Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, William Alexander - Magic Art Instructor #106 - AVAILABLE

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hi, nice to have you in my classroom.

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Today, we will paint on my painting.

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It would be landscape beside it,

but you know, I know you came

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to me because you know, this

technique we have, it's a different

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technique than anyone else is doing.

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Really.

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You see a lot of starving

artists and hungry artists and.

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The way we paint it is powerful

and strong and it will sell because

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you are in with your whole heart

and be that on mighty painting.

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Now, before we start, let's talk

about our, on my D equipment.

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You see here, I have a ISTEP letter.

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It's just a dumb little step letter.

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I put it head on top

and I vice in my canvas.

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And you see how that's in.

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That's interesting.

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I have a couple nails.

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You could, you cannot

see it here and there.

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You know, they stick out and the canvas

is even stuck in the nails there.

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So in other words, make

sure you have that Saul.

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And when you fire and you have that

are mighty power and nothing is moving.

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That I liked very much.

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And then like the ID, when

you stand up all the time,

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you know, he lose perspective.

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When you sit down, I cannot

sit down, you got to stand up.

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And that's what I like to really be

always there and go back, see perspective.

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Right?

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You lose your perspective and you

have your nose right on the canvas.

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I liked the idea to put my foot up

sometime like this, or like this high

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up like this and laying your elbow

on and have the pilot in your hand

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like this, and you lean on yourself.

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You have so much power and your hand

is too steady to make certain other

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movements, especially on still lives

or portrays, whatever you will pain.

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That's all about that on my

teaser and the canvas already.

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And now no more around now.

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I show you.

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We have a little screen here.

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I make it myself.

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I put it in to a coffee.

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Can you see like this here?

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Mountain ground?

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Make sure you have a coffee.

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Can three pound though.

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Does he have enough room to

move in that I put paint tenor.

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I will show yard works.

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Just simple paint donor.

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If you find all the loose

paint in the so better.

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See, but don't put more than

a half inch over that screen.

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Now I have the brush ready,

but when I wash my brush, you

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have seen all my showers before

this, a lot, a mess, really.

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So lots of people wrote

in and they corrected me.

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They said I could not do it in my house

because I messed up the whole house.

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So we invented a cleaning box here.

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That's not my idea.

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That's your idea.

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I have lots of mail.

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We get lots of mail and

see what happened here.

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I can, I have a whole box with

the hole and the two by four is

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standing a little bit on a slant

down as a, as a garbage can.

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And now I cleaned my brush.

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You see what, how I do that here?

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And when you slam it out, you

can only get so much out and

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that is not dry enough at all.

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So I go in here and hit it like this.

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You see, can you see here?

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Like you've got shot of that.

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You know, I know my brush is nice and dry.

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You can put it even on your skin.

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Beautiful.

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That is the brush, the easel.

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You already ahead.

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I have a roll of paper here just

because you need to clean your knife

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or whatever on, on, on that paper.

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That helps a lot too.

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The next step will be the brushes.

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Uh, you see, what I have here

is a two and a half inch brush,

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a one inch brush, couple of fan

brushes, and in-between brushes you.

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I don't want to name the brushes

because when I went to school, they

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would tell me always number one,

verse number three, brush number,

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that version number that brush.

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And I was more confused.

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We have our mighty brush and

a couple of small brushes.

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See it this way.

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Fan brothers are very good.

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Have the smaller one, the

middle one and the big one.

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And that's all you need liner brush,

but with long hair, the long hair.

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And don't forget that on mighty knife.

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I'm very proud of that knife.

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I had a patent on that is my invention.

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And I'm very proud about it.

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So what the next would be, or on

my palette, you see that palette?

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Oh boy, it's got to be a big pilot.

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We had all times with Paris.

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We had them in, in plastic

and I don't like plastic.

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Even.

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We had plastic Candace on the brush.

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There it gets, what is healthy is it

is art is beautiful on your hands.

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And what you see here I have

from the light into the dark sea.

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And look at that pain, it stands up.

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This is this just line there.

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Can you see that beautiful?

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That is our big thing.

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Our paint is solid and dry and even tacky.

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You got to have that

particular paint here.

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If you find the view on the art and

you see the paint, a soupy, don't

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even take it for this technique.

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For any other technique you might

have, you might need this to be pain,

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but not for this particular technique.

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And then you see, I put in an order

like this from light into the dark,

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it's like , you know, and then, uh,

the colors, yellow, red, and blue.

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And black and white, yellow, red,

and blue and black and white.

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And then we have some feelings except

green, you know, green, you can make

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green, buy, buy, buy yellow, and

blue gives you green, all kinds of

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things, but, but Darden but earth.

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But with van Dyke Brown, and you got SAP

green right there, there's no problem.

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Or even you can add.

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I live in and into that.

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That's all about the paint now.

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And this is your mixing table.

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so that is the black canvas.

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This time we go off, right?

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Why I paint on the black canvas?

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What makes me doing it?

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And you will find out as more you pain,

as long as you've worked with our pain.

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With that thing, we have you learn.

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Men has not made a paint.

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What can paint daylight for

campaign the power of a D.

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So we have only really

24% of light in our paint.

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So when you think I wants to paint

the sun, I would say, this is here.

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Maybe you can make a little cut there if

it's 50%, but 24% is here that little bit.

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We have to paint all that.

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So what we are doing, we creating

constant illusions now for

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teachers and for artists, what

pain they should really know that.

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So I decided, I learned all of a sudden

when I have black, the light will show.

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Better as darker, I did pain as

more, the light showed the light.

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Really the pain was not better, but

I created the illusion you see out

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of that came the ID, my God white

on that paint on the black canvas.

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So what I did here, but that canvas,

I painted it back black with, uh,

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you know, you buy it in the, in

the, in the, in the paint store.

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Uh, latex black latex, let it dry.

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The UNO unstirred magic.

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Right?

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I use a transparent paint on top of it.

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And this time I use it alizarin

Crimson, this Alison Clemson

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is it's a kind of a red tach.

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You'll see if I would pay

no on the Vite canvas.

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I will show you.

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Oh, here on this canvas watch.

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If I paint on the white canvas, can

you see the different here and there?

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Maybe that's a good ID.

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Wonderful.

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See, now on the black canvas, I

keep it dark and I wants to believe

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the shimmer from the black veil.

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Give me more dark.

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So I understand getting 24%, I met my.

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It's 30% out, but not more light

because I go down in the basement

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and come up from the basement.

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Now that means I, I, I watched to believe

I gained more power and I really do.

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And you will see the little bit of light

on that dog will pop up so much better.

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Okay.

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Now I start off with Alison Crimson.

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This is transplants that paint, but

it's depends on what you want to show.

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See, I could use blue transplants,

blue transplants, yellow, and, and

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work into the transplants colors.

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Now this time I decided I will have,

uh, alizarin Crimson and I covered the

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whole canvas with alizarin Crimson.

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Oh that see how that will work

out for me and don't overdo it.

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Now.

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Don't put too much on and

not just the right amount.

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Just make it nice and

cover the whole canvas.

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If you put on in blocks, you lose

your horn, your whole thanking there.

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Your whole painting will be very bad.

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Okay.

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Let's finish that up.

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see that acts like magic, right?

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The magic white is on the

white canvas, my best helper.

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And now the allergen Clemson

is my best hyper and I will

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show you how that works out.

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See, I go so far paint the

whole canvas with one color.

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First,

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the whole canvas V.

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We vet up like magic white on the

white canvas, this transparent

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color on the black canvas.

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Eh, I

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see.

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Now if I text with right,

it will turn out different.

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Every show you that first,

before we start, you know, I

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cleaned the whole thing up.

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I cleaned the whole thing up.

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So, you know, you can

see what we are doing.

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It all is on.

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Everything becomes very clean.

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So I planned already let that

go from light into the dark.

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So I would like to have up from here.

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See, I space my canvas in my mind.

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I want you to paint a big

crock, maybe something like

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this, you know, a big crock.

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Or, or it could be three

that doesn't matter.

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Fine.

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And then I would like to paint grape

surround and maybe a grapefruit

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and oranges and all kinds of

Apres and on and on and off maybe

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a glass if you have enough time.

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So I space it in my mind now, so, but

what I would like to see the light coming

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from the top and, uh, At Moscow darker

on the bottom in order to get the darker,

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what I do here, I don't wash my brush.

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I go right into pression blue.

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Take a good look.

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Here they go.

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Right into pressure and blue

with the, with the dirty brush.

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And I burned myself in line here.

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See, and look the colors.

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Now I will show you after

an infant nourished.

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No, I have blue and red and I work

it up to the higher, up, higher,

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up higher up what happened now?

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It's the other way around.

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It goes from light, darker, darker,

darker, but I, when I paint,

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I go from the bottom darker.

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See again, I mix on the canvas.

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I am mixing on the canvas.

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The there is dark.

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And as I work for us like this, I, I mixed

with the paint on the canvas and it gets

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lighter, lighter, lighter as I come up.

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So I hope you understand that

the, I make it very easy for you.

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It is.

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It's a one way is a

wonderful way of living.

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Okay.

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Now maybe I put a bit more blue in here.

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First, a bit more blue.

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Something like that.

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See and come up.

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No, no, you don't see the colors,

but every show you how we get it.

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I reversed my brush last

year, our mighty brush

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and have a dry brush.

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And watch how it looks now.

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V when I make those

long lines long strokes.

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Now you can see the colors

before you couldn't see it.

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Now you learn something.

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This, I clear that the tears, you know,

all of a sudden everything becomes

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nice and I can see what I'm doing.

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They know we can see what we are doing.

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You know, you see the darker, yes.

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Lighter, lighter, lighter, lighter.

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Beautiful.

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So I always use the paint underneath.

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When I paint landscapes,

I use the magic, right.

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And the same ID it's in my best helper.

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But what I do know, I will

take, I pull out the table.

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It's all in my mind right now.

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So what I do out of the dog, see,

I very much now in the paint I

249

00:15:17,730 --> 00:15:19,740

have there, that straight line.

250

00:15:20,145 --> 00:15:24,525

And come forward forward, forward,

forward, forward, forward forward.

251

00:15:25,515 --> 00:15:31,395

See, now if I clear my tears, see what

you see now, see what you see now.

252

00:15:31,485 --> 00:15:31,635

Okay.

253

00:15:35,225 --> 00:15:41,105

He said they come out like this,

but in order to make the table

254

00:15:41,105 --> 00:15:44,755

more, more powerful, I wear.

255

00:15:46,020 --> 00:15:48,680

I read it red.

256

00:15:48,770 --> 00:15:49,010

Yeah.

257

00:15:49,040 --> 00:15:50,510

Just grab red here.

258

00:15:51,020 --> 00:15:54,290

I just got it on my read

and start over again.

259

00:15:54,440 --> 00:15:56,470

Let that what's on the canvas.

260

00:15:56,480 --> 00:15:57,620

Got to work for me.

261

00:15:57,980 --> 00:16:03,530

I want you to have it from into

the dog and I can only get it.

262

00:16:03,530 --> 00:16:05,120

If I start here.

263

00:16:05,460 --> 00:16:08,520

They start here and work myself up.

264

00:16:08,730 --> 00:16:13,620

And I mix again, this whole

technique is always based on,

265

00:16:13,970 --> 00:16:15,750

on what you put underneath.

266

00:16:16,020 --> 00:16:19,020

The, what you see all on out of that.

267

00:16:19,020 --> 00:16:24,480

Dark is a nice TV coming V no, watch this.

268

00:16:25,110 --> 00:16:26,070

He is an optical.

269

00:16:26,070 --> 00:16:28,230

Illusion is an uptick.

270

00:16:28,290 --> 00:16:28,800

Illusion.

271

00:16:30,830 --> 00:16:32,060

Eddie was young.

272

00:16:32,570 --> 00:16:33,980

Eddie was young.

273

00:16:36,210 --> 00:16:40,190

Okay now, clean it again.

274

00:16:40,340 --> 00:16:43,010

Watch you see what you see.

275

00:16:43,670 --> 00:16:44,990

Isn't that wonderful.

276

00:16:46,640 --> 00:16:48,380

Isn't that wonderful?

277

00:16:48,560 --> 00:16:51,470

No, I got the team become your own to me.

278

00:16:51,800 --> 00:16:57,650

So when I want some time, just the table

underneath then if it's not through him

279

00:16:57,660 --> 00:16:59,660

enough for that, but you can make it.

280

00:16:59,780 --> 00:17:03,950

So this, you see the, the, the, the

whole table, the beginning of a table.

281

00:17:04,710 --> 00:17:10,319

And you can have a tablecloth line

on top, partly, you know, and, and

282

00:17:10,560 --> 00:17:14,339

the other things we can do, but you

see the, I have my paint handled.

283

00:17:14,639 --> 00:17:15,780

It will not smear.

284

00:17:16,230 --> 00:17:20,310

It stands up because they have

a thick, solid paint, and I

285

00:17:20,310 --> 00:17:21,960

didn't pound it on to tick.

286

00:17:22,230 --> 00:17:25,230

If I had too much, I would

smear the holding up.

287

00:17:25,875 --> 00:17:27,405

That is just beautiful.

288

00:17:27,735 --> 00:17:30,075

It invites me even to do something.

289

00:17:30,255 --> 00:17:36,875

Now watch the strokes I do here,

much the strokes I do ever use my

290

00:17:36,875 --> 00:17:46,825

on my D fan brush, my mighty fan

brush, and I use white as assembly.

291

00:17:46,825 --> 00:17:50,555

I just put the bit right on

the right will disappear.

292

00:17:50,585 --> 00:17:51,395

Absolutely.

293

00:17:51,725 --> 00:17:52,085

So.

294

00:17:52,905 --> 00:17:58,185

Space it, no, I would like to put the

crock there, like pottery it's burned as

295

00:17:58,185 --> 00:18:06,425

fired and the, I have to see it standing

on a table here, but then I don't have to

296

00:18:06,425 --> 00:18:11,285

paint the bottom because I plan, I paint

fruit in front of fruit in front of it.

297

00:18:11,495 --> 00:18:13,385

The why the devil, I

worry about the bottom.

298

00:18:13,385 --> 00:18:18,215

Then you understand, you

got to see whatever you do.

299

00:18:18,335 --> 00:18:18,815

See it.

300

00:18:18,815 --> 00:18:19,355

Finish.

301

00:18:20,040 --> 00:18:21,390

I do it with landscapes.

302

00:18:21,390 --> 00:18:22,590

I do it with seascapes.

303

00:18:22,830 --> 00:18:24,510

I do it with, with still lives.

304

00:18:24,780 --> 00:18:28,070

So we will say I start of here.

305

00:18:29,690 --> 00:18:30,590

Oh, okay.

306

00:18:31,580 --> 00:18:33,560

No, I draw in my mind.

307

00:18:34,130 --> 00:18:35,840

I draw in my mind.

308

00:18:36,080 --> 00:18:40,100

See, I draw in my mind, watch this.

309

00:18:40,970 --> 00:18:42,740

I draw in my mind.

310

00:18:43,730 --> 00:18:44,090

See.

311

00:18:49,190 --> 00:18:55,010

I draw in my mind and I

conduct the, the ovals.

312

00:18:55,070 --> 00:18:56,510

I know, I know.

313

00:18:56,750 --> 00:19:04,970

It's just nice when you can be the, the

creator on mighty creator, mighty creator.

314

00:19:05,745 --> 00:19:07,155

Oh, it was a beautiful thing.

315

00:19:07,365 --> 00:19:12,195

Now, the light you conduct the light,

you are the mighty leader of light.

316

00:19:12,735 --> 00:19:16,515

I would say the lights coming from

this side and hits into the crock.

317

00:19:16,995 --> 00:19:17,445

Okay.

318

00:19:17,985 --> 00:19:24,255

I will, I will put light and all

of a sudden, see in now watch this.

319

00:19:24,675 --> 00:19:24,885

Sure.

320

00:19:28,514 --> 00:19:28,665

Yep.

321

00:19:29,085 --> 00:19:29,215

Yep.

322

00:19:30,215 --> 00:19:33,155

You must think, no, you got to think.

323

00:19:33,544 --> 00:19:37,985

You got to think this is the dark side.

324

00:19:38,014 --> 00:19:43,685

Does the insight of I paint and right

now I painted inside of that drawer

325

00:19:43,715 --> 00:19:50,044

deal there that's inside the, and it

gets dark, a dog, a dog, a dog, the, in

326

00:19:50,044 --> 00:19:52,564

my mind, I see it around other daddy.

327

00:19:53,345 --> 00:19:53,764

See.

328

00:19:55,230 --> 00:20:01,740

Now I will ha have this side of,

of, uh, of that pottery there.

329

00:20:02,129 --> 00:20:10,169

So I, I divert the, I see in my mind

this side and then do it like C.

330

00:20:12,460 --> 00:20:12,700

Okay.

331

00:20:14,810 --> 00:20:17,960

See, see how you build insight.

332

00:20:18,169 --> 00:20:21,110

All of a sudden that is

now around in your mind.

333

00:20:22,080 --> 00:20:26,340

That's the why I built bottles

and cup and sources and coffee

334

00:20:26,370 --> 00:20:28,530

cups, and I name it glasses.

335

00:20:28,560 --> 00:20:32,820

And I always dream and let that disappear.

336

00:20:33,170 --> 00:20:33,950

Two, nothing.

337

00:20:34,490 --> 00:20:35,780

Oh, nothing.

338

00:20:36,020 --> 00:20:37,970

There's the power of art.

339

00:20:38,180 --> 00:20:39,890

That's the power of painting.

340

00:20:40,370 --> 00:20:42,800

That is where you really, really, really.

341

00:20:43,290 --> 00:20:48,149

I feel so powerful on my canvas

and, and that makes it nice.

342

00:20:48,540 --> 00:20:50,760

That is just fantastic.

343

00:20:51,209 --> 00:20:51,649

I don't know.

344

00:20:51,659 --> 00:20:56,070

That's more and more fun than

tastic, but it is tastic.

345

00:20:56,100 --> 00:20:57,360

Okay, good.

346

00:20:57,659 --> 00:21:00,270

Now see, now it traverses here.

347

00:21:00,270 --> 00:21:01,199

It will be dark.

348

00:21:01,229 --> 00:21:03,379

All of a sudden I use blue.

349

00:21:03,530 --> 00:21:06,860

I live in Clemson and

cut that off right there.

350

00:21:07,280 --> 00:21:07,790

You see?

351

00:21:08,459 --> 00:21:13,770

Because the light is coming from that side

and common sense tells me you don't have

352

00:21:13,770 --> 00:21:16,620

to be a doctor to, to understand that.

353

00:21:17,580 --> 00:21:22,409

See, now you can see it will

be always and forever and ever.

354

00:21:22,560 --> 00:21:27,449

When you have one light that light

rail as a sampler, that light rail hit.

355

00:21:28,770 --> 00:21:29,699

I just name it.

356

00:21:29,699 --> 00:21:29,879

Now.

357

00:21:30,179 --> 00:21:34,709

It really hit here that one

light, but it also hit there.

358

00:21:35,250 --> 00:21:36,810

It always red cross.

359

00:21:38,325 --> 00:21:43,155

No, you have two vibes, somewheres are

other light, or you have a blue light.

360

00:21:43,245 --> 00:21:43,605

Okay.

361

00:21:43,785 --> 00:21:47,385

I want you to understand

the whole philosophy of, of

362

00:21:47,415 --> 00:21:50,325

the shiny that is, is fired.

363

00:21:50,535 --> 00:21:52,485

That is shiny pottery.

364

00:21:53,415 --> 00:21:59,325

And as a sample, I have a

yellow light hanging and it

365

00:21:59,325 --> 00:22:03,075

would fire and dare and dare.

366

00:22:03,945 --> 00:22:05,475

It are always very cross.

367

00:22:06,600 --> 00:22:11,190

So there is no way of dang different

thinking because you got to think like

368

00:22:11,190 --> 00:22:16,350

that, then you're dangling in the right

direction, in the right direction.

369

00:22:16,350 --> 00:22:22,290

Joan, the Frenchman says

the right direction.

370

00:22:23,070 --> 00:22:24,450

Oh, okay.

371

00:22:27,660 --> 00:22:31,780

See, now you can, you

really can build it up.

372

00:22:33,345 --> 00:22:35,685

. And very applied pottery.

373

00:22:36,075 --> 00:22:37,575

You can use colors.

374

00:22:37,605 --> 00:22:45,465

You can, you can, uh, I will use a kind

of a Torah because color was always nice.

375

00:22:45,735 --> 00:22:46,754

This makes you itchy.

376

00:22:46,805 --> 00:22:47,375

You look at that.

377

00:22:47,585 --> 00:22:48,425

Ooh.

378

00:22:48,754 --> 00:22:51,754

Ooh, isn't that beautiful?

379

00:22:53,075 --> 00:22:56,764

I don't know, in a nice to live like that.

380

00:22:58,230 --> 00:23:01,530

Yeah, call us and then you can tickle him.

381

00:23:01,679 --> 00:23:05,370

You can take that, make him itchy.

382

00:23:05,730 --> 00:23:06,120

Okay.

383

00:23:06,120 --> 00:23:06,570

One minute.

384

00:23:06,600 --> 00:23:08,159

Let me show you, let

me show you something.

385

00:23:08,399 --> 00:23:11,909

You can, you can just

have a bouncing light.

386

00:23:11,939 --> 00:23:14,310

There that's a bone light.

387

00:23:14,370 --> 00:23:20,760

I was on as a bouncing at bounds

from wherever it comes from.

388

00:23:21,480 --> 00:23:22,409

And that's true.

389

00:23:29,960 --> 00:23:30,260

okay.

390

00:23:31,160 --> 00:23:32,750

So kind of a bouncing light.

391

00:23:33,200 --> 00:23:34,220

You can strain it out.

392

00:23:34,430 --> 00:23:36,170

You can have other light.

393

00:23:39,650 --> 00:23:40,580

Let me say, let me see.

394

00:23:40,910 --> 00:23:41,660

Let me see.

395

00:23:42,080 --> 00:23:44,600

We will, like I said, I take it now.

396

00:23:45,890 --> 00:23:46,640

It's pottery.

397

00:23:53,824 --> 00:23:54,665

let it disappear.

398

00:23:54,675 --> 00:23:58,475

Nothing that disappear,

nothing in the inside.

399

00:23:58,475 --> 00:23:59,524

Something there too.

400

00:24:03,905 --> 00:24:08,135

Oh, does visa stair, this is wonderful.

401

00:24:09,844 --> 00:24:11,465

They become big sellers.

402

00:24:11,495 --> 00:24:12,485

If you do it, the right.

403

00:24:13,740 --> 00:24:14,010

Okay.

404

00:24:14,190 --> 00:24:21,210

And then you can go into the light,

use yellow, yellow here a bit more.

405

00:24:21,390 --> 00:24:25,020

That gives you a higher ed,

higher bit higher colors.

406

00:24:25,020 --> 00:24:27,480

They're taking them there.

407

00:24:27,480 --> 00:24:28,860

And then, then they're there.

408

00:24:33,470 --> 00:24:34,370

Oh, okay.

409

00:24:34,850 --> 00:24:38,930

Now you can, you, you, you, you.

410

00:24:40,710 --> 00:24:44,399

You can, let me show you something nice.

411

00:24:44,399 --> 00:24:48,120

Now I will use the power of light.

412

00:24:48,149 --> 00:24:49,860

Now that's the brightest

413

00:25:14,930 --> 00:25:15,700

uh, disappear.

414

00:25:15,720 --> 00:25:16,310

Nothing.

415

00:25:17,300 --> 00:25:20,300

They let disappeared, disappear, nothing.

416

00:25:24,560 --> 00:25:24,920

here.

417

00:25:24,920 --> 00:25:26,870

You can, you can have it a bit too.

418

00:25:28,635 --> 00:25:30,625

All the think the opposite always stopped.

419

00:25:30,915 --> 00:25:31,845

Arvest opposite.

420

00:25:32,205 --> 00:25:33,045

It was on the outside.

421

00:25:33,045 --> 00:25:33,855

He is on inside.

422

00:25:33,855 --> 00:25:34,605

Dead on.

423

00:25:34,605 --> 00:25:36,705

I would said here I'm on the inside dead.

424

00:25:39,405 --> 00:25:41,435

No, I have a bigger rim.

425

00:25:41,705 --> 00:25:44,735

There should be a bigger

rim because it is pottery.

426

00:25:45,185 --> 00:25:47,255

He, then we give him a bigger rim.

427

00:25:47,615 --> 00:25:49,415

I give him a bag of them.

428

00:26:05,900 --> 00:26:07,880

now we do it on this side too.

429

00:26:08,840 --> 00:26:10,580

We do it on this side too.

430

00:26:24,225 --> 00:26:26,625

And you can walk around if you want to.

431

00:26:35,985 --> 00:26:36,584

No, I hear you.

432

00:26:36,845 --> 00:26:42,385

There's a bit more blue and white

blue, and right this blue and white.

433

00:26:48,530 --> 00:26:53,180

as you think about pottery now, you're

thinking about the, uh, there's burned.

434

00:26:53,180 --> 00:26:57,950

It is fired and firing turns

blue and the shadow side.

435

00:27:13,475 --> 00:27:20,135

see now you use your mighty bank Varage

and you move it up from the button, move

436

00:27:20,135 --> 00:27:26,345

it up from the bottom, move it up from

the button or move it down to the button.

437

00:27:27,419 --> 00:27:34,679

See, because they want to let it

disappear into two yonder, push it down.

438

00:27:42,780 --> 00:27:44,969

Then you have to paint on top of that.

439

00:27:45,419 --> 00:27:47,070

So you, you.

440

00:28:03,205 --> 00:28:04,285

they left that disappeared.

441

00:28:04,285 --> 00:28:05,675

They left it disappeared there.

442

00:28:06,215 --> 00:28:06,965

He wash it.

443

00:28:06,965 --> 00:28:07,985

The, just wash it.

444

00:28:07,985 --> 00:28:11,555

Then you have the, on my

deacon concern about it.

445

00:28:17,085 --> 00:28:17,535

446

00:28:18,345 --> 00:28:19,035

Okay.

447

00:28:19,595 --> 00:28:22,025

Then you stand back and

see how crooked you are.

448

00:28:22,805 --> 00:28:28,715

And now the, I cannot see when I'm

here, which side is more or less.

449

00:28:28,955 --> 00:28:31,025

And I learned I was on by stepping back.

450

00:28:31,435 --> 00:28:32,825

This side is more out.

451

00:28:33,425 --> 00:28:36,725

So what I do, I push

this out a little bit.

452

00:28:37,565 --> 00:28:37,985

See.

453

00:28:40,230 --> 00:28:42,090

Push that out a little bit.

454

00:28:43,380 --> 00:28:46,950

That's why they like to stand

up and not to sit down because

455

00:28:46,950 --> 00:28:48,780

you see perspective better.

456

00:28:49,910 --> 00:29:01,100

So, so, so, so, so, so we were, we

were at this tablet first, dabble

457

00:29:01,100 --> 00:29:03,530

it, and slowly I was out there.

458

00:29:05,630 --> 00:29:07,010

And then I stand back again.

459

00:29:08,070 --> 00:29:09,330

Oh, no, it's coming more.

460

00:29:09,330 --> 00:29:10,050

My why?

461

00:29:10,870 --> 00:29:12,179

Tell me more my way.

462

00:29:28,340 --> 00:29:31,610

Nobody wants to see the

light break that could break.

463

00:29:31,610 --> 00:29:33,110

It could be your memory.

464

00:29:33,110 --> 00:29:34,340

We talked about pottery.

465

00:29:35,025 --> 00:29:37,335

And there's all kinds of

bubbles and details there.

466

00:29:38,775 --> 00:29:41,775

And I, I just let the

brush loose very loose.

467

00:29:42,014 --> 00:29:43,004

It was bang, bang.

468

00:29:43,004 --> 00:29:45,405

It is like it hammers off it's

469

00:29:56,045 --> 00:29:56,465

good.

470

00:29:57,395 --> 00:30:00,245

Knowing the other side, if he

wants to, you can go on and

471

00:30:00,245 --> 00:30:02,675

on and on now, but the ideas.

472

00:30:03,314 --> 00:30:10,004

I just show you roughly which way I

approach it and which way I see let's

473

00:30:10,004 --> 00:30:16,094

do a little bit more blue there, asked

a bit more blue is the shadow side

474

00:30:16,514 --> 00:30:18,284

that gave me that little bit of extra.

475

00:30:18,284 --> 00:30:22,995

I want to have there and

look at that beautiful.

476

00:30:26,250 --> 00:30:27,440

Okay, good.

477

00:30:28,520 --> 00:30:35,630

No, the next step I will, he wrote,

he heard Dave, I repaint some grapes.

478

00:30:37,100 --> 00:30:45,410

I use my grape brush, kind of a brush like

this depends on how big grapes I want.

479

00:30:45,740 --> 00:30:52,760

If I wants to have green grapes, I would

prepare a green background behind with.

480

00:30:53,129 --> 00:30:58,620

Transparent green, but this time

I prepared it with a red, but

481

00:30:58,649 --> 00:31:02,760

alizarin, Crimson, and watch what

happened to my, to my grapes.

482

00:31:02,970 --> 00:31:03,840

They're torn.

483

00:31:04,139 --> 00:31:05,939

Watch those clips.

484

00:31:05,939 --> 00:31:06,720

Don't funny.

485

00:31:06,960 --> 00:31:07,470

Be done.

486

00:31:11,310 --> 00:31:12,600

Grape number one,

487

00:31:16,560 --> 00:31:17,850

number two.

488

00:31:18,975 --> 00:31:20,855

He, no, he can have it over.

489

00:31:20,925 --> 00:31:26,985

You don't have to pull him around,

you know, all the grape is over more C

490

00:31:30,315 --> 00:31:32,235

and you just fire in like that.

491

00:31:32,235 --> 00:31:36,315

Now what I show you here overlap

one will overlap the other grape.

492

00:31:37,845 --> 00:31:42,645

He makes this around, around what he.

493

00:31:49,490 --> 00:31:51,200

need more paper

494

00:31:56,690 --> 00:31:58,550

and it makes it so easy.

495

00:31:58,550 --> 00:31:59,900

It makes it so wonderful.

496

00:31:59,900 --> 00:32:02,180

Easy to, to live like that.

497

00:32:04,160 --> 00:32:05,600

That's fire in there.

498

00:32:05,880 --> 00:32:11,360

The, I wants to have the I'm very fussy

with the first grapes because they.

499

00:32:15,015 --> 00:32:15,975

That's the light side.

500

00:32:16,155 --> 00:32:17,355

That's the light side.

501

00:32:17,805 --> 00:32:19,185

And now you fire in more.

502

00:32:19,245 --> 00:32:19,845

How many?

503

00:32:19,845 --> 00:32:20,175

One?

504

00:32:20,205 --> 00:32:21,135

That doesn't matter.

505

00:32:21,135 --> 00:32:22,485

There's one behind there.

506

00:32:33,395 --> 00:32:34,415

so all the dead.

507

00:32:36,965 --> 00:32:38,045

So all the dead.

508

00:32:40,485 --> 00:32:51,165

So all the dead, other dead, and there's

the other, there is a bigger one.

509

00:32:51,855 --> 00:32:58,995

The smaller one I live was in

there and all of us over all

510

00:32:58,995 --> 00:33:02,145

together and all that, Dan.

511

00:33:03,135 --> 00:33:04,485

And are they here?

512

00:33:04,725 --> 00:33:09,435

Is he having the black there

that makes it so easy to create

513

00:33:09,435 --> 00:33:12,044

a whole bundle of grapes?

514

00:33:12,044 --> 00:33:15,284

There is he look at that at yes.

515

00:33:15,365 --> 00:33:27,635

Beautiful fire and fire and more,

more, more and more whatever.

516

00:33:27,875 --> 00:33:30,665

And let it go dark or dark or.

517

00:33:31,140 --> 00:33:33,690

Darker darker.

518

00:33:34,350 --> 00:33:35,460

Darker?

519

00:33:37,920 --> 00:33:38,120

No.

520

00:33:38,120 --> 00:33:38,700

Okay.

521

00:33:39,510 --> 00:33:40,530

Clean your brush.

522

00:33:44,420 --> 00:33:44,750

Aye.

523

00:33:46,490 --> 00:33:46,880

Okay.

524

00:33:47,810 --> 00:33:48,030

Is he okay?

525

00:33:48,465 --> 00:33:50,504

I go over with all kinds of more fruit.

526

00:33:50,775 --> 00:33:54,375

I couldn't make it as much as I want,

but I think I stopped right there

527

00:33:54,375 --> 00:33:56,835

because that would be all every show.

528

00:33:57,135 --> 00:34:00,855

There would be a big grapefruit

here and never be an orange there.

529

00:34:01,055 --> 00:34:03,885

I never like to put the glass

in if I have time enough.

530

00:34:04,335 --> 00:34:07,395

So what I do know, I

repeat the whole thing.

531

00:34:08,025 --> 00:34:15,824

They start off with number one there, and

I only go from the light, see the light.

532

00:34:16,740 --> 00:34:18,600

Or the light is bright.

533

00:34:20,190 --> 00:34:21,450

See, look at that.

534

00:34:32,510 --> 00:34:34,639

maybe this one to pull out a bit more.

535

00:34:36,680 --> 00:34:38,720

This one we put out a bit more.

536

00:34:51,545 --> 00:34:55,264

I would love to see it

getting darker on the button.

537

00:34:55,985 --> 00:34:59,135

And now I hypnotized all those grapes.

538

00:35:05,255 --> 00:35:06,995

with my own mighty big brush.

539

00:35:07,475 --> 00:35:08,105

Watch this.

540

00:35:12,870 --> 00:35:15,810

No, no, I put him back up again.

541

00:35:17,130 --> 00:35:18,780

I bring him back up again.

542

00:35:23,330 --> 00:35:26,210

Then I can see you don't use much paint.

543

00:35:26,210 --> 00:35:31,190

You're very careful with your

paint because I only, I actually

544

00:35:31,250 --> 00:35:33,590

in the now I really burn them up.

545

00:35:33,590 --> 00:35:34,190

Nice.

546

00:35:34,880 --> 00:35:37,670

Maybe this one should pop up a bit more.

547

00:35:37,995 --> 00:35:42,194

Maybe this one a bit more, this one

a bit more, maybe this one here,

548

00:35:42,194 --> 00:35:47,475

but more the, and then it asks for

the enter yonder and that's it.

549

00:35:50,085 --> 00:35:51,255

Maybe the first one.

550

00:35:51,495 --> 00:35:53,955

Let's be very fussy with that one there.

551

00:35:54,855 --> 00:36:00,424

That should be light on top a second one.

552

00:36:08,384 --> 00:36:09,105

See.

553

00:36:16,855 --> 00:36:17,625

Okay.

554

00:36:18,345 --> 00:36:20,355

So we were not fuss around anymore.

555

00:36:21,075 --> 00:36:25,365

I just were hypnotize

it again a little bit.

556

00:36:25,365 --> 00:36:28,765

She has to read a little

bit, very light, very light.

557

00:36:31,305 --> 00:36:39,345

But now the next step I put highlights

on Vite and a little touch of

558

00:36:39,645 --> 00:36:47,325

yellow and watch this bang, bang,

bang, bang, bang, bang, and all

559

00:36:47,325 --> 00:36:49,575

of a sudden the same in the same

560

00:36:54,615 --> 00:36:55,725

spot using it.

561

00:36:59,990 --> 00:37:00,200

Yeah.

562

00:37:00,890 --> 00:37:05,750

And then you can go and you look, and you

would think if I just put dots on there,

563

00:37:06,050 --> 00:37:07,550

you would think they're more grapes.

564

00:37:07,550 --> 00:37:11,420

There's not, but that's fine.

565

00:37:11,450 --> 00:37:12,440

That's beautiful.

566

00:37:12,980 --> 00:37:15,740

Now the next step, the next step.

567

00:37:16,440 --> 00:37:24,390

You cover up what you don't like as

a sample, I will use red and yellow.

568

00:37:24,390 --> 00:37:32,400

Look what I do here, yellow and the red

and, and put it all in my fan brush.

569

00:37:32,700 --> 00:37:38,940

And I will put some mighty grape leaves

on and I do it like side move in.

570

00:37:39,900 --> 00:37:44,130

He has one patch and

thank the ribs are in.

571

00:37:44,490 --> 00:37:53,520

No, I make the same thing upside

down in C and then you form you form.

572

00:37:53,700 --> 00:38:00,320

I would say up here in C and

R it was have the ribs dank.

573

00:38:00,350 --> 00:38:02,070

This is the Holy that's.

574

00:38:02,090 --> 00:38:04,040

The whole grape leaves.

575

00:38:10,760 --> 00:38:11,570

They're big.

576

00:38:12,380 --> 00:38:13,280

They're big.

577

00:38:22,484 --> 00:38:25,754

You see that beautiful bag

578

00:38:28,774 --> 00:38:30,935

one overlaps the nada.

579

00:38:31,805 --> 00:38:33,634

Then you have this one here.

580

00:38:33,634 --> 00:38:37,745

You can act like it goes

the other way around.

581

00:38:37,774 --> 00:38:38,794

It's folded up.

582

00:38:39,424 --> 00:38:42,274

You see, as far as up.

583

00:39:05,615 --> 00:39:06,935

see how easy it is now.

584

00:39:06,964 --> 00:39:09,105

I really make that.

585

00:39:10,530 --> 00:39:11,520

Rolling over.

586

00:39:11,520 --> 00:39:18,510

See that leave is twisted all of a

sudden, and that's what is a good seller.

587

00:39:18,510 --> 00:39:23,940

If you can put that together, the right

show you here, you will have all mighty

588

00:39:23,940 --> 00:39:26,460

power in your, whatever you do this.

589

00:39:26,520 --> 00:39:27,240

Dang.

590

00:39:27,360 --> 00:39:27,750

Dang.

591

00:39:27,750 --> 00:39:27,990

Dang.

592

00:39:27,990 --> 00:39:28,230

Dang.

593

00:39:28,260 --> 00:39:28,560

Dang.

594

00:39:28,830 --> 00:39:29,910

That's the way you wanted.

595

00:39:29,910 --> 00:39:33,690

And as the writer will go, that's it.

596

00:39:33,970 --> 00:39:34,550

That's it.

597

00:39:39,450 --> 00:39:40,560

So that's fine.

598

00:39:46,100 --> 00:39:46,940

okay.

599

00:39:47,120 --> 00:39:53,780

The next step I will, I will

use my one inch brush and I put

600

00:39:53,780 --> 00:39:56,360

the bag grapefruit in there.

601

00:39:57,380 --> 00:40:00,230

Big grapefruit right there.

602

00:40:00,630 --> 00:40:02,750

That's already inviting me to do that.

603

00:40:03,680 --> 00:40:04,760

They grapefruit.

604

00:40:08,734 --> 00:40:13,685

He then whatever you put next

will come on top of he does a bag

605

00:40:13,714 --> 00:40:16,955

and a fruit big, big grapefruit.

606

00:40:18,274 --> 00:40:24,185

No, the lights coming from that

side, then try to do it like that.

607

00:40:26,314 --> 00:40:31,145

And I just coming from that side and

what, and what, and what, and what, look

608

00:40:31,145 --> 00:40:33,334

at that beautiful shape coming up there.

609

00:40:35,370 --> 00:40:40,609

No on the bottom, have darker

colors, have the dark colors, even

610

00:40:40,609 --> 00:40:48,040

what we all got here, the, that

this that's more like dark, dark,

611

00:40:48,040 --> 00:40:50,029

dark that disappear the bestest.

612

00:40:50,029 --> 00:40:55,250

You allowed to disappear and

to nothing, nothing, nothing.

613

00:40:56,540 --> 00:40:58,009

And then that's powerful.

614

00:40:58,819 --> 00:40:59,960

It's nice in their own.

615

00:40:59,960 --> 00:41:01,040

And it's coming out with that.

616

00:41:01,915 --> 00:41:04,305

Whatever's coming out

because then you can overlap.

617

00:41:04,425 --> 00:41:06,855

You can put something

on top of that again.

618

00:41:08,175 --> 00:41:13,815

See, now I would love to

put the orange next to that.

619

00:41:13,815 --> 00:41:14,775

Grapefruit.

620

00:41:17,625 --> 00:41:18,885

Maybe we do it like that.

621

00:41:18,915 --> 00:41:19,305

Now

622

00:41:26,725 --> 00:41:29,345

the orange will be painted

in the same direction.

623

00:41:29,345 --> 00:41:30,365

Just smaller.

624

00:41:31,109 --> 00:41:32,939

And you use orange colors.

625

00:41:33,540 --> 00:41:35,129

See, let it disappear.

626

00:41:35,129 --> 00:41:36,330

Let it be nothing.

627

00:41:37,020 --> 00:41:38,730

Everything is coming out of nothing.

628

00:41:39,540 --> 00:41:42,779

I had mixed it nice as

so much power in that.

629

00:41:48,870 --> 00:41:51,569

And yeah, those things there are parades.

630

00:41:53,129 --> 00:41:56,669

See, I don't know if you can

understand it right there.

631

00:41:58,020 --> 00:41:59,370

Maybe he had a have recovery.

632

00:42:00,315 --> 00:42:07,655

Cover the things in, uh, the

normal, we put the Apple in a happy

633

00:42:07,715 --> 00:42:14,195

Apple, the Apple are, we paying

them red and white, red and white.

634

00:42:14,915 --> 00:42:17,765

I leave out the oranges,

the orange colors.

635

00:42:18,755 --> 00:42:26,165

Then I use Vite white and the

Tetra for red, something like that.

636

00:42:27,435 --> 00:42:28,004

Okay.

637

00:42:28,004 --> 00:42:29,865

See how I mix that together here.

638

00:42:31,634 --> 00:42:37,214

I know you're you can, the light's coming

from this side thing thing that I bliss

639

00:42:45,814 --> 00:42:47,404

standing on that table there,

640

00:42:50,705 --> 00:42:54,365

the app is it's shiny.

641

00:43:01,685 --> 00:43:02,115

All right.

642

00:43:08,355 --> 00:43:12,095

Just, just cut the forms and

I would want to thank this.

643

00:43:12,095 --> 00:43:14,165

That's them address them?

644

00:43:15,255 --> 00:43:16,025

That's fine.

645

00:43:16,685 --> 00:43:17,404

That's fine.

646

00:43:20,355 --> 00:43:23,205

No, you can dress it up from

the other side, which bit?

647

00:43:23,205 --> 00:43:25,575

Alizarin, Crimson, darker.

648

00:43:25,634 --> 00:43:28,464

That's the dark side of the app.

649

00:43:28,605 --> 00:43:30,884

See, I live in Crimson.

650

00:43:31,305 --> 00:43:31,725

Good.

651

00:43:34,475 --> 00:43:39,384

Uh, make it tasty, make it so that

she will love to eat that Apple.

652

00:43:50,930 --> 00:43:53,360

okay now on light side,

653

00:43:57,500 --> 00:44:03,290

white and red again, but just

move white and cut and highlights.

654

00:44:04,580 --> 00:44:04,760

Yeah.

655

00:44:06,360 --> 00:44:09,600

Nice and maybe cut in here a little bit.

656

00:44:09,779 --> 00:44:11,819

He thinks this is around in itself.

657

00:44:13,170 --> 00:44:14,310

That little text it.

658

00:44:19,799 --> 00:44:20,460

All right.

659

00:44:21,930 --> 00:44:30,299

Hey then you, you, you, you, I, you to

pain before we start anything, I wants

660

00:44:30,310 --> 00:44:34,110

to paint a little glass there cause

I would have loved to show you glass.

661

00:44:34,905 --> 00:44:38,295

There will be a nice, happy

little glass then in there,

662

00:44:43,625 --> 00:44:49,415

like a nice little wine glass,

but look, I feathered and I,

663

00:44:49,715 --> 00:44:52,695

I breathe in, I breathe it.

664

00:44:52,715 --> 00:45:00,785

Then you see, I breathe it in

and make it so this, the watch.

665

00:45:01,350 --> 00:45:07,020

I go around, around and

around and around and around.

666

00:45:07,440 --> 00:45:11,819

So you have that whole, and the last,

you know, we have smart glasses, big

667

00:45:11,819 --> 00:45:16,259

glasses charge, that's a stick glasses,

then glasses, whatever, whatever you

668

00:45:16,259 --> 00:45:18,990

paint that's, that's good for you.

669

00:45:19,290 --> 00:45:20,370

Good for you.

670

00:45:20,960 --> 00:45:24,859

But what I do know is the other side,

again, like I did here, this is the

671

00:45:24,859 --> 00:45:26,900

other side of, of, of that class.

672

00:45:31,140 --> 00:45:33,360

Oh, this side of that glass.

673

00:45:42,680 --> 00:45:42,920

Hm.

674

00:45:43,030 --> 00:45:43,240

Hm.

675

00:45:44,240 --> 00:45:44,840

The

676

00:45:51,620 --> 00:45:53,360

make sure you have both sides.

677

00:45:54,315 --> 00:46:00,285

Does she have, not crooked, but

if you have it crooked, whom I have

678

00:46:00,285 --> 00:46:04,635

a glass standing there, I found it

somewhere in a secondhand store.

679

00:46:05,685 --> 00:46:07,665

And that is absolutely Crocket.

680

00:46:08,245 --> 00:46:09,435

They made it crooked.

681

00:46:10,425 --> 00:46:13,275

So it must be handmade.

682

00:46:13,755 --> 00:46:21,315

So I always say when I have it crooked, it

is a handmade glass is a handmade glass.

683

00:46:22,200 --> 00:46:30,060

So why did everybody then yeah, now

you can, you can pound and call us.

684

00:46:30,270 --> 00:46:34,080

You can pound in some arrays from

the bottom, the other sample you

685

00:46:34,080 --> 00:46:39,030

would think they had, it was vine

was in there and there's empty.

686

00:46:39,030 --> 00:46:42,810

No, but the stairs, the echo,

there's still that little bit of

687

00:46:43,080 --> 00:46:50,310

red wine and bouncing light that

bouncing light from the table.

688

00:46:50,430 --> 00:46:50,760

See.

689

00:46:51,630 --> 00:46:53,490

That bouncing light from the table.

690

00:46:58,580 --> 00:47:00,290

Now, everybody stand back in CSE.

691

00:47:00,500 --> 00:47:02,960

This side is further out

and this side is not.

692

00:47:03,410 --> 00:47:07,340

So then you would do what I showed

you the same on the, on the clock.

693

00:47:08,000 --> 00:47:08,660

Just make it.

694

00:47:08,990 --> 00:47:13,670

So it is both sides are

roughly in the same shape.

695

00:47:18,470 --> 00:47:19,130

Okay.

696

00:47:20,085 --> 00:47:28,185

See now the next step is I will, I

will paint this side of the glass

697

00:47:32,015 --> 00:47:34,174

and I do the same thing again.

698

00:47:43,325 --> 00:47:44,285

make that over.

699

00:47:45,005 --> 00:47:46,085

Make that over it.

700

00:47:51,045 --> 00:47:54,945

Nowadays, you have to stop

breathing sometime and, and

701

00:47:57,105 --> 00:47:59,625

see, and now I cut in this side,

702

00:48:05,685 --> 00:48:08,325

same ID, like, like we did the other thing

703

00:48:11,505 --> 00:48:14,385

and you cut the light

into the inside there.

704

00:48:15,510 --> 00:48:16,470

On this side,

705

00:48:20,010 --> 00:48:20,670

you see?

706

00:48:21,120 --> 00:48:26,490

No, always on, you got again inside on

the outside and you have formed your

707

00:48:26,490 --> 00:48:34,860

happy little glass, but what I learned

as more attaches as more, I ruin it.

708

00:48:36,030 --> 00:48:39,810

There is one stroke and

that is almighty stroke.

709

00:48:40,365 --> 00:48:41,865

And leave it if you can.

710

00:48:41,975 --> 00:48:45,195

I tell you that and I do it over

and over again, but that seems to

711

00:48:45,195 --> 00:48:47,385

be the nature of any human beings.

712

00:48:47,415 --> 00:48:50,745

When you paint, you always

think I can do it better.

713

00:48:50,865 --> 00:48:52,485

I know I can do it better.

714

00:48:53,175 --> 00:48:56,325

The now comes a time where you

put your foot up on the easel

715

00:48:56,895 --> 00:48:58,935

and your mighty step later.

716

00:49:00,255 --> 00:49:00,875

And.

717

00:49:01,335 --> 00:49:03,194

I lay on my palette.

718

00:49:03,464 --> 00:49:04,665

Take a look on that here.

719

00:49:04,935 --> 00:49:06,585

I have a little nail here.

720

00:49:06,735 --> 00:49:07,785

I don't know if you see it.

721

00:49:08,235 --> 00:49:12,315

And that has a meaning that nail

here is a little screw sticking out.

722

00:49:12,735 --> 00:49:18,615

And I put my pallet on top of

that and put my foot up like this.

723

00:49:18,645 --> 00:49:21,735

And I got the almighty

control of my hand there.

724

00:49:23,565 --> 00:49:25,285

And then as you used to have breezing.

725

00:49:32,325 --> 00:49:33,645

And stop talking to

726

00:49:38,625 --> 00:49:43,755

that little twist and again, on this side.

727

00:49:58,080 --> 00:50:01,910

it's not necessary to put it all around.

728

00:50:02,299 --> 00:50:03,470

It is more power.

729

00:50:03,470 --> 00:50:06,960

If you do it, what I showed you

there, this make it on one side and

730

00:50:06,980 --> 00:50:10,669

the other side, as long as you got

the beginning of that whole rim,

731

00:50:13,910 --> 00:50:18,109

no, I would put it still down where

I think it is not in the right shape.

732

00:50:20,520 --> 00:50:22,050

They know, you're beautiful.

733

00:50:22,050 --> 00:50:23,610

Nice, nice.

734

00:50:23,610 --> 00:50:24,240

Beginning.

735

00:50:24,840 --> 00:50:32,070

This goes into the inside and they

never know the next step for B form,

736

00:50:32,070 --> 00:50:35,130

a long line form long line down.

737

00:50:36,700 --> 00:50:40,010

You make sure you have a street mrs.

738

00:50:40,010 --> 00:50:42,440

Kid, because I, I just do it.

739

00:50:42,560 --> 00:50:43,130

That's why.

740

00:50:43,130 --> 00:50:47,240

And then, then I start more see,

then, then you can start more.

741

00:50:55,935 --> 00:51:00,975

Yeah, I don't want to shout at the

bottom because I put more fruit

742

00:51:00,975 --> 00:51:03,105

on there so I can avoid that.

743

00:51:03,675 --> 00:51:10,275

But what I do here, I will,

I, I will, I will, I will show

744

00:51:10,275 --> 00:51:12,195

you how we get the buttom done.

745

00:51:13,845 --> 00:51:17,075

I put a little bit of

oval in the inside, dead.

746

00:51:17,345 --> 00:51:24,785

All of a sudden they're a

little bit, you see that's nice.

747

00:51:26,195 --> 00:51:29,945

And then you can put forms

in there as a sample.

748

00:51:29,945 --> 00:51:31,895

I would have it around there.

749

00:51:33,215 --> 00:51:33,605

See,

750

00:51:37,055 --> 00:51:39,815

and the other side, doc, other side doc.

751

00:51:41,055 --> 00:51:42,615

I dunno if he can see it right.

752

00:51:58,625 --> 00:52:02,765

I don't want to fiddle around

too much, then highlight that.

753

00:52:03,575 --> 00:52:07,835

And it will highlight here a

little bit like glass pain.

754

00:52:09,915 --> 00:52:10,275

Pain.

755

00:52:11,325 --> 00:52:14,705

They just let it lion

coming out like that.

756

00:52:14,915 --> 00:52:15,755

That's good.

757

00:52:16,595 --> 00:52:17,915

I won't even touch it there.

758

00:52:18,215 --> 00:52:27,395

Now, if you want, you can make it like

a, like a, you know, like his crew, like

759

00:52:28,295 --> 00:52:36,695

they, they think this way, think this

way it has a twist and mighty twist.

760

00:52:36,695 --> 00:52:36,935

Yeah.

761

00:52:37,740 --> 00:52:39,780

At the class, he and other side.

762

00:52:40,440 --> 00:52:42,410

And it's times like this,

763

00:52:46,640 --> 00:52:52,800

like this, that you have to think

that was around and it was down like

764

00:52:52,890 --> 00:52:57,120

this, but then it's the other side

there a little bit, then there's

765

00:52:57,120 --> 00:52:58,890

the other side a little bit there.

766

00:52:59,910 --> 00:53:03,330

See, That's up to you.

767

00:53:03,480 --> 00:53:07,190

The, I usually do larder find

work and those kinds of things,

768

00:53:07,190 --> 00:53:11,240

because I, I enjoyed that

because I, I wants to be my own.

769

00:53:11,870 --> 00:53:12,200

Yeah.

770

00:53:12,230 --> 00:53:17,090

I wants to be my own creator and

then highlighted there, highlighted

771

00:53:17,090 --> 00:53:19,340

there and highlighted forever.

772

00:53:20,270 --> 00:53:20,630

Thank you.

773

00:53:20,680 --> 00:53:22,819

It should be done the best.

774

00:53:24,134 --> 00:53:28,544

And then that here and then that

there little, that there is glass,

775

00:53:28,634 --> 00:53:33,254

you always have to think it's glass C.

776

00:53:33,674 --> 00:53:34,424

Okay.

777

00:53:34,935 --> 00:53:39,435

Now the next step, that's

usually how I form my glasses.

778

00:53:43,084 --> 00:53:47,884

I put the other orange around,

I use the other orange around

779

00:53:48,064 --> 00:53:51,725

here on this side then.

780

00:53:52,485 --> 00:53:56,325

No, I do it because I cover up that foot.

781

00:53:57,815 --> 00:53:59,325

It saves me work.

782

00:54:00,405 --> 00:54:01,215

I'm cheating.

783

00:54:02,235 --> 00:54:04,035

I like to put that into my.

784

00:54:04,350 --> 00:54:09,090

Teaching ID because you, it, as

more your pain you will avoid.

785

00:54:09,450 --> 00:54:11,460

I was just telling you

a little story here.

786

00:54:11,820 --> 00:54:16,850

I had to paint the three ones in

Canada and the green has had the

787

00:54:16,910 --> 00:54:21,590

bouquet of flowers in her hand,

and they want me to paint and.

788

00:54:22,455 --> 00:54:24,674

And the hand was shown so bad.

789

00:54:24,855 --> 00:54:31,214

Does the painting your hand is, is, is

this a bad job, but what I did, I turned

790

00:54:31,214 --> 00:54:33,944

the bouquet of flowers over her hand.

791

00:54:34,605 --> 00:54:39,944

So I saved all that hard work because

I just had flowers on top of it

792

00:54:40,515 --> 00:54:43,185

and I saved hours of extra work.

793

00:54:43,455 --> 00:54:45,495

It's awful hard to paint hands.

794

00:54:46,785 --> 00:54:46,964

So.

795

00:54:47,700 --> 00:54:51,870

That's what I show you things here,

you avoid things, you overlap things,

796

00:54:52,049 --> 00:54:56,100

and it is still a wonderful painting,

but you, you become a little bit

797

00:54:56,100 --> 00:54:58,830

smarter as long, or you paint as more.

798

00:54:58,830 --> 00:55:00,570

You paint as smarter you get.

799

00:55:01,620 --> 00:55:02,130

Okay.

800

00:55:02,430 --> 00:55:03,960

Good, good, good.

801

00:55:07,020 --> 00:55:10,710

That's the whole idea on my whole

teaching, because I want you to

802

00:55:10,980 --> 00:55:16,650

be the top of the top and you

learn, you learn by accident.

803

00:55:17,174 --> 00:55:23,775

Or you learn it's necessary not to put

all that in, see here, I put the plum

804

00:55:23,775 --> 00:55:29,714

and an other plum and see here make,

because that class would show up there.

805

00:55:29,895 --> 00:55:32,145

I don't want to show the class what I do.

806

00:55:32,415 --> 00:55:32,775

See.

807

00:55:32,775 --> 00:55:34,485

I put the plum up there.

808

00:55:37,714 --> 00:55:38,045

Yeah.

809

00:55:38,495 --> 00:55:38,915

Thank me.

810

00:55:38,915 --> 00:55:39,665

One day he was here.

811

00:55:39,674 --> 00:55:40,444

That's on the run.

812

00:55:40,444 --> 00:55:41,765

He knows what he's doing.

813

00:55:42,424 --> 00:55:44,194

See, that's the whole idea.

814

00:55:45,855 --> 00:55:51,904

Fired into the table a little bit

there and they have other plum maybe

815

00:55:51,904 --> 00:55:56,375

here, fill out this whole sea blue.

816

00:55:56,734 --> 00:56:03,275

It mix it nice fires right into

the table there, fire that into

817

00:56:03,275 --> 00:56:09,305

the table there, see fire, all that

interest, Tabor, whatever you want.

818

00:56:09,305 --> 00:56:13,355

Now, he had fired this

and, and this and that.

819

00:56:13,415 --> 00:56:13,685

And.

820

00:56:14,355 --> 00:56:15,795

You see there, look at that.

821

00:56:15,795 --> 00:56:17,745

That makes that whole painting.

822

00:56:17,745 --> 00:56:22,995

You build that whole painting up now and

have a little bit of that firing in there.

823

00:56:23,325 --> 00:56:28,845

And here a little bit of that, you see

an olive on that Apple in the background.

824

00:56:29,085 --> 00:56:31,965

Very steady, pop up a little

bit with colors there.

825

00:56:32,805 --> 00:56:33,225

See?

826

00:56:34,785 --> 00:56:35,005

Yeah.

827

00:56:35,005 --> 00:56:35,475

Yeah.

828

00:56:39,825 --> 00:56:41,595

And it makes it very nice.

829

00:56:42,165 --> 00:56:51,845

Now the next step is I use my almighty

magic knife and I, and I, I run in, I

830

00:56:51,855 --> 00:57:00,515

know if it aligns, you look at that, he,

I believe I bird power into that painting.

831

00:57:00,855 --> 00:57:05,915

It could be water, it could be

anything, but it makes the table flat.

832

00:57:05,945 --> 00:57:10,745

All of a sudden, you

see the watch that see.

833

00:57:12,315 --> 00:57:12,855

No.

834

00:57:14,215 --> 00:57:20,375

See what's happened and what

we get a happy little, still

835

00:57:20,375 --> 00:57:23,675

life, a happy little still life.

836

00:57:27,125 --> 00:57:27,365

Yeah.

837

00:57:27,365 --> 00:57:28,985

And I like to put it together.

838

00:57:29,465 --> 00:57:32,345

I don't want to go out too much,

you know, put it together and then

839

00:57:32,345 --> 00:57:36,665

they quick and the chart, the chart

move, put it together and that's it.

840

00:57:42,320 --> 00:57:43,020

there you go.

841

00:57:44,780 --> 00:57:45,410

Okay.

842

00:57:48,710 --> 00:57:50,930

See, Debra finished.

843

00:57:50,960 --> 00:57:52,970

Is that on my painting?

844

00:57:53,780 --> 00:57:55,040

That is finished?

845

00:57:55,070 --> 00:57:55,640

No.

846

00:57:57,260 --> 00:57:59,240

Hey, couple happy to lines.

847

00:58:01,290 --> 00:58:06,330

I hope you enjoyed it and you can paint

all kinds of things more if you want to.

848

00:58:06,900 --> 00:58:08,460

And I thank you for watching me.

849

00:58:08,700 --> 00:58:08,940

Bye.

850

00:58:08,940 --> 00:58:09,360

Bye

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, William Alexander - Magic Art Instructor #106 - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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