Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Sunset Seascape - AVAILABLE
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I am bill Alexander, the father and the
finder of the magic of oil painting.
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Aha dad, we got fed today
wants to paint the sunset.
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Sunset now, sunsets, we
talk about the sunset.
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I would like to have some
powerful colors in that.
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It sounds that can come from this side
can come from that side can come from
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the back, can come from the front.
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And I think from the front is
the most difficult when it comes
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to us, you is most difficult.
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Let's do that.
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And I would like to paint it over, maybe
a part of the ocean with the stones,
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with the shoreline and with couple.
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You know, it's a couple of side
movements of stolen's coming in
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and that's the finished painting.
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Again.
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I fire off the magic, the magic
bite fired right on the canvas.
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I heard it right on the canvas is
nice when you can talk like that,
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because then it's more input in
it and you're not standing stern.
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put the magic right on.
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Put the magic right on
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the canvas has to be slippery and all
the time the artist would put oil on.
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Vet and vet and I invented the magic
vide because I know every paint
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is mixed with white, every paint.
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So why not putting the paint
that white already on the
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canvas and mix into the canvas?
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See what I do now I
will mix into that vibe.
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I could have, it is a bit of
a brush brush here on this.
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Okay too much.
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No.
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Good.
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Not enough.
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No.
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Good.
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I show you how you do it.
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You put the magic right on wash
the brush into the paint dinner.
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Make sure you have a nice clean brush.
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Nice clean brush and a nice dry brush.
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He look at that right into
that, on my Rattlebox.
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That gets the dirt out.
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Now I got the clean brush go
over the whole canvas like this.
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Hey, there you are upside
down and down and set up.
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So that's good.
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Then brush out your colors
again, the device again, and
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know I'm ready to strike that.
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There's just enough magic, right?
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But they should have
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see, otherwise I would mix on my palette.
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This is the mixing table.
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I would mix the colors and every
color you mix has to have, right.
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You cannot make blue bluer or
Vandyke Brown, more Brown or red,
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more red or yellow Moray galore.
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But you pull it all in with white.
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You pull it out in rich
white vibey mix here.
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If I can mix there, you see?
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No, he wants to have a sunset
and I will say this is the sun.
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Start off with that.
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There's is the sun dancing
right into the water?
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Good.
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Around the sun leave.
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Don't wash that, paint out, put
the texture of red in and go
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around it, gorgeous around it.
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And the next step would be I use
alizarin Crimson, take a look.
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How I do that.
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See.
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And yard.
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I live in Crimson.
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That means darker, lighter,
lighter, more alizarin, Crimson,
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and no time you have a ready, a
sunset, more alizarin, Crimson.
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That would be a real red ranger, sunset
fires right into the water fires.
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I didn't do the water.
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See, no, you got the sun and
you put the.in that corner here
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and your sign, your name, and
you got the modern painting.
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Beautiful.
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Okay.
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No, no, no, no, no, no.
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I'm not so bad.
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I'm not so bad.
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Am not so bad.
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Now that we have to
bring that all together.
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Watch
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see, but ain't that altogether?
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I would use a touch of blue and if
it starts off from the top of the
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texture of blue, so you got the bit
of a dark clouds and there he is.
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It's good.
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It's harmless that blue does good and
move it in from the side with alizarin
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Crimson, move it in from the side.
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Now, watch this here.
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Light on light.
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Nothing on nothing is nothing.
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In order to get that light.
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I got to put lots of dark round.
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Men has not made the color.
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A human being has not made a color,
but captures zone light or daylight.
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So we have to create illusion
in order to create that light.
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See, this is nothing,
all or nothing or not.
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It's nothing I, you batch how that
light comes up with what I do.
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I put dark round, then that becomes light.
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See, watch this
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as more dark.
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I pushed it around as more dark.
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I push around as more light.
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Can you see how it gets lighter?
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Can you see that?
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See.
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Tire fires right into the side.
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Yeah.
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Fires right in there.
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And you come right closer, closer, closer,
cause it's lighter, lighter, lighter,
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lighter, lighter the fire on this side
with the textural for, especially in
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blue fires, they didn't let us come
lighter, lighter, lighter, lighter
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egg, and here a little bit more blue.
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Let it get lighter.
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Lighter, lighter, lighter, lighter.
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You know, all of that becomes lighter
here because I put more dark all around.
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Oh, it's more
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D more.
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Hey, Hey, more, more.
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What I do now, I condition my canvas.
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I conditioned my canvas condition.
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My canvas, you know, we would
find our happiness on shine.
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I know there's a lot of blue
up there and we are now yellow
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and blue turns green tea.
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So I have to watch that.
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No, you wash your brush.
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No, you fire in with yellow
again, fire in there,
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but watch here.
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You have to watch.
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I told you the, how it led would love
to get blue green there, watch that.
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And if it turns green, if you come,
let me show you a little trick here.
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That's for the newcomers.
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Now, if you want us to have
a bit more, don't use yellow.
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You can use yellow here, but
they're able to use the red.
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With yellow, the red is your protection.
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So your red that gives you Advil.
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Not, it will not get green, but if
I use yellow there, I will show you.
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I show you what you
shouldn't do as assembly.
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I do it on purpose for you to
understand expenses for the newcomers.
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If you use Gallagher.
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Thank you.
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You're doing good here.
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And you move off.
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You go up to the top and all
of a sudden you're here and you
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can see what's happened there.
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You got the green sky to prevent it.
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I just use plain red, red.
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That's your shield against getting green?
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I use the red theoretic
kills it right there.
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Beautiful.
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Okay.
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Did we land something good?
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I I'm sure you're, especially
when you're a newcomer.
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Because I'm there on the sky like
this, we have to work with gallows and
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with blues and betrays in between too.
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Then you use rather, if I
wants to go up there, I use a
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text, look, look how I do it.
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And here's a touch of red into the yellow.
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See with this.
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This is good.
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See that gives me still lots of
light and I can ask dangerous
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there, but it's not bad.
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See, I shouldn't have done it and show
you what you should do all the time.
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There's only one way,
and that's the right way.
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Watch this into the Gallo and you fire
in here and you walk off and you walk off
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and you walk off and don't ever come back.
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If you come back, you would have that.
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What I showed you, I better
not show you D would have that.
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You see.
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I did before I ever tried to kill that
their arm is one by a clean brush, a clean
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brush, the red and the texture of yellow.
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I know all around the sun.
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Beautiful.
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Wash your brush.
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Is it constantly wash your brush?
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I remember on my classes, those ladies,
when they came to the class, they are
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all expected to sit down and they're
all expected to just paint with colors.
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And I always had to tell them, when
you come to me first, you are a brush
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washer and then you become the artist.
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It was hard to explain that.
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He constantly watch.
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Okay.
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See the dirt I went from here to
there and that's is what it is.
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Don't do that.
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Wash your brush, especially on
the sunset where you have to have
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a very clean color constantly.
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You're swinging that brush again.
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Nice.
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Even now I really.
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I will add the Tetro fight.
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Watch this.
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Now I go to the light.
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I wants to have more sunshine,
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so, but right here, it becomes blah, it
needs that polar, it needs the thread.
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It's only yellow and white in the middle.
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That's good.
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But Vite.
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It's no good.
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If you go out here and see this
here, it needs a bit of, it's
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not, it needs a bit of a red dead.
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Is he like that?
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Does that right.
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And right here, poets up there.
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Yeah.
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But I would love to do here on the bottom.
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I would like to have a touch attach.
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The, we said the sun is just over the
water a little bit tired, like here and
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the water line starts here somewhere.
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So I would love to put the
little bit of this and there
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Taylor green, little
touch of Taylor green.
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And Linda's touch of Taylor green,
little tattoo of Taylor green there.
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Yeah.
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Like his bones.
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He underwater the bones in his bones.
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He got in the water there.
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He had the colors popping up.
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See, that's like the mist mist from
mother earth, Mister from mother earth.
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Yeah.
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As far as this already,
but more than Taylor green.
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Yes.
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The Taylor green is nice there
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constantly wash your brush.
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I see Erica.
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00:14:28,995 --> 00:14:30,714
Mother earth gives me that kind of,
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no, let's see.
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Let's see more red, more red and here
and here and here and here and here and
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here and there and, Oh, that's good.
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No, constantly wash your brush.
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He ain't, I will hypnotize the
whole thing and then we would
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see her good and her bad VR.
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Okay.
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But then you hypnotize
don't come back again.
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See this, you go from the light
into the dark, wash your brush.
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I hate to show you that again.
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Now, maybe here at Ken watch
you see, that's what I had.
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If I put that on there, I
would go back to nothing.
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So it's always one via doing it.
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And that is my divide.
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The right wide lean.
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The brush got a clean brush, visceral
and firing again from in the light.
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Into the dark more here, more here.
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You can work, walk around on top.
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There's no problem,
but I cannot come back.
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See that the dirt I would put
in there, I will not do it.
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Okay.
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00:16:04,325 --> 00:16:04,895
Okay.
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Now I will use my almighty fan
brush my own mighty fan brush.
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00:16:12,465 --> 00:16:15,555
But why might that be,
see how I take it off?
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00:16:15,885 --> 00:16:20,655
Take white and a touch of yellow,
white, and a touch of yellow.
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Now that's the best
color I can have fired.
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We just on and again, got her room.
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And then, uh, Hey.
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00:16:42,995 --> 00:16:44,465
I need some paint dinner.
251
00:16:45,065 --> 00:16:45,875
I got to run away.
252
00:16:45,905 --> 00:16:46,685
I'm sorry.
253
00:16:49,265 --> 00:16:52,625
I need some more paint dinner
because I watched so much my brush.
254
00:16:53,495 --> 00:16:55,385
You need a lot of pain dinner.
255
00:17:00,840 --> 00:17:02,220
Where's my mighty fan brush.
256
00:17:02,700 --> 00:17:03,210
And here
257
00:17:09,319 --> 00:17:09,890
see.
258
00:17:10,100 --> 00:17:14,690
No again, white and yellow,
white, take a good look here.
259
00:17:14,750 --> 00:17:15,830
White and yellow.
260
00:17:16,220 --> 00:17:18,920
That paint is nice and
solid and it makes it nice.
261
00:17:19,069 --> 00:17:19,790
It stands up.
262
00:17:19,819 --> 00:17:20,120
Good.
263
00:17:20,120 --> 00:17:20,930
You can blend.
264
00:17:20,960 --> 00:17:24,770
You can hypnotize, but out
that paint, I will not be here.
265
00:17:24,890 --> 00:17:28,670
Really fire in the sun there.
266
00:17:30,405 --> 00:17:33,645
Uh, you know, that's
on Canada on, in there.
267
00:17:34,695 --> 00:17:36,345
That's on can run in there.
268
00:17:42,465 --> 00:17:52,395
No, we will create, we will create,
I'm not too happy with, with this mist.
269
00:17:52,425 --> 00:17:54,075
I wish it would be a bit more.
270
00:17:54,615 --> 00:17:56,805
It would be a bit more discolor.
271
00:17:57,675 --> 00:18:01,425
This color, the event.
272
00:18:01,425 --> 00:18:02,265
You're not happy.
273
00:18:02,825 --> 00:18:03,635
Go for that.
274
00:18:04,295 --> 00:18:05,195
This is better.
275
00:18:05,675 --> 00:18:08,015
I want it to be it's for my eyes.
276
00:18:08,045 --> 00:18:09,095
It does better.
277
00:18:09,935 --> 00:18:10,505
It's good.
278
00:18:11,565 --> 00:18:13,385
Just hypnotize us together there.
279
00:18:14,255 --> 00:18:16,715
See, no, I will create a waterline.
280
00:18:19,205 --> 00:18:20,455
The brightest is here.
281
00:18:20,645 --> 00:18:24,875
I would say here, here, that's
where the water line is.
282
00:18:29,240 --> 00:18:31,160
I don't have to be a straight line.
283
00:18:31,760 --> 00:18:39,890
You just, you just can let it disappear
into nothing that disappear into yonder.
284
00:18:40,580 --> 00:18:46,700
Nothing again, white and yellow.
285
00:18:46,700 --> 00:18:47,270
Take a look.
286
00:18:47,270 --> 00:18:49,880
I take the yellow, take a look here.
287
00:18:50,570 --> 00:18:52,100
The, there you are.
288
00:18:52,845 --> 00:18:58,635
And have the brush nice for the, and
I go stare at the sun is first, but
289
00:18:58,635 --> 00:19:03,495
the sun is the brightest always start
up there because the, the, the paint
290
00:19:03,975 --> 00:19:09,135
on the canvas gets into your brush
and makes you canvas your brush dirty.
291
00:19:09,135 --> 00:19:16,245
And, you know, sometime I just wash
it off like this and put new paint
292
00:19:16,245 --> 00:19:19,635
on new paint on, and maybe here.
293
00:19:20,985 --> 00:19:23,205
We create kind of an extra day
294
00:19:39,965 --> 00:19:44,435
so the next step I will farm some.
295
00:19:45,000 --> 00:19:45,840
Reeves.
296
00:19:46,350 --> 00:19:49,620
It's a little bit of a happy
breeze going over the ocean there.
297
00:19:50,490 --> 00:19:51,090
He ain't meat.
298
00:19:51,270 --> 00:19:56,310
I made the other side little bit
of not the let, let it fly a bit.
299
00:19:56,820 --> 00:19:59,880
Let it fly up a little bit on the horizon.
300
00:19:59,910 --> 00:20:03,450
Diane, you see the divorce,
us flying a little bit.
301
00:20:04,290 --> 00:20:05,310
Makes it nice.
302
00:20:06,180 --> 00:20:19,395
So what I will create a kind of, uh,
Oh, we say here, here, here, and here.
303
00:20:29,324 --> 00:20:32,625
See more red here.
304
00:20:35,024 --> 00:20:38,024
Put it off like this,
put it off like this.
305
00:20:38,790 --> 00:20:43,020
Think the sun is coming from the
back and that water standing up
306
00:20:43,230 --> 00:20:47,040
and upstanding water bears the
shadow, especially in the evening.
307
00:20:47,310 --> 00:20:50,189
It bears on mighty little
happy shadow there.
308
00:20:51,149 --> 00:20:55,500
See, and become God like this.
309
00:20:55,500 --> 00:20:56,219
That's fine.
310
00:20:59,330 --> 00:20:59,419
Yeah.
311
00:20:59,730 --> 00:21:03,290
Again, make it better
here, but more powerful.
312
00:21:13,219 --> 00:21:15,709
then here, watch what I do here.
313
00:21:18,530 --> 00:21:20,389
I come back to the sunshine.
314
00:21:21,199 --> 00:21:23,030
I will use a touch of yellow.
315
00:21:23,300 --> 00:21:29,300
Let me show you something here,
yellow, go over here and attach off.
316
00:21:30,090 --> 00:21:31,169
Taylor green.
317
00:21:31,679 --> 00:21:33,239
And it gives you a poison color.
318
00:21:33,270 --> 00:21:33,719
Look at that.
319
00:21:33,719 --> 00:21:37,229
Green is a green you think
when you eat it, you die.
320
00:21:38,429 --> 00:21:38,850
See?
321
00:21:39,300 --> 00:21:46,530
No, I would say in the sun, in
the sun, in the sun, I just,
322
00:21:48,270 --> 00:21:54,149
and after sun C wash your brush.
323
00:21:57,045 --> 00:22:04,995
See voter has brought a, has this kind of,
uh, kind of a Z can you see this color?
324
00:22:05,975 --> 00:22:13,415
SI because that dark underneath
doesn't set up anyway.
325
00:22:16,290 --> 00:22:20,640
But I would like to have it all and
not in the piece, all the loose,
326
00:22:20,670 --> 00:22:25,440
all loose, loose that water is
dancing there in that distance.
327
00:22:25,710 --> 00:22:26,940
And we're off, off, off it.
328
00:22:26,940 --> 00:22:31,410
Then here there's a PSR daddy, but into
the sun, I would like to build a little
329
00:22:31,410 --> 00:22:38,400
bit that, that turquoise, like swimming
pools or like water, water, feedings.
330
00:22:38,580 --> 00:22:40,680
It's always something like this.
331
00:22:41,250 --> 00:22:43,800
See then you can, you can pull it out.
332
00:22:52,985 --> 00:22:56,405
he let her disappear right
into the canvas again.
333
00:22:57,095 --> 00:22:57,755
Nice.
334
00:22:58,445 --> 00:22:59,975
So that's a shadow underneath.
335
00:23:00,425 --> 00:23:02,585
No huge.
336
00:23:02,615 --> 00:23:05,795
You're you in the sun?
337
00:23:05,825 --> 00:23:09,005
The sun is absolutely on top of that Vive.
338
00:23:09,635 --> 00:23:11,825
So again, D I take right.
339
00:23:11,975 --> 00:23:13,055
Take a good look here.
340
00:23:14,145 --> 00:23:20,235
And yellow and fare that are mighty
sanction right into that wave here.
341
00:23:20,255 --> 00:23:20,375
Is
342
00:23:25,625 --> 00:23:32,885
there an off and on, off and off
and off and, uh, an office 30, 30
343
00:23:32,885 --> 00:23:34,415
darker, darker, darker, darker.
344
00:23:34,805 --> 00:23:35,765
Let it disappear.
345
00:23:36,125 --> 00:23:36,635
Nice.
346
00:23:36,665 --> 00:23:37,585
Let it disappear.
347
00:23:37,615 --> 00:23:39,065
Nothing there or whatever.
348
00:23:39,935 --> 00:23:41,504
That makes it powerful painting.
349
00:23:41,504 --> 00:23:46,004
If you can paint like that, why is
she a brush constantly have clean
350
00:23:46,004 --> 00:23:52,065
colors, Karnes, and they have clean
colors again, white and yellow,
351
00:23:53,835 --> 00:23:57,485
the same thing, the sun, right.
352
00:23:57,485 --> 00:24:03,004
And dare D like is turning over.
353
00:24:07,635 --> 00:24:11,264
Wash your brush that I could
only make one stroke there.
354
00:24:12,315 --> 00:24:14,504
And again, white and yellow.
355
00:24:14,985 --> 00:24:16,035
Keep it clean.
356
00:24:16,035 --> 00:24:16,995
Keep it clean.
357
00:24:18,035 --> 00:24:20,555
You can have it like this and like this.
358
00:24:21,305 --> 00:24:28,205
Yeah, there and here
you adjust over again.
359
00:24:29,524 --> 00:24:33,305
It's only one stroke,
one or mighty stroke.
360
00:24:34,055 --> 00:24:35,405
You roll it over.
361
00:24:36,690 --> 00:24:39,690
The here, make one stroke, roll it over.
362
00:24:49,250 --> 00:24:49,790
See.
363
00:24:53,070 --> 00:24:55,290
This one just is a beginner.
364
00:24:55,709 --> 00:25:00,030
It begins to go down and it
should be bright on top and it
365
00:25:00,040 --> 00:25:01,560
should be darker on anybody.
366
00:25:01,800 --> 00:25:05,790
He wants to always think from here on
the light is feeding in from the back.
367
00:25:07,260 --> 00:25:11,490
No, the tip could be absolutely like
that, but then it turns it around.
368
00:25:11,699 --> 00:25:13,169
The sun is behind you.
369
00:25:13,169 --> 00:25:15,750
See here, this is already
behind on this spot.
370
00:25:16,439 --> 00:25:18,870
See, so you got to make a darker there.
371
00:25:19,440 --> 00:25:21,690
Common scent at the
zoo, much common sense.
372
00:25:22,050 --> 00:25:26,040
If you can work with that comes
and he will live a long, long time.
373
00:25:28,250 --> 00:25:36,540
See, let us roll over and as assemble
here, the no, you can, you can go in with.
374
00:25:37,110 --> 00:25:40,320
That extra green again,
see what I do here.
375
00:25:40,590 --> 00:25:46,890
Pull out again that extra turquoise
or Taylor green, and then you
376
00:25:46,890 --> 00:25:48,930
can make little holes there.
377
00:25:54,200 --> 00:25:55,580
Like the sun looks through,
378
00:26:01,790 --> 00:26:02,120
right.
379
00:26:02,180 --> 00:26:03,560
Find the other brush.
380
00:26:05,070 --> 00:26:06,840
This brush will do a better job.
381
00:26:07,470 --> 00:26:13,040
He, I just like to have that little
pocket there that little, the pocket
382
00:26:13,070 --> 00:26:16,850
should show this Turkers card dead.
383
00:26:23,300 --> 00:26:28,100
Again, sometime you have to go a couple
of times over in order to get it.
384
00:26:29,640 --> 00:26:32,370
Ah, obviously clean brush one.
385
00:26:32,370 --> 00:26:35,970
Stroke is a wonderful stroke, but the
second stroke is already murderer.
386
00:26:36,570 --> 00:26:39,120
He then rather clean
your brush and go over.
387
00:26:40,620 --> 00:26:46,590
I do it again, but anyway, you see
that little, that little turquoise
388
00:26:46,590 --> 00:26:48,090
is shimmering to the water.
389
00:26:48,960 --> 00:26:53,430
Now here, you can do the same
thing here and this spot.
390
00:27:01,055 --> 00:27:02,615
so I had to find my fan brush again.
391
00:27:15,665 --> 00:27:16,385
No, here.
392
00:27:17,370 --> 00:27:20,760
This particular Vive,
this particular we've.
393
00:27:21,270 --> 00:27:30,300
We, we were, we were watch top,
top has to be light and then Dawn,
394
00:27:30,600 --> 00:27:35,490
Dawn, Dawn, but then it comes
down, then it draws back up again.
395
00:27:35,490 --> 00:27:37,290
And that is what this does.
396
00:27:37,710 --> 00:27:39,330
See the Rose back up again.
397
00:27:44,010 --> 00:27:47,045
Oh, Dang.
398
00:27:47,055 --> 00:27:51,405
I was hitting that every put the
stone on there and it hits that
399
00:27:51,405 --> 00:27:56,115
stone and that water roll is up here.
400
00:27:56,115 --> 00:27:57,315
Can you see what I mean?
401
00:27:57,795 --> 00:28:01,245
Can you see, other than that, we've got
us together and it comes back up here.
402
00:28:01,295 --> 00:28:03,635
Yeah, it comes back up here.
403
00:28:03,815 --> 00:28:08,075
Add, uh, C yeah, we put
something in between.
404
00:28:10,115 --> 00:28:10,925
No, here.
405
00:28:10,925 --> 00:28:18,855
I would like to put the kid kind
of, uh, uh, The Tang down there.
406
00:28:22,695 --> 00:28:24,075
Oh, that looks good.
407
00:28:24,765 --> 00:28:26,265
See then you can
408
00:28:34,515 --> 00:28:35,205
hear what's happened.
409
00:28:38,315 --> 00:28:41,495
That's the here the sun
begins to shine again.
410
00:28:42,014 --> 00:28:42,735
Here.
411
00:28:43,215 --> 00:28:47,685
That's why we put the sunshine back there.
412
00:28:48,254 --> 00:28:49,935
Watch that, watch this.
413
00:28:50,324 --> 00:28:53,235
He, I would, I would
say here from here, um,
414
00:28:56,584 --> 00:29:04,955
I'm here on as power for I
no, no, we need there again.
415
00:29:05,705 --> 00:29:07,205
The dark that again.
416
00:29:13,070 --> 00:29:15,980
it's a wonderful vibe
of plying with colors.
417
00:29:16,310 --> 00:29:20,690
When you see the, the size,
when you see the, the, yeah.
418
00:29:22,800 --> 00:29:26,520
I didn't mind that that's sometime
in the brush in that further.
419
00:29:26,700 --> 00:29:28,940
There's some paint dinner, dip it out.
420
00:29:29,000 --> 00:29:30,320
Look what I do here.
421
00:29:30,530 --> 00:29:37,159
Can you make a close up here on that pay
on paper that Piper dip it out like this?
422
00:29:37,700 --> 00:29:40,070
See then the paper sucks.
423
00:29:40,250 --> 00:29:42,860
All that moist is in the inside of that.
424
00:29:42,860 --> 00:29:45,800
From there, the what's inside here.
425
00:29:46,100 --> 00:29:50,420
It will all drip out your solid
little drop there and that's no good.
426
00:29:50,804 --> 00:29:55,155
That spoils the whole thing
they know I will, I will.
427
00:29:55,215 --> 00:29:55,814
I will.
428
00:29:55,875 --> 00:29:56,564
I will.
429
00:29:57,824 --> 00:29:58,605
I will.
430
00:30:13,274 --> 00:30:15,554
I need dark that out dark.
431
00:30:15,615 --> 00:30:16,814
There is no light.
432
00:30:19,970 --> 00:30:21,200
Actually the painting looks good.
433
00:30:21,200 --> 00:30:22,700
Like that there's a venue yet.
434
00:30:23,270 --> 00:30:26,750
If any, yet when vignette
vignette, when yet?
435
00:30:27,670 --> 00:30:31,520
Oh, Oh, a daddy.
436
00:30:31,550 --> 00:30:32,090
Uh,
437
00:30:53,315 --> 00:30:55,085
is this actually your other step again?
438
00:30:55,115 --> 00:30:57,335
You see this other step again?
439
00:31:03,605 --> 00:31:04,055
Dark.
440
00:31:04,085 --> 00:31:05,405
You need lots of dark here.
441
00:31:05,975 --> 00:31:10,025
Lots of dark fire and fire in
there because before you get
442
00:31:10,025 --> 00:31:14,250
involved with light colors, Fill
it all in, fill it all in the dog.
443
00:31:14,550 --> 00:31:18,210
When you have dogs, that's
no trouble to get light.
444
00:31:18,210 --> 00:31:21,990
And without dark, there is no light.
445
00:31:23,190 --> 00:31:26,040
We have to create that
almighty optic illusion.
446
00:31:26,700 --> 00:31:26,880
The
447
00:31:31,020 --> 00:31:40,650
it was young, it was young and all kinds
of movement, all kinds of movement.
448
00:31:41,400 --> 00:31:46,130
All kinds of moving fire
and fire and firing.
449
00:31:50,670 --> 00:31:54,860
You can only paint light
when you have dark C a R.
450
00:32:09,155 --> 00:32:10,655
the, let it be dark here.
451
00:32:10,835 --> 00:32:12,274
Let it be dark here.
452
00:32:12,784 --> 00:32:17,675
The as darker you come, it
gets much lighter there.
453
00:32:17,675 --> 00:32:19,355
When you have a dog come in.
454
00:32:20,280 --> 00:32:22,300
Make it dark, then you make it light here.
455
00:32:22,350 --> 00:32:23,580
I want us to make it light here.
456
00:32:23,760 --> 00:32:25,260
I got to make a dark here.
457
00:32:25,620 --> 00:32:26,500
They let that board.
458
00:32:26,670 --> 00:32:28,020
That's the water coming in here.
459
00:32:29,510 --> 00:32:30,260
Uh,
460
00:32:43,100 --> 00:32:44,840
can you see how it becomes a life?
461
00:32:49,910 --> 00:32:50,810
same here.
462
00:32:51,620 --> 00:32:52,040
Yes.
463
00:32:52,070 --> 00:32:53,690
But you live with the doc in there
464
00:32:57,830 --> 00:33:00,080
then at all, it becomes a life again.
465
00:33:11,030 --> 00:33:14,300
Oh, no, we fire in whatever,
whatever, whatever.
466
00:33:36,320 --> 00:33:36,709
heat.
467
00:33:36,800 --> 00:33:39,290
I have to drain out my brush like this.
468
00:33:40,425 --> 00:33:42,135
Cleaned it and drain it out.
469
00:33:42,225 --> 00:33:42,945
Can you see it?
470
00:33:43,155 --> 00:33:46,575
Maybe it might be nice if you
could make a shot of that.
471
00:33:47,085 --> 00:33:55,475
He clean again into the debit out
and clean it out by doing that, just
472
00:33:55,475 --> 00:33:59,825
press hard, press hard the other
side, because it's like a sponge.
473
00:33:59,855 --> 00:34:03,845
It will suck the paint, the painting out.
474
00:34:05,100 --> 00:34:05,700
Okay.
475
00:34:05,790 --> 00:34:06,390
Good.
476
00:34:06,420 --> 00:34:07,110
Good, good, good.
477
00:34:07,110 --> 00:34:07,290
Good.
478
00:34:07,320 --> 00:34:14,310
Now give him my other shot here
again in the sun, in the sun.
479
00:34:18,020 --> 00:34:23,900
and that's unshaking Vite
and yellow, white and yellow.
480
00:34:41,505 --> 00:34:47,645
Uh, do that again, that again, because
I carry in too much pain dinner and
481
00:34:47,645 --> 00:34:52,295
that makes the pain to lose and we
have already such a nice, solid paint.
482
00:34:52,655 --> 00:34:57,695
And just because I'm careless,
I bring that paint in the back.
483
00:34:58,815 --> 00:35:01,665
Back in again, and it wouldn't make sense.
484
00:35:02,565 --> 00:35:04,274
It just wouldn't make sense.
485
00:35:23,400 --> 00:35:24,690
That takes a little time.
486
00:35:24,720 --> 00:35:30,750
I'm sorry, but still, when you think the
time we spend on the painting like this,
487
00:35:31,090 --> 00:35:33,270
it's just wonderful to say you can do it.
488
00:35:33,330 --> 00:35:34,470
It's actually short time.
489
00:35:34,830 --> 00:35:37,980
I will fill in a little bit of that red.
490
00:35:38,060 --> 00:35:38,540
Yeah.
491
00:35:40,340 --> 00:35:42,860
I would fill in a little
bit of the thread here.
492
00:35:43,370 --> 00:35:47,570
See, can you see it as it, it
brings the sky better down,
493
00:35:47,570 --> 00:35:49,010
especially on the other side.
494
00:35:50,835 --> 00:35:57,395
And, uh, here, I would like to do the
same thing C now watch, watch, watch,
495
00:35:57,395 --> 00:35:59,375
watch, watch, watch, watch what I'm doing.
496
00:36:00,904 --> 00:36:05,705
A perspective burst back deaf.
497
00:36:05,944 --> 00:36:08,045
Now I have to dip my thing all the time.
498
00:36:08,045 --> 00:36:14,165
That's the only problem I have here
perspective in the middle, in the middle.
499
00:36:15,274 --> 00:36:17,904
The lines in the middle
here was in the middle.
500
00:36:18,464 --> 00:36:19,754
Going up like this.
501
00:36:21,915 --> 00:36:22,455
Right.
502
00:36:23,075 --> 00:36:27,065
And then they go to, but as you
come down, that goes this way.
503
00:36:31,025 --> 00:36:31,115
Okay.
504
00:36:31,654 --> 00:36:32,585
You understand?
505
00:36:32,915 --> 00:36:36,694
See you are in front of that
water and you see the middle
506
00:36:36,694 --> 00:36:40,415
line is going straight up, right.
507
00:36:41,669 --> 00:36:45,419
He is goes down this by this, by
this, but this way, see your bed, the
508
00:36:45,430 --> 00:36:54,470
perspective water move by this really
variable part and important input talent.
509
00:37:10,215 --> 00:37:12,165
Fan brush is just wonderful for that.
510
00:37:13,005 --> 00:37:17,674
Uh, we tell you sheet off
there and start from scratch.
511
00:37:18,125 --> 00:37:22,355
See the total thing is already
soaked and I can turn off for others
512
00:37:22,384 --> 00:37:24,935
too, and now it might be better.
513
00:37:25,235 --> 00:37:28,625
So it's all soaked with what I
told you about the paint dinner,
514
00:37:29,285 --> 00:37:31,115
but you have to work like that.
515
00:37:31,265 --> 00:37:32,555
You have to work like that.
516
00:37:34,475 --> 00:37:35,645
Hey, beautiful.
517
00:37:36,960 --> 00:37:40,320
Make a Donker underneath all the
time underneath go a couple of times,
518
00:37:40,320 --> 00:37:43,410
extra C and then let that pop up.
519
00:37:43,610 --> 00:37:47,780
But it's nice to have put it
into the light to Demeter, pull
520
00:37:47,790 --> 00:37:49,160
the light, to watch the sun.
521
00:37:49,310 --> 00:37:52,950
We got to Sunday and that bones,
bones, bones, bones, bones.
522
00:37:53,360 --> 00:37:53,600
Yeah.
523
00:37:53,930 --> 00:37:58,070
And on the end here, it gets
darker and darker and whatever.
524
00:37:58,280 --> 00:37:59,540
And that's a good painting.
525
00:37:59,570 --> 00:38:00,770
That's a Mazda piece.
526
00:38:00,980 --> 00:38:04,970
If you can handle it like that,
this would be already darker here.
527
00:38:08,024 --> 00:38:11,504
And, and put that red
and put that red on top.
528
00:38:12,254 --> 00:38:12,645
Okay.
529
00:38:12,645 --> 00:38:14,115
Let me show you see here.
530
00:38:14,145 --> 00:38:18,274
I was already put a little bit more SI
531
00:38:22,294 --> 00:38:28,955
and then in here too, they asked
her for a, no, you were in from
532
00:38:28,955 --> 00:38:32,765
the dog and to the light and you
pull such a power into the middle.
533
00:38:36,060 --> 00:38:37,890
You got all the time in the world.
534
00:38:38,250 --> 00:38:38,670
Casey.
535
00:38:38,670 --> 00:38:44,580
See right now, if you want, you can
go back as so much time to even hear.
536
00:38:44,580 --> 00:38:47,030
I would use a tattoo of her aide there.
537
00:38:47,450 --> 00:38:49,760
See, let it disappear.
538
00:38:49,790 --> 00:38:52,070
Watch this beautiful.
539
00:38:52,100 --> 00:38:54,410
Can you see it and hear it again?
540
00:38:54,410 --> 00:38:58,370
They would already have a
little bit of red there.
541
00:38:59,070 --> 00:39:02,310
So by doing that, this
becomes all lighter.
542
00:39:02,430 --> 00:39:04,590
That becomes the power of that painting.
543
00:39:04,830 --> 00:39:08,210
And that's what she wants to have you,
once you have that almighty bang in that
544
00:39:08,210 --> 00:39:15,620
painting, you have to go in and, and go
back and let the sky further down this
545
00:39:15,620 --> 00:39:24,140
guy for Dawn here and, and whatever,
but ever, and here you see a bit of
546
00:39:24,140 --> 00:39:27,350
red, all popping up, all popping up.
547
00:39:29,460 --> 00:39:29,700
Yeah.
548
00:39:31,160 --> 00:39:34,490
And then naturally it comes
into the sun and the breaks.
549
00:39:34,700 --> 00:39:35,960
All of us entered the light.
550
00:39:36,290 --> 00:39:37,520
That's a powerful pain.
551
00:39:38,300 --> 00:39:39,320
There are the best paintings.
552
00:39:39,420 --> 00:39:45,290
If you can create the almighty masterpiece
by just Boone or mighty light, that
553
00:39:45,290 --> 00:39:49,910
is so bright, the next, the next, the
next, forget the outside completely.
554
00:39:50,360 --> 00:39:52,490
That is really something
that hits your eye.
555
00:39:54,590 --> 00:39:56,690
If you can do that, you are the master.
556
00:40:02,660 --> 00:40:04,730
I will use a bigger brush for that.
557
00:40:05,420 --> 00:40:07,520
I will use a bigger brush for that.
558
00:40:18,770 --> 00:40:22,370
see right now I make it dark and
then they bring it back up because
559
00:40:22,370 --> 00:40:23,720
they have take the paint off.
560
00:40:23,720 --> 00:40:24,980
Whatever's too much there.
561
00:40:26,865 --> 00:40:27,045
Okay,
562
00:40:36,335 --> 00:40:38,315
no, you fire in there.
563
00:40:38,915 --> 00:40:39,395
Watch this.
564
00:40:39,425 --> 00:40:39,875
Yes.
565
00:40:44,705 --> 00:40:46,145
Can you see what it means?
566
00:40:46,795 --> 00:40:51,425
Bang, bang, bang, bang,
and forget to say it.
567
00:40:51,435 --> 00:40:53,525
And you got the beautiful,
beautiful painting.
568
00:41:00,665 --> 00:41:04,145
have the nerve, have the
nerve to do it sometime.
569
00:41:04,475 --> 00:41:07,595
We always think we have to
fill in everything so perfect.
570
00:41:07,595 --> 00:41:09,695
And that is what we all do wrong.
571
00:41:25,050 --> 00:41:30,120
Okay, no, get that on
my defend brush again.
572
00:41:35,450 --> 00:41:37,370
I very pointed this out too.
573
00:41:37,400 --> 00:41:38,750
No, yeah.
574
00:41:38,750 --> 00:41:39,980
We pulled this out here.
575
00:41:40,010 --> 00:41:40,250
Yeah.
576
00:41:47,930 --> 00:41:48,530
Can you see it?
577
00:41:51,540 --> 00:41:51,839
Yeah.
578
00:41:51,930 --> 00:41:54,330
And then again, let it come, let it come.
579
00:41:54,330 --> 00:41:55,410
That's the way to do it.
580
00:41:55,410 --> 00:41:56,430
That's the way it is.
581
00:41:59,400 --> 00:42:01,740
You're not fooling anyone perspective.
582
00:42:01,799 --> 00:42:02,640
It got to be right.
583
00:42:03,000 --> 00:42:07,170
I will use a touch of yellow
again, and the turquoise.
584
00:42:07,620 --> 00:42:10,380
There's a yellow and Theon light.
585
00:42:10,650 --> 00:42:13,350
Like you have that beautiful, bright.
586
00:42:20,660 --> 00:42:26,060
he was a, does that little bit of
to the sun, the sun, what you call
587
00:42:26,060 --> 00:42:29,450
it is, uh, just the right name.
588
00:42:35,010 --> 00:42:37,850
forget, forget, forget when you're my age.
589
00:42:37,880 --> 00:42:39,230
You forget you forget.
590
00:42:39,230 --> 00:42:39,590
I have it.
591
00:42:39,620 --> 00:42:42,650
I have excuse for that, but I forget.
592
00:42:44,775 --> 00:42:47,025
Who my wife has to remember everything.
593
00:42:47,355 --> 00:42:49,694
Everything was my key.
594
00:42:51,615 --> 00:42:52,025
Okay.
595
00:42:52,055 --> 00:42:52,725
Just there.
596
00:42:58,895 --> 00:43:01,685
So your brother wants to show you
tied to make a couple of happy,
597
00:43:02,375 --> 00:43:07,645
happy little vendors in there
that, that brings you a sudden.
598
00:43:08,939 --> 00:43:16,919
Hefty hefty sparked rain, rain, rain in
there underneath that, and then disappear.
599
00:43:18,000 --> 00:43:20,029
Uh, good, good, good.
600
00:43:20,029 --> 00:43:20,430
It's good.
601
00:43:21,000 --> 00:43:23,100
But no, what should I do?
602
00:43:23,129 --> 00:43:24,660
I was spoiled at whole painting.
603
00:43:26,000 --> 00:43:29,209
Uh, van Dyke Brown, put it
up here, watch it again.
604
00:43:29,450 --> 00:43:32,629
Vandyke Brown and blue lizard in Crimson.
605
00:43:33,649 --> 00:43:36,529
And you make yourself
a kind of a NASE black.
606
00:43:37,065 --> 00:43:39,645
The dark color more.
607
00:43:39,675 --> 00:43:43,545
I live in Clemson more or less in Crimson.
608
00:43:43,785 --> 00:43:44,505
That's good.
609
00:43:45,525 --> 00:43:47,805
Now, every fire in the stone here
610
00:44:06,390 --> 00:44:09,120
E I have your fire in the stone.
611
00:44:09,980 --> 00:44:10,880
Yeah.
612
00:44:24,800 --> 00:44:26,720
that stone draws a shadow there.
613
00:44:28,810 --> 00:44:31,040
And at inflection, besides.
614
00:44:32,190 --> 00:44:35,970
See, if you run, you can
have a stolen maybe here,
615
00:44:42,050 --> 00:44:47,150
farm your stores, the vegetable, your
thing with my, you would love to see them.
616
00:44:51,830 --> 00:44:52,370
SI.
617
00:44:53,265 --> 00:44:55,365
Good fine.
618
00:44:55,515 --> 00:44:56,085
You're fireman.
619
00:44:56,325 --> 00:44:57,944
The sun is coming from here.
620
00:44:58,605 --> 00:45:02,475
You fire in the sun there, right
against that, or mighty stone.
621
00:45:03,075 --> 00:45:04,755
See here, you would fire.
622
00:45:04,755 --> 00:45:07,935
The sun comes and hits right there.
623
00:45:14,404 --> 00:45:17,435
Bit more red, bit more red, too much.
624
00:45:18,154 --> 00:45:18,815
It needs.
625
00:45:20,250 --> 00:45:23,310
Kind of orange color would be the nicest.
626
00:45:23,310 --> 00:45:33,420
I believe that's good there and dancing
around dancing around the spark is our
627
00:45:33,430 --> 00:45:35,670
forever to whatever the knife does.
628
00:45:35,970 --> 00:45:36,650
Trust you.
629
00:45:36,660 --> 00:45:39,090
Good old knife, thrust.
630
00:45:39,090 --> 00:45:43,230
You're good or knife, but on
this side, we'll hit here.
631
00:45:43,230 --> 00:45:45,450
See, it's barely hit this side.
632
00:45:56,810 --> 00:46:00,110
you see that little
touch of orange colors?
633
00:46:00,230 --> 00:46:02,390
Red is better than too much yellow.
634
00:46:18,259 --> 00:46:18,919
I see.
635
00:46:20,810 --> 00:46:21,350
Okay.
636
00:46:21,350 --> 00:46:23,270
Be fired in here too.
637
00:46:23,750 --> 00:46:25,370
On this side of the bed.
638
00:46:28,865 --> 00:46:32,585
Here you use kind of a neutral color.
639
00:46:33,395 --> 00:46:35,255
Uh, the turquoise is good.
640
00:46:35,345 --> 00:46:39,485
Spit of a bluish Louis wat attach CC.
641
00:46:40,174 --> 00:46:40,825
Can you see it?
642
00:46:40,825 --> 00:46:47,585
That has kind of a nice,
nice water color here.
643
00:46:47,585 --> 00:46:49,654
You do the same thing on this side.
644
00:46:50,465 --> 00:46:50,975
Uh,
645
00:47:00,200 --> 00:47:00,890
nice.
646
00:47:02,690 --> 00:47:11,810
Hear you're firing again on
this side, red and yellow, red
647
00:47:11,810 --> 00:47:14,690
and yellow firing up there.
648
00:47:24,740 --> 00:47:26,360
he heard the fuck.
649
00:47:27,080 --> 00:47:31,010
Oh, Jesus makes your
living others on your feel.
650
00:47:31,010 --> 00:47:34,580
Your heart is jumping
your hardest jumping.
651
00:47:35,810 --> 00:47:36,410
Uh,
652
00:47:39,800 --> 00:47:43,280
maybe he had a little bit
of light colors in between.
653
00:47:44,790 --> 00:47:45,210
Yes.
654
00:47:45,240 --> 00:47:46,140
Just something.
655
00:47:46,170 --> 00:47:46,589
So
656
00:48:00,680 --> 00:48:01,790
the shadow side.
657
00:48:04,009 --> 00:48:04,120
Yeah.
658
00:48:04,120 --> 00:48:09,799
I stayed up to paint from underneath and
make a dirty that's all it is really here.
659
00:48:09,810 --> 00:48:12,620
The same, the same, same here.
660
00:48:21,515 --> 00:48:26,825
then you use your fan brush again
here, the fan brush, place it out, pull
661
00:48:26,825 --> 00:48:29,915
it out, pull it out, out like this.
662
00:48:30,845 --> 00:48:36,545
And here we use the big brush and
we pull it right into the sand
663
00:48:36,545 --> 00:48:38,975
or whatever is how far we are.
664
00:48:38,975 --> 00:48:39,935
That's our vet.
665
00:48:40,355 --> 00:48:41,825
It's all very wet there.
666
00:48:43,350 --> 00:48:50,339
See, and here we just pull it in,
whatever goes there because no, I have
667
00:48:50,339 --> 00:48:57,839
to just put that water over there and
all the things would be wonderful.
668
00:48:58,350 --> 00:49:03,029
So this Viva San perceive
how it comes down.
669
00:49:03,450 --> 00:49:09,170
What should I do with that one
yellow and white and maybe texture.
670
00:49:10,890 --> 00:49:13,020
I was run it up like that.
671
00:49:31,759 --> 00:49:33,410
see title thing.
672
00:49:33,440 --> 00:49:38,240
Doesn't a shadow behind that
stone you would like to up there.
673
00:49:38,240 --> 00:49:38,480
Yeah.
674
00:49:38,480 --> 00:49:38,879
But that's.
675
00:49:39,435 --> 00:49:42,915
Let's make it in the shed,
the color water's running off
676
00:49:46,905 --> 00:49:47,925
or just Ronnie off.
677
00:49:48,305 --> 00:49:51,305
She can, you can hear here in the back.
678
00:49:51,305 --> 00:49:56,645
You can really give them a little bit
of a light color because it's vet,
679
00:49:56,645 --> 00:50:01,385
it's a vet stone and you can easily
play a little bit of a game like that.
680
00:50:02,525 --> 00:50:04,505
See, look at that.
681
00:50:05,535 --> 00:50:07,035
Brings it nice out there.
682
00:50:07,504 --> 00:50:10,544
The same note here with this
stone, you can easily give them a
683
00:50:10,544 --> 00:50:12,194
little bit of a happy little rim
684
00:50:16,785 --> 00:50:18,845
and it brings it the right out there.
685
00:50:18,884 --> 00:50:22,154
Again, the happy little rim.
686
00:50:24,674 --> 00:50:25,035
Good.
687
00:50:31,580 --> 00:50:36,320
The here, what I do, I make
this little bit of a water run
688
00:50:36,320 --> 00:50:40,220
off, strokes, water, run off.
689
00:50:40,310 --> 00:50:43,040
What the devil does that
water run off strokes.
690
00:50:43,070 --> 00:50:43,370
Good.
691
00:50:44,020 --> 00:50:52,640
They will be upstairs up, up, up, up, but
it looks like the water's running off.
692
00:50:53,550 --> 00:50:58,880
Then actually you stroke up right there.
693
00:50:58,880 --> 00:51:05,760
And then you fire in here a little bit of
this and about you're doing no, you just
694
00:51:05,760 --> 00:51:10,680
on mighty brush, clean and make the same.
695
00:51:10,680 --> 00:51:12,750
Like we do still bought this.
696
00:51:12,750 --> 00:51:14,990
You see, there you go.
697
00:51:15,620 --> 00:51:21,890
And no, you fire and you
fire and some nice, happy.
698
00:51:22,665 --> 00:51:23,655
Happy
699
00:51:33,575 --> 00:51:38,555
happy, be color stare or around fire.
700
00:51:38,555 --> 00:51:41,615
He is, it's a runoff and
it does it or not often.
701
00:51:41,865 --> 00:51:43,565
And it gives you that.
702
00:51:47,675 --> 00:51:48,485
I see.
703
00:51:49,645 --> 00:51:50,805
Runs off like that.
704
00:51:51,884 --> 00:51:52,964
That's a good seller.
705
00:51:56,825 --> 00:52:01,654
and if you want, you can
go again the second time.
706
00:52:11,585 --> 00:52:12,095
SI.
707
00:52:18,105 --> 00:52:18,915
Oh, that's all right.
708
00:52:19,245 --> 00:52:24,194
And then here you use a bit of darker
color, the torque, us colors like this.
709
00:52:25,095 --> 00:52:26,595
See this behind the stone.
710
00:52:38,915 --> 00:52:41,015
Not so bright, not so bright there.
711
00:52:41,835 --> 00:52:47,085
Let's see, and then here you start
really firing in whatever you
712
00:52:53,835 --> 00:52:58,445
whatever you want with the
water, yellow, white, and the
713
00:52:58,445 --> 00:53:00,875
texture of red on the stone.
714
00:53:01,745 --> 00:53:05,555
The here you can turn
that boat already to red.
715
00:53:06,545 --> 00:53:06,875
Eh.
716
00:53:19,655 --> 00:53:20,735
textural Fred dang.
717
00:53:20,765 --> 00:53:25,145
And this, there will be just kind
in the water and let only the bright
718
00:53:25,145 --> 00:53:27,125
sunshine be in the middle if you can.
719
00:53:27,665 --> 00:53:28,775
That is the best.
720
00:53:29,015 --> 00:53:30,305
That is the best.
721
00:53:31,265 --> 00:53:34,925
If you can handle it like that,
I bet you are doing it right.
722
00:53:52,470 --> 00:53:57,379
dang about water's running off
there can have the kind of strokes
723
00:53:57,379 --> 00:54:03,680
like this Serone off, or even you
can go up to the top and just.
724
00:54:04,170 --> 00:54:07,080
Jazz Danker, but water's running off.
725
00:54:08,840 --> 00:54:15,680
See if you want, you can make it
really exciting, uncertain steps.
726
00:54:15,710 --> 00:54:16,760
What's what I do here.
727
00:54:17,000 --> 00:54:20,390
He didn't ever go in and make the
border coming out behind there.
728
00:54:20,780 --> 00:54:21,220
You see?
729
00:54:21,310 --> 00:54:24,800
Yes, just it does.
730
00:54:24,800 --> 00:54:26,510
It does it on off there.
731
00:54:27,090 --> 00:54:28,110
It was collected.
732
00:54:28,110 --> 00:54:31,830
It came the advisors office
coming over and disappears.
733
00:54:32,069 --> 00:54:37,980
And here is kind of a, like a funnel
there in between the stones and it hits
734
00:54:37,980 --> 00:54:40,920
there and it takes a vial to run it off.
735
00:54:41,370 --> 00:54:43,319
So you create kind of things.
736
00:54:43,330 --> 00:54:50,450
Sometime he and Dan, his runs
off into yonder until yonder.
737
00:54:51,290 --> 00:54:54,440
He can eat easy, easy to do this too.
738
00:54:56,115 --> 00:54:56,774
Here,
739
00:55:05,444 --> 00:55:05,895
go ahead.
740
00:55:06,694 --> 00:55:12,395
Even here, if you want to, to create
those kind of, uh, brought the runoffs,
741
00:55:12,395 --> 00:55:14,345
you can go right between the stone.
742
00:55:14,345 --> 00:55:17,375
And does he see there then?
743
00:55:26,390 --> 00:55:30,290
Well here in this case, you can have
the water coming around and it hits
744
00:55:30,290 --> 00:55:33,350
around there, the end running off.
745
00:55:35,690 --> 00:55:40,049
So what I wants to show you here,
create whatever you think it is.
746
00:55:40,080 --> 00:55:43,430
It's it's mixed your
painting setup better.
747
00:55:50,265 --> 00:55:55,895
yeah, maybe here they would go
and put the nice light line in
748
00:55:55,895 --> 00:55:58,085
here because that's what do good.
749
00:55:59,194 --> 00:56:01,835
The on this side, eh,
750
00:56:08,525 --> 00:56:10,325
see, there you are.
751
00:56:18,605 --> 00:56:21,424
try to make it there on the own.
752
00:56:21,665 --> 00:56:23,634
Uh, let him cry.
753
00:56:23,915 --> 00:56:26,615
Think that the stones are crying.
754
00:56:27,214 --> 00:56:28,714
The stones are crying.
755
00:56:29,825 --> 00:56:31,835
Uh, hear me read you the same thing.
756
00:56:35,585 --> 00:56:36,154
good.
757
00:56:36,815 --> 00:56:37,235
Good.
758
00:56:38,315 --> 00:56:38,825
Okay.
759
00:56:38,825 --> 00:56:39,785
Here, here.
760
00:56:54,140 --> 00:56:54,560
Yeah.
761
00:56:55,130 --> 00:57:00,170
Yeah, you are now here.
762
00:57:00,200 --> 00:57:02,509
Maybe you have a little bit of a water.
763
00:57:04,455 --> 00:57:08,355
Watch this that's nice to do sometime
you can do it with the knife.
764
00:57:08,385 --> 00:57:10,185
The knife does a good job for that.
765
00:57:10,875 --> 00:57:13,005
Just make a little bit of a water.
766
00:57:17,045 --> 00:57:19,175
It's a bit of a water standing there.
767
00:57:19,535 --> 00:57:19,925
See
768
00:57:23,135 --> 00:57:24,395
that looks always good.
769
00:57:26,105 --> 00:57:27,695
And then here, let it disappear.
770
00:57:27,735 --> 00:57:28,205
Whatever.
771
00:57:52,040 --> 00:57:59,960
see now you find you a little
brush and you put the copper.
772
00:58:00,975 --> 00:58:02,085
Happy seagulls.
773
00:58:02,085 --> 00:58:09,435
And, and I use just a dark
color, any dark color, alizarin,
774
00:58:09,435 --> 00:58:12,945
Crimson, and Prussian blue.
775
00:58:13,545 --> 00:58:17,475
And you let them fly this way.
776
00:58:18,345 --> 00:58:20,715
Depends on how far you wants to have them.
777
00:58:21,405 --> 00:58:28,965
They, I would say that's this
one and here's the other one.
778
00:58:33,275 --> 00:58:35,525
he just wanted us for the off.
779
00:58:36,065 --> 00:58:37,205
This is closer.
780
00:58:43,235 --> 00:58:47,555
I do the laws, laws of fishing
most, every day, even the vessel
781
00:58:47,555 --> 00:58:48,905
is good damn on the ocean.
782
00:58:49,775 --> 00:58:56,135
And I always come out in my
boat and I look around and they
783
00:58:56,135 --> 00:58:57,935
say, where are the sea gods?
784
00:58:57,960 --> 00:58:58,230
Yes.
785
00:58:58,650 --> 00:59:00,190
Well, the seagulls are there.
786
00:59:00,220 --> 00:59:06,030
The hearing and by the hearing are
there are the Simon and when the
787
00:59:06,030 --> 00:59:08,160
Simon are there, that's better.
788
00:59:09,480 --> 00:59:13,320
See, and they go in all
kinds of directions.
789
00:59:13,590 --> 00:59:17,040
One would just, just fly sidewards
790
00:59:22,110 --> 00:59:25,770
the someday or right down the dip down.
791
00:59:26,444 --> 00:59:28,754
You can make as many seagulls as you want.
792
00:59:29,174 --> 00:59:33,225
If you're see got hungry, but
usually they're coming to clump
793
00:59:33,404 --> 00:59:38,654
because they're hearing and moving
constantly, constantly, or never, or
794
00:59:38,654 --> 00:59:40,424
very certain, they are your short.
795
00:59:40,504 --> 00:59:42,024
They are all over the ocean.
796
00:59:42,035 --> 00:59:48,814
There's so many, but that is where
the, the, the, he had this one woman.
797
00:59:48,845 --> 00:59:50,075
Let's see this one here is.
798
00:59:55,460 --> 00:59:56,090
Man.
799
00:59:56,090 --> 01:00:00,830
He just sees the hearing there and he
shoots off there and that whole water
800
01:00:00,830 --> 01:00:03,920
is boiling that whole water's boiling.
801
01:00:04,880 --> 01:00:05,420
See?
802
01:00:05,960 --> 01:00:09,200
So just let attach this here.
803
01:00:10,310 --> 01:00:12,020
Not right, not right.
804
01:00:14,180 --> 01:00:15,410
Little attaches here.
805
01:00:33,845 --> 01:00:34,445
see.
806
01:00:34,505 --> 01:00:37,055
Damn, we are there.
807
01:00:37,145 --> 01:00:37,595
Yeah.
808
01:00:43,670 --> 01:00:45,290
How about we call it finish.
809
01:00:45,650 --> 01:00:47,120
I thank you for watching.
810
01:00:47,870 --> 01:00:48,259
Bye.
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