Tuesday, December 15, 2020

UNKNOWN Season, Episode, Winter Woods - AVAILABLE

Bill Alexander's

The Magic of Oil Painting


UNKNOWN Season, Episode, Winter Woods - AVAILABLE

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Begin .srt file.

1

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Okay.


2

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Uh, let's make a happy painting

and sing a happy song or


3

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rhythm harmony is in the song.


4

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And isn't a wonderful painting.


5

00:00:16,160 --> 00:00:20,780

Now what you see here, or I'm so happy

to be with you again, you know, I


6

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thought sometime my, the let's show,

but it's always a new one coming up


7

00:00:24,770 --> 00:00:28,490

and always a new one coming up, but

I'm always happy to be with you.


8

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That's nice black canvas.


9

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I hope I can be the best teacher.


10

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I visually could be the

best teacher in the board.


11

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When that'd be nice.


12

00:00:38,475 --> 00:00:41,835

I hope I can give you all the

things you always want to know.


13

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Now we paint so many paintings.


14

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You know, so many artists,

I train the whole world.


15

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Everyone is firing in now and everyone

paints a painting, you know, landscapes.


16

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I would like to show you something new.


17

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That's what I started doing.


18

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Black canvas.


19

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The black canvas can give

you some mighty power.


20

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Let's see what you get here.


21

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I didn't have a clear varnish.


22

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And mighty clear varnish and put

that varnish on first on the white


23

00:01:09,450 --> 00:01:13,450

canvas, you put, um, magic radon.


24

00:01:14,170 --> 00:01:14,230

Yeah.


25

00:01:14,260 --> 00:01:18,760

And on this canvas, we will put, it's

nice to have it slippery and slidy.


26

00:01:19,000 --> 00:01:23,230

So the varnish for do a job that we

have a nice, happy, clear varnish.


27

00:01:23,290 --> 00:01:29,230

Yeah, no, but the diver there,

you know, something like this.


28

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And not too much cut down.


29

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If you can, not too much varnish

just enough to cover that canvas.


30

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So as long as the canvas gives

you that then slip and slide


31

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this, you can really fire him.


32

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Whatever you have to do.


33

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The Dyke canvas is hard too two.


34

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That's it?


35

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That's it.


36

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That's it.


37

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It's easier to paint when the canvas

has an image of oil, but keep it,


38

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see how hard I worked to get it on.


39

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Keep it dry as dry and you can

see it is just enough dust.


40

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You have a little bit oil on there.


41

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Don't don't do too much because then,

then it becomes, it's hard to paint on.


42

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So that's nice.


43

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No, we will aim.


44

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I will see, I will use that dark

now and I argued, it was funny.


45

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I always thought I was the first or

whatever painted on the black canvas.


46

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And you know, when you find out even alter

Lambourne painted on the black canvas.


47

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So find a temporary user black

canvas because there's only 24%


48

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of light in all of our colors.


49

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We never can paint that zone light.


50

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There's no paint made and we are so

hungry as more you paint, you will


51

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see as more, you paint as more,

you will aim for what you see.


52

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But we cannot get it because

we have no, we have only 24%


53

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of light in our, in our paint.


54

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That's why the chemist started me.


55

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He said, if you put the light we done,

you will see that sunshine out there.


56

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You dang, you can paint that

sunshine, but so much power.


57

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No, it's not there.


58

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So what you have to do then we aim for the

dark and the dark, the light for the show.


59

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You understand this thinking C

as darker B as lighter you paint.


60

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It is optic illusion.


61

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We have to really, how can you say it?


62

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We make it happen because.


63

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White and white light

and light is no light.


64

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Again, you haven't applied, but you

need the context in order to show light.


65

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Can you imagine the brightest

sunshine under the tree?


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The shadows are super dark.


67

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Make a little piggy.


68

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I next time, when you watch at the

trees, the shadow and the sunshine,


69

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making little piggy, I see all of

his on that shed was so deep, dark.


70

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We don't realize, we always think his

sunshine is so bright, but now it is


71

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really the dark and then the sun pops up.


72

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Good.


73

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So that vast ID to have more power.


74

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See, as more, you paint as

more power hungry, you are.


75

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Not for shooting nothing advice from your

power, hungry or living power, living


76

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power, or God living create of power.


77

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It's not your Vonda for power.


78

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You know, it was a funny thing.


79

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I'm 73 years old now and I'm loaded.


80

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I feel sometime I'm only 24 years

old, really because it's me.


81

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I talk to myself as their

friend and look it happen.


82

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Try that make it happen.


83

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You are the boss.


84

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You are next to God.


85

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You put the message into the world.


86

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And boy that makes you a young

and happy and everyone loves you.


87

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And what more we really want.


88

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And when you die, you will still smile.


89

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Won't be nice when I die.


90

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And if I smile and the

undertaker say San Juan is dead.


91

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Get the hell.


92

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You're a smiler.


93

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I wish I could do that because when the

happy and comes, make it the happy ending.


94

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So good.


95

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No, we get out of that.


96

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Our mighty Paris.


97

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It's nice.


98

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Nice to just think whatever

I got in my hands are strong.


99

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Mighty better D paint on no, I will mix.


100

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I will use.


101

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Bit of right here, bring it over here.


102

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And I tried to mix it kind

of a blue, kind of a gray.


103

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I have my mind to put the kind of,

uh, Light fuzzy light and into dark.


104

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He doesn't have the dark canvas

and work for me and have that


105

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FAS, just a Misty D and have a

Leesy cup of trees hanging there.


106

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And dang about the leaves you happy

trees and the leaves, the morning zone.


107

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It's just hanging over the hair to there.


108

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If you think in that direction.


109

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You're thinking I can,

whatever I want to know.


110

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And this time maybe I use

a bit of black into that.


111

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You see the mix, my server kind of a

dirty blue there's black and bright


112

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and see it becomes out of the hazy.


113

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Can you see it now?


114

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Yes, he's a corner there.


115

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And then you, we say I fire in there is

what it is the best C firing from there.


116

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And then you're over out.


117

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I would, I would


118

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use the black canvas, whatever the

canvas can give you the less the


119

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brushes out there, out there, out

there, there, and all this go out there.


120

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Hey, very little pain there.


121

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Very little pain, very little pain there.


122

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There's a pain there  and things that

should be darker there and darker there.


123

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And I just like to watch the

light he wants to put on there


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and then darker did again.


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And then dang, there's a happy field.


126

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There's a happy feed.


127

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And maybe we let that

light run over like this.


128

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And then we think it

should be darker there.


129

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Clean your brush, clean your bra, make

sure you have a dry brush and know you


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can just see, but just brush it out.


131

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Just brush it down.


132

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She is, but I should always,

then it makes it nice and fuzzy.


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Nice and fuzzy.


134

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Nice and fuzzy.


135

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See, by having that oil on, that gives

you that kind of a fuzzy feeling.


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There.


137

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He look at that.


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No paint, because if you have no

paint on as easy as to paint on top,


139

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see no pain, just make it fuzzy.


140

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Nice and dogs there.


141

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Hey.


142

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And here in the middle, I don't mind

it has what they liked is, and then


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use as little paint as possible.


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The lady paint us, pause to

reduce, make it so fuzzy, fuzzy,


145

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fuzzy, like fog, mist, fog, mist.


146

00:08:46,565 --> 00:08:46,835

Eh,


147

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it's hard brush it in heart

because that's literally.


148

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If you have lots of paint,

it's harder to paint on it.


149

00:08:57,935 --> 00:09:00,395

He was just sparking like this.


150

00:09:02,765 --> 00:09:08,854

And then you can have a little bit of,

uh, uh, not in one, make it through it.


151

00:09:08,854 --> 00:09:10,744

As it is bumpy a little bumpy.


152

00:09:11,084 --> 00:09:13,984

It has more red than it has more rain.


153

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It has more harmony.


154

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It has more fruits is your blood,

this hammering better to your


155

00:09:20,045 --> 00:09:23,224

rings and it makes it nice.


156

00:09:23,910 --> 00:09:25,050

That makes that naive.


157

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I did hammer in like that and leave that.


158

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That's why I didn't like that

black canvas and then ever show


159

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you how we go on from there.


160

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Yeah.


161

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See here.


162

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But I should, I should, I would


163

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no paint.


164

00:09:53,565 --> 00:09:57,975

A little bit that not nice

on this is so easy to paint.


165

00:09:58,245 --> 00:10:01,455

Now, there are some different ideas

and I like to show you, I very


166

00:10:01,455 --> 00:10:06,825

often I've worked with this kind

of ID and it's easy to paint or no,


167

00:10:07,035 --> 00:10:10,035

because it's just like a Dyke canvas.


168

00:10:13,815 --> 00:10:16,315

Let it be dark there and to the middle.


169

00:10:17,430 --> 00:10:19,770

Let the light, you can push it out.


170

00:10:19,770 --> 00:10:21,250

Now you can push it.


171

00:10:21,449 --> 00:10:23,699

It's Houston have the control of it,


172

00:10:28,760 --> 00:10:30,530

push it down wherever you need it.


173

00:10:31,550 --> 00:10:33,219

Push it down wherever you need.


174

00:10:34,400 --> 00:10:35,250

That's nice.


175

00:10:35,250 --> 00:10:35,750

That's nice.


176

00:10:38,660 --> 00:10:41,719

Lots of work, but I tell you

it's easy to work from now on.


177

00:10:42,020 --> 00:10:45,530

So we will, we will use

a happiness fan brush.


178

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A happy little fan brush and I

will use Vite, but boy, look how


179

00:10:51,900 --> 00:10:58,699

little and maybe a touch of Indian

jello, but watch that that's already


180

00:10:58,699 --> 00:11:02,600

too much, far too much the right.


181

00:11:02,780 --> 00:11:06,079

Start on a new spot like this.


182

00:11:06,290 --> 00:11:07,819

Now I will start.


183

00:11:08,355 --> 00:11:11,625

Things by having a little

bit of yellow there.


184

00:11:11,895 --> 00:11:13,755

See about the bright light you create.


185

00:11:14,325 --> 00:11:16,575

I ever said there, this is

where the light comes from.


186

00:11:17,385 --> 00:11:17,715

Yeah.


187

00:11:33,485 --> 00:11:39,935

He had a bit of a yellow, Indian Gallo in

it against that blue and black and white.


188

00:11:39,935 --> 00:11:42,575

You remember how we started blue?


189

00:11:43,620 --> 00:11:49,020

White and black, no, that little

touch of Indian yellow in here.


190

00:11:49,079 --> 00:11:49,310

Yeah.


191

00:11:49,350 --> 00:11:50,969

Take it off like that again.


192

00:11:51,240 --> 00:11:54,150

And do little, can you see

sooner than later, don't have


193

00:11:54,150 --> 00:11:56,310

more and rather build it up.


194

00:11:56,339 --> 00:11:57,990

See, bear that up.


195

00:12:14,150 --> 00:12:14,690

Beautiful.


196

00:12:19,280 --> 00:12:22,370

C E D.


197

00:12:22,430 --> 00:12:24,560

That's the buy always

clean the little brothers.


198

00:12:24,885 --> 00:12:27,105

Can you make a close

up, maybe on this here?


199

00:12:27,465 --> 00:12:32,835

The, uh, the little brush

is hard to swing the towels.


200

00:12:32,835 --> 00:12:39,135

They are the best for that because they

are suck the, the, the oil or whatever.


201

00:12:39,135 --> 00:12:43,515

You have a paint dinner that sucks

it up and you have a nice dry brush.


202

00:12:43,965 --> 00:12:48,255

The eye we started over again, maybe a

little bit more here I go into the gallery


203

00:12:48,255 --> 00:12:50,865

again, but can you see how stingy I am?


204

00:12:51,465 --> 00:12:53,775

The, and then again, fire into the sun.


205

00:12:54,630 --> 00:12:56,550

Whatever that flies the sun.


206

00:12:56,970 --> 00:12:58,530

It's a fuzzy sunlight.


207

00:12:59,130 --> 00:13:04,650

It wants to create a fuzzy

sunlight there, the apart,


208

00:13:07,910 --> 00:13:08,990

maybe a bit more


209

00:13:12,440 --> 00:13:13,220

all around.


210

00:13:14,120 --> 00:13:17,330

So that makes it really like missed.


211

00:13:26,135 --> 00:13:31,385

office, clean your brush and see

what I do again, make sure your desk.


212

00:13:31,815 --> 00:13:33,195

Dip it off there.


213

00:13:33,855 --> 00:13:34,845

That makes it nice.


214

00:13:35,535 --> 00:13:35,925

Okay.


215

00:13:35,925 --> 00:13:40,785

If we need more, you can, it's up to

your temperament, not to your, whatever


216

00:13:40,785 --> 00:13:44,265

you want, how much he wants to put on.


217

00:13:44,625 --> 00:13:48,935

Maybe have a bit more, and

then you were always around on


218

00:13:48,935 --> 00:13:52,655

her own and around and around.


219

00:14:05,945 --> 00:14:06,785

See, that's nice.


220

00:14:06,935 --> 00:14:09,005

And maybe here, you're just on the end.


221

00:14:09,305 --> 00:14:12,575

You're just catch the light on the field.


222

00:14:12,935 --> 00:14:17,765

It will not be bored as just a

fuzzy feed and the light will hit


223

00:14:17,765 --> 00:14:22,055

that field to the moving side,

dressed like this and like this.


224

00:14:22,935 --> 00:14:24,705

And we have a good start.


225

00:14:28,725 --> 00:14:31,245

No, I use my big brush.


226

00:14:32,175 --> 00:14:38,385

Make sure it's dry and clean and yes,

just brush it out the little bit.


227

00:14:39,045 --> 00:14:39,795

So there's jazz.


228

00:14:39,975 --> 00:14:40,935

It's easy.


229

00:14:40,935 --> 00:14:42,255

Over easy.


230

00:14:42,265 --> 00:14:42,805

Oh,


231

00:14:48,735 --> 00:14:49,095

good.


232

00:14:49,305 --> 00:14:49,695

Good.


233

00:14:50,760 --> 00:14:54,990

The no, the next step,

it is a black canvas.


234

00:14:55,170 --> 00:14:58,050

I would say there's some growth there.


235

00:14:59,760 --> 00:15:04,949

See, having a white canvas,

that would be a vital line.


236

00:15:05,340 --> 00:15:08,819

But having the black canvas, I

just showed you different things.


237

00:15:08,819 --> 00:15:11,189

No, you can easy.


238

00:15:11,189 --> 00:15:11,850

Look at that.


239

00:15:19,140 --> 00:15:19,500

Hey,


240

00:15:24,250 --> 00:15:25,620

Hey, Davey.


241

00:15:25,620 --> 00:15:27,390

He is, uh, the branch


242

00:15:31,800 --> 00:15:36,380

C no, I think you must like that.


243

00:15:36,410 --> 00:15:36,800

Isn't it?


244

00:15:37,100 --> 00:15:39,080

How easy can this create?


245

00:15:39,260 --> 00:15:43,640

No, whatever you want to do,

you can fire in with all mighty.


246

00:15:43,820 --> 00:15:50,235

I would say he has all kinds of, of,

uh, Yeah, the brand is just the line.


247

00:15:50,235 --> 00:15:54,165

They're heavy on the field there.


248

00:15:55,335 --> 00:15:55,725

They


249

00:16:01,455 --> 00:16:09,064

can't go around like that, eh, and how

fine you can get the branches there.


250

00:16:10,085 --> 00:16:14,045

And if you want to, you can say the

light is coming from there and let us


251

00:16:14,045 --> 00:16:15,905

have a little bit of a shadow there.


252

00:16:16,365 --> 00:16:16,755

D


253

00:16:20,255 --> 00:16:22,985

and maybe that one would go like this.


254

00:16:23,075 --> 00:16:24,365

I would think so.


255

00:16:24,465 --> 00:16:24,845

Right.


256

00:16:25,085 --> 00:16:28,955

So you would think, and I addressed

the, you know, you can just think


257

00:16:28,955 --> 00:16:32,045

about all the far via a little fuzzy,


258

00:16:37,415 --> 00:16:40,355

but if he did do I just removed the paint.


259

00:16:56,270 --> 00:16:57,079

Yeah, and that's fine.


260

00:16:57,079 --> 00:17:01,760

The first audit was only wants

to have a big, big three dams.


261

00:17:20,060 --> 00:17:21,290

something like that.


262

00:17:21,680 --> 00:17:25,620

But in this case I would have

to fill in because I want to


263

00:17:25,620 --> 00:17:28,069

vide victory, but it's so easy.


264

00:17:28,069 --> 00:17:34,280

Now I use a bit of black and you just

follow that are mighty swing there.


265

00:17:36,105 --> 00:17:36,495

A


266

00:17:41,475 --> 00:17:42,045

C


267

00:17:48,905 --> 00:17:51,185

no, that's a different type

of a painting this time.


268

00:18:00,365 --> 00:18:02,165

D no, you use.


269

00:18:02,880 --> 00:18:08,820

The little brush and black, and

it really gives you happy little


270

00:18:08,850 --> 00:18:11,700

branches firing over there.


271

00:18:21,470 --> 00:18:26,690

He happy little branches fire over there.


272

00:18:35,195 --> 00:18:42,935

See, what's a sad, happy feeling

you get maybe here in this


273

00:18:42,935 --> 00:18:45,065

case, we would have copies.


274

00:18:45,065 --> 00:18:45,125

Yeah.


275

00:18:48,365 --> 00:18:49,565

Was she movements?


276

00:18:59,840 --> 00:19:04,610

they thank all of us, but it's

uncomfortable if you do the other


277

00:19:04,610 --> 00:19:12,080

one, just I ever used a knife and

make that tree a bit more firm.


278

00:19:13,430 --> 00:19:16,010

I would like to have that

three vary from there.


279

00:19:16,885 --> 00:19:17,475

He's a knife.


280

00:19:17,505 --> 00:19:19,335

Does the devil have a nice job?


281

00:19:19,575 --> 00:19:19,875

Yeah.


282

00:19:23,825 --> 00:19:24,245

Hey,


283

00:19:27,485 --> 00:19:29,135

maybe here he bothered it.


284

00:19:48,405 --> 00:19:49,725

Nice that works.


285

00:19:51,875 --> 00:19:55,354

I bet you, you will be so excited

when I'm finished with this,


286

00:19:55,804 --> 00:20:02,284

how to create different types of

paintings and that just the whole ID.


287

00:20:02,854 --> 00:20:07,534

We get richer by learning all the ideas.


288

00:20:07,985 --> 00:20:11,505

Um, Okay.


289

00:20:19,445 --> 00:20:20,075

Let's see.


290

00:20:21,215 --> 00:20:24,245

No, he would say dad is all the tree.


291

00:20:24,275 --> 00:20:25,115

Maybe here.


292

00:20:42,645 --> 00:20:47,415

I can't no, I get, I really do enjoy

that kind of it sometime it makes it


293

00:20:47,415 --> 00:20:53,415

so very easy and just as easy it is

as night, see making their shadows.


294

00:20:53,505 --> 00:20:58,755

Just try to go along with, with

your, with your feelings, whatever


295

00:20:58,755 --> 00:21:05,715

you, so you say there's a big tree

line, just all caught up there.


296

00:21:12,389 --> 00:21:12,780

You make your


297

00:21:18,350 --> 00:21:19,550

They ain't made me here.


298

00:21:21,050 --> 00:21:24,560

She had us sometimes lights on the bottom.


299

00:21:24,560 --> 00:21:29,870

Sometimes it's a bit up and you have to

shift and maybe hear a little bit of that


300

00:21:29,870 --> 00:21:32,090

tree or whatever, whatever, whatever.


301

00:21:32,540 --> 00:21:35,629

And the other one, they're just

hanging down, lying on the bottom.


302

00:21:37,290 --> 00:21:39,360

And now you're just firing her.


303

00:21:58,129 --> 00:21:58,429

Good.


304

00:21:58,550 --> 00:22:00,229

Maybe he had, we have audit.


305

00:22:06,345 --> 00:22:07,754

Cannabis can take a lot.


306

00:22:10,235 --> 00:22:11,125

I done that.


307

00:22:11,415 --> 00:22:15,995

Now, if you want to just shoot the

knife and you fire in like this,


308

00:22:19,625 --> 00:22:22,445

maybe a little bit though,

fairly loose, fuzzy.


309

00:22:35,145 --> 00:22:37,955

No, it's a little bit

different than we ever do.


310

00:22:37,955 --> 00:22:44,885

No, we can get a bit new

ideas into our showers.


311

00:22:48,455 --> 00:22:49,745

No, that's right.


312

00:22:50,520 --> 00:22:54,780

He never, ever, ever you have

a paint hanging out too much.


313

00:22:54,929 --> 00:22:56,939

Use a derive for certain brands.


314

00:22:57,800 --> 00:23:04,220

The here he was the rights for

certain branches, eh, like this


315

00:23:10,550 --> 00:23:15,230

and this case has gotten busy when

you're sometime the knife picks


316

00:23:15,230 --> 00:23:16,280

up and gives you a little bit.


317

00:23:16,845 --> 00:23:22,125

Bumps there, use it, the ride for a branch

and have the other branch go in this way.


318

00:23:22,125 --> 00:23:24,795

And other brands go in this

way, in this way, in this way.


319

00:23:25,215 --> 00:23:26,175

It's either over there.


320

00:23:27,095 --> 00:23:28,395

There they are.


321

00:23:32,915 --> 00:23:36,755

See how easy your fire

that together there.


322

00:23:39,185 --> 00:23:43,025

Now then again, the, despite

the shed would go this way.


323

00:23:43,715 --> 00:23:44,675

They come scent.


324

00:23:45,840 --> 00:23:49,530

I see if you had to here this

street here, if you had the other


325

00:23:49,530 --> 00:23:54,780

three there, that would go then

completely that way, the shadows.


326

00:23:55,770 --> 00:23:57,240

I hope you understand all of that.


327

00:23:57,780 --> 00:24:01,200

And that's too easy because

it's just common sense.


328

00:24:01,830 --> 00:24:03,240

Very much comes in.


329

00:24:03,410 --> 00:24:10,370

Terrier is black again, and have maybe

a little bit off of, Hey, look at that.


330

00:24:12,020 --> 00:24:12,260

Hello.


331

00:24:12,290 --> 00:24:12,830

Beautiful.


332

00:24:13,950 --> 00:24:21,960

How nice you can create a kind of

a loose, loose feeling and in that


333

00:24:21,960 --> 00:24:26,040

little pain, and it's such a simple

December, December painting, and


334

00:24:26,040 --> 00:24:28,590

sometime December stink can be the best.


335

00:24:29,640 --> 00:24:30,000

See.


336

00:24:38,570 --> 00:24:40,100

Yeah, that's nice.


337

00:24:40,459 --> 00:24:42,350

It's very simple here.


338

00:24:42,350 --> 00:24:46,310

Maybe I have already stars

that have a little bit of a


339

00:24:46,310 --> 00:24:48,560

shit up there, standing there.


340

00:24:49,040 --> 00:24:53,179

The then automatically

views that the change too.


341

00:24:57,135 --> 00:24:57,395

No.


342

00:24:57,395 --> 00:24:58,275

What did ever hear?


343

00:24:58,275 --> 00:25:01,215

Maybe a little bit,

usually around the tree.


344

00:25:01,455 --> 00:25:05,885

That's obviously a little

bit of C now look at that.


345

00:25:05,995 --> 00:25:10,445

What a beautiful feeling you

got the end, if you want.


346

00:25:10,475 --> 00:25:15,755

No, you can stare at the little

bit of that gray and you could


347

00:25:15,785 --> 00:25:20,975

easily highlight a little bit

here, this, this, the lead, but.


348

00:25:27,525 --> 00:25:28,425

Just attach it.


349

00:25:32,025 --> 00:25:36,075

He can do the same thing

on this side over there.


350

00:25:37,875 --> 00:25:41,145

And knife is actually a wonderful friend.


351

00:25:41,675 --> 00:25:44,885

They do a fantastic job

now, whatever, whatever.


352

00:25:44,885 --> 00:25:47,255

I just try to have kind of a.


353

00:25:47,685 --> 00:25:53,505

Via adviser, the vendor, the mood

is the kind of mood like this.


354

00:25:53,865 --> 00:25:55,905

The, everything is just like this.


355

00:25:56,345 --> 00:25:58,655

Uh, no.


356

00:26:00,545 --> 00:26:04,925

And if you paint the mood like this,

then keep it the mood like this.


357

00:26:08,105 --> 00:26:12,395

If he wants to build up a bit more paint,

then it's easy to do with the knife.


358

00:26:18,480 --> 00:26:20,580

No, at least we have

something different now.


359

00:26:21,720 --> 00:26:24,060

I bet you, your views are turning.


360

00:26:24,060 --> 00:26:26,220

I can see your wheels are turning now.


361

00:26:26,220 --> 00:26:26,580

You see?


362

00:26:26,879 --> 00:26:30,300

I know I can see we all dream things up.


363

00:26:30,300 --> 00:26:36,510

We all want to create something new and

use that I could put blocks of more.


364

00:26:36,629 --> 00:26:37,950

I got no time.


365

00:26:38,250 --> 00:26:43,020

I wish I had a bit more time, but

let that be a powerful wind ID over


366

00:26:43,020 --> 00:26:45,840

the fees and have that black camera.


367

00:26:45,870 --> 00:26:46,290

That'd go.


368

00:26:46,480 --> 00:26:47,410

No paint.


369

00:26:47,650 --> 00:26:52,270

And when you scratch, because you have

a black canvas, everything turns dark


370

00:26:52,300 --> 00:26:54,970

and you got a beautiful, beautiful day.


371

00:26:55,320 --> 00:26:57,060

See Dara.


372

00:26:57,260 --> 00:27:04,230

Uh, I hope, I hope I touched your

happy day and I made something for you,


373

00:27:04,230 --> 00:27:10,970

what you will vibrate and there is a

better tomorrow and you will find, and


374

00:27:10,980 --> 00:27:13,050

I tell you life can be so wonderful.


375

00:27:13,379 --> 00:27:16,889

If you just make it

happen, you make it happen.


376

00:27:17,070 --> 00:27:21,840

A lot of people are born dead and

they go to bed and that's all it is.


377

00:27:22,320 --> 00:27:25,409

And you are full of life

and big a new tomorrow.


378

00:27:25,560 --> 00:27:26,490

Thank you for watching.


379

00:27:27,000 --> 00:27:27,310

Bye bye.


End .srt file.


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FREE DOWNLOAD - BILL ALEXANDER'S THE MAGIC OF OIL PAINTING - SUBTITLES! DOWNLOAD HERE!

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