Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Swan River by Bill Alexander - AVAILABLE

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And that, um, my ID magic

vide is on that, on my canvas.

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In my mind, clean, clear water, beautiful

vault, just running down the heads.

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I remember we lost so often into the

mountains, and then you, when you

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have, uh, you'd like to drink that

voice and you always think that's the

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most purest water ever, but as the ice

melts up there and, and it flows down

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and all that wonderful little rivers.

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You put your foot in this IC card.

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Oh.

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And then you create a piece of

land where the voter comes up.

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Let me create a kind of a runoff.

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In the mountain right

in that are my demand.

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And you see that water just up

to, you know, I'm all alone.

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And the Lord is with me and he

said, put yourself up on the hair

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there and that almighty mountain.

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And you can see you see no sky at all.

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You just need a close up of water coming

out there and run your way stones.

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And then, so crystal Creek, Oh, it's have

nice to drink and makes you feel good.

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Usually I take some home.

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If I have a.

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She can do something about it.

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I bring it home and then I make my coffee.

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But doctor it's the healthiest

water ever is on your mind.

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But when you really look up there

sometime a dead deer line in their

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CHRO, and when you see it in the, Oh,

I shouldn't have told you that if I

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get the dot and I should not have told

you that water is as clear as it comes.

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And that's the nice thing.

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Okay, good.

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So we will do magic right on,

I would say, and not to waste

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any time I ever used colors.

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First black person, blue.

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I live in Crimson.

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They are the main colors

actually, for all kinds of things.

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He wants to do maybe a touch

of SAP green into that.

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And I will just create kind of

a, eh, whatever it's around.

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Around that that's my own.

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Then you see this that's kind of

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leaves.

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And, but I use that color in order

to do what I want to do more, some

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green and Brown and red and dr.

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Sharon.

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So that's what I do first.

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Now that dank data out of

that is devoted to coming out.

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See, you always have to speak your

canvas or you have to make room

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for whatever you wants to do this.

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This is the only thing

I think to me anyway.

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Then you can hang threes and dare

to call me all dead or branches

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in there by then we received, we

were see that's the beginning.

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Let's finish it up as good as we can,

as good as we can, as good as we can.

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That means with all of our

diverse creative, kind of a

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Oh,

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Gallo horrendous June.

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Leave the dock.

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She has movements with grout

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and again, fight and fight and no mercy.

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That's where be just beautiful.

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clean a little bit clean on my paper here.

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Just get that dirt off the brush.

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I don't want to lose more paint.

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So he friends

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yes for the life, but the life then

maybe in between make it really

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dark color, maybe dark somewhere.

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Really.

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Gee, we have a dark hair,

some dark homes in between.

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Yeah.

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Yeah.

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No, whatever you, whatever you wants

to drink, you don't see, you have to

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keep that mountain all in your mind.

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And then you are from there.

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You are from there.

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So I ever mix a mountain color,

bit of white hair and black person

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blue, other than Crimson and

Mexican have a mountain color.

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They're like steel with more black,

bit more blue, you know, and then it

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will say that's just happening here.

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More white

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tea, maybe more dark just

to give him a kind of a.

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E yellow and you fire in,

maybe hear some kind of a steep

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movement coming down the hair there.

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you leave that in the background,

have darker movements in the shadows,

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the light and shadow you applied.

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The, this is the game.

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That's a beautiful thing to do the

applied with light and shadows,

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but dark there, but light there.

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Yeah.

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T maybe here, I would highlight

that with a bit of a sunshine color.

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This one, this particular one.

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he?

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No, you, you, you take some, uh,

mix I'm three trunks standing there.

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He you been at tapping you on

mine, that this far your artistic

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abilities are coming powerful.

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You you'll learn to be the creator.

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You're next to God with all your mind,

with all your power and your, you can

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create whatever you think is there.

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It is not wonderful.

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That's that's what makes it so nice

to, to be free on your own canvas

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and Dez, where you really learn to,

to do the things you want to do.

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What I do is on the, I show you ID how

I would do it, and I wish you wouldn't

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go from there and make it your own.

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Become done.

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Mighty monster forever.

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Not only the monster, the mighty monster.

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And then you say, look

at me with all my power.

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I create some wonderful things.

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It doesn't have to be a landscape.

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It can be anything you want,

anything you can write the

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whole book with your paintings.

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Yeah.

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And the mountains is all crooked and

whatever this shows, this, this here

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a little bit there and every bed he,

and then, then in the meantime, you

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fired in a little bit of sunshine

like this, that's all just creative.

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The a little bit of sunshine

hit that particular tree there.

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Little bit of sunshine at

that, particularly in the

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dark, or that's always nice.

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You see, let the sun

hit certain spots there.

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He didn't down your paint, a little

bit of a painting in because I can

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see it didn't come the way I wanted.

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Then you turn it down and

look how nice it comes.

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Then you see.

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This highlight, give him a little

bit of highlight here or there.

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And that brings a certain spark into that

paint and a nice, that is good living.

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That is good living

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here and there.

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Not everywhere.

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Just.

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Some places where you think,

yeah, whatever whatever's here,

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that it has had some depth.

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It is she, or isn't she, you don't

know what the devil is going on there?

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No, you, you, you, you, you say

I come down here, come down here.

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that's coming down from

wherever it comes from.

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You don't know it just

disappearing and here.

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So.

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she knows we have to create the power

light and shadows, light and shadows.

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The, this is what makes

the paintings are nice.

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Dang.

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The sun hits here and hits there.

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And with that sunshine, you're

coming with the sun, whether our

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mighty sunshine, it just hits.

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There has their little better.

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He and I was on here

and just really dancing.

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Can you see how wonderful

that's already coming on there?

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He then created the right you've won.

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You are next to God.

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You are the creator.

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You are the mighty creator.

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Maybe here, here.

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I created the kind of a, I need

some time you need some time.

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A little bit of extra in order to get

the painting to sell that painting.

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I will do certain things.

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I think it would be wonderful if I

extend this here and have this come in

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like this against the dark, the light.

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Can you see that?

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And not wonderful.

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And then, then you filing the same thing.

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You fire in the water there.

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SI it's creative power.

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That is my energy creative power.

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When you can do that, look at that.

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Oh, I have a knife.

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Is it ever knife?

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You can have a little line in between.

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You're making a little dividing line.

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You can use a kind of a blue sometime.

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He right here, he had run it

in a little bit and it was bad.

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The no ever use, nice blue

and white, blue, and white.

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You will see that it's itchy.

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That makes it really nice.

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I put the right up here and

add a little bit of blue.

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He just, just kind of, Oh, that is watch.

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That's a killer.

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That's a killer here.

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And you see here, the

blue hair, but blue there,

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uh, G no, the water becomes water

has blue, the, and then in the

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sunshine, then maybe here you have

again, bit of a blue that I in there.

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Fire in like this, see here everywhere

we went, he was a big brush.

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I never pulled that down a little bit

like this, and I will make it like this.

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C E can you see how, ah, Oh God, this,

every knife isn't that every night.

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So I wish you could

understand my feelings.

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No, because he got so excited

and you get to happy by, by

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doing those kinds of things.

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Um, let me see, let me

see what I'm doing here.

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I put this a bit more in here.

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Oh, that's good.

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That's good.

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So that gives me a new beginning.

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Again.

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She thanked us on between

all the branches and all the

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There's some sunshine popping up

here and there and there and there

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and hits there and hits there.

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And then the rest is in the deep dark.

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And then you just whisper.

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She hear you just Vesper.

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Yeah, I know all was on here, here,

here, here, where, or visit big stone.

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And then he had on this side,

you, you, you, you, you watch

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this on this side a little bit.

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Sunshine hit somewhere, came to the.

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To the OD you do to all the branches

and leaves and you have a little bit of

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sunshine there, and then you have, uh,

green olives in Crimson, and then you have

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some dark branches hanging down there.

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and here you create your water again.

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And here you add.

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Stoneshore the mountain dirt coming down.

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They're coming down.

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They're coming down there.

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Okay.

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Light and dark sunshine shadows.

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There's the shadow again here.

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This whole movement.

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He against this light,

you have all that dark.

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E it's a giant, it's fun to,

to, to paint along with this.

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I think that's what mixed big, big

monster, big artists grown out of that.

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When you're young, I wish some

young people would start this

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off and, and ask their girl,

dad out of that comes to power.

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You know, you really learn to, to, to.

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Make something gets a wonderful, uh, that

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they'll get that.

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Just call us, just call us, just call us.

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And then you're here.

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You're your let, just did

a bit of a shadow there.

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Use the top paint and run a little bit of

a shadow down there into your sunshine.

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And that's it.

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That's it that's it.

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They know we can come up.

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Ah, lots of dogs, lots

of talk, lots of black.

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And he was a big brush.

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No.

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And blue patient blue alizarin Crimson.

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And I would have other share the

stare and all the shadows stare.

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See, and that's wonderful.

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Under four, just dark, very dark.

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And then in that talk, I will show

you how he really got go gone.

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Yeah, let me get this dark dark.

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There is no light.

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There's no light too soon.

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I got his dog.

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Then I will dance the sun in what I want.

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So, you know, you can look into that

already, that one there for that one

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there for, you know, hear kind of

what the movements, what the mood.

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Yeah.

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The yellow and white, Indian,

yellow is the best and right.

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The, how I take it off at my fan brush.

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You see?

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And then you just that

water movements be there.

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well, it's a movement

here in this age, too.

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He against the dark would be this perfect.

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ours.

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When it comes to life, then

you step back or step back.

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You can see better than I would be.

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Nice if I had here a little bit, you

see there add a little bit, because

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I can see where, where you need, or

you need a little bit of more power.

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Maybe here would be

nice to make it really.

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Tickled there, particularly

the right there.

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That's where the water

comes out of the stones.

252

00:19:27,975 --> 00:19:31,455

And then in your own mind, you

create a sunshine spot there.

253

00:19:31,995 --> 00:19:38,685

The in order to make it, it

desirability of a painting, you

254

00:19:38,685 --> 00:19:41,715

create that kind of a extra Dan

255

00:19:45,875 --> 00:19:47,405

maybe here that'd be bad.

256

00:19:52,085 --> 00:19:52,295

Hmm.

257

00:19:52,365 --> 00:19:54,365

Hmm, no, we get it cooking.

258

00:19:55,535 --> 00:19:56,975

No reverted river.

259

00:19:57,755 --> 00:20:04,625

Get this going here because after I

mighty stone kind of a mountain color, I

260

00:20:04,625 --> 00:20:14,045

create here and be very, make it like a

bit of a stone, this stone stone feeling

261

00:20:14,825 --> 00:20:16,925

on this side where the light comes from.

262

00:20:25,864 --> 00:20:33,004

no, the next side, the next,

uh, he gobbled up all the paint.

263

00:20:33,004 --> 00:20:34,354

You'd think maybe here.

264

00:20:34,354 --> 00:20:38,225

It would be nice if there's

like a cliff coming down there.

265

00:20:47,899 --> 00:20:48,899

this is shadow side.

266

00:20:48,899 --> 00:20:50,210

I wouldn't worry too much.

267

00:20:50,870 --> 00:20:53,300

Now, here, here, here, here.

268

00:20:53,720 --> 00:20:55,520

I will show you something nice.

269

00:20:56,060 --> 00:20:58,429

I was on from here, cross into the shadow.

270

00:20:59,760 --> 00:21:02,220

In the shelter and the

water still running.

271

00:21:02,550 --> 00:21:04,890

So I use white block of white.

272

00:21:04,890 --> 00:21:10,020

I put it over here again and create

a, kind of a happy blue and that

273

00:21:10,020 --> 00:21:14,280

happy blue from now on will take

over the, the water that's around

274

00:21:14,280 --> 00:21:20,120

the here, but the blue is tune E.

275

00:21:26,990 --> 00:21:27,980

that makes it nice.

276

00:21:28,010 --> 00:21:28,670

Look at that.

277

00:21:29,720 --> 00:21:31,430

That blue can be so wonderful.

278

00:21:31,430 --> 00:21:42,140

The blue, blue yonder dept water,

he created a little bit of a polite

279

00:21:42,170 --> 00:21:45,110

water playing against that stone.

280

00:21:49,760 --> 00:21:53,600

he dare dad.

281

00:21:53,600 --> 00:21:56,260

Dad had had here.

282

00:21:56,270 --> 00:21:57,410

I was on you.

283

00:21:58,150 --> 00:21:59,900

You created the blue there.

284

00:22:03,860 --> 00:22:04,310

Yeah.

285

00:22:04,370 --> 00:22:07,520

Look at that with the dark.

286

00:22:12,500 --> 00:22:15,379

He then, then you can use

the side of the brush.

287

00:22:15,649 --> 00:22:20,060

He lots of blue and white, and

sometimes watch this movements.

288

00:22:20,330 --> 00:22:22,189

You can go on and do it like this

289

00:22:27,620 --> 00:22:29,060

and words like the,

290

00:22:36,199 --> 00:22:36,770

can you see it?

291

00:22:37,889 --> 00:22:38,370

Beautiful.

292

00:22:39,675 --> 00:22:45,045

Like water, potters and water going

up and down and, and isn't a shadow.

293

00:22:45,045 --> 00:22:48,825

You don't have to worry about light

there because all those trees here.

294

00:22:48,915 --> 00:22:49,455

Okay.

295

00:22:49,455 --> 00:22:53,085

In order to show you the trees

better, I will fire off there.

296

00:22:53,945 --> 00:22:55,505

The streets hanging down there.

297

00:22:56,345 --> 00:23:00,815

He has a doc, doc, doc, doc, doc, doc.

298

00:23:03,435 --> 00:23:07,805

He ended up building on my shed

right there on mighty shadow.

299

00:23:07,805 --> 00:23:08,285

There.

300

00:23:10,335 --> 00:23:14,024

More, more dark, more blue, more whatever.

301

00:23:14,715 --> 00:23:19,605

He let some benches hanging right in

there, hanging right in there, down there.

302

00:23:21,535 --> 00:23:24,455

How you can all that

almighty creative power.

303

00:23:24,514 --> 00:23:26,014

That is really something else.

304

00:23:26,045 --> 00:23:27,635

That is really something.

305

00:23:28,415 --> 00:23:32,495

Maybe he had him give him are

the other little push with cliff.

306

00:23:33,155 --> 00:23:35,195

There's the other little

cliff standing there.

307

00:23:40,910 --> 00:23:44,450

stones, whatever, whatever it's in

the water, but it's in the shadow.

308

00:23:44,660 --> 00:23:46,010

You don't worry too much.

309

00:23:46,220 --> 00:23:47,600

I will dip into the magic.

310

00:23:47,629 --> 00:23:48,170

Right.

311

00:23:48,620 --> 00:23:50,870

And make it a little bit thinner.

312

00:23:51,230 --> 00:23:52,940

And then I just dance it down.

313

00:23:52,940 --> 00:23:54,770

Maybe here we attach it to the other bed.

314

00:23:55,160 --> 00:23:56,360

It blue invite.

315

00:23:56,360 --> 00:24:01,040

And here, like it goes up up there.

316

00:24:03,020 --> 00:24:03,470

He.

317

00:24:04,605 --> 00:24:09,675

And here, maybe we make a side move

and come out from here like that.

318

00:24:10,305 --> 00:24:11,655

He like the brush line.

319

00:24:11,665 --> 00:24:20,445

You can see the water movements there,

then you blew and right blue and right.

320

00:24:20,775 --> 00:24:22,725

You move around here.

321

00:24:30,395 --> 00:24:32,165

E yeah.

322

00:24:38,510 --> 00:24:39,050

beautiful.

323

00:24:39,110 --> 00:24:44,540

Now you see the, the, the light and

shadows in this is sometime wonderful.

324

00:24:44,810 --> 00:24:48,650

And if you want to you're you

get too itchy and you say the sun

325

00:24:48,800 --> 00:24:53,420

between all those trees, there's an

opening and end it in that opening.

326

00:24:53,630 --> 00:24:58,910

The little sunshine came through and that

little bit of sunshine, I show you now.

327

00:24:59,580 --> 00:24:59,850

See you, bye.

328

00:24:59,860 --> 00:25:00,750

That's up to you.

329

00:25:00,930 --> 00:25:02,940

I just show you what can be done.

330

00:25:09,770 --> 00:25:10,790

how is it possible?

331

00:25:10,970 --> 00:25:15,590

Just that little bit of sunshine can

be the best seller to your painting,

332

00:25:16,040 --> 00:25:21,140

the or know whenever, but ever you do

know you step back and say, where can I

333

00:25:21,140 --> 00:25:23,180

put more sun where it would look good?

334

00:25:23,390 --> 00:25:25,250

Where can I do this and this why?

335

00:25:25,910 --> 00:25:30,530

And then no, no, I come to the

point where I just maybe shut

336

00:25:30,530 --> 00:25:32,270

down a bit of sunshine here.

337

00:25:33,655 --> 00:25:34,605

The whatever.

338

00:25:37,865 --> 00:25:38,195

Yeah.

339

00:25:38,195 --> 00:25:39,485

Maybe here.

340

00:25:45,725 --> 00:25:50,255

See, and then you have it obviously in the

light and the sunshine and the shed door.

341

00:25:50,585 --> 00:25:52,535

And if you want, no, you can have.

342

00:25:53,345 --> 00:25:53,495

Okay.

343

00:26:01,385 --> 00:26:03,695

but Angela is coming

in there hanging down.

344

00:26:04,445 --> 00:26:05,795

See, it's not on the first.

345

00:26:05,855 --> 00:26:06,605

Oh, you can do that.

346

00:26:09,995 --> 00:26:10,565

Yeah.

347

00:26:10,625 --> 00:26:10,985

Yeah.

348

00:26:10,985 --> 00:26:14,285

Maybe hanging down a copy, more

hanging down a couple more here.

349

00:26:14,795 --> 00:26:15,335

Yeah.

350

00:26:15,395 --> 00:26:16,385

Here, here.

351

00:26:16,835 --> 00:26:22,355

And whatever, whatever you see, how nice

you got the mighty painting together.

352

00:26:22,595 --> 00:26:25,025

Maybe here we give them a

copy of more water lines.

353

00:26:25,475 --> 00:26:27,335

And that is what it is.

354

00:26:28,754 --> 00:26:32,175

He no a hump.

355

00:26:32,285 --> 00:26:34,715

I hope you enjoyed it at this.

356

00:26:34,715 --> 00:26:38,524

Just if I would express myself on

the, on the canvas like that coming.

357

00:26:38,555 --> 00:26:43,115

Oh, nothing into the sunshine, into the

shadow and the sun shining and shadow.

358

00:26:43,685 --> 00:26:44,795

Did you enjoy that?

359

00:26:45,485 --> 00:26:49,145

It's a wonderful teaching

and I thank you for watching.

360

00:26:49,685 --> 00:26:50,135

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Swan River by Bill Alexander - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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