Bill Alexander's
The Magic of Oil Painting
Season 4, Episode 2, At The Beach - AVAILABLE
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Uh, bring back, bring back, Oh,
brain, make my Bonnie to me, to me
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as obvious to me, to me, I want it.
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I want to have it.
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You know, my Bonnie likes over
the ocean on the other side, I
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want to paint that ocean to D.
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If you don't bring it
back that I wrote down.
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So I have to have ocean to go down.
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All right.
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We will create our mighty ocean,
but the pirate knife again, first I
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put that on mighty magic, right on.
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Um,
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yeah.
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As it's true.
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It's obvious me, me, me.
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No one says we, we, we
defendant said we, we, we.
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See, I think we together we will make
one of, was America with bloom and
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laugh and everything would be so nice.
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It would be so nice.
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It very be so nice because
you have to make it nice.
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So I put that on my Dematic on not
to take, not to stand in this case.
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I just rubbed it on.
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Good enough.
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No, I already created the
kind of mood shift water mood.
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I have a, this is my
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and I would use Taylor
green is a good color.
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And it touched off and, uh, this
is already a nice water color.
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What you see here, what's wrong to
feel put the kind of sky in like
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that didn't sky and water meet
the, then you have it art to get
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the new clay monitored in there.
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And so, so, and so, and so,
and so, and so and so on.
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So until.
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It's a bit too green.
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If it is too green than a little bit more
black into that, then you get that kind of
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a bit of a gray, but that doesn't matter.
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That's good.
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That's good.
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Yeah.
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I leave it a bit lighter
in the middle there.
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I would like to see this, the
light in the middle there.
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The no, I create kind of a, just
a, uh, the same harmony, same
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harmony Vista, just a condition.
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Then we have the colors underneath.
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And when you fire in it, always bang,
bang, bang, bang, bang, bang, bang, bang.
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See, Hey, good.
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You know, or that you have a whole
light in the middle and no fire.
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I'll be fine.
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Uh, I will use my MIT knife again, and
I will have a touch of red as too much.
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Again, I ground myself all the
time with a trade, just look at
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the red and that's good enough.
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Stay like this.
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That would be a nice, maybe even the
touch of CERCLA is me, but the wee little
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tach, he that's kind of a discolor here.
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That's good.
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Good.
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So, you know, you fire off.
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See you get details.
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You get a lot of power in that canvas.
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He start off was from the
middle because that's for you.
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Most light is there.
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And then you just loosen it up forever.
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You think
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he does happy detailed stairs
gives you a lively sky.
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It's not dead.
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It's are floating.
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Good.
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Good.
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Good.
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Good.
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Now we will have our mighty water line
for why we say get it a bit higher.
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I give myself a little bit more.
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We have to make our, my decision because
you have to say no, what I started,
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they must have the middle line or I
want more sky or less guy in this case.
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I want to show a little bit more water.
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I want you to look up to that water.
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I would say I put my water line in there.
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see, there's certain strokes you create
in order to, to get what you want.
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This, this as the beginning of, of that.
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Now every point far, let's
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see, Dan, you, you put a
little bit of form of there.
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A bit of a vague.
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We see the lights coming from the
back then naturally you have it.
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So this is underneath is a shadow and
then it gets lighter lights, lights,
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again, units B creates the other other on
my team and obviously start off from the
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middle and we end out on, on the outside.
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We end, our ending is on the outside.
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See then here again, I usually
a bit of desk here and closer.
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Maybe here, I would say.
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you think about perspective too?
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I give him a little bump there.
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Hey, Dan.
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No, you can give me a little
backstory if you want to
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see.
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you know, you, you, you start a
new, every mix it extra paint.
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See, I use a bit more now and mix it
the same colors, obviously, same colors.
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I need rhyme, rhythm harmony and harmony.
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Harmony is our.
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That little bit of white, two greens,
you can see it's two blue, then
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you put a bit more black into that.
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He gives you that gray,
then you put enough, right.
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And just to make it happen.
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Now you can see.
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Yeah, I think I'm close
now and leave it like that.
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But the lines, ah, I would say.
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See.
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see what I do here.
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I create a perspective.
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Is there in Luke, have a Vive there and
you cannot have it all street because
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then it, if I make it all straight, I
have to organize West side, West side,
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West side, West side, West side West.
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Then the perspective feeling is there.
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You see, because you, you, you.
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If I stay here, that it
comes directly to me.
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But if I stay here and look in
that corner, then the waves go.
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That's why these will be, have
to count that all we have to make
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sure we have it done that way.
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Now you just pull it
out as much as you can.
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See now I V I where he was right.
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Attach of hello, Steve, what
I do here, touch of halo and
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the touch of Taylor green.
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And I will create this, this kind of a
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watch this.
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yeah, I would, I would bring it into
the sky, but he injured his Chi dare.
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So then you have the colors and
those colors, they fire back here.
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And the fire back there.
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See, and they fire back there
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and that gives you a power
for paling coming up.
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He know you, you, you, you, but I need
more have to pull it deeper out deeper.
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No, you, you use,
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eh, car like this E N.
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See, just tip it over, just
terror over, but more on one spot.
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Other spot, less.
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Maybe here and that OBS
up at Alban's up dead
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sea.
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Make a beautiful, beautiful we've done.
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Make waves.
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And yeah.
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See
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there you are more here.
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this abstract is just
sometime to me, it is a game.
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It's a happy game you play.
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And that makes it so nice.
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Sometime
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No, you come pull this more.
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I need a bit more there and
need a bit more there for
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that, but, uh, pull it nice.
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So this, you see it's just
like water coming down.
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Leave it dark underneath there.
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Eh, yeah, there again now
ever have a new beginning,
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something like that.
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it's wonderful to play kind of a, you
apply voter who thank you as standing in
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that water and you are a part of, of what
that water will do or what it would do.
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Hey, just think about the movements side,
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sounding like this, the again, and
he was right and you fire up there.
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Maybe here we have a turbulent.
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We have it.
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It's all just a.
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Rolling as in front, it's
just a rolling and C.
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So it's coming nice.
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And it can be lower but
higher, but lower bit higher.
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Thank you by that to rolling in.
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It's rolling in,
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come in the front.
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Rolling and there,
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see, now we will be, we'll create,
think about the Oregon coast.
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We live here and we see it all the time.
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When we drive down there and there
is, they call it the haystacks.
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yeah, that can be done.
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Nice with the knife too.
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Yeah.
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Let that, let that be.
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Let the water be in the vote.
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Applied town so far, first highlighted.
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Nice.
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Why you think it should
be a touch of red in that?
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Yeah, I would say the light is coming
from no dyes coming from this side here.
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In this case, you opened up the
mirror, see, sometimes you just don't
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think and you do the wrong thing
and they would have done all around.
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And then you would say that guy,
he really is fooling around.
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You have to really
watch what you're doing.
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That's true.
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See, something like that.
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And then you can still sometime
a little reflection in the water
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there that just, just do you know
somebody at marks at marks, the other
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wave below a little bit today, then
you shoveled the water up there.
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Shovel that was up there.
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E.
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something like this and, and then
give him a little bit of shadow
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underneath that makes it nicer looking.
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There, you know, the next step will be
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mighty, mighty.
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I might dip.
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Stone they're mighty stone.
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They're
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highlighted to make it
so that it looks wet.
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The end of that paint, you
can do all those things.
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Hey, this, just see what
the light is coming from.
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Um, This was wonderful.
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Those strokes.
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I wish you could learn
that they are Harrity.
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They will sell.
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And in time-saver time-saver
Dino here, you can have that.
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We've going right on there.
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Something like that
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D
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then you are right on and
have almighty stone here.
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Or my on there
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have the whole shoreline coming
down there and look at the strokes.
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Look at that beautiful
vibe of having stones.
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See, there's all the details.
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All the details are in there.
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Artists are mighty details.
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They're right in there.
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And that is what is fun.
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See.
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Yeah.
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Yeah.
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The colors I have there, it's
always the same harmony black,
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uh, Taylor green and black.
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So this guy covered call us
the land and the vote and
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whatever, whatever, whatever did
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he know better.
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We had a flex it's right
into the shoreline there
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yeah.
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You just roll it out like this, like
this, and then strokes like this.
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no really was a kind of a Vite and a
touch of red and a touch of yellow sea.
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And we mixed just kind of a color
kind of like Aaker and then we,
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we tank, let me finish up first.
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This here.
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Brush.
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No that comes down now to
whatever, whatever to the front
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there and no V very vivid create
kind of a, uh, Sandy shoreline.
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See, it's a bit more red.
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We, we entered that, something
like this, and I ran around and
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see that gives you a really close up.
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Something like this.
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Let that dark stone reflects
into the water debt to
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see
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something like this.
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No, you come to happy, Andy, let that
maybe just, just roll it in wherever.
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Something like that.
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I just wants to
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have it, but more pronounced
in the middle of their
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test.
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A little bit more here.
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It's more dare.
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Dare.
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Let's see.
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No, we got it cooking.
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In this case here, you can play a little
bit of this just on the, on the vape.
250
00:23:11,660 --> 00:23:16,490
You know, this was the turn where it turns
around that will give you a little bit
251
00:23:16,490 --> 00:23:18,830
of reflection from what you see there.
252
00:23:19,560 --> 00:23:25,770
That makes it more, just a bit
too hard here and you move it up.
253
00:23:25,920 --> 00:23:28,650
See, so something like this.
254
00:23:38,870 --> 00:23:43,400
No, you're very, very finish it all up.
255
00:23:43,430 --> 00:23:44,120
Nice.
256
00:23:45,710 --> 00:23:48,140
Because the mighty horizon line there.
257
00:23:56,175 --> 00:23:57,254
I like that.
258
00:23:58,665 --> 00:24:03,915
See, as maybe here, here a little bit,
259
00:24:08,415 --> 00:24:16,064
how, and ed comes to a happy ending soon.
260
00:24:18,030 --> 00:24:19,770
Yeah, I'm doing like this.
261
00:24:22,020 --> 00:24:25,350
Now we will highlight this, the stone.
262
00:24:25,890 --> 00:24:31,460
I use the same here again, the
same colors and I don't get
263
00:24:31,470 --> 00:24:33,030
as beautiful strokes again.
264
00:24:33,690 --> 00:24:39,660
You see, this is what
we sell at this breaks.
265
00:24:39,660 --> 00:24:42,030
It gives you a beautiful breaking feeling.
266
00:25:00,300 --> 00:25:01,889
There you are.
267
00:25:08,120 --> 00:25:09,679
Ed becomes a life
268
00:25:16,170 --> 00:25:22,200
No here we have to give him the beginning
little bit and the shadow color,
269
00:25:22,320 --> 00:25:27,180
green and white, something like this.
270
00:25:30,000 --> 00:25:31,950
and it gives you kind of a.
271
00:25:34,405 --> 00:25:37,515
What a splash back there.
272
00:25:37,545 --> 00:25:39,855
You can sometime go and make upstairs.
273
00:25:40,985 --> 00:25:47,355
E he does upstrokes that looks
like the water's running down.
274
00:25:50,795 --> 00:25:52,175
He has in bed.
275
00:25:55,685 --> 00:25:57,395
He in the bed.
276
00:25:58,050 --> 00:26:00,720
See, no, you, you convict us.
277
00:26:00,780 --> 00:26:02,250
Upstrokes here again.
278
00:26:04,050 --> 00:26:05,510
The ad,
279
00:26:11,510 --> 00:26:16,760
that means when I make that upstroke,
there's constantly washing and that,
280
00:26:16,940 --> 00:26:21,800
that, that feed there's a feeling all
of a sudden it just washing down there.
281
00:26:21,860 --> 00:26:21,950
Yeah.
282
00:26:32,280 --> 00:26:33,180
Oh, that's good.
283
00:26:37,290 --> 00:26:42,690
So that gives us a happy ending
284
00:26:46,260 --> 00:26:46,950
like that.
285
00:26:47,850 --> 00:26:52,230
You see very simple seascape
and all done with the knife.
286
00:26:53,235 --> 00:26:54,495
I hope you enjoyed it.
287
00:26:54,555 --> 00:26:55,845
I had other fun on that.
288
00:26:56,715 --> 00:26:57,975
Thank you for watching me.
289
00:26:58,155 --> 00:26:58,755
Bye bye.
End .srt file.
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