Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Savannah Serenade - AVAILABLE

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I don't have under spawn either river

or the art folks X are, how would we put

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all of us right down on that wonderful

Swanee river vise out from here?

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Nice dream was when it comes down

between all those wonderful green trees.

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So I will have a little memory of that.

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So I will firing, I have the

magic Vidas on the canvas.

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I put it already on this.

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We have no problem.

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It's just bunching.

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All of a sudden the magic I'd put it on.

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I would put a little bit

of a happy blue on there.

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Is it, would that make you happy?

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Uh, Swan river sky.

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Take the paint from here.

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I put it up here, bring

it down, bring it down.

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That it get lighter,

lighter, lighter, lighter.

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So here I just, Dez put it in

a bit of a blue, so it'd be a

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little bit of light shown there.

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Every wash my brush.

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And we will put the little bit of a nice

red gave it a nice arrayed in there.

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But look, I just take off a little bit.

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This is a little bit, my God don't

they think that's already far

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too much, far, far, far too much.

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Yeah.

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I ruined it already.

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You just, just saw this.

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You have a little bit of a read on it.

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Can you see that you've

more or less too much?

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You have to be very careful whenever you.

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Wants to highlight something.

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They would like to have that little

bit of fire in there in between here

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and a little bit in between here and

a little bit, because you know, you

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have the white on the canvas, it, this

VAT, and you just brush it out there.

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That little bit of red

will do a good job there.

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Oh, they leave it like that.

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He adjusted it.

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Dawn and your friend here, here.

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Yeah.

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Yeah.

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Good, good.

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No, we were firing use your big brush.

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I will just outline it roughly.

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I will use SAP green and, and

that would be, I would say he is.

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Was it ever.

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Like a river star smart and he

had a river and then down on good.

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No, we will set the light.

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I would say the light is

coming from this side.

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So we will have on this side of the river,

the trees a little bit on the dark side.

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he very violent, very violent.

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The olive trees.

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They are not the trees.

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They usually paint.

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Zap green and black, uh, using this

case, I put up here and see how good

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I am, but I wants to have a darker

they're darker there on the river.

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Yeah, just roughly got that the

background and I call it that background

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music, background music, and no, he

let's say they had trees on the side.

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When it comes far West,

he already does three.

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So that the moving like this.

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Like that.

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And here on the other side, the same,

it's not the very vide river is.

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Happy little river, there

will be trees there.

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And yeah.

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Is he in the big brush?

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Does a fantastic job.

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The lot of people, when they see

the big brush, they're scared.

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They always think my God, how can

you paint with that big brush?

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I could never do it with the small brush.

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You get all those wonderful details.

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See the value, pick it up here.

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Can you see, I just.

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Take a lot of paint on the brush

and a little bit black because

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they wanted darker than green.

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Even darker here.

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You see, there's there you with

their dogs and other, the dog.

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We create the light side and

the dark side, the already here,

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he already in your mind here, you can.

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E even more.

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I were ever ready use deep

dark there, deep dark there

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and come out, out like the sea.

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And on the other side already, I do

the same thing, deep dark there and

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lighter, lighter, lighter, lighter.

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So, you know, we have already, we can

already see how that water comes up.

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And now here, I just,

just background music.

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I just need to call a stare green,

lots of green, lots of green.

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Now here, it creates a distance.

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You see.

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You know, there's so wonderful to

pain free and let your hands do

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whatever your brain tells you to do.

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So it's just a wonderful, wonderful virus.

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Of expressing yourself and let

the brush explode, you know, like,

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look, there are certain movements.

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You, you will like it very much

because of, of, uh, the hard paint.

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If he never had that heart pain, we never

know could do all those wonderful things.

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You know, you can even

go in if you want to.

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And.

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Have trees hanging in, you know,

you ever think there are some big

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trees in bright in the front and

branches hanging in very loose.

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Cause he looked very, very loose.

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It's a loose attach.

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He there,

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it was wonderful, but

depends on how you touch it.

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Now I can ruin the whole thing by

putting the wrong, wrong pressure on.

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Good.

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And here I want to darker what I use here.

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It Taylor green, little

touch of Taylor green.

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I'll just cross here.

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It's easy.

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Taylor green makes it a bit more

darker and it gives you far more power

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and tell the green is a green color.

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It's a, it's a vortex color toe Clive

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Oh, by nice and dark.

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No, we will go into details

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ever use the other brush a little

one inch brush and I will, I will

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maybe, maybe, right.

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And the, of red, like the sky

like that, I would like to put

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the sky in there from here on

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Amy.

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Upstrokes.

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Maybe a bit more, you see it,

you see, you're always judge it.

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You always see it.

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And then you say, Oh, that's good.

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Or it's not good enough.

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I want a bit more.

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So in this case, I want a

bit more to the same thing.

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They hear that the second time

we have so much more power

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Clean my brush make upstrokes

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clean your brush.

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Then I see, I have a lot

of paint piled up here.

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He has other paint and McDonald's strokes.

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Yeah,

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he already bang, bang all the dogs.

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No, I will use this as the light side.

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And this is the dark side.

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I use yellow and a bit of white

and a bit of a dinner I have here.

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that's a dinner invite.

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So it didn't depend where

stick on the thicker paint.

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You see, there you are.

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That makes it easy.

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You know, that means you have

a thick paint here and a little

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bit of Vite it didn't right.

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Watch this here then you.

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Yes.

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I would like this

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and let it disappear in the dark

that he, this is the shadow side.

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This is the light side.

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And that makes it nice.

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No, he, I take the half,

little bit of yellow, mix it

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here again, and no, you can.

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Fire and whatever

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he, that the sun hit and the branches

coming down and it really looks nicer

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and nicer and nicer and nicer even here.

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It's too high up.

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It's so free in the sky,

Joe, you can do that.

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No problem there.

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And let it be dark on the outside

there and inside the, no, you can,

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you can use your knife if you want.

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You can do it this by a sandbar.

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He can

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make scratches like that,

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but it's very good too.

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Hey, that comes out.

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Nice.

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The I start off as too much pressure.

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And then I lift up lift up that gives

you a big branch and get dinner in it.

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Then as you go along and that's

just really a branch divided the

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branches, come here, you can have

the same thing, but I have to arm it

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a bit of a darker color in between.

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Hey, there you are.

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That makes it very easy.

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That's nice and do the same thing here.

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Very fast.

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Maybe here.

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We think that's a big branch

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together.

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Yeah.

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No, he leave pockets of no, like light

out here and then leave a dog and then

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against the dark, what should I do here?

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I just leave dark in between.

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Otherwise you never see in order

to, I got the news beginning.

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Daddy, is he there?

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Look at that.

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It covers up all of a sudden

that branch right disappears in

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the inside E and you do it here

too then, but you need the dark.

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You need that dark in between.

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Otherwise, maybe here I can

have a copy of, uh, light spots.

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You must always think there are

so many leaves and branches and

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gives all the dogs and all of his

undies to Albany and on hit stairs.

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He looked at that.

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No problem.

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Here's the same, maybe up like this.

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Can you see how loose

the branches are flying?

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I don't know if he could get the close

up on that, the whole loose, the benches.

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You see the details of the branches

bit, that big brush, because

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they only can do it of our paint.

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I, the paint I have here is . It

is thicker paint and underneath and

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a tick it, a dinner paint on top.

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It didn't, the paint will

always give you figures.

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See, and I can see the figures.

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When I, when I conditioned my brush,

the, then I look into that and I

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can see already all the branches,

all the branch figures I wants to

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have you understand that you see,

then it becomes too easy to paint.

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They no being on the, on my dysphonia

river, I would say I reflect

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us right into the water there

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he was nice.

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And this side, every be

very careful because I.

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I Vic show a little bit of sun.

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There's obviously some openings in

between and some little openings there.

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Let some sunshine in, in between here.

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You know, the dad, a little bit of

sunshine coming in here, a little bit

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of sunshine going through, and maybe

it hits right on this outside here.

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And that branch get light up by the sun.

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The, uh, but very little, very little,

you play your little game there.

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Maybe here a little bit, maybe

here a little bit, very loose,

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very loose, and maybe hear the,

I wants to have a depth debt.

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I must have really, really

get some kind of a, eh, the

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beginning of that on mighty river.

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Watch what I do here.

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No, this has to be darker.

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If I give me that that's not right.

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There's something not right.

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They,

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I have to pull some dark down, watch this.

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I still have the brush.

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Loaded with a dark man.

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He, all that dogs should be in the Vata.

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Dare

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more,

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even darker.

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They use Taylor green there that's a

dark color and still a nice screen.

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No, maybe a little bit of black.

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Yeah.

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It's darker.

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You have a dead as nice as we look.

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Good.

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Good, good.

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You know, all of that is in the

water and that light in the middle.

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And now I have to put that

green around in the water.

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He here like flex that

into the water was there.

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This one has to be

reflected in the water too.

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And there's some green up there.

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He did some green and gala invite up here.

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The, this one might, that

might be even out here.

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This is the end of this here,

then that darker that's when this

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one be even in the Vata anymore.

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So we leave that dark, but I really

maybe create here a little bit of a

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sunny shoreline there.

247

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He, and I had to go into a doc

that was going to dock there

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more, but more, a bit more.

249

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see now here on this

side, we very pulled in.

250

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We will pull in ever use

the other little brush.

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We will pull in a tree trunk coming down.

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If I'm here.

253

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He maybe other, other hair

254

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hardly you can see it.

255

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I will use my magic knife and I will.

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00:19:46,169 --> 00:19:53,100

Highlight some spots assembled as pined

while you think the sun hits that tree.

257

00:19:53,100 --> 00:19:59,010

And it's all in the dark again,

eh, maybe here a little bit.

258

00:20:04,760 --> 00:20:05,659

There you are.

259

00:20:09,409 --> 00:20:12,669

I just mixed miss ever kind of a red.

260

00:20:38,265 --> 00:20:41,355

You can fire it into

the water to this one.

261

00:20:41,625 --> 00:20:43,035

You can fire it into the board.

262

00:20:43,185 --> 00:20:46,185

They to come on.

263

00:20:48,675 --> 00:20:49,065

Hey.

264

00:20:52,140 --> 00:20:57,090

You can use your little liner brush

and you can make some nice lines

265

00:20:57,090 --> 00:20:59,340

with the line brush if you want to.

266

00:21:00,800 --> 00:21:01,440

That would be

267

00:21:08,930 --> 00:21:09,020

okay.

268

00:21:09,680 --> 00:21:13,280

But if it didn't have paint in

that paint down a little touch and

269

00:21:13,280 --> 00:21:14,870

you get this kind of a feeling.

270

00:21:19,460 --> 00:21:21,020

Yeah, it's good.

271

00:21:22,470 --> 00:21:23,459

No, here

272

00:21:35,990 --> 00:21:42,570

there, no, use the other brush

or the big brush, clean and

273

00:21:42,570 --> 00:21:45,429

dry, and we will make water.

274

00:21:45,720 --> 00:21:47,159

The whole thing.

275

00:21:49,020 --> 00:21:49,889

He liked that.

276

00:22:02,794 --> 00:22:04,925

no, we will go this way.

277

00:22:05,044 --> 00:22:07,504

See this why?

278

00:22:09,695 --> 00:22:10,834

And all of it's done.

279

00:22:12,215 --> 00:22:14,345

It looks like water and you see.

280

00:22:17,595 --> 00:22:18,615

Wonderful.

281

00:22:19,605 --> 00:22:28,425

And no there's kind of a, on this

side, get asked lots of grass.

282

00:22:29,685 --> 00:22:32,835

He that's the that's

decide what the sun is.

283

00:22:33,345 --> 00:22:36,375

That's the sunny side on the river.

284

00:22:37,785 --> 00:22:41,295

And we will do this kind of things.

285

00:22:41,355 --> 00:22:43,485

There can do it with a knife.

286

00:22:43,515 --> 00:22:44,715

It looks very good.

287

00:23:03,485 --> 00:23:06,785

yeah, bring it down like

this and end up there.

288

00:23:07,205 --> 00:23:09,485

And then here you can

make some water lines.

289

00:23:10,080 --> 00:23:14,909

Stare in the sunshine, the, the

stairs stair, the Sunday call us.

290

00:23:15,180 --> 00:23:21,540

But now you come on this side,

you use a touch of blue, green,

291

00:23:22,350 --> 00:23:24,360

and we make a darker color there.

292

00:23:24,389 --> 00:23:26,940

Maybe ever show you, let me see.

293

00:23:27,250 --> 00:23:28,740

It should look like

294

00:23:35,090 --> 00:23:36,860

like, this is far dog.

295

00:23:36,860 --> 00:23:37,310

And he see.

296

00:23:38,400 --> 00:23:40,110

No, I go on here in the shadow.

297

00:23:40,440 --> 00:23:41,060

You can see it.

298

00:23:41,070 --> 00:23:42,570

I divide the shadow sides.

299

00:23:47,210 --> 00:23:47,720

300

00:23:54,050 --> 00:23:54,560

good?

301

00:24:01,670 --> 00:24:03,650

No, he is stay in the sunshine.

302

00:24:04,470 --> 00:24:12,510

I am in the sunshine and everything is

sunshine bright, and there's movements

303

00:24:12,510 --> 00:24:15,570

in the void to dare come forward.

304

00:24:15,600 --> 00:24:16,530

Like this.

305

00:24:20,460 --> 00:24:24,840

That's nice that obviously break

the water up here and there,

306

00:24:25,110 --> 00:24:26,910

but this is all the sunlight

307

00:24:30,080 --> 00:24:33,800

and it has a lot of yellow

and Lauder Vite color in.

308

00:24:45,515 --> 00:24:47,105

he on this side,

309

00:24:51,545 --> 00:24:56,915

on this side, you have

darker colors for reflection.

310

00:25:02,660 --> 00:25:10,940

Yes, something like this and the talker

touch of Taylor green and green and white,

311

00:25:11,630 --> 00:25:13,940

the aim for this kind of a color here.

312

00:25:14,000 --> 00:25:15,260

That was a good color.

313

00:25:16,490 --> 00:25:17,600

That's a good color.

314

00:25:24,860 --> 00:25:26,060

Something like this.

315

00:25:27,595 --> 00:25:29,295

My God look at that.

316

00:25:29,985 --> 00:25:35,025

And now time you made your

Saturday and nice little

317

00:25:39,725 --> 00:25:39,965

come on.

318

00:25:40,295 --> 00:25:46,205

Couple of upstrokes they're like

branches, are there some kind of movements

319

00:25:46,235 --> 00:25:50,435

like grout, the stair and there E.

320

00:25:55,535 --> 00:26:04,535

And if you want to know, you could,

you could, you could use a bit of

321

00:26:04,565 --> 00:26:10,535

Vite, watch this right here and

you give them a little bit of it,

322

00:26:14,495 --> 00:26:17,855

but all over now, can

you see a little bit.

323

00:26:18,975 --> 00:26:20,774

Movements like this.

324

00:26:21,615 --> 00:26:27,705

And look, what we got is a nice,

powerful, powerful painting.

325

00:26:28,034 --> 00:26:30,885

There's this, the sunny

side is the shadow side.

326

00:26:31,635 --> 00:26:34,065

And what more can you do?

327

00:26:35,115 --> 00:26:40,065

The Swanee river are no, we've been told.

328

00:26:40,815 --> 00:26:42,075

Thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Savannah Serenade - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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