Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Snowbound - AVAILABLE

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I will have a rough winter this

time with your own mountain.

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Four loaded with snow and the Creek is

frozen, but the Creek is open on spots

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because the water's running so sharp.

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And that makes a nice pain.

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When you have that dark water rolling

out there and some big old trees loaded

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with snow and the snow is bending.

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One, three, maybe one TV lied down there.

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You see.

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Before I start, I have to

conditioned myself and I think

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that's what you would have to do too.

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It's easy or now it is not easy for me.

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I hate to see things and I

want you to think I'm a copy.

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I'm restricted.

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When I, when I do it, I

want it I'm move free.

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And I create something original.

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Try to think about all those things.

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So we will start off winter mountain.

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I see all that, the invite, right.

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To know everywhere.

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That means if I have a light sky.

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Light on light.

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Nothing.

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Nothing is nothing.

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I condition sky.

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I use pressure and blue, take a look.

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How thick that blew off and alizarin

Crimson Devite is on the canvas already.

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The magic right is on there.

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That means I have three colors, white.

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Prussian blue and alizarin Crimson.

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No, I will fire off.

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So it's our plan that I know against a

dark sky will be that light mountain.

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And then against the, the mountain will

be the old trees with lots of shadows

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that the light float in and let the

shadows of the sun go over the snow.

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Okay.

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Firing at the good color, darker feet.

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But can you see how little paint I use?

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I wish you would learn that

if you use lots of paint, you

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cannot paint on top of that.

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You see if you be stingy, be scotch.

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He, something like that.

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No, I don't have to walk too far because I

know already the mountain was start there.

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This have some.

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Little details there,

maybe a little bit darker.

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I catch a bit more paint of my

palette and maybe darken it here

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a little bit here, but the sky is

nice and dark against that dark sky.

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The light mountain.

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Uh, it will give me power

and maybe here hair already.

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I see open snow opened Creek

in the snow, like a packed

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with snow, the cover the side.

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So I will have that more dark, more dark.

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I am, but look how I do

black press and blue.

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I lived in Crimson load my

brush and I dark dark here

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and brush it out to the side.

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But out to the side, didn't

have enough water there.

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I can just cover in and reopen,

but I think it could B see how

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easy you condition your canvas.

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Now I very put actually more on everywhere

because the snow we have shadow stare.

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You see.

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Do it like this cover up the hole.

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So with the access paint fee, I

cover up all that because then

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white and white is no snow.

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You understand the, I, it just

falls in some color there,

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so good.

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You see.

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He again, let that vote.

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That will be, I will use that for

my power and no, we were firing.

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I will use my knife and look at this.

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Oh, look at that.

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Paint.

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This paint is so wonderful.

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I'm really this proud to use my own

pain now because it stands up good.

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It will break.

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Nice.

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What I needed.

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It's a stick.

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It's a stick.

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What I needed to stick the, you know,

I mix it like marble RVs, take it

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all off like this and turn it over.

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I been make it a bit darker.

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I used a bit more black.

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I wanted this time more gray, more

pressure in blue and alizarin Crimson.

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And we were C we were C good

C no, it doesn't matter.

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It doesn't matter.

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I just created a kind of

a mountain where I live.

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I live in the mountain.

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Oh, I would say here,

here, here, here, here

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ever be covered with snow on top of her.

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Malky covered with snow.

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See, all those happy art songs that come

that come just on the right time here.

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They all had the meaning.

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That was really nice.

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Okay.

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No paint, no paint.

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Make sure you're on the put so much in.

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thank you.

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I have to paint on top of that again.

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Good, good, good.

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Maybe here.

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I had just run out of the canvas,

so that means there are some higher

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heels far by, on the side or whatever.

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See dreads.

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Good.

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No, that's enough.

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Use your big brush and feathered

and see like this no paint.

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Make sure you don't have any paint

there as less paint you will use

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now as more successful you will be

because with less paint on the canvas.

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I can always paint on top, but if I

have lots of paint there, it's hard

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to paint on top that just invest.

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There's a kind of a tricky thing to do it.

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Right.

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And I always like to remind

you the, Oh, there you are.

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No, I really, I really, I read,

I read, use a frost attach of

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alizarin, Crimson and white.

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I live in Clemson and Vite

gives me a kind of a forest.

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Red is vine it's farm and alizarin.

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Crimson is a colored.

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It gives me a bit more icy feeling.

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Maybe I use this kind of

the off-white of light.

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You see how I mixed it?

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Good.

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Now the sun is coming from here.

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I ever JS poned on my snow.

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Oh, I just know in the mountain, you

wake up in the morning and he said,

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Oh, you get that snow on the mountain.

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Is he an Oh God, can you see it?

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How nice it breaks.

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I've if you would really watched that,

because this paint is made, that it

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just made for this kind of stuff.

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The little bit that.

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Uh, God is, it's just a joy,

how you hammer out painting.

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He was totally all just

details the guy about never,

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but never knows how you do it.

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There were things that guy needs weeks and

weeks to finish that he posted on there.

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no, no, we go over on this side.

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Maybe I just firing like this and really

have a steep steep beginning there maybe

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hit a little bit like out the cart.

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Thrown stone.

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I the stone, something like this,

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go on here.

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Not wonderful.

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And how fast you do it.

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It's just the, the power of creating,

you know, when you create things

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you cannot read, I have no time.

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It is offered when they have to wait,

stand in line for something creative

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power, you never can stand in line.

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You just have to take it

and run, take it on the run.

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Oh, we make it all full of snow.

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Let's pack it.

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Right.

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He, the loose, the loose strokes.

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He does what it's really doing the trick.

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Now I will use Vite and a touch of

blue, just a little Tasha of flu and mix

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myself a kind of a happy, happy blue.

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Yeah, you could, you could.

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But when I say that, don't take it

too serious, attach off blue, that

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makes it a bit trusty blue, a bit

of alizarin Crimson into the blue.

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That gives me a little

bit of a frosty blue.

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He, I know every fill

in on the shadow side.

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Look with that.

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in the shadow side.

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That's nice.

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That is nice friend shadow side

here too, but leave it off.

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Not obvious.

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Just fill it in and have, have

little, little blues here in here.

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He had wouldn't hurt.

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There's obvious that that comes out nice.

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Every if he can do it that way.

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The no, here we fire in and you see

this side, I fired him this way and

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under, and the other side of the

mountain, I to the shape of the mountain

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10 is the day that makes it nice.

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Makes it nice.

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Good.

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Oh yeah.

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Isn't that fantastic.

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It's nice.

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When you can say it to yourself.

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Maybe here I were fired.

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So let's thank that's finished.

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Now.

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I use my big brush and there is a

bit of dirt on the brush already.

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You remember this?

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This is the color.

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So I will use that.

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I will go into the right.

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I don't want to write, but I would

like to make it like snow coming down

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there, snow, not snow coming down.

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Like the field is full of snow.

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You see there?

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I just push it down, push it down a bit.

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You can easily push it here.

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See, and go on the so far, go on this so

far and let that be over the timber line.

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You know, there's a, here is

they can fuzz like a Fox, no

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snow and, and, uh, Fog then snow

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only her so far.

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And let the, let the tepee open.

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Let the ring that the breeze be open

there and then the distance get blocked.

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No, the next step will be, I will create

my leg walled or whatever I have there.

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I would say the light and I

will add a bit of red more.

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Like a bit of sunshine and bit

of sunshine, but off white,

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just off white, you see munch

and a little bit of overhead.

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There is off-white no,

I will just come down.

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he picks new fields,

leaves that water opens.

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We really work on that data.

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Just, just planned plan that

just my, my snow land there.

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And no, that comes

later, that comes later.

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So just happened.

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There's other big trees

standing there or victory.

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I use black passion blue.

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I live in Clemson and I

fire in and load your brush.

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Look that brush is loaded.

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Dark pain.

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And we retained that is so heavy.

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That snow, it turns the tree top.

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The tree top is turned already there.

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The dressed it over.

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Can you see, I twist the tree top.

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And let that be as an three standing dare.

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And that all three, the zone

is coming from this side and

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throws a shed with there.

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See a shadow on the field too.

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Yeah.

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You know, we got to slowly together

and GSA that is the auditory,

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the auditory standing, maybe.

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And let that reflect sight in the vote.

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If we can use that, that way too, maybe

we have it all, God, that all trees are at

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the line, more or less lined down there.

227

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The vendor has got them.

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Look at that.

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Three is so banned and that you

find in the winter time, in the far

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and in the mountain, there they be

band and every package, which snow

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shoes as in that gives me that dark.

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In Nevada.

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I have an excuse to have that

reflection right in the water there.

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And then we have our other tree other

on mighty tree standing or high up here.

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And this band has been to, I

have to prepare my, my brush

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to bend the, be bend over.

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And they have to bend all this one

vibe because the Vince is always a

238

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VIN, China they're in the mountain,

whatever, when this case is all of

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us, that's why it all went that way.

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I hear that all the big trees

then like all months in the field

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and it draws a shadow there too.

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And this thrust is shattered there too.

243

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And no, we got it gone because it's gone.

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Okay, fine.

245

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No, the next step is I put the tree

snow on, on one side on one side.

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And the sunny side, I will put

the light snow on and the shadow

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side, I put the blue snow on.

248

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So with our divorce, I mix

myself first, a blue snow.

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So it right in that

blue and here, but blue.

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And then we, we go on the,

I go on, uh, see underneath

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this there's a bluish bluish.

252

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Bluish snow on this side, the death

253

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good.

254

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The on this side, I don't want to dirty,

it looks, but it should be more blue.

255

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It should show that happy blue and

the sunshine, the blue is more bluer.

256

00:17:24,545 --> 00:17:25,025

See?

257

00:17:25,115 --> 00:17:25,744

Right?

258

00:17:26,595 --> 00:17:27,765

And it tells you have blue.

259

00:17:31,785 --> 00:17:32,685

The, how I do it.

260

00:17:33,405 --> 00:17:37,035

Can I have a little touch of

blue and make yourself a lots

261

00:17:37,035 --> 00:17:39,945

of, lots of paint on the brush.

262

00:17:40,215 --> 00:17:46,455

And now every fire in here that blue

underneath the blue and the need that

263

00:17:46,455 --> 00:17:49,605

tree and the shadows a bit blue too.

264

00:17:51,425 --> 00:17:54,855

They're here and on this side, the same.

265

00:17:57,640 --> 00:18:01,710

Same on this side and roll it down.

266

00:18:01,710 --> 00:18:06,120

Like the tree branches are all bent

down the petite branches, all bend

267

00:18:06,120 --> 00:18:08,850

down, keep on the three, three stair.

268

00:18:11,040 --> 00:18:12,750

It's just not good to overload.

269

00:18:13,260 --> 00:18:17,790

So I think we keep it just

like that, this like that,

270

00:18:21,420 --> 00:18:23,640

and now ever use a pure right.

271

00:18:24,885 --> 00:18:26,834

As white, as white as I can.

272

00:18:28,185 --> 00:18:30,524

Or you can get, add a

little touch of Gallo.

273

00:18:30,544 --> 00:18:35,595

And even if you want to show more

sunshine, maybe I will do it it guess.

274

00:18:35,595 --> 00:18:39,405

But God, when I say yellow,

it just think about Carol.

275

00:18:41,310 --> 00:18:45,150

There's the really little dip

dress to read later, Tetro.

276

00:18:45,180 --> 00:18:50,370

Hello, in order to make it more

sunshine, kind of a sunshine

277

00:18:50,370 --> 00:18:53,430

feeling the, it is just off-white.

278

00:18:53,820 --> 00:18:54,840

Can you see it here?

279

00:18:54,870 --> 00:18:59,900

I don't know if he can spot it,

but just off-white and no, watch

280

00:18:59,900 --> 00:19:03,710

this, uh, Oh, look at that.

281

00:19:04,340 --> 00:19:09,110

Make it very rough, latest snow

packs and, and rough, rough.

282

00:19:10,080 --> 00:19:13,830

If some branches they're hanging

up, can you see how it gets around

283

00:19:14,580 --> 00:19:17,880

and keep it in the clean here?

284

00:19:17,880 --> 00:19:20,310

The same, the same.

285

00:19:22,650 --> 00:19:34,050

See her rough, rough, rough, clean

the brush and hear the same her off.

286

00:19:39,065 --> 00:19:41,855

she like, let the branches hang down.

287

00:19:42,455 --> 00:19:44,915

And so he buried that like that.

288

00:19:45,395 --> 00:19:50,255

And then we go on here too,

that the branches come down.

289

00:19:58,805 --> 00:19:59,065

yeah.

290

00:19:59,115 --> 00:20:00,575

That's why you see it now.

291

00:20:00,815 --> 00:20:02,225

Then we run in.

292

00:20:02,535 --> 00:20:08,205

They use my knife and I run in snow here.

293

00:20:08,205 --> 00:20:13,535

We create a kind of a snow ice,

ice float on that Creek a week.

294

00:20:18,035 --> 00:20:22,055

And then there's just the best that you

use your knife for that, because that

295

00:20:22,055 --> 00:20:26,705

gives you a little sharp details there.

296

00:20:36,560 --> 00:20:43,700

he, can you see how wonderful you cut in

that, uh, that snow, that ice here have

297

00:20:43,700 --> 00:20:50,960

a little bit of a red tune in between

there maybe here in a little bit, kind of

298

00:20:50,960 --> 00:20:53,840

a frosty tune maybe here and every bed.

299

00:20:57,465 --> 00:21:05,345

He, no, I go in again with my, with my

VI, with my knife and cut in like crazy.

300

00:21:05,504 --> 00:21:07,004

Is he like ice?

301

00:21:08,145 --> 00:21:10,245

Can you see how I make ice stair?

302

00:21:14,355 --> 00:21:16,815

See beautiful.

303

00:21:33,350 --> 00:21:37,820

Here on this side, the same sometime

you just cover up the whole thing

304

00:21:37,820 --> 00:21:42,350

again and let it stick out a little

bit and come forward as, and you

305

00:21:42,350 --> 00:21:44,000

see what that doc does for you.

306

00:21:44,655 --> 00:21:48,615

See, and then you come forward

like this and you create a kind

307

00:21:48,615 --> 00:21:51,525

of, uh, open, closed, open, close.

308

00:21:51,825 --> 00:21:54,585

You are the frost, you close

it up for every good tank.

309

00:21:54,585 --> 00:21:55,725

It should be closed up

310

00:21:59,465 --> 00:22:00,365

as far as again.

311

00:22:01,055 --> 00:22:07,415

And then albeit up the here, he can

reflect your reflect in that tree.

312

00:22:08,015 --> 00:22:08,225

Yeah.

313

00:22:19,980 --> 00:22:21,660

He ever used my brush now.

314

00:22:22,590 --> 00:22:27,930

And I fired in like this, that

gives me extra, that extra

315

00:22:27,930 --> 00:22:30,270

opening there for a happy ending.

316

00:22:30,990 --> 00:22:36,060

He let the Creek just run out,

like over the hole, over the whole

317

00:22:36,810 --> 00:22:38,910

canvas or the whole canvas there.

318

00:22:39,840 --> 00:22:40,050

So.

319

00:22:40,919 --> 00:22:41,010

Okay.

320

00:22:46,220 --> 00:22:49,610

See, no, you make water out of that.

321

00:22:50,480 --> 00:22:55,580

You make water or that put our nice

together and make some lines like this.

322

00:22:56,149 --> 00:22:56,620

See?

323

00:22:56,659 --> 00:22:59,510

No, you, you, you're looking

at the power in that painting.

324

00:23:01,220 --> 00:23:04,310

You, you can create here.

325

00:23:04,310 --> 00:23:09,050

I will have a happy, happy IC.

326

00:23:09,675 --> 00:23:11,115

I see ending here.

327

00:23:14,175 --> 00:23:15,215

He make it sodas.

328

00:23:15,225 --> 00:23:18,125

You feel, you feel the

ice, you feel the snow.

329

00:23:27,275 --> 00:23:28,535

That's just nice.

330

00:23:30,065 --> 00:23:31,325

That is nice.

331

00:23:32,495 --> 00:23:37,355

See, no, you can, you can have

white, just pure white and have some.

332

00:23:38,700 --> 00:23:40,950

See waterlines.

333

00:23:40,950 --> 00:23:44,310

They're just white, just pure white.

334

00:23:54,710 --> 00:23:56,030

that's nice too.

335

00:23:56,540 --> 00:24:01,970

And no, you, you, you use your big

brush and beautiful Vite, all that.

336

00:24:01,970 --> 00:24:02,540

Nice.

337

00:24:02,870 --> 00:24:03,170

Dang.

338

00:24:03,230 --> 00:24:05,870

The sun is coming from

here and it's very draw.

339

00:24:06,405 --> 00:24:07,425

It's very draw.

340

00:24:08,024 --> 00:24:13,815

The sun hits that, that little bend

there, and maybe here's a little bit

341

00:24:13,815 --> 00:24:20,524

of a bank there and here's a little

bit of a bank there E and then let

342

00:24:20,534 --> 00:24:22,875

be a rally there and stop it there.

343

00:24:27,705 --> 00:24:28,514

See, and leave this.

344

00:24:28,514 --> 00:24:33,014

And if it's icy there on this

side, I really have Vite first.

345

00:24:33,555 --> 00:24:34,905

These are the vet owned right?

346

00:24:34,905 --> 00:24:35,475

First.

347

00:24:35,775 --> 00:24:42,075

And let that be going into blue

because on this side is a shadow.

348

00:24:42,795 --> 00:24:48,165

The, here you come in with a blue

because it draws a shadow, the light,

349

00:24:48,165 --> 00:24:50,685

very not go around and hit this way.

350

00:24:51,255 --> 00:24:53,115

The, you create that kind of a color.

351

00:24:53,255 --> 00:24:53,675

Did

352

00:24:56,915 --> 00:25:01,025

leave a dock there, leave a dock there.

353

00:25:01,835 --> 00:25:04,535

See, no, you can dress it up.

354

00:25:05,220 --> 00:25:06,360

I haven't put together.

355

00:25:06,390 --> 00:25:07,710

No, no.

356

00:25:07,710 --> 00:25:09,330

I just look for power.

357

00:25:09,510 --> 00:25:15,750

I would say I need power there underneath,

underneath in the shed, especially in the,

358

00:25:15,750 --> 00:25:20,970

shedrow see, especially in the shed roof,

that tree needs some extra power there.

359

00:25:21,600 --> 00:25:27,570

So I opened that up and let the

throne over, over that Creek.

360

00:25:28,020 --> 00:25:28,830

That's nice.

361

00:25:29,400 --> 00:25:31,230

Then I need some more power here.

362

00:25:31,440 --> 00:25:32,370

Here would be good.

363

00:25:32,370 --> 00:25:33,390

If I had some more.

364

00:25:34,110 --> 00:25:37,140

You you before you said it's finished.

365

00:25:37,380 --> 00:25:37,980

Yes.

366

00:25:38,100 --> 00:25:38,580

Correct.

367

00:25:38,580 --> 00:25:42,630

That it moist, that brings it

all out of the sun more power

368

00:25:42,630 --> 00:25:43,710

that's coming out of that.

369

00:25:44,220 --> 00:25:48,420

The, the same as here on this

side, underneath pistol underneath

370

00:25:48,870 --> 00:25:53,820

or dependencies have been down

the line on the ground already.

371

00:25:53,850 --> 00:25:57,750

And the, so it would

be something like that.

372

00:25:58,070 --> 00:26:01,700

No, I bet he used the other brush.

373

00:26:02,265 --> 00:26:09,105

And they wants to have some blue, more

blue, more blue hair and that's it.

374

00:26:09,135 --> 00:26:09,555

That's it.

375

00:26:09,585 --> 00:26:11,115

That's the way she wants to see it.

376

00:26:11,655 --> 00:26:17,685

Get more blue as a shadow, the blue on

the shadow and let the light be on top.

377

00:26:20,585 --> 00:26:24,875

Yeah, could be a little bit of

blue, more blue, just blue, more

378

00:26:24,935 --> 00:26:27,275

moved in to the, to the shadows.

379

00:26:28,145 --> 00:26:31,205

The blue gives you blue gives you.

380

00:26:33,000 --> 00:26:33,899

I got the blues.

381

00:26:33,899 --> 00:26:35,129

I got the blues.

382

00:26:35,370 --> 00:26:37,980

It gives you more shadow, shadow feelings.

383

00:26:39,000 --> 00:26:41,010

The there that's good.

384

00:26:41,340 --> 00:26:45,120

The let that blue just

stick out like that.

385

00:26:45,990 --> 00:26:47,639

Just stick out like that.

386

00:26:50,100 --> 00:26:54,780

No, what you say it was painless.

387

00:26:55,110 --> 00:26:56,129

It didn't hurt.

388

00:26:57,510 --> 00:26:59,490

And here I'd like to have a bit more blue.

389

00:27:01,275 --> 00:27:04,455

And that is it?

390

00:27:05,085 --> 00:27:05,325

No.

391

00:27:05,335 --> 00:27:07,035

Can you see that on my defender?

392

00:27:07,845 --> 00:27:08,835

Did you enjoy it?

393

00:27:10,185 --> 00:27:10,905

You're freezing.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Snowbound - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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