Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Still Life Roses - AVAILABLE

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Three roses.

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You know, my beautiful, the

red Rose is that easy to do.

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If you got the idea how it is done,

I just use a black canvas again,

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that's a mighty black canvas.

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be with the roses.

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Be there.

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I took my I loud again

in my head, shut it down.

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And on the river, I would

like to hear the water.

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I liked that mother earth talking to me.

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Oh, that's wonderful.

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That's wonderful.

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That's just a joy to be here out there.

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And I feel sorry for people that

have a little hole the, in the

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basement and have to paint there.

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I wish I could help you because

it is not, it's not inspiring.

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I got to have lots of inspiration

and that's what I always like to say.

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I brainwash myself.

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Okay.

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I have, uh, I live in Crimson

here and I canvas with alizarin

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Crimson, uh, lives in Crimson, but

keep it, keep it thick and strong.

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Keep it thick and

strong, thick and strong.

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Don't turn it down.

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Never, never done it down because

you never get what you aim for.

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See, I should show you something

should show you something here.

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I just have a piece of paper.

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If I would paint on white

canvas, it would look like this.

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Can you see it?

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I'm sorry.

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I just used my, they have it on me or

the piece of paper on the black canvas.

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It it's dark, but the power would

come out on the attachment with

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Vite over jello or whatever, right?

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Oh, we fire right in there.

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and VAR where you have the roses put

the bit more, put the bit, not too

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much, but make it more richer, but

more richer around the roses, but then

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you can, you can get normal again.

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I learned he, you can have hungry roses

by having not too much, not enough paint

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on there, but if you have too much.

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Then you smear it just hard.

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You have to practice that first,

make some rich, nice red roses and

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never show you how they come out.

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See, I roll over the whole canvas

over the whole canvas like this.

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No, I would like to put that kind of a.

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These on there, but I must

have it coming out of the dog.

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What I do now is he same brush.

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I didn't punch my brunch at tall.

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I go into a passion

blue C enter depression.

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And can you see, it's hard

to see in the dark here.

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It's hard to see, but you know,

you have, you have a darker color

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there and whatever you put on light.

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Will be darker Irish, how you lead on

when we go to it, you hear I have, but

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I have it staring mixed with that cream.

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Every bit.

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Allergy alizarin, Crimson.

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You understand the ID is mixed, but I

don't have to mix it because they had the

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olives in Kim's now at the end, my brush.

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You see?

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So that's why it is mixed

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Irish.

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I wish I wish I wish I wish I wish I

ever think if they could invent the TV

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set where we can talk to each other one.

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That'd be nice.

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Now you could say bill,

I don't understand that.

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And that, and then I could easily say Z

how sometime I feel, I don't explain it.

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Good enough.

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And that makes me feel, but uneasy

now with that, with that blue.

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And I live in Clemson.

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I come up.

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So, you know, I come up, which I did.

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I mix C I mix, I mix a darker,

darker, lighter, lighter, because

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that will be lighter because I

live in Crimson and white is light.

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Now I wish we could talk if we could talk.

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Now, I think you would

ask me a lot of questions.

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Maybe one day we have a change to talk.

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Maybe here in this corner,

I put a bit of darker and.

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But I will not touch the

middle where I have the roses.

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Maybe here, I would put a bit of

blue and because I might might touch

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some sea, you must always think

Allergan, Crimson and Prussian blue.

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Now, when I put vitamin

a, it becomes purpose.

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We start mixing shoes.

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Okay.

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I haven't used the other brush

in order to make it more faster.

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And, and have to wash that brush.

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Now I will start from the middle

here with the clean brush.

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See, make sure you have it nicely.

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And, and now watch this.

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Can you see what happened?

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All of a sudden

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you can see better

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see what your brush is

doing to the canvas.

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But see, I can spot it in this

light up here, but they get

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darker, darker, darker down there.

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Okay.

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Wash my brush and ever use a fan brush,

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a happy little fan brush and Ivan.

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He was right.

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Attaches.

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Right.

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Let me see, take her look or take it off.

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The first thing that I

do, I put rules to sin.

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Thank you.

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There may be roses that bill

believes and there will be boys,

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but I put the roses in first.

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You can paint first.

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The Rose is because now

let them look to you.

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Let them hang downside, but let them

hang down down or let them stand up.

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The having an odd directions,

I would start off like this.

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See what the nice can you see how,

uh, never start off like that?

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See, I always put the, all of us,

have a clean now start off like this.

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See.

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You build in your bed, something

you think that there's this

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time you got to watch the STEM?

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I barely kind of in there.

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See?

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Okay.

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No, maybe if we go here like this,

see now I pushed from the bottom up.

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SI.

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Again,

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no, maybe we have one in the middle here.

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Let it run.

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And the other little one and the other

little one and the other little one,

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they though you come out of the insight.

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And maybe we make one like this.

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Okay.

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And maybe we make one like this

there's like this there's by touching

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it it's looks it's coming to you.

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It is, it's rolled over a little bit,

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clean my brush and put in the

other rows and other patterns.

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Maybe here, here.

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I heard

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see Sunday like that.

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Okay.

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We are proud to other rows.

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We will have other rows

maybe here looking at you.

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So I make a little hole there.

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And go around that hole, like

just the beginning of that insight

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and have another one coming

this way or that one, this right

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dancing around that.

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But all of us do the insights

always have a feeling they have.

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It'd be just a line.

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You must think divided.

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You look at that.

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Maybe hear a little bit better.

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Maybe here one more

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here.

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One bigger one.

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See if he wants to create those

corners, then, then push a bit harder.

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Push a bit harder.

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If I looked like this, see.

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And you just walk around.

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See?

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Okay.

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And maybe here one more and

here one more and here one more.

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And then you can go as much as you want.

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The, this Rose looks at you more or less.

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Um, maybe here's one, one hanging down.

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Try to think in that direction.

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What I did when I started, I had a

transparent milk bottle and I put

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the Rose in and I turned the Rose.

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Every time I painted that

Rose, I turned that this, buy

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this, buy this, buy this buy.

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So there's a good pain from all

sides and in, from the back.

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And there's only one stroke and that's

the almighty stroke, but keep it dry.

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Very, very, very dry.

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Very, very dry.

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No, we say fine.

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Leave it like that.

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And maybe here's one other

rows standing up like this.

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Hello?

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Can I have like this.

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The inside, put the insight in,

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and then you can stare dab like

this, let things in the inside.

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So this, you feel they are

more, more than the inside.

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And then you can have other one

running like this, then they maybe

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other one again like this, uh, they

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maybe then we have other, one

other one interested in the

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Beginning of the Rose is a brand new one.

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Um, we really let them come out like this.

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See Dan, maybe have one, one

big one hanging down here,

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and then we finished that

one up like this too.

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Make us sweep to the inside

and have it nice there.

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Bring him out nice because he could

see more or less that's hanging down.

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You see the back of the rows

more here, the hole, the hole,

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because he make it nice like this,

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and then you, you, you,

you can have other one.

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Yes.

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Yes like this,

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and you can have an other one like this,

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and then you can still

have other ones like this

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and not froze.

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How about we leave it?

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Like it is because you

can plastic and plastic.

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I learned as, as little you

give as more values in it.

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Use your mighty brush.

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Now the big brush, clean brush,

I will look for an extra new one.

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I tell you about, I say X new one.

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Because the brushes

they're better off a lot.

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And if you use a brush so that the

old, it becomes a scrubber, and I

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tried to find a new one with nice

long here and I have to hypnotize.

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It's the old thing.

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Watch what's happening now.

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Go crosswise.

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See, watch what's happened now.

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Nice and Jansen.

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See if you, if you ruin it somewhere,

you can, but nice and generous.

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Nice and genuine.

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Nice and gender.

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Very, very, very, very light stroke.

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Very, very light through

very, very light stru.

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Just like you attach it.

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Just like attach it a little bit.

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I can pull it out a little bit.

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That's a, that is a very, very,

very light, light tach, very,

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very light attached there.

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Very, very light touch.

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I don't want to lose it.

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See, sometime the paint is a bit too soft.

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That's why they obviously they command

a Dick strong pain, it strong pain.

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We said that's good enough.

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The next step will be a flower

viz because next comes next.

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See, the vase has to be

underneath what I do here.

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I just create a B

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the, this side,

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no beginning when you start

paying it, it's not too easy to

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make your visa, but there's a.

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Even on both sides,

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pull it, pull it down to yonder, pull

it down to yonder, pull it right into

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nothing right into nothing there.

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And step back.

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You cannot see.

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You cannot see then here I

need a bit more, more buddy.

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There.

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In order to have it nice.

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And, and even now I will use a touch

of Taylor green and I was there.

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This is the shadow side fire and with

the kind of colors there, they does good

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Taylor green Taylor green has a kind of

a toy cars color, but does good to bees.

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The, on this side and this side, I,

I will, I will, I will use a touch of

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yellow D I take a tattoo hell off here.

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Touch of yellow and firing

with a touch of yellow.

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It gives you a nice color stare.

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Then fire in here with

maybe the middle point?

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No, again, on this side, this side,

because I have a little line and.

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SI dive in, dive in a nice little

line down there and pull it that

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sidewards, put it with this finger

of TVs, put it in a string of TVs.

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that gives you a nice,

it gives you around here.

245

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You can use the same thing.

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If you run with tow cars and

pull it in like this too.

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That's the other side.

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And here you can.

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Dancing all kinds like it burned.

250

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Uh, is he a botch?

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You must think that there's

it's, it's the burn at this.

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You had it in the kitchen

and you tried to to make it

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you exciting, exciting, exciting.

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Maybe here.

255

00:18:36,905 --> 00:18:38,795

I used a bit depression blue on this side.

256

00:18:39,945 --> 00:18:42,345

He tickle him, tickle him a little bit.

257

00:18:48,275 --> 00:18:51,515

And I'm Dan, sit down to

the, to the point there,

258

00:18:58,595 --> 00:19:00,545

leave it, leave it dark underneath.

259

00:19:00,935 --> 00:19:02,165

Leave a dog underneath.

260

00:19:08,970 --> 00:19:17,040

No, you, you, you create some,

some leaves, yellow and blue,

261

00:19:17,100 --> 00:19:20,040

yellow, and blue is green.

262

00:19:20,070 --> 00:19:30,510

You see now, you, you, you, you, you,

you fire and maybe here one leaf, you can

263

00:19:30,510 --> 00:19:34,500

use a little bit of white on one side.

264

00:19:45,379 --> 00:19:47,209

Maybe other leave here.

265

00:19:54,169 --> 00:19:56,030

No other leave here.

266

00:20:05,370 --> 00:20:05,969

All the leaves.

267

00:20:06,149 --> 00:20:10,590

Hang down this side a bit more

268

00:20:13,800 --> 00:20:14,159

here.

269

00:20:14,840 --> 00:20:18,770

You're this, the try to

thank the in-between.

270

00:20:19,070 --> 00:20:23,389

There is something and it's nothing

in this, something that is coming out.

271

00:20:25,025 --> 00:20:26,895

Have maybe one live here,

272

00:20:31,115 --> 00:20:35,345

one leave here and one leave here.

273

00:20:38,675 --> 00:20:40,205

And one day maybe here

274

00:20:47,915 --> 00:20:52,055

and then you're firing leaves

and you don't worry too much.

275

00:20:53,295 --> 00:20:58,175

Is he here in between and the insight

that come out, you could see half a leaf.

276

00:20:58,205 --> 00:20:59,465

You see the father of a leaf.

277

00:20:59,615 --> 00:21:01,355

Is he a part crumbled up?

278

00:21:01,685 --> 00:21:04,175

And then I was on this, a

nice one coming out again.

279

00:21:05,315 --> 00:21:07,385

Try to think in that direction.

280

00:21:07,655 --> 00:21:09,305

Maybe here we hang on down.

281

00:21:09,575 --> 00:21:12,545

Maybe here's one still like this.

282

00:21:14,645 --> 00:21:18,365

See maybe here's the other one.

283

00:21:20,670 --> 00:21:21,540

Hitting the base.

284

00:21:21,750 --> 00:21:30,720

And when you hit the bees, then try to

try to think and try to think that leave

285

00:21:31,170 --> 00:21:33,630

draws a shadow on the, on the bees.

286

00:21:34,350 --> 00:21:37,800

It throws a shadow on the

vase, then it would look right.

287

00:21:38,250 --> 00:21:42,000

We've tried to draw a

shadow on the bees here.

288

00:21:42,050 --> 00:21:42,230

Yeah.

289

00:21:44,600 --> 00:21:44,960

290

00:21:49,385 --> 00:21:50,255

Bit more paint.

291

00:21:51,125 --> 00:21:52,895

There's drawling shed on it.

292

00:21:58,925 --> 00:22:02,675

That is what I bet you bring out

more because that makes the bees

293

00:22:02,945 --> 00:22:04,415

that makes the bees you see.

294

00:22:05,975 --> 00:22:11,225

And no, no, you, you

firing more, more leaves.

295

00:22:11,595 --> 00:22:12,125

Whatever.

296

00:22:12,245 --> 00:22:15,575

You can have a darker

here, the, on this side.

297

00:22:23,690 --> 00:22:27,110

They just fire in wherever

you think they should be.

298

00:22:27,890 --> 00:22:31,940

They should believe in

between you just dude.

299

00:22:32,030 --> 00:22:37,700

And just some lines there, here.

300

00:22:37,730 --> 00:22:42,830

This one I will pack in

nicely from both sides.

301

00:22:46,535 --> 00:22:50,675

the, from both side, maybe

from this side a bit more,

302

00:22:56,135 --> 00:23:05,885

and then you can have little

things hanging down like this, and

303

00:23:05,885 --> 00:23:10,655

you're find here one and here one

and here a half of one and he had

304

00:23:10,655 --> 00:23:12,325

something and there's something.

305

00:23:13,275 --> 00:23:16,035

And don't be so fussy

with here in the inside.

306

00:23:16,545 --> 00:23:18,405

Yes, because it's so nice and dark.

307

00:23:19,215 --> 00:23:24,825

You don't have to worry, but in between

should be a nice leaf coming out again.

308

00:23:25,545 --> 00:23:28,755

See in between this a nice one.

309

00:23:28,755 --> 00:23:29,805

Come here again.

310

00:23:30,815 --> 00:23:31,235

Yeah.

311

00:23:32,045 --> 00:23:35,405

D and you fire a note, whatever.

312

00:23:39,875 --> 00:23:44,465

more here, more dead or

damn, or dare my dad.

313

00:23:47,405 --> 00:23:51,395

Maybe hearing something

more is something there.

314

00:23:53,014 --> 00:23:53,524

Then

315

00:23:56,524 --> 00:23:56,794

SI.

316

00:23:57,395 --> 00:24:04,415

Now you create a kind of a

happy, happy bottom bar there.

317

00:24:04,905 --> 00:24:12,015

Have to be, these is

the something like this.

318

00:24:16,745 --> 00:24:19,085

See, and it goes too fast.

319

00:24:19,085 --> 00:24:19,895

You don't really

320

00:24:25,385 --> 00:24:25,865

make copies.

321

00:24:25,895 --> 00:24:26,795

Upstrokes

322

00:24:31,265 --> 00:24:32,135

make it colorful.

323

00:24:36,440 --> 00:24:41,720

so there's still just a ties,

a kind of a nice, happy colors,

324

00:24:43,730 --> 00:24:45,350

especially on the light side.

325

00:24:45,380 --> 00:24:52,070

I would love to, I would love to put the

bit more spark and I would like to put

326

00:24:52,070 --> 00:24:58,130

the bit more spark and under the lights,

light yellow and white, yellow, and

327

00:24:58,130 --> 00:25:01,430

white, yellow, and white on this side.

328

00:25:08,100 --> 00:25:10,950

Yeah, and give them that extra debt.

329

00:25:15,800 --> 00:25:20,960

And don't forget here should

be on mighty, mighty point.

330

00:25:20,960 --> 00:25:23,240

There was the Brex, the whole weighs up.

331

00:25:23,600 --> 00:25:25,250

Maybe here we gave him a duct.

332

00:25:26,210 --> 00:25:26,690

Dan.

333

00:25:31,815 --> 00:25:38,284

Cam you see how it works out

and all of a sudden, yeah,

334

00:25:44,855 --> 00:25:48,395

maybe here we give them just

a little touchdown down there.

335

00:25:48,695 --> 00:25:50,284

Maybe little touch down there.

336

00:25:51,065 --> 00:25:58,264

See, just park him up now is just

try to get some sparks in there.

337

00:26:03,004 --> 00:26:05,495

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Still Life Roses - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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