Sunday, December 13, 2020

S03E02 Autumn Dream - AVAILABLE

Bill Alexander's

The Magic of Oil Painting




Season 3, Episode 2, Autumn Dream - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file

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The bill on Xander show is brought
to you by Alexander art, create

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beautiful oil paintings faster and
easier than you ever thought possible.

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00:00:10,680 --> 00:00:13,200
Even if you've never picked
up a paint brush in your life.

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Alexander art, you can paint.

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We promise Alexander art.com
happy days are here again there.

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The screen, the trees are green.

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Nice.

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Trees are green.

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And I have my mind happy trees and
a happy little roads coming out.

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And your walk that's beautiful.

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The road into yonder, the air is
clean and you're happy out there.

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Sometime a little dog
is coming by in the dog.

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You don't worry.

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You pad them.

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They're always could free.

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That's our mighty magic voice.

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Just have it on here without magic white.

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I don't know what the devil I would do.

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You remember, long, long back
when I invented the ID about

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putting that on mighty magic right
on, that was in the beginning.

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It was really, I bought in the hardware.

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So in the paint store only B is primer.

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This that's why they started off.

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And my God, it worked except I was scared.

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It cracks and it would, yellow
death was always the problem.

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So in order to have it right,
I had to go to a chemist and he

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invented my arm mighty magic.

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Right.

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And I tell you, the whole
world is loving that magic.

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Right.

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Everyone is copying it.

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Everyone is paying with,
and I feel so good.

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That's like that that's
the right should be.

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Okay.

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Now, then, uh, this in my mind,
a happy road, then let me do a

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little outlining outlining maybe.

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Yes.

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I would say, eh, from here, uh, as
you can see the half year old there.

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And have you noticed there and I'll make
it throw it right out of the canvas.

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Maybe here, there's kind
of a core resolve is nice.

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And, and I put it out a bit more here.

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The perspective think about the disappears
and yonder is gone forever, but no trees

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around then in order, there's all dark.

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The trees are so many trees around there.

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That means with other words,
I see nothing but trees.

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So why not just closing your
eyes and enemy moon black green.

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I live in Cramton Taylor
greens are, was nice in it too.

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And now I merge it in
and leave it like this.

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And we say the, we say
there's obvious a little bit.

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You show that more but less.

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See, can you see the trees?

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You can see.

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But yes, you can see the forest
for the trees or they can

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see the trees in the forest.

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These are trees, these arbitrary
days here they are again, the same

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colors they look so good there.

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Okay.

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Look at that.

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I condition now my canvas.

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I just make it.

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So this is darker, lighter.

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And I come down here, come down here.

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The trees are standing up there.

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Can we see her at the trees
are standing up there for buy

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in there.

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See, I create first.

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Just condition there is trees
and then we were singled him out.

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There's just the next big stack.

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That's the next big and mighty stuff.

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Yeah.

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Uh, can you harmonize with happy days?

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Are here again?

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Harmony is such a beautiful thing.

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How were they harmed?

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Nice.

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Happy tree.

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Happy trees are here again.

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In a nice, the harmony is like an echo.

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It's like echo and that's just nice.

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They're firing there and
it's on the side of the road.

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Green early on.

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We were bring it up, but right
now I just be happy and condition

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my happy little road all around.

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The otherwise fee would be great
too, to single out the light and

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the dark and the light and the dark.

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You just grabbed the bull by the
horn and do the whole thing here.

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And then naturally here, we need a bit
dark in order to have the road right.

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To see

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where you are and not
finish a modern painting.

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It's a modern painting.

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It needs a dot, a nice dot there.

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Now it needs a writer that like this.

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maybe a.here and that's it
maybe grumble about, okay now?

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No, no, no, I'm not.

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It's a bad breath.

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So be very use the power of creating
creative or I see lot of trees standing

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up there, the larger three standing
up there in the back, whatever.

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And you see, by the way I moved
my hands and my brush, there are

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three standing up there already.

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See, then I would say, let the sun
shine in, open up your heart and let

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the sun shine in O open up your heart
and let that on my IDs on shine.

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Ah, yeah, Tabby nicely field there.

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And then in between, in between there,
we'll have a little bit of tickling

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here, ticket ticket a little bit there.

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Yeah, there's always some kind of a
get out in front of the trees, but

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it's so far in the sunshine, the

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and no  we were use brush like this.

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That's a nice brush and we wear,
watch caught us alizarin Crimson.

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Freshen blue, just kind of a color.

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And I would say

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dad is a tree standing there.

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All the trees standing there

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are the tree standing there.

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don't worry too much.

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Just condition.

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Yes.

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Get that gone.

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I just say, that's you understand?

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I want you to have a
curve here somewhere here.

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I throw it out for you to understand it.

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And there's other three standing there

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and, and do it.

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So there's other tree standing
here, but it make it in it.

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He make it heavier and
heavier the perspective.

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See, I got, I got it all gone here.

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Is he like that?

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And maybe we have other
three standing here,

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but, but you wouldn't
worry, you wouldn't worry.

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It wasn't the way we bring
it up like this and no, no.

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We will use a one inch brush and
I need a bit more dark up there.

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I need more dark in order to show light.

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If I wants to show the light, I
need lots of dark, dark there.

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Dark holes.

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See title, dang.

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See it right?

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The power of, of seeing things as why
you see the doc who's here and there.

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And sometimes they are coming down like
this branches hanging down like this

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Allegion, Crimson, and Taylor green
is a nice color to here, here again.

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See, yeah.

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Tanner green here.

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Docker, Docker, Docker.

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Dan I can show light without dark.

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There, there is no light.

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There is no light.

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If you just can find it.

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Oh, here I need all the
dark in this corner here.

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Dark there.

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00:10:14,579 --> 00:10:15,449
Lots of dark.

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He, I caught it in already there.

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That's the beginning of
the beginning of the road.

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Can we see how you condition,
how that painting comes together,

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light and dark without dark.

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There is no light have that in your mind.

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Forever.

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If you paint, you need that dark
because if I want light, there's

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only, I guess, more light.

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If I had lots of dark
maybe here on the road.

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Good.

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00:11:03,180 --> 00:11:03,569
Good.

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Good, good, good.

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Now we will, we will fire in a

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bit of a dark.

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See how I mix it together.

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00:11:17,579 --> 00:11:22,229
Kind of a darker, I want
you to get three trunks.

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00:11:23,339 --> 00:11:25,199
Maybe that would be the color.

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But too dark, a little touch,
lighter, little touch lighter.

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And then you see it here.

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See, now I started getting detailed
already in this kind of a color.

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That gives you.

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00:12:07,265 --> 00:12:09,275
Yes, it gives you a
nice painting coming up.

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Nice painting coming up.

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The act like the trees are standing
and you see the, between the leaves

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00:12:25,275 --> 00:12:29,234
and the branches, you see this part
of three trunk sticking out here and

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there and then there, and that's it.

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00:12:32,474 --> 00:12:33,194
That's it?

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00:12:34,755 --> 00:12:35,505
Yeah.

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A little bit.

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00:12:38,115 --> 00:12:39,584
Yeah, a little bit.

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Hey, no, we got it.

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00:12:45,675 --> 00:12:45,915
Now.

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We were find the nice,
happy Bush in there.

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His Ruby here, SAP green alone.

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00:13:04,065 --> 00:13:05,925
See you create your little world.

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That will help me that little push
that gives you the answer end of

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the road, the end of the road.

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00:13:13,250 --> 00:13:18,890
Now we will find a couple of
cars to get the road right here.

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There you go,

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no, we come around and
have a bit darker trees.

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Darker trees.

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00:13:49,560 --> 00:13:52,710
The, as you come forward, the
tree has to become darker.

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00:13:57,300 --> 00:14:04,650
Gee, maybe he had a little bit and let
it get lighter, lighter, light, light.

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00:14:05,100 --> 00:14:08,760
Can you see how I got
perspective into that canvas?

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See it's coming forward can see already
it gets around and gets forwards.

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00:14:16,635 --> 00:14:19,815
We will handle it after this
let's work on just kind of

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00:14:19,815 --> 00:14:22,485
things we want still be the best.

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00:14:22,515 --> 00:14:24,285
And that's the only way to fly.

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Get your masterpiece done, right?

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00:14:27,995 --> 00:14:28,885
Oh, aye.

199
00:14:29,575 --> 00:14:29,735
Aye.

200
00:14:30,135 --> 00:14:30,315
Aye.

201
00:14:30,905 --> 00:14:31,085
Aye.

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00:14:32,375 --> 00:14:36,485
Lean one of those brushes and I will.

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00:14:37,845 --> 00:14:40,215
Use absolute other color.

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00:14:40,215 --> 00:14:43,965
Now, in order to watch
here, I use Vite yellow.

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00:14:45,495 --> 00:14:49,635
All those three colors
here are, did he call us?

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00:14:51,105 --> 00:14:56,715
He liked that, but lots of paint on
your brush, lots of paint on your brush.

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00:14:57,074 --> 00:14:58,635
He know, watch this.

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00:15:00,375 --> 00:15:03,074
It is such a cooler or
it's actually a warm up.

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00:15:03,105 --> 00:15:05,225
It was actually look at that.

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00:15:05,640 --> 00:15:05,730
Okay,

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00:15:10,370 --> 00:15:12,440
benches fly that is flying.

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00:15:12,460 --> 00:15:19,340
Hang around down like mother nature
is just what mother nature is.

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00:15:34,380 --> 00:15:37,740
Keep this as the dark side
and this has the light side.

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00:15:38,190 --> 00:15:41,010
And now you create all
the sunshine in there.

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00:15:41,730 --> 00:15:50,550
The filing there, that three has a little
bit of sunshine on the outside there to

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00:15:54,000 --> 00:15:54,480
see.

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00:15:56,280 --> 00:15:59,700
Yeah, we are me here.

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00:16:10,665 --> 00:16:16,305
E no more orange, lot of orange colors.

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00:16:16,735 --> 00:16:17,895
Watch what I do here.

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00:16:18,435 --> 00:16:20,055
Oh, okay.

221
00:16:25,500 --> 00:16:27,210
Yeah, how that painting comes together.

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00:16:27,270 --> 00:16:33,780
I close it in more and more and
more and more and more and more.

223
00:16:33,780 --> 00:16:34,920
And I should show you how I do it.

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00:16:35,160 --> 00:16:36,090
I just grabbed us.

225
00:16:36,180 --> 00:16:37,380
She does call us here.

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00:16:37,620 --> 00:16:40,470
Lots of white and then a little
bit of this little bit of this.

227
00:16:40,740 --> 00:16:42,540
And then I got it just to buy one.

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00:16:42,630 --> 00:16:44,580
I think I rang.

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00:16:50,490 --> 00:16:50,969
Nice.

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00:16:51,130 --> 00:16:52,439
The branches are hanging down.

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00:16:52,709 --> 00:16:56,790
You firing fire them down
their hands from up there.

232
00:16:56,790 --> 00:16:58,740
Those streets are Meyer up there.

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00:17:00,045 --> 00:17:01,545
On indust, dark colors.

234
00:17:01,815 --> 00:17:04,365
The power of colors is just fantastic.

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00:17:05,185 --> 00:17:07,485
It's sometimes it's a bit too tick.

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00:17:07,545 --> 00:17:09,105
See, I went into the magic, right?

237
00:17:09,105 --> 00:17:10,965
And then there's the little touchdown.

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00:17:11,315 --> 00:17:16,745
Well, it gives me more, more input,
more power to give the strokes

239
00:17:17,285 --> 00:17:19,275
the little bit, then just it.

240
00:17:19,275 --> 00:17:23,585
Then the paint will always wash the
se look how that brings it out better.

241
00:17:24,805 --> 00:17:27,215
Then the paint will always
stick on the ticket paint.

242
00:17:28,155 --> 00:17:30,645
Oh, no, I can see already,

243
00:17:35,535 --> 00:17:37,215
maybe once more into the magic.

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00:17:37,215 --> 00:17:37,635
Right.

245
00:17:38,145 --> 00:17:40,455
And then we, we.

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00:17:41,850 --> 00:17:43,280
It gets all attached.

247
00:17:43,290 --> 00:17:45,960
It's attached dinner,
the, and then the brush.

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00:17:46,110 --> 00:17:47,220
I formed my brush.

249
00:17:47,250 --> 00:17:47,670
Look at it.

250
00:17:48,000 --> 00:17:48,990
Look at the brush.

251
00:17:49,230 --> 00:17:53,010
Can we make a short, close
up shot on that brush?

252
00:17:53,550 --> 00:17:55,480
Look at that Sunrun already.

253
00:17:55,480 --> 00:17:57,180
You can see all the branches in it.

254
00:17:57,180 --> 00:17:59,070
Isn't it are there the movement?

255
00:17:59,190 --> 00:18:00,000
Lots of paint.

256
00:18:00,240 --> 00:18:03,170
That brush is it's loaded.

257
00:18:03,200 --> 00:18:04,580
That's under one is loaded.

258
00:18:04,970 --> 00:18:05,570
Load him.

259
00:18:06,750 --> 00:18:10,050
Yeah, but that loaded
brush, just hang it down.

260
00:18:10,330 --> 00:18:12,870
It's hanging down, hang it on.

261
00:18:13,560 --> 00:18:17,220
And that depends on, you can use
a bit more red if you want to too.

262
00:18:17,390 --> 00:18:20,120
The, into that on mighty magic, right.

263
00:18:20,120 --> 00:18:27,530
Again, and I will use a touch of
more, more, just more orange alone.

264
00:18:27,680 --> 00:18:28,700
He liked this.

265
00:18:29,280 --> 00:18:32,360
No, I really find this
a bit different colors.

266
00:18:32,360 --> 00:18:33,950
Maybe here would be nice to have.

267
00:18:34,625 --> 00:18:35,985
A bit of things hanging down.

268
00:18:49,265 --> 00:18:51,395
He, Oh, I can cook.

269
00:18:51,395 --> 00:18:53,765
And now you can open up here a little bit.

270
00:18:54,095 --> 00:18:56,135
You can again, see.

271
00:18:56,805 --> 00:19:00,435
These the rest there, but then it's always
opening where the sun comes through.

272
00:19:00,485 --> 00:19:02,795
Do you have a little bit of their

273
00:19:05,975 --> 00:19:06,405
here?

274
00:19:06,435 --> 00:19:07,955
Maybe a little bit.

275
00:19:10,405 --> 00:19:13,295
I think there's obviously
a lot of openings.

276
00:19:13,325 --> 00:19:14,325
I'm not finished with that.

277
00:19:14,345 --> 00:19:15,335
No, don't, don't worry.

278
00:19:15,905 --> 00:19:17,075
I'm not finished with that.

279
00:19:17,345 --> 00:19:20,735
No, we were, we were, we
were on this side here.

280
00:19:20,735 --> 00:19:21,335
I read.

281
00:19:22,085 --> 00:19:23,825
Oh, that's not taking enough.

282
00:19:24,155 --> 00:19:25,295
Let's do it this way.

283
00:19:26,435 --> 00:19:30,135
One inch brush all the
scars, alizarin, Crimson.

284
00:19:31,535 --> 00:19:36,665
Ooh, look at that time.

285
00:19:43,775 --> 00:19:50,435
and you, you, you, you love it
that I will just give him a little

286
00:19:50,435 --> 00:19:52,475
bit of a bark feeling there.

287
00:19:55,200 --> 00:19:56,250
Can do it with the knife.

288
00:19:56,250 --> 00:19:57,090
It looks better.

289
00:19:57,270 --> 00:20:01,169
I would use my knife rather for that
thing that looks so much better.

290
00:20:01,290 --> 00:20:07,500
Watch this, see the knife
does look at that for closeup.

291
00:20:17,865 --> 00:20:20,254
E that gives you so much power.

292
00:20:20,524 --> 00:20:23,345
No, on that tree, you play little games.

293
00:20:23,585 --> 00:20:27,965
You have the sun hitting
part of the tree there.

294
00:20:27,965 --> 00:20:29,195
That's where the sun hits.

295
00:20:30,065 --> 00:20:31,175
Maybe a blade.

296
00:20:31,175 --> 00:20:31,895
Dez.

297
00:20:35,975 --> 00:20:40,325
Hey, maybe here is where
the sun hits the tree.

298
00:20:43,125 --> 00:20:47,445
It's not fantastic with
the Fred in between here.

299
00:20:51,195 --> 00:20:54,435
Like a orange color, had the bark there

300
00:21:02,875 --> 00:21:06,794
with that knife, maybe here.

301
00:21:06,804 --> 00:21:07,635
Be fine.

302
00:21:10,835 --> 00:21:14,465
As you come off, maybe she'd
give him a bit more, more

303
00:21:14,465 --> 00:21:18,575
sunshine, color, yellow and white.

304
00:21:19,415 --> 00:21:25,205
Maybe like this that's
the sun dance up there.

305
00:21:31,500 --> 00:21:34,430
SI no the same.

306
00:21:35,570 --> 00:21:38,389
You can have a little touch of blue.

307
00:21:39,860 --> 00:21:41,000
They attach a blue,

308
00:21:44,450 --> 00:21:44,930
right.

309
00:21:50,629 --> 00:21:54,020
Kind of a bluish, dirty
blue in the back there.

310
00:21:54,929 --> 00:21:59,070
That this is kind of a moist
around the bottom of the tree.

311
00:21:59,820 --> 00:22:06,060
The Dan you're you're you're
you're you're running in like this.

312
00:22:11,975 --> 00:22:17,255
someday like you paying voters, you know,
you just try to create a road like that.

313
00:22:17,315 --> 00:22:23,675
Dark light, sunshine, dark, dark
shine, sunshine, dark shine, whatever.

314
00:22:29,765 --> 00:22:29,885
Yeah.

315
00:22:30,005 --> 00:22:35,735
Use your imagination to have that road
just the way you think it should be.

316
00:22:43,310 --> 00:22:43,760
alizarin.

317
00:22:43,760 --> 00:22:45,020
Crimson is a good color.

318
00:22:45,020 --> 00:22:50,330
Now see that gives you
a nice close up color.

319
00:23:01,500 --> 00:23:02,060
see.

320
00:23:02,210 --> 00:23:04,610
Then, then kind of a.

321
00:23:05,145 --> 00:23:05,475
Okay.

322
00:23:05,504 --> 00:23:06,465
Call us here.

323
00:23:09,725 --> 00:23:13,235
It's a happier old sunshine
here and there on the road,

324
00:23:17,495 --> 00:23:17,794
SI.

325
00:23:18,665 --> 00:23:23,825
And that will make you a
beautiful wandering your road.

326
00:23:24,695 --> 00:23:28,895
Dang, Sunday morning, Novartis.

327
00:23:29,915 --> 00:23:33,125
The banks are closed, know not thing.

328
00:23:34,230 --> 00:23:35,820
We've worried too much about that money.

329
00:23:35,820 --> 00:23:36,540
That's a problem.

330
00:23:36,590 --> 00:23:36,890
Mm

331
00:23:42,290 --> 00:23:44,270
that's why they made banks
where you can cash in.

332
00:23:44,270 --> 00:23:49,880
Now on the, on the, on the little
drawer, there is guys who have no time.

333
00:23:49,880 --> 00:23:51,320
They have to go on Sunday, too.

334
00:24:01,770 --> 00:24:03,780
Look at that nice touch.

335
00:24:03,780 --> 00:24:07,230
You think this is the sunny
side, this just shadow side and

336
00:24:07,230 --> 00:24:09,480
it all hits in one, one spot.

337
00:24:09,540 --> 00:24:14,820
Now see, now we have to bring it
out with the sun, with the sun.

338
00:24:24,290 --> 00:24:27,920
You know, there's a lot, a lot of
sunshine colors here and there.

339
00:24:35,970 --> 00:24:37,440
D the same here.

340
00:24:37,440 --> 00:24:41,460
Now on this side, you got one
or mighty three, you know, here.

341
00:24:41,550 --> 00:24:45,750
Dan, think that that tree is so big.

342
00:24:46,350 --> 00:24:47,700
It's standing there.

343
00:24:47,730 --> 00:24:48,930
It's so big.

344
00:24:49,290 --> 00:24:57,000
The there's a tree and you see
now, Yeah, maybe he has the other

345
00:24:57,000 --> 00:24:58,590
three, but that's further off.

346
00:24:59,520 --> 00:25:03,149
And there are more trees behind because
that tree covers up so many trees.

347
00:25:05,810 --> 00:25:08,360
Oh, we would just give
them a little bit of knife.

348
00:25:08,360 --> 00:25:11,629
Strokes makes it nice in life.

349
00:25:11,659 --> 00:25:13,189
Makes it nice and life.

350
00:25:14,389 --> 00:25:15,800
It makes it a life there.

351
00:25:16,310 --> 00:25:23,629
And on this side, all the bark
trees you see here are that.

352
00:25:27,135 --> 00:25:27,794
See

353
00:25:37,725 --> 00:25:38,205
ya.

354
00:25:38,705 --> 00:25:39,304
It was wonderful.

355
00:25:39,304 --> 00:25:41,044
How you cut down the trees there.

356
00:25:41,764 --> 00:25:46,504
Maybe here's all the tree, little bit
in the sunshine and the dark up there.

357
00:25:48,034 --> 00:25:50,794
See, that's what it is.

358
00:25:52,320 --> 00:25:58,050
He can hit them a bit, hit them a
bit with sunshine, maybe right there.

359
00:25:59,160 --> 00:26:05,610
Verizon just came through the branches
and give him a bit of light there then.

360
00:26:06,840 --> 00:26:14,090
No, he was just on mighty brush
here and you just create ends.

361
00:26:14,900 --> 00:26:17,600
Look ends like this.

362
00:26:22,080 --> 00:26:28,620
And like this, and it's
like, didn't look at that.

363
00:26:30,360 --> 00:26:34,889
And it's like this and ins like this

364
00:26:42,750 --> 00:26:48,840
C N N S like this here, there we are.

365
00:26:50,459 --> 00:26:56,850
Could you see, but the happy little
road we created there, no, maybe here

366
00:26:59,879 --> 00:27:06,120
the dog and I can see you
walking on that happy road

367
00:27:06,570 --> 00:27:10,379
forever and ever into the sunset.

368
00:27:11,580 --> 00:27:12,090
Nice.

369
00:27:12,810 --> 00:27:13,860
Thank you for watching me.

370
00:27:14,385 --> 00:27:14,895
Bye bye.

371
00:27:15,675 --> 00:27:17,445
One more beautiful oil paintings.

372
00:27:18,195 --> 00:27:24,255
Bill's paint and all your art supply needs
are only a click away@alexanderart.com.

373
00:27:25,065 --> 00:27:26,805
Just click on the online store link.

374
00:27:27,855 --> 00:27:28,515
You can paint.

375
00:27:28,905 --> 00:27:31,845
We promise Alexander art.com.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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