Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Wildflowers - AVAILABLE

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happy somebody and the happy Birch

trees under on the happier road.

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So you take your family

out for a Sunday morning.

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And bonded to the beautiful

flower fields and we retain that

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and every show you how to do it.

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The magic of oil painting is made possible

by a grant from Aaron brothers art March.

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I have to bring myself to

that happy summer mood.

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Sunday morning, the kids are

all dressed and we walked

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through that wonderful field.

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I got to smell the flowers.

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I have to hurt, hear the

birds and the breeze load up.

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Now, a lot of it, everything you

see in that painting, then it's

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easy to put it on the canvas.

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All right.

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I have bothered myself up and I will

fire in when I use that word fire.

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And I love that was fine because

I used to fire in like this.

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I hate those wants to be fresh.

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I want you to be powerful.

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I wants to be the commander,

the chief, the butter washer,

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and then it works for me.

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It works for everyone.

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If you do it.

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Yes, like that.

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You know, I do love other, not a pond.

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We have fish ponds home, and I

do love the digging sometime.

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And it's, it's hard, but it is not

hard because I sing all the time.

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I constantly harm and sing.

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And when I'm finished, the job is done.

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I don't even know this.

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I did it.

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And that's the same with the painting.

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I think creative power.

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It's it's a different type of a power.

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Okay.

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See, and no time I got her at the

adept, they're a happy blue sky.

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I wants to add a touch of Herrera to that

because it's the happy Sunday morning.

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And it's kind of a range tune in

the sky, kind of a rage in this guy.

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The red is always sunshine.

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Red is more sunshine than even yellow,

but with that yellow, I couldn't go into

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the, I couldn't go into the, to the blue.

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You know, what happened if I go to the

blue with yellow, it would turn green.

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So I have, I have to avoid that.

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So, but I never show you my box

man, mighty bucks while I cleaned

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my brush up to now, I got help

from people that wrote me letters.

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You must have a dirty home.

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Look what you're doing there.

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Now I tell you the why I do at home.

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I have a little box there and I have

a two by four and I shake it in there

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and all the messages in the box.

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So now, you know, that's true.

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Okay.

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That's finished was ready to, you know,

we were, we were, we were space it in

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your own mind, space it in your own mind,

I would put the happy clouds in there.

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A couple of lazy clouds you can use

here and this particular, but you see.

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I don't want to copy what I do now.

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I had to do it because you wrote in and

you ask me, let me see that finished

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product before, before you start.

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I had to paint it all over, but

I wouldn't like to copy and I

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don't want to use the same colors.

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Sometimes I do the same penny and the

blue or green or yellow or in any color.

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And then it is not a copy.

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At least if you have to, this is more

for beginners, but I do it right now.

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But I, myself, I hate to copy.

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I would like to be the monster and I

would like to, to have my own creation.

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I would have created that, you know,

I use the other color already in my,

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in my brush here for the clouds there.

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I have so much yellow, so I like

to have a change and I wouldn't

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put the clouds in the same spot

where you have dust crazy clouds.

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Cause move.

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Then I painted that the car

was already on the other side.

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Try now.

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You know that, so why didn't

they ever be fitted around it?

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That had to be like that.

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It doesn't have to be like that pain.

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Your heart tells you that you are

the Mazda, you are the creator and

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you should fired and the buy you won.

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So there's what I show you something a bit

different color, but don't get mad of me.

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We, we will explain it to you a bit more.

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Okay.

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Yeah.

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I find it a little bit of a

cloud, you know, here, and

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that cloud is more yellow in.

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But I just happen.

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I'm in a red mood.

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What the devil is wrong with that and

do it the way you want it, because

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then it is really not the lousy copy.

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And who wants to copy?

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No.

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When I, I hit advanced when I started,

I copied a lot, but I never really

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copy anymore, but this is just a

show and I hope I can inspire you.

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I can get you into that on mighty swing.

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And that is my whole drive here.

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Okay.

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I will highlight that

attach with Fred, the Nadia.

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I used the attention, but

more yellow and Watson.

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I'm the devil.

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I use a little bit more blue

or a bit more, more red there.

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Look at that.

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Look at that.

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See.

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Yeah, highlight the light is coming

from they're highlighted like this.

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Just go around and dabble into the,

inside the habit, into the insights you

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see, there you are, you have a clouds

and there's all other happy cloud.

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And the other half you're happy cloud

are you see that's about your pain.

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I really never fit in, but I

see there because that is gone.

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The minute of the D is already finished.

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That's behind us.

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The vendor's blown at the way, the

trees are bending in that moment.

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It's all try to understand this

whole thing you create now, and

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that is your on dream and you're

on creation, whatever you will do.

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So, you know, you can use it.

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The big brush is easier.

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It is faster.

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It got to be fast.

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Don't fiddle around for hours because

creative power, you cannot hold too long.

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I just do it.

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The handed in, make it

fluffy, make it cloudy there.

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Error and talk to yourself,

tell yourself you are wonderful.

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Then you get in that mighty swing

that that has to, there is so

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much power in the human being.

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If you just ask for that, I

can do it the other way around.

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I could put the loads,

you closed them there and

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and I hate us thing.

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you live?

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No, it's always offered when you go

into a restaurant and the waitress

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comes up to you and she is dozing.

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Oh, it was a, Hey, are you still sleeping?

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Can't you wake up.

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What's wrong with you.

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He ended up at call us off and that's

the same thing with the painting here.

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It drives you nuts.

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If you make it, uh, then you hang up and

lousy painting in the, in the lousy home.

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I make a happy painting and happy

paintings come into a happy home.

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Okay.

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Now I've been going on and paying

some blue and alizarin Crimson,

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and the back there, they call

us blue and alizarin Crimson.

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And now you can, you can.

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The just distance background.

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There's a distance background.

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Make it stand up.

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See, I don't go in for

little details there.

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There's far by doing blue, blue

yonder, blue, blue yonder, blue and

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alizarin Crimson beard of her colors.

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What I do really here.

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I wants to be the

greatest teacher on earth.

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The greatest teacher ever lived.

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And I wants to teach common sense.

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I don't want to teach Maloney.

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There is so much bologna in

the art world is too much.

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It's too much sometime.

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And I feel inside of that when a guy

comes up and he really carries his shoes

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on the canvas and he will tell you that's

the way to do it, it drives me nuts.

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And I hope I can straighten

out the dust kind of guys.

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This is what you're doing.

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If you make a happy painting as come

sand, it doesn't gives you any headaches.

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Even if I want hear some, some

insight, I go in with the light

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again, take a look on this.

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That's a beautiful thing.

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He'd have look, that means I got

a bit of atmosphere in there.

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But the all that would be

covered off the trees again.

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But I tell you, this is a teaching

idea and I would like to do that

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when I'm finished, at least I know

he gets so much out of that pain.

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That's the whole idea.

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That's the whole ID.

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No, no.

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We fire off with whatever's in a

foreground, a touch of yellow, just

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a texture of yellow into too hard.

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Don't do it too hard.

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That's far, Y and R as you that on

mighty brush that big brush, bit more

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white, but move white, but move right.

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He was at MIT, bro.

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You hear me talking?

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To me, whatever I touch is on my ID.

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Whom when I use my shovel,

you could talk to my wife.

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She would say a bear.

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He gets us on my tea shovel again, and it

makes me on my tea pond and the fish are

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mighty in that pond and they are happy.

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I got happy fish and a happy pond.

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And I have happy docs in my happy

dog, bond medicine, not two nights.

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I'm sorry, I shouldn't talk like that.

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I have to change my docs.

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Cause they don't talk to me.

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I do so much for them

and they don't talk back.

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Okay.

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Now the next step, the flower

flower for flour for field you

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can you use bit dark first?

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Let me use it.

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Touch of dark first.

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You can use other little brush.

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I use green, green.

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Alizarin Crimson SAP green.

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Tell you what Luke, I messed up my brush.

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You need dark in order to show light

and start off wherever you think.

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Start off wherever you think.

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From the bottom up.

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See what I do.

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I just mess up the canvas.

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What I do now, that's underneath

the grass and the flowers on

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top of the hang on top round.

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So that's what I aim for right now.

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The, on this side, the same.

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See what I create.

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I create a depth, everything dark, as

far as, and everything in a fur and

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the clouds big as far as, and far away,

far away, that gives you perspective.

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There's perspective.

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It's not on the end.

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The land is in the clouds, that's

in the sky, that's in whatever.

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And you paint a little box,

you know, it perspective.

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If you see it right,

then it becomes so easy.

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There's no problem there.

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Can you see already by having

a darker here it is a illusion.

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It'd be obvious, have

just a dump street canvas.

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I wish we would have a canvas

with the bag hall in there.

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Then we could pay in faraway in there, but

there's not, we have to make it look deep.

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And then that's just, you

have to create illusions.

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I might illusion illusions.

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Okay.

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I made illusions now on the road.

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Yeah.

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I add other colors in, so

this can pop up a little bit.

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Keto green, kind of a cost color in there.

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Hey has different type of a

green on the happier road.

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I can use a little bit of one Dyke Brown.

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You see it's an odd color.

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One day Brown is dirt.

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Thank you.

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But the road is a 30 year old.

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Why not putting dirt in

if you have a dirt road?

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So it makes so much sense.

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If you think in the right direction.

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okay.

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Now we have done that.

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The next step is I will, I will create

that happy, happier road coming out

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there, the happy road coming out there.

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Uh, whatever we have it there,

uh, just fires in like this.

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Perspective, right?

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Let the colors breaks.

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He does beautiful when it breaks

on you, because this particular

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paint I use, it will break on you.

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You cannot use a soupy paint.

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If you ever tried that, don't even try it.

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And now already it will not work for you.

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This it it's on my technique.

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You cannot, there's a

certain painful break.

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And I always go out to buy the pain.

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What breaks

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he can provide the device.

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He has Vida.

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You get as more perspective you show.

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Okay.

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He, the next step is ever

put some happy Birch trees on

251

00:14:50,915 --> 00:14:53,615

there and it lives in Crimson.

252

00:14:53,825 --> 00:14:56,975

Maybe here far away is one

happy little Birch tree.

253

00:14:58,395 --> 00:15:02,925

Then the applied this and on the other

side is the other happy labored story.

254

00:15:03,645 --> 00:15:09,714

Then you apply this, you know, , they

are very much family they're coming

255

00:15:09,724 --> 00:15:15,035

in and in a bonded more or less

in under roads or wherever you see

256

00:15:15,035 --> 00:15:16,775

the little ones all around there.

257

00:15:21,365 --> 00:15:24,094

Maybe here we put the

bigger one on that already.

258

00:15:31,084 --> 00:15:33,574

they can have it Crockett

street, whatever.

259

00:15:34,084 --> 00:15:38,525

And as you come forward, making beggar

bigger than your perspective, right?

260

00:15:40,775 --> 00:15:41,944

It is very easy.

261

00:15:41,944 --> 00:15:48,155

If you try to understand how you mix

perspective paint is how you make depth.

262

00:15:49,194 --> 00:15:50,165

It's very easy.

263

00:15:50,165 --> 00:15:52,375

If you get to understand it right.

264

00:15:53,220 --> 00:15:57,510

Everything you make big in the front

automatically has more color, has

265

00:15:57,510 --> 00:16:00,090

more power and it appears closer.

266

00:16:00,960 --> 00:16:02,580

May I just make here one more?

267

00:16:02,580 --> 00:16:06,080

I don't have to make the

same trees I have there.

268

00:16:07,250 --> 00:16:08,150

You don't need that.

269

00:16:09,500 --> 00:16:13,010

You can make 10 more if you

want, but you can make this here.

270

00:16:13,010 --> 00:16:14,030

I want you to show you.

271

00:16:15,479 --> 00:16:18,930

Uh, dead on how you make the

streets and I'll take a good look

272

00:16:18,930 --> 00:16:27,349

on, on how I use my knife in order

to make the Birch bar E yeah.

273

00:16:28,609 --> 00:16:29,630

Okay.

274

00:16:33,560 --> 00:16:35,180

Make it then, then, and slim.

275

00:16:35,390 --> 00:16:37,729

Look how fine the lines

are on top of ready.

276

00:16:38,969 --> 00:16:43,040

And you don't worry about the bit

bigger here, because if you watch the

277

00:16:43,040 --> 00:16:48,560

trees, you see bark hanging around and

we used to use the birchbark for fire.

278

00:16:48,890 --> 00:16:49,699

We started fire.

279

00:16:49,699 --> 00:16:52,339

I shouldn't talk about it

because kids might start fire.

280

00:16:52,339 --> 00:16:52,579

Now.

281

00:16:53,300 --> 00:16:54,859

Birchbark is just burns.

282

00:16:54,859 --> 00:16:55,729

Like gasoline.

283

00:16:56,260 --> 00:16:57,800

You, you take it off.

284

00:16:58,520 --> 00:16:58,729

Now.

285

00:16:58,729 --> 00:17:01,099

I ever show you how we get

the Birch trees, where we at.

286

00:17:02,130 --> 00:17:05,790

I would added maybe a little touch

of alizarin Crimson into that.

287

00:17:05,790 --> 00:17:11,369

Just as you have some little bit

of rages streaks, red streaks.

288

00:17:12,179 --> 00:17:15,060

And look, no, I put let's start here.

289

00:17:15,060 --> 00:17:16,649

Maybe we can make a good close up.

290

00:17:16,649 --> 00:17:21,060

And until you go look on this idea here,

the I go, the light is coming from this

291

00:17:21,060 --> 00:17:24,329

side and the tree is dark and it is bad.

292

00:17:24,659 --> 00:17:29,120

And I start from the light and

over to the dark sea from the light

293

00:17:29,149 --> 00:17:34,820

over to the dock and pull it, pull

it, pull it nice feet, pull it.

294

00:17:35,600 --> 00:17:36,379

It gives you that.

295

00:17:36,409 --> 00:17:39,379

Push, pull it, pull it.

296

00:17:40,335 --> 00:17:42,945

Pull it, yeah, you can pull it more.

297

00:17:43,274 --> 00:17:47,325

Can you see already there, the, the

round movement is going around like this.

298

00:17:50,385 --> 00:17:52,004

This is what I want you to learn.

299

00:17:52,155 --> 00:17:55,514

Now, let me show you some

other tricks sometime.

300

00:17:57,540 --> 00:17:58,530

I don't know what it is.

301

00:17:58,530 --> 00:18:02,310

It's the heat or so it doesn't pull

in, in this case, it didn't pull there.

302

00:18:02,340 --> 00:18:05,699

I could pull it with the knife, but I

gave you a little idea how I can do it.

303

00:18:06,360 --> 00:18:07,919

Use your fan brush like this.

304

00:18:08,149 --> 00:18:09,350

I'm taking a good look on this.

305

00:18:09,740 --> 00:18:12,800

Then I go and pull it with a fan

brush just over a little bit.

306

00:18:12,800 --> 00:18:16,340

You see, pull it with

a fan brush over there.

307

00:18:16,340 --> 00:18:22,280

You see now that is something

no, you girls, you would like me.

308

00:18:23,715 --> 00:18:28,685

Isn't that fantastic uneven

that's a Birch tree is uneven.

309

00:18:28,895 --> 00:18:32,405

And if you wants to pull it back,

you can go the other way around

310

00:18:32,435 --> 00:18:36,635

and pull it the black forest again,

you know, they can be reversed.

311

00:18:36,635 --> 00:18:41,495

If you feel you have, you have too

much, he, then I pull, pull it back

312

00:18:41,795 --> 00:18:44,555

there, that pain and you have it done.

313

00:18:44,675 --> 00:18:46,985

And so, okay.

314

00:18:47,255 --> 00:18:50,345

Now we will go on and fell

the other Birch street.

315

00:18:55,365 --> 00:18:55,635

Yeah.

316

00:18:58,955 --> 00:19:01,355

I like to pull it down

with the knife right away.

317

00:19:01,445 --> 00:19:02,315

It's just easier.

318

00:19:02,975 --> 00:19:04,355

The it right with the knife.

319

00:19:05,075 --> 00:19:07,745

It makes a very beautiful Birch tree.

320

00:19:08,105 --> 00:19:12,784

And here you can show a little bit

to he as further, you all get smaller

321

00:19:12,784 --> 00:19:17,405

and smaller, you just, and he had to.

322

00:19:17,594 --> 00:19:17,774

Hmm.

323

00:19:21,784 --> 00:19:26,554

And now you can see automatically

already you Wanda, and the road is wider.

324

00:19:27,155 --> 00:19:29,485

The trees are higher fees getting smaller.

325

00:19:29,485 --> 00:19:33,334

And if you want, you can have a really

small trees going up there and see,

326

00:19:37,814 --> 00:19:38,314

okay.

327

00:19:39,870 --> 00:19:44,489

No the next step, you can put some happy

branches on that thing there, if you want

328

00:19:44,489 --> 00:19:51,479

to, and you can pull little other little

red, he was alizarin Crimson, and your

329

00:19:51,479 --> 00:19:57,689

brush and you use this kind of align their

young Birch trees on the side of the tree.

330

00:19:58,110 --> 00:19:59,699

Berkeys they come like that.

331

00:19:59,909 --> 00:20:05,310

If you really watch that, right, then

you will see that the young Birch

332

00:20:05,310 --> 00:20:06,540

trees, they get their look first.

333

00:20:06,665 --> 00:20:09,245

They're like read this,

you see here's the column.

334

00:20:09,935 --> 00:20:13,645

Uh, we already finished that up like

that and we use it right for the brand.

335

00:20:13,645 --> 00:20:13,705

Yeah.

336

00:20:14,335 --> 00:20:18,925

Is he always cover up whatever

you think is not right there.

337

00:20:18,925 --> 00:20:23,215

Ya, he come up like this and move here.

338

00:20:23,215 --> 00:20:25,165

You're this on the bench down like this.

339

00:20:25,945 --> 00:20:27,865

Yeah, it doesn't have to be always up.

340

00:20:28,525 --> 00:20:32,605

Barely sat down and, and back in

broken and cracked and, and whatever,

341

00:20:33,145 --> 00:20:34,795

Dan, you would do it that I dry.

342

00:20:50,810 --> 00:20:53,840

I wish I had a bit more time

to show you a bit more, but we

343

00:20:53,840 --> 00:20:56,810

don't have it and we never get

it and we have to live with that.

344

00:20:58,010 --> 00:21:02,719

So this is why they have to sometime

make a little bit short cuts.

345

00:21:02,719 --> 00:21:03,649

I cannot show you.

346

00:21:04,455 --> 00:21:06,014

All I really would love to do.

347

00:21:06,554 --> 00:21:07,094

Okay.

348

00:21:07,274 --> 00:21:09,645

He had a complicated

lines and yeah, he didn't.

349

00:21:09,645 --> 00:21:09,824

Yeah.

350

00:21:10,375 --> 00:21:17,645

That's right now you use your one inch

brush and you create eight bit of.

351

00:21:18,344 --> 00:21:24,375

10 or green Taylor green, maybe

a bit of SAP, green and yellow.

352

00:21:24,524 --> 00:21:32,115

You wonder where the yellow rant here, you

put in kind of a, you judge yourself what

353

00:21:32,115 --> 00:21:34,574

you want, but the brush is full of pain.

354

00:21:34,875 --> 00:21:38,834

The brush look, I just node

up and I mix here kind of a

355

00:21:38,834 --> 00:21:41,774

heavy, heavy whatever there.

356

00:21:42,314 --> 00:21:45,495

And again, see that that

brush is like a shoe.

357

00:21:45,524 --> 00:21:46,274

That's why.

358

00:21:46,395 --> 00:21:46,754

Right?

359

00:21:47,685 --> 00:21:48,075

Yeah.

360

00:21:48,435 --> 00:21:51,105

You know, I fired him, I fired him.

361

00:21:51,585 --> 00:21:57,105

I fired him, the copper Birch,

the branches, some leaves and

362

00:21:57,105 --> 00:22:00,495

whatever is there, but make

it loose, make it, hang there.

363

00:22:00,735 --> 00:22:02,085

Lazy if you want.

364

00:22:02,710 --> 00:22:04,890

You can cut it down there.

365

00:22:05,280 --> 00:22:11,520

The dog that likes Rhonda for here, you

have a couple of more in the back here.

366

00:22:11,520 --> 00:22:12,570

You have a copy on the rag.

367

00:22:12,600 --> 00:22:13,350

Me here.

368

00:22:13,890 --> 00:22:18,330

Then you've got the perspective feeling

into that and, and here you're firing.

369

00:22:18,330 --> 00:22:19,830

Like you come forward.

370

00:22:22,550 --> 00:22:23,240

There you are.

371

00:22:24,500 --> 00:22:27,860

Uh, there showed him the power.

372

00:22:28,250 --> 00:22:29,400

If you come forward.

373

00:22:37,475 --> 00:22:38,135

okay.

374

00:22:38,315 --> 00:22:42,545

Now you, you, you, you put the

flowers on the field, you put the

375

00:22:42,545 --> 00:22:48,185

flowers on the field, kind of a

happier red is he and that's it.

376

00:22:48,575 --> 00:22:49,565

They, they look at that.

377

00:22:50,405 --> 00:22:52,295

There's happy flowers on the field.

378

00:23:06,575 --> 00:23:07,755

no dad, you can do it.

379

00:23:08,165 --> 00:23:12,845

If you have lots of time, you can do lots

of things you want here into the fields.

380

00:23:15,335 --> 00:23:17,105

I just showed you it

off your, how you do it.

381

00:23:17,105 --> 00:23:18,155

That's all it is.

382

00:23:18,395 --> 00:23:20,885

That's the whole idea

about that TV series here.

383

00:23:21,975 --> 00:23:22,185

Yeah.

384

00:23:22,185 --> 00:23:25,185

If I don't finish it sometime don't cry.

385

00:23:25,215 --> 00:23:26,685

Dawn's cry.

386

00:23:26,835 --> 00:23:27,615

You finish it.

387

00:23:28,715 --> 00:23:30,935

But then, you know, the power of yourself.

388

00:23:31,544 --> 00:23:32,254

Okay.

389

00:23:32,735 --> 00:23:33,155

He ain't know.

390

00:23:33,155 --> 00:23:35,075

I put the happy little house in there.

391

00:23:35,715 --> 00:23:39,835

They put the happy little house in

there and happy little, how is it?

392

00:23:40,145 --> 00:23:41,285

Oh, what you have there?

393

00:23:41,285 --> 00:23:43,205

Maybe you just look underneath first.

394

00:23:43,565 --> 00:23:45,695

We have that underneath the roof.

395

00:23:45,725 --> 00:23:50,014

First start off like that and

then fired right down like this.

396

00:23:50,585 --> 00:23:50,915

Yeah.

397

00:23:53,375 --> 00:23:54,785

And then fire in the roof.

398

00:23:54,815 --> 00:23:58,355

You can have it in the red and all kinds

of other colors, whatever you want.

399

00:23:58,775 --> 00:24:01,235

Find a happy then the roof there.

400

00:24:03,315 --> 00:24:05,715

Look at that, isn't that wonderful.

401

00:24:07,755 --> 00:24:13,475

The, and then you fire underneath,

that's dark there fired, and

402

00:24:13,485 --> 00:24:18,305

I hit this and then you fire.

403

00:24:18,305 --> 00:24:22,955

And other than the roof hanging up

there, they hear me say that it has to

404

00:24:22,955 --> 00:24:28,145

happen in the wood shed they have on

that house, that happy little bit shed.

405

00:24:29,285 --> 00:24:29,645

They.

406

00:24:30,990 --> 00:24:37,220

I know you and Anita woodshed and

make it darker there to the hell.

407

00:24:37,220 --> 00:24:42,740

Cause that how fast, and it

gets happier and fresher as you

408

00:24:42,740 --> 00:24:49,310

are . But the little bit of a Gable

on there, they, he bought twice.

409

00:24:49,370 --> 00:24:50,750

That's why this, why this?

410

00:24:50,780 --> 00:24:51,020

Right?

411

00:24:51,080 --> 00:24:58,730

This right here, but over the thing, and

maybe you put a bit of light in there.

412

00:24:59,715 --> 00:25:01,274

Oh, that's, that's fine.

413

00:25:01,274 --> 00:25:01,875

That's fine.

414

00:25:02,235 --> 00:25:02,865

That's fine.

415

00:25:02,865 --> 00:25:08,175

Then he cut in the happy little door

inside in the happy little door there.

416

00:25:08,985 --> 00:25:16,004

C and you put the happy little chimney up

there and the guy he can fry his ham and

417

00:25:16,065 --> 00:25:18,345

eggs, but he's not living there anymore.

418

00:25:18,375 --> 00:25:18,915

He is.

419

00:25:18,915 --> 00:25:20,115

He wasn't there wrong.

420

00:25:20,775 --> 00:25:22,095

He was at their own feed.

421

00:25:22,095 --> 00:25:22,725

Their own comes out.

422

00:25:22,725 --> 00:25:25,805

He busted a tie it and I need

to start getting on that lousy

423

00:25:25,825 --> 00:25:27,905

butter and that killed him.

424

00:25:28,145 --> 00:25:34,865

Now, he, then you put a little bit of

happy, happy girls on here, but ever

425

00:25:35,015 --> 00:25:37,865

call us yellow, whatever you want.

426

00:25:49,524 --> 00:25:49,905

Yeah.

427

00:25:51,764 --> 00:25:52,195

Yeah.

428

00:25:53,205 --> 00:25:57,915

Maybe I use a little bit of

yellow light color there just to.

429

00:25:58,615 --> 00:26:01,544

Brighten it up and you don't

have to put that the road in

430

00:26:01,544 --> 00:26:02,804

from the house if you want.

431

00:26:02,985 --> 00:26:03,584

You can.

432

00:26:03,794 --> 00:26:05,685

It just happened on this

particular painting.

433

00:26:05,804 --> 00:26:07,034

It's overgrown.

434

00:26:07,725 --> 00:26:09,135

See the guy cut you.

435

00:26:09,135 --> 00:26:10,094

He is dead.

436

00:26:10,725 --> 00:26:12,645

That's overgrown there.

437

00:26:13,804 --> 00:26:19,774

I know what the devil, what the devil

you see, all of a sudden, you can say

438

00:26:19,865 --> 00:26:22,324

that painting is more or less done.

439

00:26:23,264 --> 00:26:24,645

But you did the rush me.

440

00:26:25,155 --> 00:26:26,564

I cannot forgive you there.

441

00:26:27,195 --> 00:26:28,364

You did the Rashmi.

442

00:26:29,385 --> 00:26:31,905

So what more can you do now?

443

00:26:32,084 --> 00:26:35,354

You can add a little bit of

dark in there in between there.

444

00:26:36,254 --> 00:26:39,074

He can add a bit more

dark and that's all it is.

445

00:26:39,875 --> 00:26:41,675

I thank you for watching me.

446

00:26:41,975 --> 00:26:42,695

Bye bye.

447

00:26:59,415 --> 00:27:04,575

In response to overwhelming viewer

requests, K O C E has prepared a

448

00:27:04,575 --> 00:27:08,295

personal guide to bill Alexander's

magic of oil painting three.

449

00:27:08,895 --> 00:27:13,125

To receive your copy of this instructional

book on bill Alexander's painting

450

00:27:13,125 --> 00:27:16,515

technique, please send $8 to magic.

451

00:27:16,545 --> 00:27:21,435

Three post office box to seven

Oh three Huntington beach,

452

00:27:21,465 --> 00:27:24,585

California nine two six four seven.

453

00:27:29,435 --> 00:27:34,295

The magic of oil painting is made possible

by a grant from Aaron brothers art marts.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Wildflowers - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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