Sunday, December 13, 2020

S04E02 At The Beach - AVAILABLE

Bill Alexander's
The Magic of Oil Painting



Season 4, Episode 2, At The Beach - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

1

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Uh, bring back, bring back, Oh,

brain, make my Bonnie to me, to me


2

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as obvious to me, to me, I want it.


3

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I want to have it.


4

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You know, my Bonnie likes over

the ocean on the other side, I


5

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want to paint that ocean to D.


6

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If you don't bring it

back that I wrote down.


7

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So I have to have ocean to go down.


8

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All right.


9

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We will create our mighty ocean,

but the pirate knife again, first I


10

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put that on mighty magic, right on.


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Um,


12

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yeah.


13

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As it's true.


14

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It's obvious me, me, me.


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No one says we, we, we

defendant said we, we, we.


16

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See, I think we together we will make

one of, was America with bloom and


17

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laugh and everything would be so nice.


18

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It would be so nice.


19

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It very be so nice because

you have to make it nice.


20

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So I put that on my Dematic on not

to take, not to stand in this case.


21

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I just rubbed it on.


22

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Good enough.


23

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No, I already created the

kind of mood shift water mood.


24

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I have a, this is my


25

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and I would use Taylor

green is a good color.


26

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And it touched off  and, uh, this

is already a nice water color.


27

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What you see here, what's wrong to

feel put the kind of sky in like


28

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that didn't sky and water meet

the, then you have it art to get


29

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the new clay monitored in there.


30

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And so, so, and so, and so,

and so, and so and so on.


31

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So until.


32

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It's a bit too green.


33

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If it is too green than a little bit more

black into that, then you get that kind of


34

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a bit of a gray, but that doesn't matter.


35

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That's good.


36

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That's good.


37

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Yeah.


38

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I leave it a bit lighter

in the middle there.


39

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I would like to see this, the

light in the middle there.


40

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The no, I create kind of a, just

a, uh, the same harmony, same


41

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harmony Vista, just a condition.


42

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Then we have the colors underneath.


43

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And when you fire in it, always bang,

bang, bang, bang, bang, bang, bang, bang.


44

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See, Hey, good.


45

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You know, or that you have a whole

light in the middle and no fire.


46

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I'll be fine.


47

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Uh, I will use my MIT knife again, and

I will have a touch of red as too much.


48

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Again, I ground myself all the

time with a trade, just look at


49

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the red and that's good enough.


50

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Stay like this.


51

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That would be a nice, maybe even the

touch of CERCLA is me, but the wee little


52

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tach, he that's kind of a discolor here.


53

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That's good.


54

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Good.


55

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So, you know, you fire off.


56

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See you get details.


57

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You get a lot of power in that canvas.


58

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He start off was from the

middle because that's for you.


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Most light is there.


60

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And then you just loosen it up forever.


61

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You think


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he does happy detailed stairs

gives you a lively sky.


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It's not dead.


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It's are floating.


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Good.


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Good.


67

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Good.


68

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Good.


69

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Now we will have our mighty water line

for why we say get it a bit higher.


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I give myself a little bit more.


71

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We have to make our, my decision because

you have to say no, what I started,


72

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they must have the middle line or I

want more sky or less guy in this case.


73

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I want to show a little bit more water.


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I want you to look up to that water.


75

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I would say I put my water line in there.


76

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see, there's certain strokes you create

in order to, to get what you want.


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This, this as the beginning of, of that.


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Now every point far, let's


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see, Dan, you, you put a

little bit of form of there.


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A bit of a vague.


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We see the lights coming from the

back then naturally you have it.


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So this is underneath is a shadow and

then it gets lighter lights, lights,


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again, units B creates the other other on

my team and obviously start off from the


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middle and we end out on, on the outside.


85

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We end, our ending is on the outside.


86

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See then here again, I usually

a bit of desk here and closer.


87

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Maybe here, I would say.


88

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you think about perspective too?


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I give him a little bump there.


90

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Hey, Dan.


91

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No, you can give me a little

backstory if you want to


92

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see.


93

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you know, you, you, you start a

new, every mix it extra paint.


94

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See, I use a bit more now and mix it

the same colors, obviously, same colors.


95

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I need rhyme, rhythm harmony and harmony.


96

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Harmony is our.


97

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That little bit of white, two greens,

you can see it's two blue, then


98

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you put a bit more black into that.


99

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He gives you that gray,

then you put enough, right.


100

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And just to make it happen.


101

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Now you can see.


102

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Yeah, I think I'm close

now and leave it like that.


103

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But the lines, ah, I would say.


104

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See.


105

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see what I do here.


106

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I create a perspective.


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Is there in Luke, have a Vive there and

you cannot have it all street because


108

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then it, if I make it all straight, I

have to organize West side, West side,


109

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West side, West side, West side West.


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Then the perspective feeling is there.


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You see, because you, you, you.


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If I stay here, that it

comes directly to me.


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But if I stay here and look in

that corner, then the waves go.


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That's why these will be, have

to count that all we have to make


115

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sure we have it done that way.


116

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Now you just pull it

out as much as you can.


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See now I V I where he was right.


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Attach of hello, Steve, what

I do here, touch of halo and


119

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the touch of Taylor green.


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And I will create this, this kind of a


121

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watch this.


122

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yeah, I would, I would bring it into

the sky, but he injured his Chi dare.


123

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So then you have the colors and

those colors, they fire back here.


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And the fire back there.


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See, and they fire back there


126

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and that gives you a power

for paling coming up.


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He know you, you, you, you, but I need

more have to pull it deeper out deeper.


128

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No, you, you use,


129

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eh, car like this E N.


130

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See, just tip it over, just

terror over, but more on one spot.


131

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Other spot, less.


132

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Maybe here and that OBS

up at Alban's up dead


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sea.


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Make a beautiful, beautiful we've done.


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Make waves.


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And yeah.


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See


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there you are more here.


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this abstract is just

sometime to me, it is a game.


140

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It's a happy game you play.


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And that makes it so nice.


142

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Sometime


143

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No, you come pull this more.


144

00:12:51,825 --> 00:12:55,665

I need a bit more there and

need a bit more there for


145

00:12:55,665 --> 00:12:57,075

that, but, uh, pull it nice.


146

00:12:57,075 --> 00:12:59,445

So this, you see it's just

like water coming down.


147

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Leave it dark underneath there.


148

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Eh, yeah, there again now

ever have a new beginning,


149

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something like that.


150

00:13:29,585 --> 00:13:35,195

it's wonderful to play kind of a, you

apply voter who thank you as standing in


151

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that water and you are a part of, of what

that water will do or what it would do.


152

00:13:52,290 --> 00:13:55,530

Hey, just think about the movements side,


153

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sounding like this, the again, and

he was right and you fire up there.


154

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Maybe here we have a turbulent.


155

00:14:07,620 --> 00:14:08,240

We have it.


156

00:14:09,360 --> 00:14:10,710

It's all just a.


157

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Rolling as in front, it's

just a rolling and C.


158

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So it's coming nice.


159

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And it can be lower but

higher, but lower bit higher.


160

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Thank you by that to rolling in.


161

00:14:31,469 --> 00:14:32,939

It's rolling in,


162

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come in the front.


163

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Rolling and there,


164

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see, now we will be, we'll create,

think about the Oregon coast.


165

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We live here and we see it all the time.


166

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When we drive down there and there

is, they call it the haystacks.


167

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yeah, that can be done.


168

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Nice with the knife too.


169

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Yeah.


170

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Let that, let that be.


171

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Let the water be in the vote.


172

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Applied town so far, first highlighted.


173

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Nice.


174

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Why you think it should

be a touch of red in that?


175

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Yeah, I would say the light is coming

from no dyes coming from this side here.


176

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In this case, you opened up the

mirror, see, sometimes you just don't


177

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think and you do the wrong thing

and they would have done all around.


178

00:15:41,850 --> 00:15:45,540

And then you would say that guy,

he really is fooling around.


179

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You have to really

watch what you're doing.


180

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That's true.


181

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See, something like that.


182

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And then you can still sometime

a little reflection in the water


183

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there that just, just do you know

somebody at marks at marks, the other


184

00:16:03,245 --> 00:16:09,425

wave below a little bit today, then

you shoveled the water up there.


185

00:16:10,265 --> 00:16:11,915

Shovel that was up there.


186

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E.


187

00:16:33,395 --> 00:16:38,585

something like this and, and then

give him a little bit of shadow


188

00:16:38,585 --> 00:16:42,665

underneath that makes it nicer looking.


189

00:16:59,069 --> 00:17:02,520

There, you know, the next step will be


190

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mighty, mighty.


191

00:17:12,960 --> 00:17:13,919

I might dip.


192

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Stone they're mighty stone.


193

00:17:20,700 --> 00:17:21,240

They're


194

00:17:24,689 --> 00:17:28,710

highlighted to make it

so that it looks wet.


195

00:17:29,730 --> 00:17:32,429

The end of that paint, you

can do all those things.


196

00:17:33,450 --> 00:17:37,260

Hey, this, just see what

the light is coming from.


197

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Um, This was wonderful.


198

00:17:45,044 --> 00:17:45,945

Those strokes.


199

00:17:45,975 --> 00:17:49,065

I wish you could learn

that they are Harrity.


200

00:17:49,455 --> 00:17:50,294

They will sell.


201

00:17:51,855 --> 00:18:02,534

And in time-saver time-saver

Dino here, you can have that.


202

00:18:02,595 --> 00:18:06,645

We've going right on there.


203

00:18:10,425 --> 00:18:11,594

Something like that


204

00:18:17,014 --> 00:18:17,675

D


205

00:18:25,084 --> 00:18:29,135

then you are right on and

have almighty stone here.


206

00:18:35,100 --> 00:18:36,990

Or my on there


207

00:18:40,720 --> 00:18:44,660

have the whole shoreline coming

down there and look at the strokes.


208

00:18:44,690 --> 00:18:49,350

Look at that beautiful

vibe of having stones.


209

00:18:49,350 --> 00:18:51,410

See, there's all the details.


210

00:18:51,440 --> 00:18:53,330

All the details are in there.


211

00:18:54,450 --> 00:18:56,120

Artists are mighty details.


212

00:18:56,120 --> 00:18:57,410

They're right in there.


213

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And that is what is fun.


214

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See.


215

00:19:11,580 --> 00:19:11,880

Yeah.


216

00:19:11,880 --> 00:19:12,480

Yeah.


217

00:19:23,490 --> 00:19:27,850

The colors I have there, it's

always the same harmony black,


218

00:19:27,870 --> 00:19:31,320

uh, Taylor green and black.


219

00:19:32,010 --> 00:19:38,250

So this guy covered call us

the land and the vote and


220

00:19:38,250 --> 00:19:39,810

whatever, whatever, whatever did


221

00:19:48,150 --> 00:19:49,500

he know better.


222

00:19:50,265 --> 00:19:53,655

We had a flex it's right

into the shoreline there


223

00:20:06,455 --> 00:20:06,815

yeah.


224

00:20:06,845 --> 00:20:16,775

You just roll it out like this, like

this, and then strokes like this.


225

00:20:22,639 --> 00:20:29,240

no really was a kind of a Vite and a

touch of red and a touch of yellow sea.


226

00:20:29,449 --> 00:20:35,479

And we mixed just kind of a color

kind of like Aaker and then we,


227

00:20:35,649 --> 00:20:38,879

we tank, let me finish up first.


228

00:20:38,929 --> 00:20:39,590

This here.


229

00:20:54,575 --> 00:20:55,095

Brush.


230

00:20:58,835 --> 00:21:02,965

No that comes down now to

whatever, whatever to the front


231

00:21:02,975 --> 00:21:12,965

there and no V very vivid create

kind of a, uh, Sandy shoreline.


232

00:21:18,405 --> 00:21:20,345

See, it's a bit more red.


233

00:21:20,395 --> 00:21:27,555

We, we entered that, something

like this, and I ran around and


234

00:21:35,445 --> 00:21:38,595

see that gives you a really close up.


235

00:21:50,790 --> 00:21:52,350

Something like this.


236

00:21:54,585 --> 00:21:58,274

Let that dark stone reflects

into the water debt to


237

00:22:02,264 --> 00:22:02,745

see


238

00:22:06,225 --> 00:22:07,814

something like this.


239

00:22:12,615 --> 00:22:21,945

No, you come to happy, Andy, let that

maybe just, just roll it in wherever.


240

00:22:29,010 --> 00:22:30,570

Something like that.


241

00:22:33,480 --> 00:22:34,470

I just wants to


242

00:22:39,030 --> 00:22:44,160

have it, but more pronounced

in the middle of their


243

00:22:48,240 --> 00:22:48,690

test.


244

00:22:48,690 --> 00:22:50,580

A little bit more here.


245

00:22:52,050 --> 00:22:53,610

It's more dare.


246

00:22:56,040 --> 00:22:56,940

Dare.


247

00:22:57,710 --> 00:22:58,430

Let's see.


248

00:22:58,430 --> 00:22:59,960

No, we got it cooking.


249

00:23:04,340 --> 00:23:11,630

In this case here, you can play a little

bit of this just on the, on the vape.


250

00:23:11,660 --> 00:23:16,490

You know, this was the turn where it turns

around that will give you a little bit


251

00:23:16,490 --> 00:23:18,830

of reflection from what you see there.


252

00:23:19,560 --> 00:23:25,770

That makes it more, just a bit

too hard here and you move it up.


253

00:23:25,920 --> 00:23:28,650

See, so something like this.


254

00:23:38,870 --> 00:23:43,400

No, you're very, very finish it all up.


255

00:23:43,430 --> 00:23:44,120

Nice.


256

00:23:45,710 --> 00:23:48,140

Because the mighty horizon line there.


257

00:23:56,175 --> 00:23:57,254

I like that.


258

00:23:58,665 --> 00:24:03,915

See, as maybe here, here a little bit,


259

00:24:08,415 --> 00:24:16,064

how, and ed comes to a happy ending soon.


260

00:24:18,030 --> 00:24:19,770

Yeah, I'm doing like this.


261

00:24:22,020 --> 00:24:25,350

Now we will highlight this, the stone.


262

00:24:25,890 --> 00:24:31,460

I use the same here again, the

same colors and I don't get


263

00:24:31,470 --> 00:24:33,030

as beautiful strokes again.


264

00:24:33,690 --> 00:24:39,660

You see, this is what

we sell at this breaks.


265

00:24:39,660 --> 00:24:42,030

It gives you a beautiful breaking feeling.


266

00:25:00,300 --> 00:25:01,889

There you are.


267

00:25:08,120 --> 00:25:09,679

Ed becomes a life


268

00:25:16,170 --> 00:25:22,200

No here we have to give him the beginning

little bit and the shadow color,


269

00:25:22,320 --> 00:25:27,180

green and white, something like this.


270

00:25:30,000 --> 00:25:31,950

and it gives you kind of a.


271

00:25:34,405 --> 00:25:37,515

What a splash back there.


272

00:25:37,545 --> 00:25:39,855

You can sometime go and make upstairs.


273

00:25:40,985 --> 00:25:47,355

E he does upstrokes that looks

like the water's running down.


274

00:25:50,795 --> 00:25:52,175

He has in bed.


275

00:25:55,685 --> 00:25:57,395

He in the bed.


276

00:25:58,050 --> 00:26:00,720

See, no, you, you convict us.


277

00:26:00,780 --> 00:26:02,250

Upstrokes here again.


278

00:26:04,050 --> 00:26:05,510

The ad,


279

00:26:11,510 --> 00:26:16,760

that means when I make that upstroke,

there's constantly washing and that,


280

00:26:16,940 --> 00:26:21,800

that, that feed there's a feeling all

of a sudden it just washing down there.


281

00:26:21,860 --> 00:26:21,950

Yeah.


282

00:26:32,280 --> 00:26:33,180

Oh, that's good.


283

00:26:37,290 --> 00:26:42,690

So that gives us a happy ending


284

00:26:46,260 --> 00:26:46,950

like that.


285

00:26:47,850 --> 00:26:52,230

You see very simple seascape

and all done with the knife.


286

00:26:53,235 --> 00:26:54,495

I hope you enjoyed it.


287

00:26:54,555 --> 00:26:55,845

I had other fun on that.


288

00:26:56,715 --> 00:26:57,975

Thank you for watching me.


289

00:26:58,155 --> 00:26:58,755

Bye bye.


End .srt file.


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