Bill Alexander's
The Magic of Oil Painting
Season 5, Episode 12, Stormy Ocean - AVAILABLE
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I'm bill Alexander, the father
and the finder of the magic of oil
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painting to the other painting.
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Let the wind blow hide at the . I
will paint a wonderful, powerful
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seascape the right now I have
to bother myself up again.
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I have to.
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Live there.
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I have to be a ride in the waves.
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I have to feel the wind
I have to, to hear it.
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Can you see how you start the painting?
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You have to really start dipping
yourself right into that.
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When you think I'm here in the studio, it
is something, you know, over in your home.
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It is hard to pin on location
because you're paying the rain scene.
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You can park, you never can sit on the
ocean and, and pay in the rain scene.
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It doesn't make sense.
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So here I have to use my imagination
and that's what I wished you would
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learn, become a creator next to God
is use the power and the living and
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the better tomorrow and, and all that
has to be in that almighty painting.
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So I would put the magic right
on mighty magic, right on.
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And then we fire in, never talk
about, but more what we do and how
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we do it and how we swing it out.
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First, put that on my dimeric right on.
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And you always hear me talking or mighty.
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I wish you would do it too, because
think big if you, if you Steve fresh.
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Even if I was tired,
sometimes I just forget this.
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I was tired because I think big all of a
sudden, and that's a good, good feeling.
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They are the magic right.
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Is on the canvas.
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No, I just and vertical.
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And in no time I got at
nice and naturally on again.
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I like to remind you all by sun.
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Uh, too much is not good.
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Not enough is not good.
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So I wash my brush now,
wash that our mighty brush.
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Make sure, make sure you got rid of
the paint dinner and go over the whole
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painting again over that whole canvas.
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Tick off what would be too much.
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You see, I take it off and what was
too much, it's already in my brush.
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I wash my brush.
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Canvas says, please fire in there.
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Not a nice feeling when you get
invited, because I feel there's a
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certain tackiness essential touch.
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What makes me want to
paint the evidence too?
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Slippery?
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No.
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Good.
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It's too sturdy is no good, but I know
it it's actually a beautiful beginning.
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All right.
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Uh, just all kinds of clouds
is a Vetter is a veteran.
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XE is high up and maybe put on mighty
stone in there somewhere or there too.
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And we will see how it lines up and
let the water hit that on mighty
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stone and let the waters fly off.
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And the now again, I will use.
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Let me see, I would use Taylor green,
Taylor green and alizarin Crimson.
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Taylor green and alizarin Crimson, and
then I will taste it or Tet taste it.
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See, it has a kind of a water feeling.
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Is that, that green turquoise, when you
think all the swimming pools aligned
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with turquoise, with a kind of a greenish
water color, that that is a beautiful
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color, but I have here, uh, Taylor green
and Alison Crimson those two together.
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See how I mix it.
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Trust just.
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Just makes it through this.
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You have the brush, nice and load it.
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Then you test it and you're happy
when you're happy, then you fire them.
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You fire them, but you can leave
a little over links here, maybe
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automated clouds, here's one market
for rest and rest her arm back.
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And then, then, then he was a big kind of
one going up there and then fire into the
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water fires right into the water cream.
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Your brush.
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Fire into the water.
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See there you are.
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And then make it that
and put your name on.
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And there is a modern painting.
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Looks good, nothing wrong.
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Okay.
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Now watch, I will hypnotize
make it a bit softer.
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Make it fluffy, make it, make it Vinny.
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Put the bins and see by this.
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Rolling.
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Sometime you just rolling.
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Rolling.
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You are mighty brush.
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Can you see the different
on this side, on this side?
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See, Oh, Hey, there you go.
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Okay.
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Then, then let me give
you a little tricks here.
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They having bought sometime.
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I want to have my water very dark.
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Then I would leave it like that.
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If I was to have my water light
there, then I put the dark.
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I just would like to
give you tricks device.
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We create, watch.
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I will say I will have a
light devote a light there.
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Then I create a dark watch this.
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See, I just, because I would
really love to, but too much
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red, too much red, too much.
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Alison Crimson.
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Okay.
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No,
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that's an upcoming cloudier.
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Big BU's are coming up there.
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And, and make it already brush out,
clean your brush, clean your brush
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on the side and maybe painting water.
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The best is where's the light coming from.
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Maybe I break up that sky.
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Might be a good idea to break up that sky
there and let the sun just peak out and
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have that zone dancing right in the water,
because water is the best leader of light.
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See if you paint waters, always
nice to have a special light,
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but you can fire right into the
water and it will lead full blast.
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Okay.
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Maybe a bit more darker.
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See you are the artist.
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You are the creator.
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You see, you see it and you feel maybe
a bit more there when we're there, but
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two green, but two, two, two, then a
bit more alizarin Crimson, but more
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or less than Crimson a dog and set up.
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They tried to keep you a nice balance.
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There
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Hey, I know let's do it.
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How about I conditioned my whole canvas
now and they show you how we condition it.
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I conditioned it to green, to green.
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I conditioned it this way.
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You see,
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you said the light is happening.
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There is the sun.
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I will stop there.
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The make it dark, make it dark.
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Then you can put the Beavs.
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You can bring the Beavs.
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I was too green.
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Yeah.
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A bit more alizarin Crimson.
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I conditioned my whole canvas to us.
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What I want to do.
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See now we have to put the wind and
we have to put the wind in the sky.
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How did that, when we do
that, I will show you first.
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I will put this on and then we
know what the light is coming from.
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I will use white and the
little terrestrial for red.
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I always liked that kind of a
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fire in there.
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The, the light is very bright there
because, and walk off, walk off forever,
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but never, never come back again.
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lots of powerful details there.
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The, the, her dirty, the
brushes wash your brush.
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Wash you are mighty brush,
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load the brush again, but white
and a little touch of red and
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a year into this on again.
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And then your mush off forever, whatever.
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Follow the lines, the light, whatever you.
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he have a round handle on that.
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Brush, use it despite dancing, and they
give you all the movement of clouds.
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Uh, the movement of clouds.
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See,
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let me know.
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We will, we will hypnotize,
hypnotize the whole thing.
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Very, very light.
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Very well.
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I don't want to destroy it.
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Dust little details.
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I want us to leave it all in life.
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Very, very light.
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We say the vendors coming from
this side, see you, then you're
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this what movements?
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And like you would feel I
was on you pull, you pull.
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There's a sudden, put it in
the air sun, put it in there.
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And I forgive you.
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Even you can use, you can
use a, then you can use a.
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Somewhere certain, certain wind
lines, some very well when lines
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the, and then you were in the
water already flying up there.
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He like, is this on air?
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It's all hanging.
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It's all hanging there.
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The fire and use that on my D brush.
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Oh, that is kind of come on.
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Good.
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CE let them in high, low, low.
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They, by having it already all
dark, it's easy to, but leave
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the dark holes in between.
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Leave the dark holes in between.
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And always when you make a kick like
a horse kick, but I was with the wind.
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Now, when the wind comes from this
side and you've got this way, but
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if the wind comes from that side and
give them that extra, the arms and
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you got the wind come in there, ready?
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Eh,
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a nice, nice to live like that.
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Sometime you could have a Grady,
just fire then in wherever.
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Hey, it's boiling there.
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No, we will.
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We will furnish it up a little bit.
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Go with what you have done the tighter
watch, ever use the darker colors, but
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sometimes I need a bit darker holes.
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I just help bring in that
little bit of a dark out there.
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Here hear a little bit.
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Yeah, but this is something I tell you.
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I don't know what I'm doing.
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Do you?
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That's the whole problem in water.
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Try to watch that water.
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I tell you go nuts because.
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It was a time when we started off
with violet parkers, I a long,
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long painting, dizzy, you know, and
we would sit there and watch it.
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But my God, it is then we had ID.
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Watch it and look back
and remember what you saw.
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I know nothing.
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I learned, we use the camera on
the end and make shots, just a shot
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of how the water moves and then.
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Maybe shut the next, the next,
the next same with the sunset.
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We did the same thing.
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And then we learned all of a
sudden, roughly there's a certain
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rhythm, there's a certain vibe,
the us therapy and the wind.
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You have to have that wind in there.
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And then you have to have that.
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Uh, I really, it is so hard to, to
give anyone that is your cup of tea.
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If he wants to paint
water, then you, you use.
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You use yourself?
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I think,
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see it's hard to, especially that viral
waters, but I wants to paint here.
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It's not too easy.
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So it's hard for me to
explain what you should do.
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I just go by my own feelings now.
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And as long as it looks like water,
all of a sudden, but then you have to
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see.
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They're boy.
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, they're tied to find that
underneath somewhere.
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Try to find that underneath.
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I don't know what it is.
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It's just find that underneath there,
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see, and eat, create,
create spots for you.
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It should scare you scared us out of.
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If he wants to go overboard,
like I tried to do it here.
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He, no, no.
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get to kind of a rhythm into that.
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Had a kind of a rhythm into that.
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kind of a rhythm into that,
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eh, kind of a whatever.
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the, you know, I come out already with
the little bit of organized water there.
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The now you use two fan brushes
because, uh, uh, I hate to
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wash them out all the time.
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That's why you, you save a
lot of the pain, the texture.
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Uh, turquoise into the whole thing.
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The, Oh, I forget all this.
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I lay in the other.
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Right.
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You should see what I'm doing.
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I have a little bit of that Taylor
green and that here, you know, I
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would say I create a comb there.
246
00:16:41,495 --> 00:16:41,795
The,
247
00:16:50,465 --> 00:16:53,375
how it works, uh, start.
248
00:16:54,975 --> 00:16:56,325
Like they will do this
249
00:17:00,605 --> 00:17:02,555
Victor a little bit chic a little bit.
250
00:17:02,795 --> 00:17:05,375
You see that gives you that
there's a road coming in.
251
00:17:05,375 --> 00:17:10,535
All of a sudden the, and then here, behind
now I got two brushes, have a darker one
252
00:17:10,535 --> 00:17:15,845
of the lighter one gone because you're
always here to wash out the paint steady.
253
00:17:15,845 --> 00:17:20,315
They give me the paint very
reasonable and, and I don't have
254
00:17:20,315 --> 00:17:22,535
the guts to Rudy to ruin paint.
255
00:17:23,085 --> 00:17:24,945
The, that that's not the right ID
256
00:17:29,405 --> 00:17:34,295
paint is a very see movements there.
257
00:17:34,475 --> 00:17:39,785
Maybe I use the lighter brush again, just,
just to give they went so long, then you
258
00:17:39,785 --> 00:17:42,215
have to create a kind of, a little bit of.
259
00:18:01,355 --> 00:18:04,565
the now I will, I will load member again.
260
00:18:04,565 --> 00:18:06,425
The letter attach of it.
261
00:18:07,004 --> 00:18:09,764
That took us to Taylor green in the brush.
262
00:18:10,034 --> 00:18:10,635
Maybe here.
263
00:18:10,635 --> 00:18:12,344
I created a module.
264
00:18:12,344 --> 00:18:17,084
One on why do you want and push
them out, push them out there.
265
00:18:18,915 --> 00:18:20,685
Now we have that light up there.
266
00:18:21,375 --> 00:18:25,725
See what I wish you, I will cut
that a little bit down here.
267
00:18:25,995 --> 00:18:27,885
It looks a bit too, too, right?
268
00:18:27,885 --> 00:18:28,425
To me.
269
00:18:41,585 --> 00:18:43,205
See, no, no.
270
00:18:43,205 --> 00:18:47,975
Gives you a dark brush again, and
then you, you, you, you, you, you
271
00:18:48,845 --> 00:18:54,095
make up other dark the same three
colors and go underneath there
272
00:18:55,115 --> 00:18:58,385
and then it there, and then it.
273
00:19:04,935 --> 00:19:05,294
See
274
00:19:12,014 --> 00:19:12,705
water start.
275
00:19:19,235 --> 00:19:19,445
Yeah.
276
00:19:19,445 --> 00:19:24,125
How you pull it into two
yonder here, uh, into that.
277
00:19:24,780 --> 00:19:28,050
He, that looks a bit quiet
because he was always dang.
278
00:19:28,410 --> 00:19:30,120
It comes to the shoreline.
279
00:19:30,180 --> 00:19:33,870
And then, then maybe
there's forms, Reuters.
280
00:19:34,080 --> 00:19:39,450
They, where we have the, the guys
on the boards hanging around there.
281
00:19:42,650 --> 00:19:46,190
This is quite a D I think they would
be scared too, to be out there.
282
00:19:46,800 --> 00:19:52,130
Does, I think they're very healthy
kids because there's a kind of a.
283
00:19:52,695 --> 00:19:57,165
Wonderful ID for young people
to be on the surf boards there.
284
00:20:03,314 --> 00:20:09,855
Even I do, I try to create a movement,
a rhythm, a certain rhythm coming up
285
00:20:09,855 --> 00:20:20,084
there, see certain, read them, and
then, you know what I will do here.
286
00:20:21,030 --> 00:20:24,899
It's in the sun, into the sun every day.
287
00:20:24,899 --> 00:20:32,000
It is the sun ever created the
kind of a, eh, poison color.
288
00:20:49,985 --> 00:20:54,935
he just, just think about the spark and
wants to bring it down there a little bit.
289
00:21:01,550 --> 00:21:07,340
even given my other on mighty
push other are my reports.
290
00:21:10,129 --> 00:21:10,670
Right.
291
00:21:12,710 --> 00:21:18,379
And, uh, and here, maybe we
do it like this watch, watch.
292
00:21:20,270 --> 00:21:22,760
I will have a little bit of a Royal there.
293
00:21:43,879 --> 00:21:50,659
the, like the vault has Tony over
here on this particular spot.
294
00:21:51,379 --> 00:21:52,370
You turn it over.
295
00:21:53,280 --> 00:21:54,990
Turn it over.
296
00:21:55,470 --> 00:21:57,030
Turn it over.
297
00:22:00,200 --> 00:22:00,290
Okay.
298
00:22:00,410 --> 00:22:01,430
That has to be done there.
299
00:22:01,430 --> 00:22:04,280
You have to spend a little
bit of time to get it right.
300
00:22:06,770 --> 00:22:10,520
I must have that role on that
particular spot that harmonize
301
00:22:10,530 --> 00:22:11,750
with that light up there.
302
00:22:12,650 --> 00:22:15,050
Give me a good, beautiful harmony.
303
00:22:17,570 --> 00:22:18,110
Okay.
304
00:22:18,650 --> 00:22:21,770
Always have, have one, one push.
305
00:22:23,639 --> 00:22:28,020
Or you have the other side of
the brush is the other push, but
306
00:22:28,020 --> 00:22:29,490
then you have to clean the brush.
307
00:22:29,730 --> 00:22:32,280
Cause you have you messed
up what you have there.
308
00:22:37,790 --> 00:22:38,870
Yeah, I ruined it.
309
00:22:39,409 --> 00:22:42,860
The whole is just because we
always think we can do it better.
310
00:22:42,860 --> 00:22:48,470
That's a natural thing for every artist
thinks that, and I'm not different.
311
00:22:48,530 --> 00:22:50,090
The at one stroke.
312
00:22:50,670 --> 00:22:55,770
And the other stroke three
times too much times too much.
313
00:22:56,280 --> 00:23:00,750
And maybe here and the
other side of Deborah.
314
00:23:01,680 --> 00:23:07,690
See then here, here, here, give
him that little bit of beaming up.
315
00:23:08,270 --> 00:23:10,370
You see that's in front of that.
316
00:23:10,730 --> 00:23:14,000
Can you see it at the
Royce over and beams up?
317
00:23:16,515 --> 00:23:20,055
So here, I will spend a bit
more time to get it right.
318
00:23:21,525 --> 00:23:23,415
Maybe here's the other little touch.
319
00:23:27,245 --> 00:23:27,515
Yeah.
320
00:23:28,055 --> 00:23:30,815
And here, just highlight the peaks.
321
00:23:30,965 --> 00:23:33,805
Watch this, just
highlight the peaks there.
322
00:23:33,815 --> 00:23:36,395
Let that just highlight the top.
323
00:23:36,515 --> 00:23:37,175
This the top.
324
00:23:45,544 --> 00:23:48,004
yeah, it brings a nice out there.
325
00:23:49,955 --> 00:23:51,034
No, you can.
326
00:23:51,034 --> 00:23:56,554
You can, you can maybe here he ever
put the stone in there and have that.
327
00:23:57,334 --> 00:23:59,074
Oh, I have it on my dislike.
328
00:23:59,074 --> 00:24:01,324
Him was his stone.
329
00:24:02,284 --> 00:24:04,745
And then on that stone as well.
330
00:24:05,639 --> 00:24:08,639
Fire into the sky, fly up high.
331
00:24:14,090 --> 00:24:16,100
See, I read the, I let it fly.
332
00:24:16,429 --> 00:24:20,149
Fly up high and let the wind blow it off.
333
00:24:21,560 --> 00:24:24,530
No, well, we do it.
334
00:24:24,649 --> 00:24:26,389
Let's get that stone in there.
335
00:24:27,020 --> 00:24:30,290
Even Dyke Brown and dark Brown.
336
00:24:30,439 --> 00:24:31,429
Precious blue.
337
00:24:31,830 --> 00:24:32,970
Alizarin Crimson.
338
00:24:33,480 --> 00:24:37,020
And you find that on my dystonia there
339
00:24:56,600 --> 00:24:57,680
did I put it in.
340
00:25:01,305 --> 00:25:03,075
You only see parts of that stolen.
341
00:25:16,835 --> 00:25:19,235
Now you must think about that.
342
00:25:19,255 --> 00:25:24,155
That our, my dystonia there, there's
constantly water coming up and
343
00:25:24,155 --> 00:25:26,705
running off, up and running off.
344
00:25:27,090 --> 00:25:32,159
So what we will do, we will be
well, Oh, let me highlight that too,
345
00:25:32,159 --> 00:25:37,020
because I have done it finish up
the stone, completely little touch
346
00:25:37,020 --> 00:25:40,920
of red into that touch of right.
347
00:25:42,000 --> 00:25:47,010
Uh, maybe attached with her cards
and we will, we will give him a
348
00:25:47,010 --> 00:25:54,420
little bit of, uh, the little bit
of a light is coming from there.
349
00:26:10,985 --> 00:26:18,395
the way we do now, we will put
that stone down into the water.
350
00:26:18,455 --> 00:26:20,675
We pull it down into the water.
351
00:26:21,035 --> 00:26:22,415
See what happened all of a sudden.
352
00:26:23,084 --> 00:26:24,314
Pull it into the water.
353
00:26:24,554 --> 00:26:29,475
And that gives you a feeling that gives
you a feeling of water's running off.
354
00:26:29,895 --> 00:26:32,564
You run it down, but the feeling is there.
355
00:26:32,594 --> 00:26:34,574
The water is running,
but I've show you more.
356
00:26:34,574 --> 00:26:35,175
I show you more.
357
00:26:35,205 --> 00:26:35,594
I show you
358
00:26:40,115 --> 00:26:44,735
it's amazing when you start painting
waters and see how you start.
359
00:26:45,045 --> 00:26:49,335
Getting that rhythm and all of a
sudden they hear what I will do.
360
00:26:49,665 --> 00:26:54,825
I will use a touch of, again,
touch of turquoise and white Cedar.
361
00:26:54,835 --> 00:26:56,115
I do it again.
362
00:26:56,625 --> 00:27:02,175
And then here, here, you got
around that stone around the Island
363
00:27:02,175 --> 00:27:05,985
and around and around the ER.
364
00:27:06,545 --> 00:27:07,685
And what do you do now?
365
00:27:08,015 --> 00:27:13,205
You use upstrokes like
this, like this, like this.
366
00:27:13,830 --> 00:27:17,430
Like this, see what it does.
367
00:27:18,060 --> 00:27:23,639
It's like the water's running off, but
actually really humic upstroke Z look,
368
00:27:24,720 --> 00:27:30,990
you pull the paint up and it gets,
uh, it gets to a point like it's, you
369
00:27:30,990 --> 00:27:38,960
know, here, maybe I can help, help
along a little bit by it had belonged
370
00:27:38,960 --> 00:27:40,770
a little bit divided comes down.
371
00:27:43,875 --> 00:27:46,985
D, but have those have those movements?
372
00:27:47,255 --> 00:27:51,035
That means the borders
is coming down here.
373
00:27:51,035 --> 00:27:53,225
I just had belong a little bit.
374
00:27:56,885 --> 00:27:58,115
and let that disappear.
375
00:27:58,325 --> 00:28:03,545
Depends on how big that Veeva
came down and what time the
376
00:28:03,545 --> 00:28:05,015
next one is already coming up.
377
00:28:05,195 --> 00:28:07,115
That means that one is already gone off.
378
00:28:07,505 --> 00:28:12,035
And then the next one loads, the whole
stone that's whole stone is loaded.
379
00:28:12,435 --> 00:28:13,305
No
380
00:28:16,475 --> 00:28:18,965
stone is loaded with water.
381
00:28:28,085 --> 00:28:33,425
Yeah, just show, show parts of that stone.
382
00:28:37,275 --> 00:28:41,075
Then you can create the extra water
on enough because sometime they are
383
00:28:41,075 --> 00:28:43,925
shallow spots and just have them here.
384
00:28:45,365 --> 00:28:47,195
The there's water on the arm.
385
00:28:47,790 --> 00:28:50,660
You create those kinds
of things just happen.
386
00:28:50,680 --> 00:28:52,889
It comes out there a lot.
387
00:28:52,889 --> 00:28:53,850
And then you're
388
00:28:57,629 --> 00:28:59,370
very, very light touch here.
389
00:29:09,980 --> 00:29:12,379
the no use the Docker brush.
390
00:29:13,730 --> 00:29:15,440
Oh, I got them all cleaned for a change.
391
00:29:15,470 --> 00:29:16,040
What's good.
392
00:29:16,755 --> 00:29:17,445
That's good.
393
00:29:20,185 --> 00:29:21,965
You need lots of dark underneath there.
394
00:29:21,995 --> 00:29:22,605
Again.
395
00:29:23,175 --> 00:29:24,885
He here you need dark.
396
00:29:25,275 --> 00:29:26,955
There's no light.
397
00:29:27,015 --> 00:29:28,155
If you have no dark
398
00:29:32,645 --> 00:29:36,155
I would add though that the little
bit of pressure in blue, because
399
00:29:36,155 --> 00:29:42,465
it all that green is not dark
enough there as they come forward.
400
00:29:42,465 --> 00:29:43,895
That's the here.
401
00:30:07,774 --> 00:30:11,705
now the next step,
darker, darker underneath.
402
00:30:14,175 --> 00:30:16,935
I need a darker underneath her darker.
403
00:30:17,145 --> 00:30:22,005
It's more darker and you get it as more,
more input that whole painting will have.
404
00:30:22,665 --> 00:30:25,395
They, it gives you a
beautiful close up there.
405
00:30:26,175 --> 00:30:30,755
I really just leave a little bit
of that light, but darker here too.
406
00:30:31,865 --> 00:30:41,345
But I do know a user Vandyke Brown and
Taylor green and watched his dog there.
407
00:30:41,760 --> 00:30:47,820
Dog there, dog there and then
dabbled, dabbled on the here.
408
00:30:47,820 --> 00:30:49,740
I wants to keep it a
little bit chanted there.
409
00:31:02,660 --> 00:31:08,330
they there you, no, you can
play with whatever, but it
410
00:31:08,330 --> 00:31:10,130
got to be, it got to be more.
411
00:31:10,814 --> 00:31:12,705
More excited.
412
00:31:12,794 --> 00:31:16,245
You have to step back a little
bit and let the water fly.
413
00:31:16,685 --> 00:31:18,254
That flies everywhere.
414
00:31:18,465 --> 00:31:20,314
Then it got to fly here to
415
00:31:23,524 --> 00:31:27,185
let it fly right about a fly.
416
00:31:29,254 --> 00:31:30,485
I haven't mixed the painting.
417
00:31:30,965 --> 00:31:33,845
I haven't mixed the time
mixed the weather right there.
418
00:31:33,845 --> 00:31:35,345
It will harmonize with the rest.
419
00:31:39,110 --> 00:31:43,330
Yeah, they always like
to have one, one peak.
420
00:31:43,340 --> 00:31:45,620
What really goes around survive.
421
00:31:53,449 --> 00:31:54,169
Oh, that's good.
422
00:31:57,260 --> 00:31:59,959
See, no, we fired.
423
00:31:59,959 --> 00:32:03,320
And again, here's the next next.
424
00:32:07,560 --> 00:32:09,510
But he's he always tried to learn.
425
00:32:09,780 --> 00:32:13,320
Try to break your brush,
try to break your brush.
426
00:32:13,560 --> 00:32:15,330
Just give him that foam.
427
00:32:15,570 --> 00:32:17,190
There's all foam rolling.
428
00:32:17,190 --> 00:32:19,710
They're all foam rolling there.
429
00:32:20,610 --> 00:32:22,020
First I drew, he was white.
430
00:32:33,004 --> 00:32:39,635
see now, you, you, you use a
little bit of, Turkers a bit of
431
00:32:39,635 --> 00:32:42,725
a darker, darker color there.
432
00:32:45,754 --> 00:32:48,334
That's a bit too green to green.
433
00:32:49,715 --> 00:32:51,604
Then you use van Dyke Brown.
434
00:32:53,085 --> 00:32:59,985
And white, the air takes over that green
sometime can spoil the whole thing.
435
00:33:00,375 --> 00:33:04,125
The red Alison Crimson will kill it there.
436
00:33:04,155 --> 00:33:04,455
Maybe.
437
00:33:04,455 --> 00:33:04,695
No.
438
00:33:05,645 --> 00:33:06,425
Yeah, that's better.
439
00:33:06,935 --> 00:33:12,845
We try to have, uh, this,
leave the top, leave the top.
440
00:33:12,905 --> 00:33:14,015
The sun will hit the top.
441
00:33:22,755 --> 00:33:23,925
Yeah, something like that.
442
00:33:27,225 --> 00:33:28,215
All of us have a dog.
443
00:33:28,305 --> 00:33:33,675
You Mustang, the sun is coming from here
and it did the, the height of the, of
444
00:33:33,675 --> 00:33:36,825
that role is as drawing a shadow there.
445
00:33:37,075 --> 00:33:39,585
See the height of it as Raul is drawn.
446
00:33:39,585 --> 00:33:40,605
The shadow there.
447
00:33:51,830 --> 00:33:52,820
can Bureau.
448
00:33:52,880 --> 00:33:55,340
You can do all kinds of
things there sometime you just
449
00:33:55,470 --> 00:33:58,310
see reliance rounding off.
450
00:33:58,520 --> 00:33:59,960
Depends on how close we are.
451
00:34:00,230 --> 00:34:01,820
I didn't plan the shoreline.
452
00:34:02,000 --> 00:34:08,090
See if you can, you can easy have other
the, you, you can have a little bit of a.
453
00:34:08,609 --> 00:34:12,449
It texture, but the shoreline, the
sand, it gets so shallow there.
454
00:34:12,509 --> 00:34:17,600
You see, there is a bit of dark sand.
455
00:34:17,609 --> 00:34:22,949
There's always a bad sand, bit
of red, a little in Crimson.
456
00:34:24,420 --> 00:34:26,969
To me that gives you this feeling.
457
00:34:27,449 --> 00:34:30,000
It is a little bit of sand there.
458
00:34:31,109 --> 00:34:32,879
The here we have to do the same.
459
00:34:33,149 --> 00:34:34,379
That's finished up first.
460
00:34:35,370 --> 00:34:36,569
Then if you get the ID.
461
00:34:37,889 --> 00:34:43,500
And then underneath the roll out
in magically, you, you create,
462
00:34:43,889 --> 00:34:45,929
you create the dark again.
463
00:34:46,469 --> 00:34:51,239
It's either it to be there, but a
dark that hold it all will not show.
464
00:34:51,719 --> 00:34:52,949
Can you see how it comes out?
465
00:34:52,949 --> 00:34:57,359
All of a sudden, just by putting
that in there, that helps a lot.
466
00:34:57,899 --> 00:35:03,480
The here again, underneath that,
just underneath the role is a dark
467
00:35:03,480 --> 00:35:06,240
there, and then you can really just.
468
00:35:12,315 --> 00:35:18,945
Yeah, then you just can more
dark, more dark than be shy.
469
00:35:22,745 --> 00:35:25,475
Cause we're bringing it out better to see.
470
00:35:25,985 --> 00:35:27,185
Now you can see it better.
471
00:35:39,935 --> 00:35:44,255
it's it's, it's, it's a crazy thing
to watch that because sometime it
472
00:35:44,255 --> 00:35:48,995
does stare at bear even here that,
let me show you little things.
473
00:35:48,995 --> 00:35:52,775
What I usually see, I tried
to put that voltage together.
474
00:35:52,805 --> 00:35:56,705
It's even earlier this distance,
all the turmoil and on one spot.
475
00:35:57,720 --> 00:36:00,690
On one spot that behaves like this.
476
00:36:00,690 --> 00:36:07,500
Again, he can easy say I will have it
in the height of the, of the here's.
477
00:36:07,500 --> 00:36:10,020
What happened here is a
little bit of a turnover,
478
00:36:15,330 --> 00:36:16,550
little bit of a turnover.
479
00:36:20,030 --> 00:36:24,950
You can have that turn over,
coming up here like this.
480
00:36:25,470 --> 00:36:27,990
And then you can have
the turnover sometime.
481
00:36:35,660 --> 00:36:40,009
D you feel I was on bigger
pockets, it Thrones over stones.
482
00:36:40,009 --> 00:36:41,240
Whatever's underneath there.
483
00:36:41,420 --> 00:36:43,820
And all of a sudden you have a
little hump there, a little hub,
484
00:36:44,420 --> 00:36:46,009
and that's what makes a painting.
485
00:36:46,430 --> 00:36:52,130
He tried to think about that
little bit extra there gives you.
486
00:36:58,025 --> 00:37:00,845
see, but it does the busy
kind of, all of it's on.
487
00:37:01,055 --> 00:37:04,145
Now you can go on with all kinds of first.
488
00:37:04,145 --> 00:37:08,674
I would like to make that,
that peak hit perfect.
489
00:37:11,195 --> 00:37:11,555
Here.
490
00:37:11,585 --> 00:37:17,134
I would add the tide to dang.
491
00:37:17,165 --> 00:37:18,095
Is this the light?
492
00:37:18,365 --> 00:37:21,515
They have that the top very hard.
493
00:37:22,890 --> 00:37:23,850
Around the sun.
494
00:37:24,060 --> 00:37:25,379
I wouldn't mind here.
495
00:37:25,560 --> 00:37:26,730
Let it disappear here.
496
00:37:26,730 --> 00:37:32,879
If you, if you don't put any effort
in here, but your principal just on
497
00:37:32,879 --> 00:37:37,709
this stare C and then you can stand
it on the bit of the lines up there.
498
00:38:00,050 --> 00:38:01,430
I do perspective.
499
00:38:01,460 --> 00:38:03,170
You see, I go on here.
500
00:38:03,200 --> 00:38:04,760
It's very flat.
501
00:38:05,185 --> 00:38:08,655
See, and then you were on steepest,
deepest, deepest steeper, because you
502
00:38:08,655 --> 00:38:11,115
have your point where I stand here.
503
00:38:11,355 --> 00:38:15,255
I could, I have to make
it perspective right too.
504
00:38:15,645 --> 00:38:18,705
If I run this kind of a thing,
it would be wrong of him.
505
00:38:18,705 --> 00:38:22,455
We get all the same swing
then I that's as far away.
506
00:38:22,485 --> 00:38:27,915
But if I stand where I, but the, the, the
why I'm standing there, I cannot do it.
507
00:38:27,915 --> 00:38:30,045
I have to go perspective.
508
00:38:30,075 --> 00:38:30,615
Right.
509
00:38:31,125 --> 00:38:32,895
And there's no right or wrong.
510
00:38:33,435 --> 00:38:34,965
The door signs are steep.
511
00:38:35,174 --> 00:38:36,915
That gets more, more and more and more.
512
00:38:37,035 --> 00:38:40,065
And then here, here, you can have it draw.
513
00:38:40,095 --> 00:38:40,755
You can have it.
514
00:38:43,035 --> 00:38:44,535
They know.
515
00:38:44,535 --> 00:38:48,045
I hope you understand the idea
about what I wanted to show you.
516
00:38:48,045 --> 00:38:51,825
They're painted on my DC.
517
00:38:52,005 --> 00:38:57,345
The here I will put that role on again,
but here you can use a texture of dark.
518
00:38:57,825 --> 00:38:59,384
Don't have to be so bright.
519
00:38:59,865 --> 00:39:00,225
I see.
520
00:39:30,710 --> 00:39:33,530
that on my de-water here.
521
00:39:33,530 --> 00:39:35,330
Maybe it just puts a little bit of wind.
522
00:39:35,330 --> 00:39:39,260
And now wherever you think
the wind come up there.
523
00:39:42,450 --> 00:39:48,410
put, when you put it in
one spot were everywhere.
524
00:40:00,465 --> 00:40:06,465
So, so, so, so, so then here you can
sometime just repeat a little bit
525
00:40:06,465 --> 00:40:10,035
like, like this, this ID, it bubbles up
526
00:40:18,995 --> 00:40:21,975
but obviously always don't
forget to put them in.
527
00:40:25,325 --> 00:40:25,655
Yeah.
528
00:40:25,705 --> 00:40:27,755
Put that on mighty wind in wherever.
529
00:40:28,500 --> 00:40:33,060
Whatever you have, then that
penny has a good meaning.
530
00:40:42,240 --> 00:40:48,330
No, you put copies of happy, seagulls
in their copy of happy Sega cards.
531
00:40:50,010 --> 00:40:52,170
They're floating along there.
532
00:40:55,785 --> 00:40:57,795
Uh, no, I'm not finished.
533
00:40:58,384 --> 00:40:59,165
I'm not finished.
534
00:40:59,645 --> 00:41:01,384
I have to bring that
light out a bit better.
535
00:41:02,285 --> 00:41:02,795
Yes.
536
00:41:02,855 --> 00:41:04,654
That little sunshine has to get that.
537
00:41:04,714 --> 00:41:06,305
I forgot that that's tach.
538
00:41:06,755 --> 00:41:09,455
Just give him that one more hit there.
539
00:41:10,444 --> 00:41:13,865
One more, one more here.
540
00:41:15,125 --> 00:41:16,775
You see how that came out again?
541
00:41:17,674 --> 00:41:21,095
When you over with the brush,
you cannot help, uh, uh,
542
00:41:26,825 --> 00:41:31,745
no, just powerful here, here, maybe here.
543
00:41:31,745 --> 00:41:34,595
I let them let just the corner there.
544
00:41:36,225 --> 00:41:41,675
The tide to compliment the sun tide to
bring it out sometime wherever you think.
545
00:41:41,855 --> 00:41:43,865
Eh, eh, maybe here.
546
00:41:46,470 --> 00:41:48,720
Mean that made it, that
I did the right thing.
547
00:41:48,960 --> 00:41:53,040
The next step, even here in between,
you can have a little bit of extra,
548
00:41:57,710 --> 00:42:03,259
so no, we put the happy
seagulls in and that's easy job.
549
00:42:07,339 --> 00:42:07,640
Yeah.
550
00:42:07,640 --> 00:42:08,419
Swingers.
551
00:42:09,240 --> 00:42:15,240
Yeah, it's been a long
and I've been in the men
552
00:42:20,700 --> 00:42:23,459
and the other one is this way.
553
00:42:29,759 --> 00:42:33,660
And the other one is they always
tried to paint him in a clump.
554
00:42:34,650 --> 00:42:35,760
They find fish.
555
00:42:35,790 --> 00:42:39,060
They find food, wherever food
is, then they're all gathered,
556
00:42:39,180 --> 00:42:40,590
but you find them all over.
557
00:42:40,650 --> 00:42:41,640
There's no problem.
558
00:42:41,910 --> 00:42:44,970
They're everywhere, but you
it's nice to put them in the
559
00:42:44,970 --> 00:42:47,160
clump because I fish a lot.
560
00:42:47,190 --> 00:42:50,840
And I know when I go out, the
first thing, when I come out at my.
561
00:42:51,795 --> 00:42:55,265
With my board, the first thing
I do, I look for the sea guards.
562
00:42:55,565 --> 00:42:59,675
When I see the sea guards, I know they're
the hearing and what they're hearing are
563
00:42:59,705 --> 00:43:02,375
they are the fish and dads where we go.
564
00:43:02,465 --> 00:43:06,275
That's what I like to paint them in the
clump, painting them together somewhere.
565
00:43:06,965 --> 00:43:12,815
So this day smaller one, really a
little one is coming from far by there.
566
00:43:13,355 --> 00:43:18,395
The, you don't have to have the same
size, the one this, this happened.
567
00:43:18,875 --> 00:43:20,135
Find out about that.
568
00:43:20,135 --> 00:43:20,585
And here.
569
00:43:21,105 --> 00:43:22,335
He is flying in.
570
00:43:31,955 --> 00:43:32,295
Yeah.
571
00:43:32,405 --> 00:43:36,365
Are see, no, you put by tips on him.
572
00:43:37,175 --> 00:43:38,525
This is just a simple ID.
573
00:43:38,525 --> 00:43:40,715
Usually see gods are Vite.
574
00:43:41,315 --> 00:43:44,135
The young ones, they stay dark one year.
575
00:43:48,455 --> 00:43:49,685
You have to stop freezing.
576
00:43:51,089 --> 00:43:52,319
You have to hit them date on
577
00:43:55,500 --> 00:43:57,120
that's a little bit of a problem.
578
00:44:03,240 --> 00:44:05,990
Oh, hit them right at them.
579
00:44:06,069 --> 00:44:06,569
Right.
580
00:44:16,370 --> 00:44:17,460
Maybe he can have a little,
581
00:44:24,150 --> 00:44:24,810
see.
582
00:44:25,650 --> 00:44:28,110
That is all I can show you.
583
00:44:28,590 --> 00:44:30,270
I thank you for watching me.
584
00:44:30,390 --> 00:44:31,080
Bye bye.
End .srt file.
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