Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Rolling Mist - AVAILABLE
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Hi, good to be with you again, you
know, every time I start, I have to
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think what the devil I want to do
besides I would like to teach the,
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you know, how the devil I get it.
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Right.
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Um, There are so many paintings painted.
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There are so many, I brought so many
artists on TV and everyone paints
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other landscape others escape.
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My big dream is right now to be
the greatest teacher ever lived.
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So in order for you to go on painting,
I don't care about this subject anymore.
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I just would like to, as a sample,
every paint fog, how would that.
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Just say fog dot Malabar.
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I am I paint fog.
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He does it paint, wind paint movements.
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They, we always painted beautiful tree,
a beautiful mountain, beautiful cliff,
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but you know, we wants to learn to paint.
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So let's paint Fark.
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Don't be mad at me if it doesn't.
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Turn out too good, but it will be far.
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I been messed up the old canvas.
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Okay.
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The magic rights is on.
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You see the magic rises on.
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That means the case.
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Andrews is vet.
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The canvas is vet.
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You see their zoo?
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No.
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On the vet canvas with
divide, I just put colors in.
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No.
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What kind of a fog?
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Sometimes you see such a
clean, clean fog, like crisp.
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Then you see a dirty fog, then
I see your father, this just
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hanging other foggers moving.
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You see fog.
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It's not too easy because the
different types of movements everyone's
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to put in VITAS on the canvas.
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I ever get black.
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He used a bit of black,
but the expression blue.
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He bit of press and blue, bit
of a lizard, Crimson, those
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colors I'll just wander for.
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But I think every put a bit of her
head into that this time I would
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like to have a bit of her age.
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See, but what a mix here look.
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So netting is nothing
because it's the bare colors.
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They're also dark because mixing on the
canvas is where, where the colors come
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out before we was mixing on the palette.
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And it takes you a whole
year to finish your painting.
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Now, this is what I developed one
day, because I learned by painting
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like that, it took me too long and I
learned this all the colors need, right?
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I'll Gus colors need white, no
matter what you do, they need.
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Right.
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So I had the brainstorm one
day and I said, all right.
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And then a vinyl putting that
vital right on the canvas.
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And then they mix right on that canvas.
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Z.
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No, I'm not so dumb.
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There you are.
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Nobody.
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These are look at that brochure show
dogs, but there's Vite on the canvas.
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Now I will, I must to paint fog.
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This is already fog now.
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Depends on how you touch it.
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If I attach it like that,
then I ruined the whole thing.
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Be like a pussy cat, start off with,
with fog and you see the movements.
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You see the power or your abroad and
you see wherever you want us to have
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falls and how it moves and how it's
rolled into their own and how it
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disappears and how it comes up again.
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And how is the see, can you see
now it's a very gender movement.
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That is the secret.
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If you can do that,
then there's no problem.
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You know, I still create
this fog, this fog.
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Whatever kind of a certain color.
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And then they stick to that color.
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It has a bit of red and
it has a nice, nice fog.
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I would say it's kind of a nice fog.
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It's not too hard on you, but
then if you make it all, even
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could either be, you should have
holes in the there's little holes.
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They should be there.
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Don't make it too solid.
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And then there's not fog
anymore than it's a color.
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Then you'll make your
campaign, your name on it.
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And that's the end of it.
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See, the fall comes out when you see there
are, and when you paint, fog, whisper,
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nothing for by or has come forward
or, Oh, I remember my fishing days.
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On fresh water lakes.
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I fished early in the morning and the
early morning the fog is raising off the
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water and you hear the birds and you, you
see sometime just a deer head sticking
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out, or you see sometime this, the roof
of a house taken out and copied trees.
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You never see the whole thing.
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And then as you come in there and you see
the whole thing, so 3m, 3m, Singing along
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with Mitch, tried to sing along with the,
I think about all those things right now.
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And then, then I roll it.
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I will.
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The fog, the fog is
rolling and fog is rolling.
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It's already the name it's rolling.
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It's rolling.
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But somebody is blown in as blown out.
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That's whatever you want.
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You can have it really in shifts,
lying there and you, you blow it.
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And, but in this case, I
would like to roll it in.
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Can you see, it's beautiful here.
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He and I roll my folk on and on the next
step I can work on all the time though.
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Let's just see how we go on from there
this fall right now, it's just fog.
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She has beautiful fog.
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Can you see how light I touch?
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I will show you how I do it.
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Wrong nosy, but the brush
has still an insight.
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I didn't use it.
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I just put the catheter
on Fox fog, fog, fog, fog.
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I have one fog and it's
vice for the big three.
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No, in that fog, all of a sudden you can.
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I use the one inch brush.
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I would say there are trees for my,
and I would use the same colors,
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same far colors first and not the RS.
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I just press a bit harder.
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There is some kind of whatever,
standing there, whatever standing there.
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I don't know.
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It's a tree is a tree
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that has it too, too hard,
too hard to make it cherish.
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Whisper whisper something standing
there, something standing there,
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something is standing there,
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some DHEA standing there, see
some the extended, and then
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you can create kind of a line.
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You can act like there's a whole
line of three standing there.
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See then, you know, roughly, Oh,
that's the beginning of the forest.
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They're far by beginning of the forest.
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Eh, but we just fog.
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Thanks that the top is for
this a bit darker and I guess
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light lighter as you come on.
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Yeah.
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Now then you can reverse
the huge big fan brush.
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Here's your big fan brush.
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Now, then you can use Vite and I
bring the vide back as a sample.
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The dank about the light
is always from the top.
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Usually even I do here.
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SI.
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See, I wasn't there, but then
when you do it like that, and then
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there gotta be dark underneath.
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That's no way you can do it different.
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It has to be dark and then
need theirs with darker.
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Then, then you get that fog together.
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As they get close, they would
start to get the cloud together.
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Yeah, that'd be light
on top and darker there.
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Now that was on you.
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Around the crowd around the, Hey,
you, you, you, you, but make it
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foggy the, move it and make it soror.
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Uh, it has nice, nice, nice.
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No, I will have, I will have a confirmed.
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I will come forward with other
than here is something popping up
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and there is something popping up.
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Maybe here is a kind of a tree.
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Popping up.
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And then, then you can make
something bigger if you want.
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He does already, but four of us
more, there's the other three there.
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Then you can create a kind of
a fore tree, a leaf tree around
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with their own around head there.
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We let it disappear in the fall
again, the, and then you don't know
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where you are, what is going on
there, but obvious fog fog here.
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It's a little bit of.
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You bet all the same color.
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It's just a bit darker and
it's a bit more pressure.
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Hey, there you are like, no, I
don't show even the tree trunks.
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I just make it like the little cigarettes.
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Is he there?
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The other one and again, roll
in the white in front of it.
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Watch clean your brush.
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And God is almighty white
touch of red would be good,
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but just, just think about red.
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He, then it becomes too loud.
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Then go and travel to the, it
has to be very, very much gender
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see something like that,
something like that.
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And then again on the bottom,
but darker but darker.
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But darker on a button.
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So this just gets together.
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You get that cloud kind of, kind of a
movement of like a cloud is gone by there.
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It's usually there are
clouds, but it really is.
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It's just the Lu Lu clouds.
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They're just floating along and that's it.
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Then you can hit the
ties, the whole thing.
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The whole, that whole painting,
you can hit it as that whole
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painting makes it even more foggy.
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See, look at that.
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Having not so much paint
on this is just wonderful.
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How you can get that fog
smear, then move it in.
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And there you are.
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It's still in the fog still moving.
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So now they confirm it.
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Become farmers.
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And now I like to think, I like to
think there's a stream coming up
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out here, somewhere water coming out
somewhere, and then it get darker.
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Yeah.
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Yeah, sure.
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The dark in front, you see everything
in front of you see everything.
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Yeah, let's do it.
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Let's just watch, try to make it.
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So just this stock
disappears into the fog.
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Now, see, let it is dark here.
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Even blue, you can put a bit more blue
in here, so then you really have it.
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The close up.
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You're standing here on the water
already, but as it gets lighter,
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foggier fall the fall, the fall.
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Yes.
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See, can you see how wonderful we
create fog and glad we do it because
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you never know when you paint, what
kind of a mood you want to put into
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your painting and, and how you wants to,
what kind of a happy ending you want.
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So see that automatically you
have the tree is not good enough.
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Okay, good.
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Then we make it more blue in front.
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That is because you are standing there
and that water, the darker, I get it here.
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As more, the fog is lifted off here.
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That's clean and the fog is on the back.
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Watch D
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and that does appear to nothing, nothing.
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Oh, that's beautiful.
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How you come out of that now the
next step is the next step is
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the next step is we will, we will
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create other tree.
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Now here.
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It's just happening.
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The bigger tree standing there,
and it's in front of this fog.
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He is already the in front of this fog.
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see, that would be let to
disappear again in fog.
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Can you see, this is in the back.
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There's the fog in between then comes
out to three in front the next fall,
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and then you can put fog in between
after, but this is what makes it
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so nice to come out of that fog.
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Can you see how wonderful dreaming
along on your own painting is?
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Happy day goes by.
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It's such a powerful day horse bye.
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And you know, you created
something, but God give us this
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beautiful global where we live on.
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And I feel sometime I talk to
them, God, you know, and he says,
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born Luca, I let you live on this
beautiful globe and just great eat
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the best, create whatever you see.
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Sure I can make a mess or that if
I want to, but if I wants to, you
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know, there's a lot of common sense
and it makes me happy, somebody
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he does the auditory you're
just, but let it disappear.
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As he watched Luke illustrator
appear in yonder again.
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They kind of, you have, if you're
going to have auditory or other, you
240
00:15:22,905 --> 00:15:24,915
can have it in the roof in between.
241
00:15:25,185 --> 00:15:26,235
Thieve watch.
242
00:15:26,324 --> 00:15:27,345
Let me do that.
243
00:15:27,495 --> 00:15:28,335
Let me do that.
244
00:15:29,265 --> 00:15:30,585
You just thought it was on dang.
245
00:15:30,675 --> 00:15:34,005
We got us a house, but it is a house.
246
00:15:34,425 --> 00:15:35,415
Is it a hose?
247
00:15:35,685 --> 00:15:39,045
There's some kind of, uh, movements.
248
00:15:48,500 --> 00:15:49,730
Maybe I can use the knife.
249
00:15:50,090 --> 00:15:55,460
It might give him a bit more bit more
living power, just, just happiness,
250
00:15:55,460 --> 00:15:58,230
a little roof, sticking out.
251
00:16:10,175 --> 00:16:17,735
fi and then dream it then like fall
and again, just let the chest go in and
252
00:16:18,245 --> 00:16:21,095
like fog again and let it disappear.
253
00:16:25,350 --> 00:16:28,320
And I'm on the phone, how you can
do all those wonderful things.
254
00:16:29,910 --> 00:16:32,910
This just happened to say
carnival roof sticking out.
255
00:16:34,560 --> 00:16:40,620
And then again, you just grab
your big brush and you all the fog
256
00:16:40,620 --> 00:16:43,740
around you, all your foreground
257
00:16:47,570 --> 00:16:47,960
watch.
258
00:16:56,900 --> 00:16:57,770
Yeah, nice.
259
00:16:58,400 --> 00:17:02,800
I was on Juran that far around
there and it just disappeared.
260
00:17:07,040 --> 00:17:07,520
No ahead.
261
00:17:13,970 --> 00:17:19,520
I see now, you, you, you, you, you then
put the doc and from the bottom again,
262
00:17:19,939 --> 00:17:21,949
see, otherwise it wouldn't look too good.
263
00:17:22,459 --> 00:17:22,760
Yeah.
264
00:17:22,760 --> 00:17:24,379
Is put the cloud in there.
265
00:17:24,550 --> 00:17:28,339
And as you come more four of
us as more, you can can see it.
266
00:17:41,850 --> 00:17:43,760
they are obvious.
267
00:17:43,880 --> 00:17:47,890
The next shift you, you make the miles
you come from far, have eyes closed,
268
00:17:47,900 --> 00:17:50,000
a step closer, a step closer step.
269
00:17:50,420 --> 00:17:56,420
And then finally your home finally here
would put a bit of a tree trunk and.
270
00:17:56,985 --> 00:18:03,765
Foggy three trunk there, maybe all the
little bit of a grout standing up there.
271
00:18:04,365 --> 00:18:04,875
See?
272
00:18:05,635 --> 00:18:08,735
Good, good, good, good, good, good, good.
273
00:18:09,665 --> 00:18:11,015
No, in front of that.
274
00:18:11,135 --> 00:18:16,295
Oh, let's hypnotize that the, I
keep my dirty brush hypnotize that
275
00:18:16,895 --> 00:18:21,695
the brush is dry and it is, it
looks dirty, but it is not really.
276
00:18:21,695 --> 00:18:22,185
It just.
277
00:18:23,035 --> 00:18:24,555
I need that little bit of blue.
278
00:18:24,615 --> 00:18:26,565
I wants to have that
little bit of blue there.
279
00:18:26,925 --> 00:18:28,455
You, then that can get that nice.
280
00:18:38,825 --> 00:18:39,125
good.
281
00:18:39,215 --> 00:18:39,905
Good, good.
282
00:18:40,955 --> 00:18:47,195
You know, here, we confirm this
with the other, other little tree
283
00:18:47,195 --> 00:18:51,635
or whatever you want us to paint
there, but otherwise it is just fog.
284
00:18:53,190 --> 00:18:55,890
I wish I could be a good teacher to you.
285
00:18:55,890 --> 00:19:00,690
Does she get the ID the then as you
come forward, everything is bigger.
286
00:19:10,040 --> 00:19:10,490
yeah.
287
00:19:10,520 --> 00:19:10,820
I see.
288
00:19:11,420 --> 00:19:14,300
Everything gets bigger and darker.
289
00:19:15,345 --> 00:19:19,275
See, that means with other VARs,
you put a bit more, more black
290
00:19:19,275 --> 00:19:22,365
and a bit more pressure and blue
that more or less in Crimson.
291
00:19:22,605 --> 00:19:24,465
And then you come forward to see this.
292
00:19:24,585 --> 00:19:28,695
This tree is so much more in
the front here, so I will put
293
00:19:28,695 --> 00:19:30,315
it as darker than this tree.
294
00:19:30,315 --> 00:19:31,635
Again, see
295
00:19:37,275 --> 00:19:38,235
mighty four, three.
296
00:19:38,685 --> 00:19:39,735
I come forward with.
297
00:19:43,889 --> 00:19:44,250
E
298
00:19:50,270 --> 00:19:56,000
the teacher, the mighty
teacher and our mighty teacher.
299
00:19:56,899 --> 00:19:57,950
It's always nice to.
300
00:20:07,215 --> 00:20:11,535
And even here, you can let it disappear
and fall, but what you can do here,
301
00:20:11,805 --> 00:20:15,225
you can already put it in the to Dez.
302
00:20:16,035 --> 00:20:19,515
See if you're going to
have one, three very close.
303
00:20:22,080 --> 00:20:24,870
Here, let that so much in the front.
304
00:20:25,230 --> 00:20:29,939
I reflected into the water there
and you see, but still I would
305
00:20:29,939 --> 00:20:32,280
like to let the cloud go by there.
306
00:20:39,870 --> 00:20:42,959
See, see, see, see that is nice.
307
00:20:42,959 --> 00:20:43,290
Actually.
308
00:20:43,290 --> 00:20:47,760
How easy you can finish up a painting
by just putting everything in the fog.
309
00:20:48,855 --> 00:20:51,135
Everything disappears for
310
00:21:11,525 --> 00:21:14,405
wonder for wonder for.
311
00:21:15,285 --> 00:21:19,845
Now we will, we will break up
that long line a little bit.
312
00:21:19,875 --> 00:21:23,145
See, break it up a little bit
because it it's not too good if it
313
00:21:23,175 --> 00:21:30,215
is just the, they have some benches
in front here, maybe here too.
314
00:21:30,995 --> 00:21:31,625
Oh yes.
315
00:21:31,745 --> 00:21:34,745
Good, good, good, good, good, good.
316
00:21:34,985 --> 00:21:40,385
So I very, I will, I will put
some fog in front of that again.
317
00:21:52,324 --> 00:21:54,004
You know here and make it clearer.
318
00:21:55,294 --> 00:21:57,365
And that fog was right in the water too.
319
00:22:03,245 --> 00:22:04,534
I think that's a good lesson.
320
00:22:10,439 --> 00:22:11,580
That's a good lesson.
321
00:22:12,840 --> 00:22:21,240
See, now we come for, as for Rez,
for arrest harvests, just try to get
322
00:22:21,300 --> 00:22:23,879
that reflection in the value thing.
323
00:22:24,209 --> 00:22:28,230
And here's the other
fog moving around there.
324
00:22:37,655 --> 00:22:41,285
A bit of dark in between
that was dark in between
325
00:22:49,285 --> 00:22:51,125
a dog in between that.
326
00:22:54,240 --> 00:23:02,970
No, no, we will have, we will
have a mighty tree standing right
327
00:23:02,970 --> 00:23:05,820
in front here and other the fog.
328
00:23:06,120 --> 00:23:07,560
See how I mix my paint.
329
00:23:07,740 --> 00:23:10,350
I put already, but green in now.
330
00:23:11,060 --> 00:23:12,200
It didn't do before.
331
00:23:12,200 --> 00:23:13,670
Before all fog.
332
00:23:14,030 --> 00:23:19,850
Now here, dad says I should beg when it's
coming out of the canvas, even there, eh,
333
00:23:24,060 --> 00:23:25,350
Yeah, that's it?
334
00:23:26,010 --> 00:23:27,090
That is it.
335
00:23:28,110 --> 00:23:28,710
Yes.
336
00:23:28,710 --> 00:23:30,120
I'm why the tree here.
337
00:23:48,004 --> 00:23:49,814
see by putting that bit of green.
338
00:23:49,814 --> 00:23:51,125
And can you see, okay.
339
00:23:51,524 --> 00:23:56,445
Close up further, further, further,
further, further off it goes into Uganda.
340
00:23:57,105 --> 00:23:58,365
It is a teaching ID.
341
00:23:58,395 --> 00:24:01,695
I hope you understand
what I had my mind today.
342
00:24:01,695 --> 00:24:05,745
I think it's good for, for
it's good for the beginning.
343
00:24:05,745 --> 00:24:10,575
You know, when you start to see that
when you paint longer already for the
344
00:24:10,575 --> 00:24:15,825
old timers, you know, it there's no
problem, but I feel that it's good for,
345
00:24:16,095 --> 00:24:18,345
for someone, but really starts off.
346
00:24:21,990 --> 00:24:22,680
He lived with that.
347
00:24:23,280 --> 00:24:27,510
Can you see a little bit us just
beautiful branches flying out there?
348
00:24:27,690 --> 00:24:29,070
How you handled the brush?
349
00:24:29,430 --> 00:24:32,860
He, this is, this is what they
would like to show you that
350
00:24:32,870 --> 00:24:35,340
just black and SAP green here.
351
00:24:35,340 --> 00:24:41,490
I have the, and then you
really Bailey can fire in like,
352
00:24:58,425 --> 00:24:58,575
Okay.
353
00:25:09,035 --> 00:25:13,355
He get me to right divide
the whole, the whole clothes
354
00:25:13,355 --> 00:25:15,395
upstairs are right in the front.
355
00:25:15,905 --> 00:25:17,975
It's our right in the front here.
356
00:25:18,245 --> 00:25:24,165
Maybe in order to make it a bit more,
uh, So we put a bit of other grout in
357
00:25:24,165 --> 00:25:31,995
there, but the idea was to show you,
they come out from here into two that
358
00:25:36,045 --> 00:25:38,115
see that's the whole idea.
359
00:25:38,385 --> 00:25:39,645
That's the whole idea.
360
00:25:40,515 --> 00:25:45,645
Now we'll put the tree trunk in
there where that tree trunk in there,
361
00:25:46,665 --> 00:25:48,675
but all the big tree trunk in here.
362
00:25:49,905 --> 00:25:50,235
See.
363
00:25:50,580 --> 00:25:51,780
That's a close up.
364
00:26:00,830 --> 00:26:04,490
I will not highlight that
avail just on the bottom.
365
00:26:04,490 --> 00:26:10,250
I will put a bit of yellow and in order
to set it off here, the then, you know,
366
00:26:10,250 --> 00:26:12,230
the close of that really close here.
367
00:26:14,145 --> 00:26:20,075
No, we have a good feeling of, Oh, the
fog sadness in, and it's just nothing.
368
00:26:20,075 --> 00:26:23,615
It's just going into yonder
and it's disappearing in
369
00:26:23,615 --> 00:26:26,325
whatever, whatever, whatever.
370
00:26:27,635 --> 00:26:28,055
See,
371
00:26:31,205 --> 00:26:33,845
fuck, fuck, fuck.
372
00:26:33,845 --> 00:26:34,475
Fog.
373
00:26:34,715 --> 00:26:36,545
That was the deal fog.
374
00:26:37,355 --> 00:26:39,185
I hope you learned something from this.
375
00:26:40,365 --> 00:26:41,475
This is not a painting.
376
00:26:41,475 --> 00:26:45,645
I would like to sell by that as
a, it was a good lesson is not,
377
00:26:46,035 --> 00:26:47,505
I think it was a good lesson.
378
00:26:48,485 --> 00:26:51,155
Oh, he had a little bit to
cry down here a little bit.
379
00:26:52,595 --> 00:26:56,105
Um, yeah, that's why this, okay.
380
00:26:57,605 --> 00:27:02,215
See, close up further, further,
further, further, and even the
381
00:27:02,215 --> 00:27:05,465
little peak of a roof taken out
and that is the whole painting.
382
00:27:06,395 --> 00:27:07,235
Enjoyed it.
383
00:27:07,415 --> 00:27:08,495
You learn something.
384
00:27:08,940 --> 00:27:09,330
Vonda.
385
00:27:09,870 --> 00:27:11,100
Thank you for watching me.
386
00:27:11,490 --> 00:27:12,060
Bye bye.
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