865 --> 00:03:18,735
That's our mighty dream.
61
00:03:19,205 --> 00:03:20,225
Does that to you.
62
00:03:20,465 --> 00:03:27,365
You see now again, Gallo into
the sunset that yellow and that
63
00:03:27,365 --> 00:03:28,955
yellow should dance on the road.
64
00:03:29,525 --> 00:03:30,785
I should dance on the road.
65
00:03:36,005 --> 00:03:39,935
and here we go off the road, make a
vide and wants to make a beautiful
66
00:03:39,965 --> 00:03:42,065
vide road into that sunset.
67
00:03:42,274 --> 00:03:43,894
Now, alizarin Crimson.
68
00:03:43,924 --> 00:03:51,155
You see here, alizarin Crimson coming
from the outside, coming from the outside.
69
00:03:51,364 --> 00:03:58,685
Depends on what you, what you want to
show more alizarin, Crimson and outside.
70
00:04:00,250 --> 00:04:05,100
It a bit darker, more alizarin
Crimson in the corners here.
71
00:04:06,840 --> 00:04:09,150
So we conditioned the whole thing,
72
00:04:14,990 --> 00:04:18,020
you know, that's a nice, nice abstract.
73
00:04:18,770 --> 00:04:20,150
We could leave it like that.
74
00:04:23,690 --> 00:04:25,280
I should put the.in the corner.
75
00:04:26,550 --> 00:04:28,830
And then, and then we are there.
76
00:04:30,230 --> 00:04:30,440
Okay.
77
00:04:35,540 --> 00:04:40,280
So again, uh, keep the big
brush Vite, see what I do.
78
00:04:40,280 --> 00:04:43,520
White and yellow, white and yellow now.
79
00:04:43,700 --> 00:04:46,280
And that will give you
that on my design shine.
80
00:04:46,280 --> 00:04:48,200
Can you see, can you see there?
81
00:04:52,609 --> 00:04:57,859
fires right into the road
to the, the sun or the back.
82
00:04:57,859 --> 00:05:03,710
The sky is obvious farming,
farming your, your country.
83
00:05:03,710 --> 00:05:05,030
You're the grass.
84
00:05:05,060 --> 00:05:09,049
The grass is red in this
case and everything.
85
00:05:09,919 --> 00:05:14,390
And no, we will be very, very
God a little bit in depression,
86
00:05:14,390 --> 00:05:16,820
blue and alizarin Crimson.
87
00:05:17,030 --> 00:05:17,240
But.
88
00:05:17,625 --> 00:05:22,125
On the little touch of pressure and
blue, lots of alizarin Crimson, and we
89
00:05:22,125 --> 00:05:25,505
read it as early as that be close by.
90
00:05:26,695 --> 00:05:30,875
Uh, it makes it a bit more romantic.
91
00:05:30,875 --> 00:05:33,695
I would paint has a other star.
92
00:05:35,025 --> 00:05:40,635
So that the clouds come in like that have
that one side and there's a dog here.
93
00:05:40,815 --> 00:05:43,005
If I pay in water, then
it would be dark there.
94
00:05:43,415 --> 00:05:47,165
The other side to harmonize,
there's a certain rhyme written
95
00:05:47,165 --> 00:05:48,755
harmony to the whole thing.
96
00:05:49,115 --> 00:05:55,055
And if you can keep that in that shape,
then there's no vibe you can miss.
97
00:05:55,740 --> 00:05:58,770
If I was to put water and that
will be voted and I don't have
98
00:05:58,770 --> 00:06:00,390
to put vote and I can put grass.
99
00:06:00,390 --> 00:06:06,480
And by that grass got to be darker there
then because the cloud would do that.
100
00:06:07,080 --> 00:06:08,610
The mighty cloud would do that.
101
00:06:08,990 --> 00:06:17,570
I use my . I would use my, uh,
red, yellow and make kind of a
102
00:06:17,570 --> 00:06:20,930
red yellowish there's yellowish.
103
00:06:23,085 --> 00:06:26,775
And I will give that cloud, that cloud
104
00:06:33,125 --> 00:06:36,605
I mighty cloud it's too dark.
105
00:06:37,475 --> 00:06:38,465
It's too dark.
106
00:06:40,535 --> 00:06:41,345
It's too dark.
107
00:06:41,945 --> 00:06:42,935
It is not good.
108
00:06:43,025 --> 00:06:43,565
What you do?
109
00:06:43,565 --> 00:06:47,735
I show you what you should do, then
take your knife and take it off.
110
00:06:49,560 --> 00:06:51,420
Better than you ground yourself.
111
00:06:51,599 --> 00:06:57,150
Sometimes you do that just by
see how much pain they took off.
112
00:06:58,520 --> 00:06:58,870
Yeah.
113
00:06:58,870 --> 00:06:59,250
Yeah.
114
00:07:00,050 --> 00:07:07,340
It's easier now for me to too, there
will be more white and yellow and the
115
00:07:07,340 --> 00:07:12,140
tattoo for red, that would be more
the type of diamonds you put on there.
116
00:07:13,575 --> 00:07:14,855
Yeah, that's it.
117
00:07:15,165 --> 00:07:17,685
Can you see, I showed
you a wrong and right.
118
00:07:17,865 --> 00:07:19,275
That's a good class.
119
00:07:19,845 --> 00:07:21,915
He has beautiful.
120
00:07:24,255 --> 00:07:28,665
Sometimes you do it sometime you
do it, but when you accept it and
121
00:07:28,745 --> 00:07:31,455
let it go, then it just your fault.
122
00:07:32,165 --> 00:07:33,845
He, I didn't accept it.
123
00:07:33,875 --> 00:07:34,775
I took her off.
124
00:07:34,805 --> 00:07:35,645
That was good.
125
00:07:36,375 --> 00:07:42,465
Eh like this, but in the meantime, CRE
exceed the brush, dirty, clean that brush
126
00:07:42,705 --> 00:07:44,715
the I cleared, I was on the paper here.
127
00:07:45,794 --> 00:07:49,424
I had to take that off,
cleans on the paper here.
128
00:07:49,905 --> 00:07:52,275
Otherwise you wash it all
out and you need more.
129
00:07:52,275 --> 00:08:00,405
Anyway, the white and yellow and attach
off that the sun hit that cloud there.
130
00:08:04,445 --> 00:08:04,804
Hey.
131
00:08:07,365 --> 00:08:09,075
The only washed it, tips off.
132
00:08:09,105 --> 00:08:10,185
You see what I do here?
133
00:08:10,425 --> 00:08:14,475
Just rushed the tips off the pain, and
I don't want to ruin all that other
134
00:08:14,475 --> 00:08:21,345
paint on the brush, see potential
for it and it touch on Fred and
135
00:08:21,345 --> 00:08:32,345
it, and maybe here that's brush
around the garden lining on the sky.
136
00:08:33,045 --> 00:08:37,575
Wash the tips off again and the papers
and they don't have to wash it all off.
137
00:08:38,175 --> 00:08:40,035
Otherwise you lose so much paint.
138
00:08:40,665 --> 00:08:41,835
You lose so much pain.
139
00:08:42,045 --> 00:08:51,075
Now I may go a little bit more into the
red and ever more into the red or orange.
140
00:09:06,630 --> 00:09:07,560
no, I have to watch them
141
00:09:12,470 --> 00:09:17,350
see, now the next step would be,
or finished this up, finished
142
00:09:17,350 --> 00:09:19,310
this whole side up completely.
143
00:09:19,950 --> 00:09:21,780
Yeah, then you don't
have to worry anymore.
144
00:09:29,150 --> 00:09:31,150
Good, good, good.
145
00:09:32,480 --> 00:09:45,500
See, no, we've uh, we've, uh, uh,
create kind of a background there.
146
00:09:52,950 --> 00:10:01,830
See, like are standing there,
but in the distance, I want us
147
00:10:01,840 --> 00:10:03,630
to get a big distance stare.
148
00:10:03,870 --> 00:10:07,770
It was just to get that to
the road, finding into mighty
149
00:10:07,770 --> 00:10:11,940
distance, this, um, Okay.
150
00:10:15,830 --> 00:10:17,660
See, don't go over too much.
151
00:10:17,900 --> 00:10:18,710
This is nice.
152
00:10:18,740 --> 00:10:20,120
Let us stand up like that.
153
00:10:20,630 --> 00:10:22,160
Let us stand up like this.
154
00:10:34,035 --> 00:10:36,645
No yellow and blue turns green.
155
00:10:36,824 --> 00:10:39,824
See, I have to avoid, Kingussie
already that green in there.
156
00:10:40,094 --> 00:10:46,214
So what you do, if you have problems
there, put her head in the rather
157
00:10:46,814 --> 00:10:52,064
watch D you Mustang the sun,
this, this would be better there.
158
00:10:52,094 --> 00:10:54,525
Watch this, see if it burn.
159
00:10:54,885 --> 00:11:00,045
It helps you see in the sun, in,
in, in, in the grass and the trees.
160
00:11:00,074 --> 00:11:00,704
Can you see it?
161
00:11:01,620 --> 00:11:02,220
Wonderful.
162
00:11:02,579 --> 00:11:03,720
And that was burning.
163
00:11:03,839 --> 00:11:05,610
The sun is not only in the sky.
164
00:11:05,670 --> 00:11:08,730
The sun is in the grass and it
comes forward as far as forward.
165
00:11:08,970 --> 00:11:10,680
And it's not as everywhere there.
166
00:11:13,050 --> 00:11:15,329
Maybe here we bring the sun out there.
167
00:11:16,850 --> 00:11:17,180
Hey,
168
00:11:20,540 --> 00:11:21,439
that is burn.
169
00:11:32,689 --> 00:11:34,580
let it burn and burn.
170
00:11:35,510 --> 00:11:39,439
Maybe he had it a bit Fred
just on the side there and
171
00:11:39,439 --> 00:11:40,910
then let it be darker there.
172
00:11:41,120 --> 00:11:46,580
Then you can easy go into passion blue
and most alizarin Crimson like this
173
00:11:46,970 --> 00:11:49,430
and let it be darker off of the sun.
174
00:11:51,415 --> 00:11:59,115
The after sun here let to be
darker, then you have a good, good
175
00:11:59,385 --> 00:12:02,564
harmony there after sun darker here.
176
00:12:17,715 --> 00:12:22,995
And was in Crimson Novi, where
we will create the happy later.
177
00:12:23,145 --> 00:12:28,155
And look, they're happy that they're
178
00:12:31,615 --> 00:12:37,275
and flashing blue and live
in Crimson and Prussian blue.
179
00:12:46,170 --> 00:12:47,190
Like that.
180
00:12:48,390 --> 00:12:53,660
And on the other side like that, so think
about the road is coming together there.
181
00:12:56,370 --> 00:13:01,890
and maybe we can have one,
a mighty tree just standing.
182
00:13:01,890 --> 00:13:03,330
You have a tire up there.
183
00:13:17,025 --> 00:13:20,505
See, see how road comes along.
184
00:13:21,285 --> 00:13:25,125
Just put some buttons and it doesn't
matter what you put in there though.
185
00:13:25,650 --> 00:13:30,720
Yes, but something in there and artisan
you have a happy little road coming
186
00:13:30,720 --> 00:13:38,450
out there, going into the sunset, into
the sunset, but more blue, careful with
187
00:13:38,450 --> 00:13:41,960
that pressure and blue, because that
can, when it gets too dark, as it's hard
188
00:13:41,960 --> 00:13:44,930
to get his off that's would be good.
189
00:13:45,110 --> 00:13:46,430
But I do hear that's good.
190
00:13:46,840 --> 00:13:47,700
Still nice.
191
00:13:48,060 --> 00:13:49,920
He must always thank
the sun from the back.
192
00:13:50,100 --> 00:13:51,510
The sun draws a shadow.
193
00:13:51,510 --> 00:13:56,910
Now the sun draws a shadow over
roads and over feeds and whatever,
194
00:13:56,910 --> 00:14:02,460
whatever, whatever, but ever the
flashing blue and the touch of
195
00:14:03,090 --> 00:14:05,820
a in Crimson, it does the job.
196
00:14:13,530 --> 00:14:18,750
See now you have to think, you have to
think the sun would draw shadows there.
197
00:14:22,189 --> 00:14:22,790
I always go.
198
00:14:22,910 --> 00:14:24,949
I there, you never can miss.
199
00:14:24,949 --> 00:14:29,630
If you, if you think in that
direction, he never can miss
200
00:14:35,569 --> 00:14:36,500
no here.
201
00:14:39,680 --> 00:14:40,550
Passion blue.
202
00:14:43,545 --> 00:14:46,275
And be very fired off here.
203
00:14:53,415 --> 00:14:56,625
Bit more read into that.
204
00:14:57,645 --> 00:14:59,175
The other ways that blue eats.
205
00:15:19,155 --> 00:15:24,555
Looks nice when you put it nice and dark,
because you always have to think, even
206
00:15:24,555 --> 00:15:29,475
if you look into the sun, just looking
into the sun, you make little piggy eyes.
207
00:15:29,834 --> 00:15:34,844
Is he tied to things like that, because
if the sun is from the side, your eyes
208
00:15:34,844 --> 00:15:39,314
are open, but soon you have, like, I
look in here to that light all the time.
209
00:15:39,405 --> 00:15:42,885
So you see, my eyes are piggy
eyes and then you don't see much.
210
00:15:43,635 --> 00:15:44,865
And this is the same thing.
211
00:15:44,865 --> 00:15:47,564
Can you have, think about
cigarettes or something?
212
00:15:47,834 --> 00:15:53,745
It just like Munsters against the sun
and it has hardly no light and shadows
213
00:15:53,995 --> 00:15:56,324
it's because you don't see that.
214
00:15:59,099 --> 00:16:02,189
He hit, I just make it to
all the dog dogs there.
215
00:16:02,719 --> 00:16:02,810
Okay.
216
00:16:14,780 --> 00:16:18,800
Finishing blue dog cafe dog there.
217
00:16:28,230 --> 00:16:29,960
No, we are finished.
218
00:16:29,990 --> 00:16:30,200
Yeah.
219
00:16:30,710 --> 00:16:32,390
I aim against the sun.
220
00:16:32,390 --> 00:16:34,790
I pull it into the red on the side.
221
00:16:34,790 --> 00:16:36,950
He all, that should be sunny.
222
00:16:37,100 --> 00:16:39,230
That should be suddenly, but this is dark.
223
00:16:39,680 --> 00:16:41,060
I listen to be a good lesson.
224
00:16:41,060 --> 00:16:43,490
If you get to with this
whole light, be here.
225
00:16:44,189 --> 00:16:45,630
It should be a good lesson.
226
00:16:46,050 --> 00:16:48,540
Be dark here, dark here.
227
00:16:49,739 --> 00:16:51,140
He wonderful.
228
00:16:51,290 --> 00:16:56,180
And think about the dark, the shadows,
the on the side, it has the shadows,
229
00:16:56,400 --> 00:16:58,010
the reflection would be straight.
230
00:16:58,010 --> 00:17:03,050
And if I make a river out of that, then
that would reflect street, but it is
231
00:17:03,050 --> 00:17:05,569
a road and there is a, is a shadow.
232
00:17:05,690 --> 00:17:09,530
The shadow was this by always
obvious from the sun off.
233
00:17:10,129 --> 00:17:11,210
So the.
234
00:17:11,835 --> 00:17:13,635
So maybe that does that's right.
235
00:17:14,265 --> 00:17:19,125
As long as you can dank in that
direction, you have a good head for art.
236
00:17:19,215 --> 00:17:21,765
Do you have a good idea
to, to handle that right.
237
00:17:23,505 --> 00:17:25,545
D three trunks and all that.
238
00:17:25,635 --> 00:17:27,075
It is so dark there.
239
00:17:28,065 --> 00:17:30,645
You don't have to worry
too much about all that.
240
00:17:31,065 --> 00:17:33,435
Just usually what I do.
241
00:17:33,435 --> 00:17:34,785
I scratch it then.
242
00:17:34,785 --> 00:17:39,045
But the, with the, with the knife,
243
00:17:45,945 --> 00:17:47,685
There's somebody standing up there
244
00:17:50,835 --> 00:17:51,705
saved me here
245
00:18:00,754 --> 00:18:01,504
day to day.
246
00:18:01,504 --> 00:18:05,795
And what I'm doing here is
not a don't put any paint on.
247
00:18:06,004 --> 00:18:06,635
I just.
248
00:18:07,125 --> 00:18:07,875
Cloud.
249
00:18:08,024 --> 00:18:10,395
I have the knife has a
little bit of a curve.
250
00:18:10,635 --> 00:18:13,044
See if I make a straight line Z.
251
00:18:13,074 --> 00:18:13,814
Wouldn't see it.
252
00:18:13,845 --> 00:18:15,254
Can we see it now?
253
00:18:15,254 --> 00:18:20,324
When I make it a little bit under,
sland see, I got to take a line
254
00:18:20,745 --> 00:18:23,024
and I use the heel of the knife.
255
00:18:23,145 --> 00:18:25,905
See the, the bottom,
the bottom of the knife.
256
00:18:25,905 --> 00:18:30,544
See if you see it on a pallet, it
would be like this, but a little
257
00:18:30,544 --> 00:18:32,615
bit on the plow, not street.
258
00:18:34,215 --> 00:18:38,295
It's just good to understand the,
otherwise you only make a little
259
00:18:38,325 --> 00:18:42,165
thin line to the, to the paint,
but by having that little heel and
260
00:18:42,165 --> 00:18:47,504
a little plow, like thank you.
261
00:18:47,504 --> 00:18:52,034
Plow the land then PLO is it
gives you a beautiful line stairs.
262
00:18:52,215 --> 00:18:54,254
I can have a ticket of I to see
263
00:19:14,400 --> 00:19:20,850
So now after we have it nice and dark,
let's finish up that road, that our mighty
264
00:19:20,850 --> 00:19:24,900
happier road, there's that beautiful.
265
00:19:24,900 --> 00:19:28,080
The road into yonder in front.
266
00:19:28,080 --> 00:19:32,790
I wear the lots of red, lots
of sunshine, but we have to.
267
00:19:44,250 --> 00:19:49,610
Ton of paint and mixing like Marbury.
268
00:19:49,969 --> 00:19:51,230
He doesn't mix a dead.
269
00:19:51,439 --> 00:19:55,550
His it's good to have all
the, all the us call us there.
270
00:19:58,820 --> 00:20:00,980
C R does Carla stair.
271
00:20:05,915 --> 00:20:07,565
And perspective is beautiful.
272
00:20:07,835 --> 00:20:10,205
The lines going away from each other.
273
00:20:10,505 --> 00:20:13,745
This would be beautiful if
you can manage like this.
274
00:20:14,705 --> 00:20:21,245
And as you come up to the peak,
they're all over the hand.
275
00:20:27,995 --> 00:20:29,015
Oh, the halo.
276
00:20:29,415 --> 00:20:30,855
Yeah, it getting too dark.
277
00:20:31,275 --> 00:20:39,245
I would put sunshine in sunshine in white.
278
00:20:39,755 --> 00:20:45,155
The same that you have in the sun,
bit of white with yellow thing like
279
00:20:45,185 --> 00:20:49,665
this, and then put it over for it over.
280
00:20:51,785 --> 00:20:52,805
Oh, that's beautiful.
281
00:20:54,425 --> 00:20:56,105
It lights up the road.
282
00:20:57,000 --> 00:21:01,440
And now you have to go
into the shadow sides.
283
00:21:01,440 --> 00:21:03,300
You have to enter that shadow side.
284
00:21:09,950 --> 00:21:10,550
we'll see.
285
00:21:10,550 --> 00:21:11,300
We'll see.
286
00:21:11,390 --> 00:21:12,530
We'll see what he see.
287
00:21:16,500 --> 00:21:22,889
But if we'd like to hammer out a bit of
sunshine right here, here he is that,
288
00:21:22,889 --> 00:21:25,129
that was the beginning of the road.
289
00:21:25,379 --> 00:21:31,470
All the hair there, or they're
there and right in the zone there.
290
00:21:36,680 --> 00:21:37,280
Okay.
291
00:21:37,670 --> 00:21:39,379
C no, no.
292
00:21:39,620 --> 00:21:44,030
We wrote, we wrote, we really
go into the shadows there.
293
00:21:44,625 --> 00:21:49,455
To the shadows there and extend the road.
294
00:21:53,555 --> 00:21:55,685
Yeah, he was a different color us.
295
00:21:55,685 --> 00:21:58,115
There was kind of a shadow color.
296
00:21:59,675 --> 00:22:04,085
Get the flu and others in
Crimson into the dark here.
297
00:22:04,445 --> 00:22:07,805
So what the colors are altogether
is, is alizarin, Crimson,
298
00:22:07,805 --> 00:22:10,355
Prussian, blue, and yellow.
299
00:22:10,595 --> 00:22:11,095
That's all.
300
00:22:12,250 --> 00:22:17,610
Then you really, that's a nice,
a nice share to call it there.
301
00:22:21,200 --> 00:22:21,290
Okay.
302
00:22:21,710 --> 00:22:22,970
That would be a good lesson.
303
00:22:22,970 --> 00:22:28,610
I think really what I do now, I was
still a pain so many years on TV.
304
00:22:28,880 --> 00:22:32,630
And when I see my own paintings,
I, I, I have a feeling there's
305
00:22:32,630 --> 00:22:34,670
nothing else I can show you anymore.
306
00:22:35,150 --> 00:22:39,020
So I really concentrate on teaching now.
307
00:22:39,675 --> 00:22:43,335
You should learn something from every
painting I wants to paint from now on.
308
00:22:44,355 --> 00:22:47,145
I don't concentrate on that
beautiful painting anymore.
309
00:22:47,705 --> 00:22:49,055
I would like to see you.
310
00:22:49,745 --> 00:22:52,745
I would like to see you're really
getting something out of that.
311
00:22:53,710 --> 00:22:56,159
He's not there anymore when I'm up there.
312
00:22:56,159 --> 00:23:01,199
But Peter and I looked down that would
be wonderful to see my God, all America
313
00:23:01,199 --> 00:23:03,960
is rich powerful, and they all paint.
314
00:23:04,169 --> 00:23:09,780
They all have a smirk on their face,
literally sparks in their eyes.
315
00:23:10,290 --> 00:23:12,210
Ah, happy ours is living on.
316
00:23:12,240 --> 00:23:13,860
That's a good feeling.
317
00:23:14,370 --> 00:23:16,560
That's a good, good, good, good feeling.
318
00:23:17,790 --> 00:23:19,649
And what is that when that'd be nice.
319
00:23:19,649 --> 00:23:20,730
If I could ever say.
320
00:23:21,795 --> 00:23:22,935
I did it to you.
321
00:23:23,805 --> 00:23:24,645
Something nice.
322
00:23:28,355 --> 00:23:28,625
Good.
323
00:23:28,805 --> 00:23:30,965
The no watch, no revert.
324
00:23:30,965 --> 00:23:31,895
We really, we will.
325
00:23:32,045 --> 00:23:36,755
I use the other brush and I use the
red district Bureau head call us now.
326
00:23:37,265 --> 00:23:46,205
And I will, I will, I will go in
here on the side, on the side long E.
327
00:23:49,530 --> 00:23:51,000
Can you see where that thread does?
328
00:23:51,300 --> 00:23:53,070
Is it kind of a shadow color about it?
329
00:23:53,070 --> 00:23:55,830
Is it just burning as it's burning?
330
00:24:00,620 --> 00:24:02,270
I think, I think that it's a good lesson.
331
00:24:02,270 --> 00:24:03,680
If you really take it right.
332
00:24:04,670 --> 00:24:10,310
That's happened in the room along the
side and happy Carla's the no, no, we
333
00:24:10,310 --> 00:24:12,770
will go on this side, but read again.
334
00:24:13,425 --> 00:24:15,605
See the tied to thank you.
335
00:24:15,645 --> 00:24:20,925
The son, the son, the son is in the grass.
336
00:24:20,955 --> 00:24:23,385
The sun is in the line and
the sun is in the road.
337
00:24:24,465 --> 00:24:25,455
Like water.
338
00:24:25,905 --> 00:24:28,035
It there's not Chinese, but it is there.
339
00:24:28,395 --> 00:24:29,235
Try to see it.
340
00:24:29,235 --> 00:24:32,625
This there, he ended up
the red letter thread burn.
341
00:24:33,885 --> 00:24:38,445
He had mixed up painting,
more, more powerful fi.
342
00:24:41,190 --> 00:24:42,450
Not this good.
343
00:24:42,990 --> 00:24:43,950
That is good.
344
00:24:45,060 --> 00:24:50,490
No, we really have a happy little, all
checks that need there right there.
345
00:24:51,629 --> 00:25:00,270
Like the odd little shack in the woods
and the sunshine and the sunshine.
346
00:25:00,720 --> 00:25:03,419
Then we have to light up this rim here.
347
00:25:04,139 --> 00:25:04,860
It's unhedged.
348
00:25:05,774 --> 00:25:11,955
They have the done, you would think it
would hit that, that, and here maybe
349
00:25:11,955 --> 00:25:18,764
a little bit of, uh, uh, sunshine
there, but then that's Gabriel and GB.
350
00:25:18,975 --> 00:25:22,065
He ever throw a shadow her
right on the house too.
351
00:25:22,335 --> 00:25:25,215
You have overhang has a shed with there.
352
00:25:25,935 --> 00:25:26,325
See.
353
00:25:27,315 --> 00:25:30,885
Can you see how we, I just would
like to show you things I would
354
00:25:30,885 --> 00:25:34,365
think is hardly the Turkey.
355
00:25:34,575 --> 00:25:39,125
So this is more the side move, but this
is it's really in the shadow there.
356
00:25:39,365 --> 00:25:41,285
And it's in the shadows, the whole house.
357
00:25:41,285 --> 00:25:44,345
He is in the shed of dead to me.
358
00:25:45,750 --> 00:25:49,830
Just like to work with light and
shadow, then we create a dark
359
00:25:50,380 --> 00:25:53,790
roof, a bit of a dirty roof.
360
00:25:53,910 --> 00:25:55,380
It's just not in the sunshine.
361
00:25:55,470 --> 00:25:59,360
The, this side is in the shadow
side, but it is stared there.
362
00:26:00,420 --> 00:26:04,680
The habits like that, like that,
363
00:26:09,150 --> 00:26:10,590
and the shadow side.
364
00:26:12,300 --> 00:26:17,910
Yeah, but it would have, this
rim would be, would be a red.
365
00:26:18,630 --> 00:26:20,210
He had this, this, this,
366
00:26:23,700 --> 00:26:32,220
and then that's what would be a red C
and then just use a little bit of right.
367
00:26:32,460 --> 00:26:33,480
And turquoise.
368
00:26:34,980 --> 00:26:40,199
A bit of a yellowish pies in
high tea, I'm hiding again.
369
00:26:40,740 --> 00:26:44,100
Uh, I wish I could be a better guy.
370
00:26:45,030 --> 00:26:46,709
He was just a better teacher.
371
00:26:48,000 --> 00:26:48,840
Uh, my God.
372
00:26:49,050 --> 00:26:53,340
See, it is a bit of whatever
the sparks there, and then
373
00:26:53,340 --> 00:26:56,280
you, you, you, you, you, you.
374
00:26:59,010 --> 00:27:04,429
The this, all this there and the dark
underneath the roof, the dark underneath
375
00:27:04,429 --> 00:27:07,399
the roof here, a bit more dark.
376
00:27:07,399 --> 00:27:08,060
I said, dolphin.
377
00:27:08,060 --> 00:27:11,959
They put the light down the
dark underneath the roof there.
378
00:27:13,070 --> 00:27:14,179
And that is it.
379
00:27:15,699 --> 00:27:21,800
You know, you just use your big brush
with a bit of red, with a bit of red.
380
00:27:22,245 --> 00:27:26,715
And just as like, there is
some girl with, in front of it.
381
00:27:26,955 --> 00:27:29,355
See, there you are.
382
00:27:31,155 --> 00:27:31,935
And that's it.
383
00:27:32,895 --> 00:27:37,155
A happy little check and in the shed,
do you see how I had to hold it down?
384
00:27:37,635 --> 00:27:38,895
Did you learn something?
385
00:27:39,195 --> 00:27:39,945
You enjoyed it.
386
00:27:40,665 --> 00:27:41,835
Thank you for watching me.
387
00:27:42,015 --> 00:27:42,495
Bye bye.
End .srt file.
Speech-to-Text Subtitle .srt Files Copyright © by Alexander Skobeleff 2020
Copyright © www.AlexanderArt.com, 2020.
® All Rights Reserved, 2020.
No comments:
Post a Comment