Tuesday, December 15, 2020

UNKNOWN Season, Episode, Sunset Seascape - AVAILABLE

Bill Alexander's

The Magic of Oil Painting


UNKNOWN Season, Episode, Sunset Seascape - AVAILABLE

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar. 


Begin .srt file.

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I am bill Alexander, the father and the

finder of the magic of oil painting.


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Aha dad, we got fed today

wants to paint the sunset.


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Sunset now, sunsets, we

talk about the sunset.


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I would like to have some

powerful colors in that.


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It sounds that can come from this side

can come from that side can come from


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the back, can come from the front.


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And I think from the front is

the most difficult when it comes


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to us, you is most difficult.


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Let's do that.


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And I would like to paint it over, maybe

a part of the ocean with the stones,


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with the shoreline and with couple.


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You know, it's a couple of side

movements of stolen's coming in


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and that's the finished painting.


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Again.


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I fire off the magic, the magic

bite fired right on the canvas.


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I heard it right on the canvas is

nice when you can talk like that,


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because then it's more input in

it and you're not standing stern.


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put the magic right on.


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Put the magic right on


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the canvas has to be slippery and all

the time the artist would put oil on.


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Vet and vet and I invented the magic

vide because I know every paint


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is mixed with white, every paint.


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So why not putting the paint

that white already on the


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canvas and mix into the canvas?


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See what I do now I

will mix into that vibe.


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I could have, it is a bit of

a brush brush here on this.


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Okay too much.


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No.


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Good.


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Not enough.


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No.


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Good.


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I show you how you do it.


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You put the magic right on wash

the brush into the paint dinner.


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Make sure you have a nice clean brush.


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Nice clean brush and a nice dry brush.


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He look at that right into

that, on my Rattlebox.


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That gets the dirt out.


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Now I got the clean brush go

over the whole canvas like this.


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Hey, there you are upside

down and down and set up.


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So that's good.


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Then brush out your colors

again, the device again, and


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know I'm ready to strike that.


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There's just enough magic, right?


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But they should have


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see, otherwise I would mix on my palette.


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This is the mixing table.


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I would mix the colors and every

color you mix has to have, right.


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You cannot make blue bluer or

Vandyke Brown, more Brown or red,


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more red or yellow Moray galore.


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But you pull it all in with white.


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You pull it out in rich

white vibey mix here.


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If I can mix there, you see?


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No, he wants to have a sunset

and I will say this is the sun.


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Start off with that.


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There's is the sun dancing

right into the water?


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Good.


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Around the sun leave.


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Don't wash that, paint out, put

the texture of red in and go


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around it, gorgeous around it.


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And the next step would be I use

alizarin Crimson, take a look.


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How I do that.


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See.


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And yard.


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I live in Crimson.


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That means darker, lighter,

lighter, more alizarin, Crimson,


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and no time you have a ready, a

sunset, more alizarin, Crimson.


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That would be a real red ranger, sunset

fires right into the water fires.


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I didn't do the water.


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See, no, you got the sun and

you put the.in that corner here


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and your sign, your name, and

you got the modern painting.


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Beautiful.


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Okay.


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No, no, no, no, no, no.


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I'm not so bad.


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I'm not so bad.


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Am not so bad.


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Now that we have to

bring that all together.


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Watch


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see, but ain't that altogether?


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I would use a touch of blue and if

it starts off from the top of the


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texture of blue, so you got the bit

of a dark clouds and there he is.


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It's good.


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It's harmless that blue does good and

move it in from the side with alizarin


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Crimson, move it in from the side.


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Now, watch this here.


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Light on light.


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Nothing on nothing is nothing.


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In order to get that light.


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I got to put lots of dark round.


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Men has not made the color.


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A human being has not made a color,

but captures zone light or daylight.


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So we have to create illusion

in order to create that light.


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See, this is nothing,

all or nothing or not.


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It's nothing I, you batch how that

light comes up with what I do.


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I put dark round, then that becomes light.


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See, watch this


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as more dark.


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I pushed it around as more dark.


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I push around as more light.


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Can you see how it gets lighter?


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Can you see that?


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See.


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Tire fires right into the side.


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Yeah.


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Fires right in there.


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And you come right closer, closer, closer,

cause it's lighter, lighter, lighter,


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lighter, lighter the fire on this side

with the textural for, especially in


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blue fires, they didn't let us come

lighter, lighter, lighter, lighter


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egg, and here a little bit more blue.


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Let it get lighter.


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Lighter, lighter, lighter, lighter.


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You know, all of that becomes lighter

here because I put more dark all around.


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Oh, it's more


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D more.


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Hey, Hey, more, more.


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What I do now, I condition my canvas.


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I conditioned my canvas condition.


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My canvas, you know, we would

find our happiness on shine.


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I know there's a lot of blue

up there and we are now yellow


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and blue turns green tea.


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So I have to watch that.


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No, you wash your brush.


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No, you fire in with yellow

again, fire in there,


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but watch here.


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You have to watch.


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I told you the, how it led would love

to get blue green there, watch that.


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And if it turns green, if you come,

let me show you a little trick here.


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That's for the newcomers.


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Now, if you want us to have

a bit more, don't use yellow.


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You can use yellow here, but

they're able to use the red.


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With yellow, the red is your protection.


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So your red that gives you Advil.


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Not, it will not get green, but if

I use yellow there, I will show you.


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I show you what you

shouldn't do as assembly.


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I do it on purpose for you to

understand expenses for the newcomers.


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If you use Gallagher.


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Thank you.


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You're doing good here.


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And you move off.


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You go up to the top and all

of a sudden you're here and you


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can see what's happened there.


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You got the green sky to prevent it.


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I just use plain red, red.


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That's your shield against getting green?


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I use the red theoretic

kills it right there.


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Beautiful.


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Okay.


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Did we land something good?


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I I'm sure you're, especially

when you're a newcomer.


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Because I'm there on the sky like

this, we have to work with gallows and


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with blues and betrays in between too.


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Then you use rather, if I

wants to go up there, I use a


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text, look, look how I do it.


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And here's a touch of red into the yellow.


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See with this.


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This is good.


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See that gives me still lots of

light and I can ask dangerous


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there, but it's not bad.


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See, I shouldn't have done it and show

you what you should do all the time.


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There's only one way,

and that's the right way.


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Watch this into the Gallo and you fire

in here and you walk off and you walk off


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and you walk off and don't ever come back.


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If you come back, you would have that.


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What I showed you, I better

not show you D would have that.


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You see.


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I did before I ever tried to kill that

their arm is one by a clean brush, a clean


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brush, the red and the texture of yellow.


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I know all around the sun.


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Beautiful.


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Wash your brush.


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Is it constantly wash your brush?


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I remember on my classes, those ladies,

when they came to the class, they are


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all expected to sit down and they're

all expected to just paint with colors.


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And I always had to tell them, when

you come to me first, you are a brush


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washer and then you become the artist.


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It was hard to explain that.


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He constantly watch.


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Okay.


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See the dirt I went from here to

there and that's is what it is.


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Don't do that.


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Wash your brush, especially on

the sunset where you have to have


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a very clean color constantly.


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You're swinging that brush again.


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Nice.


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Even now I really.


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I will add the Tetro fight.


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Watch this.


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Now I go to the light.


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I wants to have more sunshine,


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so, but right here, it becomes blah, it

needs that polar, it needs the thread.


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It's only yellow and white in the middle.


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That's good.


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But Vite.


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It's no good.


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If you go out here and see this

here, it needs a bit of, it's


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not, it needs a bit of a red dead.


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Is he like that?


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Does that right.


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And right here, poets up there.


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Yeah.


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But I would love to do here on the bottom.


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00:13:07,725 --> 00:13:10,635

I would like to have a touch attach.


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The, we said the sun is just over the

water a little bit tired, like here and


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00:13:15,825 --> 00:13:19,215

the water line starts here somewhere.


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00:13:19,605 --> 00:13:25,085

So I would love to put the

little bit of this and there


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Taylor green, little

touch of Taylor green.


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And Linda's touch of Taylor green,

little tattoo of Taylor green there.


209

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Yeah.


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Like his bones.


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He underwater the bones in his bones.


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He got in the water there.


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He had the colors popping up.


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See, that's like the mist mist from

mother earth, Mister from mother earth.


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00:14:01,395 --> 00:14:01,735

Yeah.


216

00:14:01,785 --> 00:14:04,965

As far as this already,

but more than Taylor green.


217

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Yes.


218

00:14:05,925 --> 00:14:07,755

The Taylor green is nice there


219

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constantly wash your brush.


220

00:14:20,465 --> 00:14:22,475

I see Erica.


221

00:14:28,995 --> 00:14:30,714

Mother earth gives me that kind of,


222

00:14:35,704 --> 00:14:36,755

no, let's see.


223

00:14:37,655 --> 00:14:46,355

Let's see more red, more red and here

and here and here and here and here and


224

00:14:46,355 --> 00:14:49,685

here and there and, Oh, that's good.


225

00:14:49,685 --> 00:14:54,694

No, constantly wash your brush.


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He ain't, I will hypnotize the

whole thing and then we would


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see her good and her bad VR.


228

00:15:07,775 --> 00:15:07,865

Okay.


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But then you hypnotize

don't come back again.


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See this, you go from the light

into the dark, wash your brush.


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00:15:21,990 --> 00:15:23,610

I hate to show you that again.


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00:15:23,670 --> 00:15:26,520

Now, maybe here at Ken watch

you see, that's what I had.


233

00:15:27,150 --> 00:15:30,060

If I put that on there, I

would go back to nothing.


234

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So it's always one via doing it.


235

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And that is my divide.


236

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The right wide lean.


237

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The brush got a clean brush, visceral

and firing again from in the light.


238

00:15:44,385 --> 00:15:46,785

Into the dark more here, more here.


239

00:15:47,205 --> 00:15:48,945

You can work, walk around on top.


240

00:15:48,945 --> 00:15:52,695

There's no problem,

but I cannot come back.


241

00:15:52,695 --> 00:15:56,205

See that the dirt I would put

in there, I will not do it.


242

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Okay.


243

00:16:04,325 --> 00:16:04,895

Okay.


244

00:16:05,165 --> 00:16:11,405

Now I will use my almighty fan

brush my own mighty fan brush.


245

00:16:12,465 --> 00:16:15,555

But why might that be,

see how I take it off?


246

00:16:15,885 --> 00:16:20,655

Take white and a touch of yellow,

white, and a touch of yellow.


247

00:16:20,955 --> 00:16:24,285

Now that's the best

color I can have fired.


248

00:16:24,575 --> 00:16:27,605

We just on and again, got her room.


249

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And then, uh, Hey.


250

00:16:42,995 --> 00:16:44,465

I need some paint dinner.


251

00:16:45,065 --> 00:16:45,875

I got to run away.


252

00:16:45,905 --> 00:16:46,685

I'm sorry.


253

00:16:49,265 --> 00:16:52,625

I need some more paint dinner

because I watched so much my brush.


254

00:16:53,495 --> 00:16:55,385

You need a lot of pain dinner.


255

00:17:00,840 --> 00:17:02,220

Where's my mighty fan brush.


256

00:17:02,700 --> 00:17:03,210

And here


257

00:17:09,319 --> 00:17:09,890

see.


258

00:17:10,100 --> 00:17:14,690

No again, white and yellow,

white, take a good look here.


259

00:17:14,750 --> 00:17:15,830

White and yellow.


260

00:17:16,220 --> 00:17:18,920

That paint is nice and

solid and it makes it nice.


261

00:17:19,069 --> 00:17:19,790

It stands up.


262

00:17:19,819 --> 00:17:20,120

Good.


263

00:17:20,120 --> 00:17:20,930

You can blend.


264

00:17:20,960 --> 00:17:24,770

You can hypnotize, but out

that paint, I will not be here.


265

00:17:24,890 --> 00:17:28,670

Really fire in the sun there.


266

00:17:30,405 --> 00:17:33,645

Uh, you know, that's

on Canada on, in there.


267

00:17:34,695 --> 00:17:36,345

That's on can run in there.


268

00:17:42,465 --> 00:17:52,395

No, we will create, we will create,

I'm not too happy with, with this mist.


269

00:17:52,425 --> 00:17:54,075

I wish it would be a bit more.


270

00:17:54,615 --> 00:17:56,805

It would be a bit more discolor.


271

00:17:57,675 --> 00:18:01,425

This color, the event.


272

00:18:01,425 --> 00:18:02,265

You're not happy.


273

00:18:02,825 --> 00:18:03,635

Go for that.


274

00:18:04,295 --> 00:18:05,195

This is better.


275

00:18:05,675 --> 00:18:08,015

I want it to be it's for my eyes.


276

00:18:08,045 --> 00:18:09,095

It does better.


277

00:18:09,935 --> 00:18:10,505

It's good.


278

00:18:11,565 --> 00:18:13,385

Just hypnotize us together there.


279

00:18:14,255 --> 00:18:16,715

See, no, I will create a waterline.


280

00:18:19,205 --> 00:18:20,455

The brightest is here.


281

00:18:20,645 --> 00:18:24,875

I would say here, here, that's

where the water line is.


282

00:18:29,240 --> 00:18:31,160

I don't have to be a straight line.


283

00:18:31,760 --> 00:18:39,890

You just, you just can let it disappear

into nothing that disappear into yonder.


284

00:18:40,580 --> 00:18:46,700

Nothing again, white and yellow.


285

00:18:46,700 --> 00:18:47,270

Take a look.


286

00:18:47,270 --> 00:18:49,880

I take the yellow, take a look here.


287

00:18:50,570 --> 00:18:52,100

The, there you are.


288

00:18:52,845 --> 00:18:58,635

And have the brush nice for the, and

I go stare at the sun is first, but


289

00:18:58,635 --> 00:19:03,495

the sun is the brightest always start

up there because the, the, the paint


290

00:19:03,975 --> 00:19:09,135

on the canvas gets into your brush

and makes you canvas your brush dirty.


291

00:19:09,135 --> 00:19:16,245

And, you know, sometime I just wash

it off like this and put new paint


292

00:19:16,245 --> 00:19:19,635

on new paint on, and maybe here.


293

00:19:20,985 --> 00:19:23,205

We create kind of an extra day


294

00:19:39,965 --> 00:19:44,435

so the next step I will farm some.


295

00:19:45,000 --> 00:19:45,840

Reeves.


296

00:19:46,350 --> 00:19:49,620

It's a little bit of a happy

breeze going over the ocean there.


297

00:19:50,490 --> 00:19:51,090

He ain't meat.


298

00:19:51,270 --> 00:19:56,310

I made the other side little bit

of not the let, let it fly a bit.


299

00:19:56,820 --> 00:19:59,880

Let it fly up a little bit on the horizon.


300

00:19:59,910 --> 00:20:03,450

Diane, you see the divorce,

us flying a little bit.


301

00:20:04,290 --> 00:20:05,310

Makes it nice.


302

00:20:06,180 --> 00:20:19,395

So what I will create a kind of, uh,

Oh, we say here, here, here, and here.


303

00:20:29,324 --> 00:20:32,625

See more red here.


304

00:20:35,024 --> 00:20:38,024

Put it off like this,

put it off like this.


305

00:20:38,790 --> 00:20:43,020

Think the sun is coming from the

back and that water standing up


306

00:20:43,230 --> 00:20:47,040

and upstanding water bears the

shadow, especially in the evening.


307

00:20:47,310 --> 00:20:50,189

It bears on mighty little

happy shadow there.


308

00:20:51,149 --> 00:20:55,500

See, and become God like this.


309

00:20:55,500 --> 00:20:56,219

That's fine.


310

00:20:59,330 --> 00:20:59,419

Yeah.


311

00:20:59,730 --> 00:21:03,290

Again, make it better

here, but more powerful.


312

00:21:13,219 --> 00:21:15,709

then here, watch what I do here.


313

00:21:18,530 --> 00:21:20,389

I come back to the sunshine.


314

00:21:21,199 --> 00:21:23,030

I will use a touch of yellow.


315

00:21:23,300 --> 00:21:29,300

Let me show you something here,

yellow, go over here and attach off.


316

00:21:30,090 --> 00:21:31,169

Taylor green.


317

00:21:31,679 --> 00:21:33,239

And it gives you a poison color.


318

00:21:33,270 --> 00:21:33,719

Look at that.


319

00:21:33,719 --> 00:21:37,229

Green is a green you think

when you eat it, you die.


320

00:21:38,429 --> 00:21:38,850

See?


321

00:21:39,300 --> 00:21:46,530

No, I would say in the sun, in

the sun, in the sun, I just,


322

00:21:48,270 --> 00:21:54,149

and after sun C wash your brush.


323

00:21:57,045 --> 00:22:04,995

See voter has brought a, has this kind of,

uh, kind of a Z can you see this color?


324

00:22:05,975 --> 00:22:13,415

SI because that dark underneath

doesn't set up anyway.


325

00:22:16,290 --> 00:22:20,640

But I would like to have it all and

not in the piece, all the loose,


326

00:22:20,670 --> 00:22:25,440

all loose, loose that water is

dancing there in that distance.


327

00:22:25,710 --> 00:22:26,940

And we're off, off, off it.


328

00:22:26,940 --> 00:22:31,410

Then here there's a PSR daddy, but into

the sun, I would like to build a little


329

00:22:31,410 --> 00:22:38,400

bit that, that turquoise, like swimming

pools or like water, water, feedings.


330

00:22:38,580 --> 00:22:40,680

It's always something like this.


331

00:22:41,250 --> 00:22:43,800

See then you can, you can pull it out.


332

00:22:52,985 --> 00:22:56,405

he let her disappear right

into the canvas again.


333

00:22:57,095 --> 00:22:57,755

Nice.


334

00:22:58,445 --> 00:22:59,975

So that's a shadow underneath.


335

00:23:00,425 --> 00:23:02,585

No huge.


336

00:23:02,615 --> 00:23:05,795

You're you in the sun?


337

00:23:05,825 --> 00:23:09,005

The sun is absolutely on top of that Vive.


338

00:23:09,635 --> 00:23:11,825

So again, D I take right.


339

00:23:11,975 --> 00:23:13,055

Take a good look here.


340

00:23:14,145 --> 00:23:20,235

And yellow and fare that are mighty

sanction right into that wave here.


341

00:23:20,255 --> 00:23:20,375

Is


342

00:23:25,625 --> 00:23:32,885

there an off and on, off and off

and off and, uh, an office 30, 30


343

00:23:32,885 --> 00:23:34,415

darker, darker, darker, darker.


344

00:23:34,805 --> 00:23:35,765

Let it disappear.


345

00:23:36,125 --> 00:23:36,635

Nice.


346

00:23:36,665 --> 00:23:37,585

Let it disappear.


347

00:23:37,615 --> 00:23:39,065

Nothing there or whatever.


348

00:23:39,935 --> 00:23:41,504

That makes it powerful painting.


349

00:23:41,504 --> 00:23:46,004

If you can paint like that, why is

she a brush constantly have clean


350

00:23:46,004 --> 00:23:52,065

colors, Karnes, and they have clean

colors again, white and yellow,


351

00:23:53,835 --> 00:23:57,485

the same thing, the sun, right.


352

00:23:57,485 --> 00:24:03,004

And dare D like is turning over.


353

00:24:07,635 --> 00:24:11,264

Wash your brush that I could

only make one stroke there.


354

00:24:12,315 --> 00:24:14,504

And again, white and yellow.


355

00:24:14,985 --> 00:24:16,035

Keep it clean.


356

00:24:16,035 --> 00:24:16,995

Keep it clean.


357

00:24:18,035 --> 00:24:20,555

You can have it like this and like this.


358

00:24:21,305 --> 00:24:28,205

Yeah, there and here

you adjust over again.


359

00:24:29,524 --> 00:24:33,305

It's only one stroke,

one or mighty stroke.


360

00:24:34,055 --> 00:24:35,405

You roll it over.


361

00:24:36,690 --> 00:24:39,690

The here, make one stroke, roll it over.


362

00:24:49,250 --> 00:24:49,790

See.


363

00:24:53,070 --> 00:24:55,290

This one just is a beginner.


364

00:24:55,709 --> 00:25:00,030

It begins to go down and it

should be bright on top and it


365

00:25:00,040 --> 00:25:01,560

should be darker on anybody.


366

00:25:01,800 --> 00:25:05,790

He wants to always think from here on

the light is feeding in from the back.


367

00:25:07,260 --> 00:25:11,490

No, the tip could be absolutely like

that, but then it turns it around.


368

00:25:11,699 --> 00:25:13,169

The sun is behind you.


369

00:25:13,169 --> 00:25:15,750

See here, this is already

behind on this spot.


370

00:25:16,439 --> 00:25:18,870

See, so you got to make a darker there.


371

00:25:19,440 --> 00:25:21,690

Common scent at the

zoo, much common sense.


372

00:25:22,050 --> 00:25:26,040

If you can work with that comes

and he will live a long, long time.


373

00:25:28,250 --> 00:25:36,540

See, let us roll over and as assemble

here, the no, you can, you can go in with.


374

00:25:37,110 --> 00:25:40,320

That extra green again,

see what I do here.


375

00:25:40,590 --> 00:25:46,890

Pull out again that extra turquoise

or Taylor green, and then you


376

00:25:46,890 --> 00:25:48,930

can make little holes there.


377

00:25:54,200 --> 00:25:55,580

Like the sun looks through,


378

00:26:01,790 --> 00:26:02,120

right.


379

00:26:02,180 --> 00:26:03,560

Find the other brush.


380

00:26:05,070 --> 00:26:06,840

This brush will do a better job.


381

00:26:07,470 --> 00:26:13,040

He, I just like to have that little

pocket there that little, the pocket


382

00:26:13,070 --> 00:26:16,850

should show this Turkers card dead.


383

00:26:23,300 --> 00:26:28,100

Again, sometime you have to go a couple

of times over in order to get it.


384

00:26:29,640 --> 00:26:32,370

Ah, obviously clean brush one.


385

00:26:32,370 --> 00:26:35,970

Stroke is a wonderful stroke, but the

second stroke is already murderer.


386

00:26:36,570 --> 00:26:39,120

He then rather clean

your brush and go over.


387

00:26:40,620 --> 00:26:46,590

I do it again, but anyway, you see

that little, that little turquoise


388

00:26:46,590 --> 00:26:48,090

is shimmering to the water.


389

00:26:48,960 --> 00:26:53,430

Now here, you can do the same

thing here and this spot.


390

00:27:01,055 --> 00:27:02,615

so I had to find my fan brush again.


391

00:27:15,665 --> 00:27:16,385

No, here.


392

00:27:17,370 --> 00:27:20,760

This particular Vive,

this particular we've.


393

00:27:21,270 --> 00:27:30,300

We, we were, we were watch top,

top has to be light and then Dawn,


394

00:27:30,600 --> 00:27:35,490

Dawn, Dawn, but then it comes

down, then it draws back up again.


395

00:27:35,490 --> 00:27:37,290

And that is what this does.


396

00:27:37,710 --> 00:27:39,330

See the Rose back up again.


397

00:27:44,010 --> 00:27:47,045

Oh, Dang.


398

00:27:47,055 --> 00:27:51,405

I was hitting that every put the

stone on there and it hits that


399

00:27:51,405 --> 00:27:56,115

stone and that water roll is up here.


400

00:27:56,115 --> 00:27:57,315

Can you see what I mean?


401

00:27:57,795 --> 00:28:01,245

Can you see, other than that, we've got

us together and it comes back up here.


402

00:28:01,295 --> 00:28:03,635

Yeah, it comes back up here.


403

00:28:03,815 --> 00:28:08,075

Add, uh, C yeah, we put

something in between.


404

00:28:10,115 --> 00:28:10,925

No, here.


405

00:28:10,925 --> 00:28:18,855

I would like to put the kid kind

of, uh, uh, The Tang down there.


406

00:28:22,695 --> 00:28:24,075

Oh, that looks good.


407

00:28:24,765 --> 00:28:26,265

See then you can


408

00:28:34,515 --> 00:28:35,205

hear what's happened.


409

00:28:38,315 --> 00:28:41,495

That's the here the sun

begins to shine again.


410

00:28:42,014 --> 00:28:42,735

Here.


411

00:28:43,215 --> 00:28:47,685

That's why we put the sunshine back there.


412

00:28:48,254 --> 00:28:49,935

Watch that, watch this.


413

00:28:50,324 --> 00:28:53,235

He, I would, I would

say here from here, um,


414

00:28:56,584 --> 00:29:04,955

I'm here on as power for I

no, no, we need there again.


415

00:29:05,705 --> 00:29:07,205

The dark that again.


416

00:29:13,070 --> 00:29:15,980

it's a wonderful vibe

of plying with colors.


417

00:29:16,310 --> 00:29:20,690

When you see the, the size,

when you see the, the, yeah.


418

00:29:22,800 --> 00:29:26,520

I didn't mind that that's sometime

in the brush in that further.


419

00:29:26,700 --> 00:29:28,940

There's some paint dinner, dip it out.


420

00:29:29,000 --> 00:29:30,320

Look what I do here.


421

00:29:30,530 --> 00:29:37,159

Can you make a close up here on that pay

on paper that Piper dip it out like this?


422

00:29:37,700 --> 00:29:40,070

See then the paper sucks.


423

00:29:40,250 --> 00:29:42,860

All that moist is in the inside of that.


424

00:29:42,860 --> 00:29:45,800

From there, the what's inside here.


425

00:29:46,100 --> 00:29:50,420

It will all drip out your solid

little drop there and that's no good.


426

00:29:50,804 --> 00:29:55,155

That spoils the whole thing

they know I will, I will.


427

00:29:55,215 --> 00:29:55,814

I will.


428

00:29:55,875 --> 00:29:56,564

I will.


429

00:29:57,824 --> 00:29:58,605

I will.


430

00:30:13,274 --> 00:30:15,554

I need dark that out dark.


431

00:30:15,615 --> 00:30:16,814

There is no light.


432

00:30:19,970 --> 00:30:21,200

Actually the painting looks good.


433

00:30:21,200 --> 00:30:22,700

Like that there's a venue yet.


434

00:30:23,270 --> 00:30:26,750

If any, yet when vignette

vignette, when yet?


435

00:30:27,670 --> 00:30:31,520

Oh, Oh, a daddy.


436

00:30:31,550 --> 00:30:32,090

Uh,


437

00:30:53,315 --> 00:30:55,085

is this actually your other step again?


438

00:30:55,115 --> 00:30:57,335

You see this other step again?


439

00:31:03,605 --> 00:31:04,055

Dark.


440

00:31:04,085 --> 00:31:05,405

You need lots of dark here.


441

00:31:05,975 --> 00:31:10,025

Lots of dark fire and fire in

there because before you get


442

00:31:10,025 --> 00:31:14,250

involved with light colors, Fill

it all in, fill it all in the dog.


443

00:31:14,550 --> 00:31:18,210

When you have dogs, that's

no trouble to get light.


444

00:31:18,210 --> 00:31:21,990

And without dark, there is no light.


445

00:31:23,190 --> 00:31:26,040

We have to create that

almighty optic illusion.


446

00:31:26,700 --> 00:31:26,880

The


447

00:31:31,020 --> 00:31:40,650

it was young, it was young and all kinds

of movement, all kinds of movement.


448

00:31:41,400 --> 00:31:46,130

All kinds of moving fire

and fire and firing.


449

00:31:50,670 --> 00:31:54,860

You can only paint light

when you have dark C a R.


450

00:32:09,155 --> 00:32:10,655

the, let it be dark here.


451

00:32:10,835 --> 00:32:12,274

Let it be dark here.


452

00:32:12,784 --> 00:32:17,675

The as darker you come, it

gets much lighter there.


453

00:32:17,675 --> 00:32:19,355

When you have a dog come in.


454

00:32:20,280 --> 00:32:22,300

Make it dark, then you make it light here.


455

00:32:22,350 --> 00:32:23,580

I want us to make it light here.


456

00:32:23,760 --> 00:32:25,260

I got to make a dark here.


457

00:32:25,620 --> 00:32:26,500

They let that board.


458

00:32:26,670 --> 00:32:28,020

That's the water coming in here.


459

00:32:29,510 --> 00:32:30,260

Uh,


460

00:32:43,100 --> 00:32:44,840

can you see how it becomes a life?


461

00:32:49,910 --> 00:32:50,810

same here.


462

00:32:51,620 --> 00:32:52,040

Yes.


463

00:32:52,070 --> 00:32:53,690

But you live with the doc in there


464

00:32:57,830 --> 00:33:00,080

then at all, it becomes a life again.


465

00:33:11,030 --> 00:33:14,300

Oh, no, we fire in whatever,

whatever, whatever.


466

00:33:36,320 --> 00:33:36,709

heat.


467

00:33:36,800 --> 00:33:39,290

I have to drain out my brush like this.


468

00:33:40,425 --> 00:33:42,135

Cleaned it and drain it out.


469

00:33:42,225 --> 00:33:42,945

Can you see it?


470

00:33:43,155 --> 00:33:46,575

Maybe it might be nice if you

could make a shot of that.


471

00:33:47,085 --> 00:33:55,475

He clean again into the debit out

and clean it out by doing that, just


472

00:33:55,475 --> 00:33:59,825

press hard, press hard the other

side, because it's like a sponge.


473

00:33:59,855 --> 00:34:03,845

It will suck the paint, the painting out.


474

00:34:05,100 --> 00:34:05,700

Okay.


475

00:34:05,790 --> 00:34:06,390

Good.


476

00:34:06,420 --> 00:34:07,110

Good, good, good.


477

00:34:07,110 --> 00:34:07,290

Good.


478

00:34:07,320 --> 00:34:14,310

Now give him my other shot here

again in the sun, in the sun.


479

00:34:18,020 --> 00:34:23,900

and that's unshaking Vite

and yellow, white and yellow.


480

00:34:41,505 --> 00:34:47,645

Uh, do that again, that again, because

I carry in too much pain dinner and


481

00:34:47,645 --> 00:34:52,295

that makes the pain to lose and we

have already such a nice, solid paint.


482

00:34:52,655 --> 00:34:57,695

And just because I'm careless,

I bring that paint in the back.


483

00:34:58,815 --> 00:35:01,665

Back in again, and it wouldn't make sense.


484

00:35:02,565 --> 00:35:04,274

It just wouldn't make sense.


485

00:35:23,400 --> 00:35:24,690

That takes a little time.


486

00:35:24,720 --> 00:35:30,750

I'm sorry, but still, when you think the

time we spend on the painting like this,


487

00:35:31,090 --> 00:35:33,270

it's just wonderful to say you can do it.


488

00:35:33,330 --> 00:35:34,470

It's actually short time.


489

00:35:34,830 --> 00:35:37,980

I will fill in a little bit of that red.


490

00:35:38,060 --> 00:35:38,540

Yeah.


491

00:35:40,340 --> 00:35:42,860

I would fill in a little

bit of the thread here.


492

00:35:43,370 --> 00:35:47,570

See, can you see it as it, it

brings the sky better down,


493

00:35:47,570 --> 00:35:49,010

especially on the other side.


494

00:35:50,835 --> 00:35:57,395

And, uh, here, I would like to do the

same thing C now watch, watch, watch,


495

00:35:57,395 --> 00:35:59,375

watch, watch, watch, watch what I'm doing.


496

00:36:00,904 --> 00:36:05,705

A perspective burst back deaf.


497

00:36:05,944 --> 00:36:08,045

Now I have to dip my thing all the time.


498

00:36:08,045 --> 00:36:14,165

That's the only problem I have here

perspective in the middle, in the middle.


499

00:36:15,274 --> 00:36:17,904

The lines in the middle

here was in the middle.


500

00:36:18,464 --> 00:36:19,754

Going up like this.


501

00:36:21,915 --> 00:36:22,455

Right.


502

00:36:23,075 --> 00:36:27,065

And then they go to, but as you

come down, that goes this way.


503

00:36:31,025 --> 00:36:31,115

Okay.


504

00:36:31,654 --> 00:36:32,585

You understand?


505

00:36:32,915 --> 00:36:36,694

See you are in front of that

water and you see the middle


506

00:36:36,694 --> 00:36:40,415

line is going straight up, right.


507

00:36:41,669 --> 00:36:45,419

He is goes down this by this, by

this, but this way, see your bed, the


508

00:36:45,430 --> 00:36:54,470

perspective water move by this really

variable part and important input talent.


509

00:37:10,215 --> 00:37:12,165

Fan brush is just wonderful for that.


510

00:37:13,005 --> 00:37:17,674

Uh, we tell you sheet off

there and start from scratch.


511

00:37:18,125 --> 00:37:22,355

See the total thing is already

soaked and I can turn off for others


512

00:37:22,384 --> 00:37:24,935

too, and now it might be better.


513

00:37:25,235 --> 00:37:28,625

So it's all soaked with what I

told you about the paint dinner,


514

00:37:29,285 --> 00:37:31,115

but you have to work like that.


515

00:37:31,265 --> 00:37:32,555

You have to work like that.


516

00:37:34,475 --> 00:37:35,645

Hey, beautiful.


517

00:37:36,960 --> 00:37:40,320

Make a Donker underneath all the

time underneath go a couple of times,


518

00:37:40,320 --> 00:37:43,410

extra C and then let that pop up.


519

00:37:43,610 --> 00:37:47,780

But it's nice to have put it

into the light to Demeter, pull


520

00:37:47,790 --> 00:37:49,160

the light, to watch the sun.


521

00:37:49,310 --> 00:37:52,950

We got to Sunday and that bones,

bones, bones, bones, bones.


522

00:37:53,360 --> 00:37:53,600

Yeah.


523

00:37:53,930 --> 00:37:58,070

And on the end here, it gets

darker and darker and whatever.


524

00:37:58,280 --> 00:37:59,540

And that's a good painting.


525

00:37:59,570 --> 00:38:00,770

That's a Mazda piece.


526

00:38:00,980 --> 00:38:04,970

If you can handle it like that,

this would be already darker here.


527

00:38:08,024 --> 00:38:11,504

And, and put that red

and put that red on top.


528

00:38:12,254 --> 00:38:12,645

Okay.


529

00:38:12,645 --> 00:38:14,115

Let me show you see here.


530

00:38:14,145 --> 00:38:18,274

I was already put a little bit more SI


531

00:38:22,294 --> 00:38:28,955

and then in here too, they asked

her for a, no, you were in from


532

00:38:28,955 --> 00:38:32,765

the dog and to the light and you

pull such a power into the middle.


533

00:38:36,060 --> 00:38:37,890

You got all the time in the world.


534

00:38:38,250 --> 00:38:38,670

Casey.


535

00:38:38,670 --> 00:38:44,580

See right now, if you want, you can

go back as so much time to even hear.


536

00:38:44,580 --> 00:38:47,030

I would use a tattoo of her aide there.


537

00:38:47,450 --> 00:38:49,760

See, let it disappear.


538

00:38:49,790 --> 00:38:52,070

Watch this beautiful.


539

00:38:52,100 --> 00:38:54,410

Can you see it and hear it again?


540

00:38:54,410 --> 00:38:58,370

They would already have a

little bit of red there.


541

00:38:59,070 --> 00:39:02,310

So by doing that, this

becomes all lighter.


542

00:39:02,430 --> 00:39:04,590

That becomes the power of that painting.


543

00:39:04,830 --> 00:39:08,210

And that's what she wants to have you,

once you have that almighty bang in that


544

00:39:08,210 --> 00:39:15,620

painting, you have to go in and, and go

back and let the sky further down this


545

00:39:15,620 --> 00:39:24,140

guy for Dawn here and, and whatever,

but ever, and here you see a bit of


546

00:39:24,140 --> 00:39:27,350

red, all popping up, all popping up.


547

00:39:29,460 --> 00:39:29,700

Yeah.


548

00:39:31,160 --> 00:39:34,490

And then naturally it comes

into the sun and the breaks.


549

00:39:34,700 --> 00:39:35,960

All of us entered the light.


550

00:39:36,290 --> 00:39:37,520

That's a powerful pain.


551

00:39:38,300 --> 00:39:39,320

There are the best paintings.


552

00:39:39,420 --> 00:39:45,290

If you can create the almighty masterpiece

by just Boone or mighty light, that


553

00:39:45,290 --> 00:39:49,910

is so bright, the next, the next, the

next, forget the outside completely.


554

00:39:50,360 --> 00:39:52,490

That is really something

that hits your eye.


555

00:39:54,590 --> 00:39:56,690

If you can do that, you are the master.


556

00:40:02,660 --> 00:40:04,730

I will use a bigger brush for that.


557

00:40:05,420 --> 00:40:07,520

I will use a bigger brush for that.


558

00:40:18,770 --> 00:40:22,370

see right now I make it dark and

then they bring it back up because


559

00:40:22,370 --> 00:40:23,720

they have take the paint off.


560

00:40:23,720 --> 00:40:24,980

Whatever's too much there.


561

00:40:26,865 --> 00:40:27,045

Okay,


562

00:40:36,335 --> 00:40:38,315

no, you fire in there.


563

00:40:38,915 --> 00:40:39,395

Watch this.


564

00:40:39,425 --> 00:40:39,875

Yes.


565

00:40:44,705 --> 00:40:46,145

Can you see what it means?


566

00:40:46,795 --> 00:40:51,425

Bang, bang, bang, bang,

and forget to say it.


567

00:40:51,435 --> 00:40:53,525

And you got the beautiful,

beautiful painting.


568

00:41:00,665 --> 00:41:04,145

have the nerve, have the

nerve to do it sometime.


569

00:41:04,475 --> 00:41:07,595

We always think we have to

fill in everything so perfect.


570

00:41:07,595 --> 00:41:09,695

And that is what we all do wrong.


571

00:41:25,050 --> 00:41:30,120

Okay, no, get that on

my defend brush again.


572

00:41:35,450 --> 00:41:37,370

I very pointed this out too.


573

00:41:37,400 --> 00:41:38,750

No, yeah.


574

00:41:38,750 --> 00:41:39,980

We pulled this out here.


575

00:41:40,010 --> 00:41:40,250

Yeah.


576

00:41:47,930 --> 00:41:48,530

Can you see it?


577

00:41:51,540 --> 00:41:51,839

Yeah.


578

00:41:51,930 --> 00:41:54,330

And then again, let it come, let it come.


579

00:41:54,330 --> 00:41:55,410

That's the way to do it.


580

00:41:55,410 --> 00:41:56,430

That's the way it is.


581

00:41:59,400 --> 00:42:01,740

You're not fooling anyone perspective.


582

00:42:01,799 --> 00:42:02,640

It got to be right.


583

00:42:03,000 --> 00:42:07,170

I will use a touch of yellow

again, and the turquoise.


584

00:42:07,620 --> 00:42:10,380

There's a yellow and Theon light.


585

00:42:10,650 --> 00:42:13,350

Like you have that beautiful, bright.


586

00:42:20,660 --> 00:42:26,060

he was a, does that little bit of

to the sun, the sun, what you call


587

00:42:26,060 --> 00:42:29,450

it is, uh, just the right name.


588

00:42:35,010 --> 00:42:37,850

forget, forget, forget when you're my age.


589

00:42:37,880 --> 00:42:39,230

You forget you forget.


590

00:42:39,230 --> 00:42:39,590

I have it.


591

00:42:39,620 --> 00:42:42,650

I have excuse for that, but I forget.


592

00:42:44,775 --> 00:42:47,025

Who my wife has to remember everything.


593

00:42:47,355 --> 00:42:49,694

Everything was my key.


594

00:42:51,615 --> 00:42:52,025

Okay.


595

00:42:52,055 --> 00:42:52,725

Just there.


596

00:42:58,895 --> 00:43:01,685

So your brother wants to show you

tied to make a couple of happy,


597

00:43:02,375 --> 00:43:07,645

happy little vendors in there

that, that brings you a sudden.


598

00:43:08,939 --> 00:43:16,919

Hefty hefty sparked rain, rain, rain in

there underneath that, and then disappear.


599

00:43:18,000 --> 00:43:20,029

Uh, good, good, good.


600

00:43:20,029 --> 00:43:20,430

It's good.


601

00:43:21,000 --> 00:43:23,100

But no, what should I do?


602

00:43:23,129 --> 00:43:24,660

I was spoiled at whole painting.


603

00:43:26,000 --> 00:43:29,209

Uh, van Dyke Brown, put it

up here, watch it again.


604

00:43:29,450 --> 00:43:32,629

Vandyke Brown and blue lizard in Crimson.


605

00:43:33,649 --> 00:43:36,529

And you make yourself

a kind of a NASE black.


606

00:43:37,065 --> 00:43:39,645

The dark color more.


607

00:43:39,675 --> 00:43:43,545

I live in Clemson more or less in Crimson.


608

00:43:43,785 --> 00:43:44,505

That's good.


609

00:43:45,525 --> 00:43:47,805

Now, every fire in the stone here


610

00:44:06,390 --> 00:44:09,120

E I have your fire in the stone.


611

00:44:09,980 --> 00:44:10,880

Yeah.


612

00:44:24,800 --> 00:44:26,720

that stone draws a shadow there.


613

00:44:28,810 --> 00:44:31,040

And at inflection, besides.


614

00:44:32,190 --> 00:44:35,970

See, if you run, you can

have a stolen maybe here,


615

00:44:42,050 --> 00:44:47,150

farm your stores, the vegetable, your

thing with my, you would love to see them.


616

00:44:51,830 --> 00:44:52,370

SI.


617

00:44:53,265 --> 00:44:55,365

Good fine.


618

00:44:55,515 --> 00:44:56,085

You're fireman.


619

00:44:56,325 --> 00:44:57,944

The sun is coming from here.


620

00:44:58,605 --> 00:45:02,475

You fire in the sun there, right

against that, or mighty stone.


621

00:45:03,075 --> 00:45:04,755

See here, you would fire.


622

00:45:04,755 --> 00:45:07,935

The sun comes and hits right there.


623

00:45:14,404 --> 00:45:17,435

Bit more red, bit more red, too much.


624

00:45:18,154 --> 00:45:18,815

It needs.


625

00:45:20,250 --> 00:45:23,310

Kind of orange color would be the nicest.


626

00:45:23,310 --> 00:45:33,420

I believe that's good there and dancing

around dancing around the spark is our


627

00:45:33,430 --> 00:45:35,670

forever to whatever the knife does.


628

00:45:35,970 --> 00:45:36,650

Trust you.


629

00:45:36,660 --> 00:45:39,090

Good old knife, thrust.


630

00:45:39,090 --> 00:45:43,230

You're good or knife, but on

this side, we'll hit here.


631

00:45:43,230 --> 00:45:45,450

See, it's barely hit this side.


632

00:45:56,810 --> 00:46:00,110

you see that little

touch of orange colors?


633

00:46:00,230 --> 00:46:02,390

Red is better than too much yellow.


634

00:46:18,259 --> 00:46:18,919

I see.


635

00:46:20,810 --> 00:46:21,350

Okay.


636

00:46:21,350 --> 00:46:23,270

Be fired in here too.


637

00:46:23,750 --> 00:46:25,370

On this side of the bed.


638

00:46:28,865 --> 00:46:32,585

Here you use kind of a neutral color.


639

00:46:33,395 --> 00:46:35,255

Uh, the turquoise is good.


640

00:46:35,345 --> 00:46:39,485

Spit of a bluish Louis wat attach CC.


641

00:46:40,174 --> 00:46:40,825

Can you see it?


642

00:46:40,825 --> 00:46:47,585

That has kind of a nice,

nice water color here.


643

00:46:47,585 --> 00:46:49,654

You do the same thing on this side.


644

00:46:50,465 --> 00:46:50,975

Uh,


645

00:47:00,200 --> 00:47:00,890

nice.


646

00:47:02,690 --> 00:47:11,810

Hear you're firing again on

this side, red and yellow, red


647

00:47:11,810 --> 00:47:14,690

and yellow firing up there.


648

00:47:24,740 --> 00:47:26,360

he heard the fuck.


649

00:47:27,080 --> 00:47:31,010

Oh, Jesus makes your

living others on your feel.


650

00:47:31,010 --> 00:47:34,580

Your heart is jumping

your hardest jumping.


651

00:47:35,810 --> 00:47:36,410

Uh,


652

00:47:39,800 --> 00:47:43,280

maybe he had a little bit

of light colors in between.


653

00:47:44,790 --> 00:47:45,210

Yes.


654

00:47:45,240 --> 00:47:46,140

Just something.


655

00:47:46,170 --> 00:47:46,589

So


656

00:48:00,680 --> 00:48:01,790

the shadow side.


657

00:48:04,009 --> 00:48:04,120

Yeah.


658

00:48:04,120 --> 00:48:09,799

I stayed up to paint from underneath and

make a dirty that's all it is really here.


659

00:48:09,810 --> 00:48:12,620

The same, the same, same here.


660

00:48:21,515 --> 00:48:26,825

then you use your fan brush again

here, the fan brush, place it out, pull


661

00:48:26,825 --> 00:48:29,915

it out, pull it out, out like this.


662

00:48:30,845 --> 00:48:36,545

And here we use the big brush and

we pull it right into the sand


663

00:48:36,545 --> 00:48:38,975

or whatever is how far we are.


664

00:48:38,975 --> 00:48:39,935

That's our vet.


665

00:48:40,355 --> 00:48:41,825

It's all very wet there.


666

00:48:43,350 --> 00:48:50,339

See, and here we just pull it in,

whatever goes there because no, I have


667

00:48:50,339 --> 00:48:57,839

to just put that water over there and

all the things would be wonderful.


668

00:48:58,350 --> 00:49:03,029

So this Viva San perceive

how it comes down.


669

00:49:03,450 --> 00:49:09,170

What should I do with that one

yellow and white and maybe texture.


670

00:49:10,890 --> 00:49:13,020

I was run it up like that.


671

00:49:31,759 --> 00:49:33,410

see title thing.


672

00:49:33,440 --> 00:49:38,240

Doesn't a shadow behind that

stone you would like to up there.


673

00:49:38,240 --> 00:49:38,480

Yeah.


674

00:49:38,480 --> 00:49:38,879

But that's.


675

00:49:39,435 --> 00:49:42,915

Let's make it in the shed,

the color water's running off


676

00:49:46,905 --> 00:49:47,925

or just Ronnie off.


677

00:49:48,305 --> 00:49:51,305

She can, you can hear here in the back.


678

00:49:51,305 --> 00:49:56,645

You can really give them a little bit

of a light color because it's vet,


679

00:49:56,645 --> 00:50:01,385

it's a vet stone and you can easily

play a little bit of a game like that.


680

00:50:02,525 --> 00:50:04,505

See, look at that.


681

00:50:05,535 --> 00:50:07,035

Brings it nice out there.


682

00:50:07,504 --> 00:50:10,544

The same note here with this

stone, you can easily give them a


683

00:50:10,544 --> 00:50:12,194

little bit of a happy little rim


684

00:50:16,785 --> 00:50:18,845

and it brings it the right out there.


685

00:50:18,884 --> 00:50:22,154

Again, the happy little rim.


686

00:50:24,674 --> 00:50:25,035

Good.


687

00:50:31,580 --> 00:50:36,320

The here, what I do, I make

this little bit of a water run


688

00:50:36,320 --> 00:50:40,220

off, strokes, water, run off.


689

00:50:40,310 --> 00:50:43,040

What the devil does that

water run off strokes.


690

00:50:43,070 --> 00:50:43,370

Good.


691

00:50:44,020 --> 00:50:52,640

They will be upstairs up, up, up, up, but

it looks like the water's running off.


692

00:50:53,550 --> 00:50:58,880

Then actually you stroke up right there.


693

00:50:58,880 --> 00:51:05,760

And then you fire in here a little bit of

this and about you're doing no, you just


694

00:51:05,760 --> 00:51:10,680

on mighty brush, clean and make the same.


695

00:51:10,680 --> 00:51:12,750

Like we do still bought this.


696

00:51:12,750 --> 00:51:14,990

You see, there you go.


697

00:51:15,620 --> 00:51:21,890

And no, you fire and you

fire and some nice, happy.


698

00:51:22,665 --> 00:51:23,655

Happy


699

00:51:33,575 --> 00:51:38,555

happy, be color stare or around fire.


700

00:51:38,555 --> 00:51:41,615

He is, it's a runoff and

it does it or not often.


701

00:51:41,865 --> 00:51:43,565

And it gives you that.


702

00:51:47,675 --> 00:51:48,485

I see.


703

00:51:49,645 --> 00:51:50,805

Runs off like that.


704

00:51:51,884 --> 00:51:52,964

That's a good seller.


705

00:51:56,825 --> 00:52:01,654

and if you want, you can

go again the second time.


706

00:52:11,585 --> 00:52:12,095

SI.


707

00:52:18,105 --> 00:52:18,915

Oh, that's all right.


708

00:52:19,245 --> 00:52:24,194

And then here you use a bit of darker

color, the torque, us colors like this.


709

00:52:25,095 --> 00:52:26,595

See this behind the stone.


710

00:52:38,915 --> 00:52:41,015

Not so bright, not so bright there.


711

00:52:41,835 --> 00:52:47,085

Let's see, and then here you start

really firing in whatever you


712

00:52:53,835 --> 00:52:58,445

whatever you want with the

water, yellow, white, and the


713

00:52:58,445 --> 00:53:00,875

texture of red on the stone.


714

00:53:01,745 --> 00:53:05,555

The here you can turn

that boat already to red.


715

00:53:06,545 --> 00:53:06,875

Eh.


716

00:53:19,655 --> 00:53:20,735

textural Fred dang.


717

00:53:20,765 --> 00:53:25,145

And this, there will be just kind

in the water and let only the bright


718

00:53:25,145 --> 00:53:27,125

sunshine be in the middle if you can.


719

00:53:27,665 --> 00:53:28,775

That is the best.


720

00:53:29,015 --> 00:53:30,305

That is the best.


721

00:53:31,265 --> 00:53:34,925

If you can handle it like that,

I bet you are doing it right.


722

00:53:52,470 --> 00:53:57,379

dang about water's running off

there can have the kind of strokes


723

00:53:57,379 --> 00:54:03,680

like this Serone off, or even you

can go up to the top and just.


724

00:54:04,170 --> 00:54:07,080

Jazz Danker, but water's running off.


725

00:54:08,840 --> 00:54:15,680

See if you want, you can make it

really exciting, uncertain steps.


726

00:54:15,710 --> 00:54:16,760

What's what I do here.


727

00:54:17,000 --> 00:54:20,390

He didn't ever go in and make the

border coming out behind there.


728

00:54:20,780 --> 00:54:21,220

You see?


729

00:54:21,310 --> 00:54:24,800

Yes, just it does.


730

00:54:24,800 --> 00:54:26,510

It does it on off there.


731

00:54:27,090 --> 00:54:28,110

It was collected.


732

00:54:28,110 --> 00:54:31,830

It came the advisors office

coming over and disappears.


733

00:54:32,069 --> 00:54:37,980

And here is kind of a, like a funnel

there in between the stones and it hits


734

00:54:37,980 --> 00:54:40,920

there and it takes a vial to run it off.


735

00:54:41,370 --> 00:54:43,319

So you create kind of things.


736

00:54:43,330 --> 00:54:50,450

Sometime he and Dan, his runs

off into yonder until yonder.


737

00:54:51,290 --> 00:54:54,440

He can eat easy, easy to do this too.


738

00:54:56,115 --> 00:54:56,774

Here,


739

00:55:05,444 --> 00:55:05,895

go ahead.


740

00:55:06,694 --> 00:55:12,395

Even here, if you want to, to create

those kind of, uh, brought the runoffs,


741

00:55:12,395 --> 00:55:14,345

you can go right between the stone.


742

00:55:14,345 --> 00:55:17,375

And does he see there then?


743

00:55:26,390 --> 00:55:30,290

Well here in this case, you can have

the water coming around and it hits


744

00:55:30,290 --> 00:55:33,350

around there, the end running off.


745

00:55:35,690 --> 00:55:40,049

So what I wants to show you here,

create whatever you think it is.


746

00:55:40,080 --> 00:55:43,430

It's it's mixed your

painting setup better.


747

00:55:50,265 --> 00:55:55,895

yeah, maybe here they would go

and put the nice light line in


748

00:55:55,895 --> 00:55:58,085

here because that's what do good.


749

00:55:59,194 --> 00:56:01,835

The on this side, eh,


750

00:56:08,525 --> 00:56:10,325

see, there you are.


751

00:56:18,605 --> 00:56:21,424

try to make it there on the own.


752

00:56:21,665 --> 00:56:23,634

Uh, let him cry.


753

00:56:23,915 --> 00:56:26,615

Think that the stones are crying.


754

00:56:27,214 --> 00:56:28,714

The stones are crying.


755

00:56:29,825 --> 00:56:31,835

Uh, hear me read you the same thing.


756

00:56:35,585 --> 00:56:36,154

good.


757

00:56:36,815 --> 00:56:37,235

Good.


758

00:56:38,315 --> 00:56:38,825

Okay.


759

00:56:38,825 --> 00:56:39,785

Here, here.


760

00:56:54,140 --> 00:56:54,560

Yeah.


761

00:56:55,130 --> 00:57:00,170

Yeah, you are now here.


762

00:57:00,200 --> 00:57:02,509

Maybe you have a little bit of a water.


763

00:57:04,455 --> 00:57:08,355

Watch this that's nice to do sometime

you can do it with the knife.


764

00:57:08,385 --> 00:57:10,185

The knife does a good job for that.


765

00:57:10,875 --> 00:57:13,005

Just make a little bit of a water.


766

00:57:17,045 --> 00:57:19,175

It's a bit of a water standing there.


767

00:57:19,535 --> 00:57:19,925

See


768

00:57:23,135 --> 00:57:24,395

that looks always good.


769

00:57:26,105 --> 00:57:27,695

And then here, let it disappear.


770

00:57:27,735 --> 00:57:28,205

Whatever.


771

00:57:52,040 --> 00:57:59,960

see now you find you a little

brush and you put the copper.


772

00:58:00,975 --> 00:58:02,085

Happy seagulls.


773

00:58:02,085 --> 00:58:09,435

And, and I use just a dark

color, any dark color, alizarin,


774

00:58:09,435 --> 00:58:12,945

Crimson, and Prussian blue.


775

00:58:13,545 --> 00:58:17,475

And you let them fly this way.


776

00:58:18,345 --> 00:58:20,715

Depends on how far you wants to have them.


777

00:58:21,405 --> 00:58:28,965

They, I would say that's this

one and here's the other one.


778

00:58:33,275 --> 00:58:35,525

he just wanted us for the off.


779

00:58:36,065 --> 00:58:37,205

This is closer.


780

00:58:43,235 --> 00:58:47,555

I do the laws, laws of fishing

most, every day, even the vessel


781

00:58:47,555 --> 00:58:48,905

is good damn on the ocean.


782

00:58:49,775 --> 00:58:56,135

And I always come out in my

boat and I look around and they


783

00:58:56,135 --> 00:58:57,935

say, where are the sea gods?


784

00:58:57,960 --> 00:58:58,230

Yes.


785

00:58:58,650 --> 00:59:00,190

Well, the seagulls are there.


786

00:59:00,220 --> 00:59:06,030

The hearing and by the hearing are

there are the Simon and when the


787

00:59:06,030 --> 00:59:08,160

Simon are there, that's better.


788

00:59:09,480 --> 00:59:13,320

See, and they go in all

kinds of directions.


789

00:59:13,590 --> 00:59:17,040

One would just, just fly sidewards


790

00:59:22,110 --> 00:59:25,770

the someday or right down the dip down.


791

00:59:26,444 --> 00:59:28,754

You can make as many seagulls as you want.


792

00:59:29,174 --> 00:59:33,225

If you're see got hungry, but

usually they're coming to clump


793

00:59:33,404 --> 00:59:38,654

because they're hearing and moving

constantly, constantly, or never, or


794

00:59:38,654 --> 00:59:40,424

very certain, they are your short.


795

00:59:40,504 --> 00:59:42,024

They are all over the ocean.


796

00:59:42,035 --> 00:59:48,814

There's so many, but that is where

the, the, the, he had this one woman.


797

00:59:48,845 --> 00:59:50,075

Let's see this one here is.


798

00:59:55,460 --> 00:59:56,090

Man.


799

00:59:56,090 --> 01:00:00,830

He just sees the hearing there and he

shoots off there and that whole water


800

01:00:00,830 --> 01:00:03,920

is boiling that whole water's boiling.


801

01:00:04,880 --> 01:00:05,420

See?


802

01:00:05,960 --> 01:00:09,200

So just let attach this here.


803

01:00:10,310 --> 01:00:12,020

Not right, not right.


804

01:00:14,180 --> 01:00:15,410

Little attaches here.


805

01:00:33,845 --> 01:00:34,445

see.


806

01:00:34,505 --> 01:00:37,055

Damn, we are there.


807

01:00:37,145 --> 01:00:37,595

Yeah.


808

01:00:43,670 --> 01:00:45,290

How about we call it finish.


809

01:00:45,650 --> 01:00:47,120

I thank you for watching.


810

01:00:47,870 --> 01:00:48,259

Bye.


End .srt file.


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