Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, William Alexander - Magic Art Instructor #105 - AVAILABLE

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hi.

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Nice to have you in my classroom

today, we will paint a mighty painting

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it, review landscape beside it.

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But you know, I know you came

to me because you know, this

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technique we have, it's a different

technique than anyone else is doing.

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Really.

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You see a lot of starving

artists and hungry artists and.

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The way we paint.

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It is powerful.

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It's strong and it will sell because

you are in with your whole heart

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and be that on mighty painting.

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Now, before we start, let's

talk about R on my D equipment.

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You see here, I have a step letter.

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It's just a dumb little step letter.

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I put a little head on top and I vice

in my canvas and you see how that's in.

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That's interesting.

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I have a couple of nails.

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You could, you cannot

see it here and there.

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You know, they stick out and the canvas

is even stuck in the nails there.

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So in other words, make

sure you have that Saul.

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And when you fire and you have that

are mighty power and nothing is moving.

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That I like very much.

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And then like the ID, when

you stand up all the time, you

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know, you lose perspective.

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When you sit down, I cannot

sit down, you got to stand up.

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And that's what I like to really be

always there and go back, see perspective.

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Right?

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You lose your perspective and you

have your nose right on the canvas.

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I liked the idea to put my foot up

something like this, or like this high

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up like this, and laying your elbows

and have the pallet in your hand

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like this, and you lean on yourself.

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You have so much power and your hand

is so steady to make sure that other

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movements, especially on still lives

or portrays, whatever you will pain.

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That's all about that almighty

easel and the canvas already.

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And now no more around now.

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I show you we have a little screen here.

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I make it myself.

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I put it into a coffee.

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Can you see like this here?

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Mountain ground?

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Make sure you have a coffee.

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Can three pound.

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So does he have enough

room to move in that I put.

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Paint thinner.

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I will show you how it works.

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Here's a simple paint donor.

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If you find all the loose

paint in a so better.

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See, but don't put more than

a half inch over that screen.

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No, I have the brush wash already,

but when I wash my brush, You

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have seen all my showers before

this, a lot of mess, really.

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So lots of people wrote

in and they corrected me.

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They said I could not do it in my house

because they messed up the whole house.

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So we invented a cleaning box here.

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That's not my idea.

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That's your idea.

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I have lots of mail.

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We get lots of men and

see what happened here.

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I can.

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I have a whole box with the hole.

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And the two by four is standing

a little bit on this land

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down is a, is a garbage can.

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And now I cleaned my brush.

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You see what, how I do that here?

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And when you slam it out, you

can only get so much out and

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that is not dry enough at all.

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So I go in here and hit it like this.

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You see, can you see here?

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Make a good shot of that?

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You know, I know my brush is nice and dry.

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You can put it even on your skin.

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Beautiful.

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That is the brush.

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The easel you're already ahead.

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I have a roll of paper here.

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Just a little, because you need to

clean your knife or whatever on, on the,

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on that paper, that helps a lot too.

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The next step will be the brushes.

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Uh, you see, what I have here

is a two and a half inch brush,

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a one inch brush, couple of fan

brushes, and in-between brushes you.

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I don't want to name the brushes because

when I went to school, they would tell

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me all of this number one, brush number D

brush number, version, number that brush.

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And I was more confused.

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We have our mighty brush and

a couple of small brushes.

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See it this way.

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Fan brothers are very good.

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Have the smaller one, the

middle one, and the big one.

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And that's all you need.

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And the liner brush with a

bit long hair, the long hair.

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And don't forget that on mighty knife.

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I'm very proud of that knife.

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I had a patent on that as my invention.

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And I'm very proud about it.

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So what the next would

be, or on my palette.

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You see that pilot?

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Oh boy, it's got to be a big pilot.

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We had all times with Paris.

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We had them in, in plastic

and I don't like plastic.

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Even if you had plastic handles

on the brush, there it gets.

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What is healthy?

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Is, is it is art.

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Is this beautiful on your hands?

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And what you see here I have

from the light into the dark sea.

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And look at that pain, it stands up.

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This is this just line there.

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Can you see that beautiful?

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That is our big thing.

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Our paint is solid and dry and even tacky.

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You got to have that

particular paint here.

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If you find a view on the art stone,

you see the paint, a soupy don't

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even take it for this technique.

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For any other technique you might

have, you might need the soupy paint,

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but not for this particular technique.

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And then you see, I put in an order

like this from light into the dark,

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it's like a piano , you know, and then,

uh, the colors, yellow, red, and blue.

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And black and white, yellow, red,

and blue and black and white.

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And then we have some feelings like

SAP green, you know, green, you can

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make green buy, buy, buy yellow, and

blue gives you a green but earth.

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But with van Dyke Brown, and he got that

green right there, and there's no problem.

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Or even you can add, uh,

Allergan Clemson into that.

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That's all about the paint now.

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And this is your mixing table.

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And this is the magic right

here at, is it didn't paint.

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It makes you canvas.

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It can be slippery as well, not yellow.

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And if you're not crack,

I report at magic, right?

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The rhino and that on mighty

canvas, I show you how we do it.

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You can load your brush

like this and you fryer.

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And just like that.

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Four and back crisscross

horizontal, vertical.

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You see like this here and you

were down and finish up and up

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and down and make sure there's

not too much and not too less.

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You see something like this.

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Scary are the magic rides on the canvas.

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And now what we paint, I decided that

on mighty ocean, let's talk about the

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ocean before we start, it can be calm.

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It can be very wild and it can be

lots of wind and everything and fly

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in the air and everything can be just

on you and your line in the sand.

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Now let me talk about the two oceans.

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Our wonderful country is on the Pacific

is absolutely different than the Atlantic.

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I lived in Halifax and I

learned we had a shop easy.

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There was always a shop easy.

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And when I came to the West

coast, I saw big roles coming

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in and I was really shocked.

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So when we talk about the ocean,

let's act like we know now a little

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bit more about the waters around us.

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So number one, We in the Pacific

and it will be a rolling.

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See, now how high you want to go?

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How vile you wants to go.

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What's Kai.

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You wants to paint what time of the

day in the morning and evening and

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at noon time or so you got to make

all those decisions before you start

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putting the paint on the canvas.

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So, what I really wants to show

here it is the teaching ID.

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I would put, we had no rain, let have some

rain in this particular sky, far away.

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We will have some rain coming down

and then an outer that rain the

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storm, and we very mega, stormy sea,

and the waves are flying the water.

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The water's flying in the sky and, and.

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Making it exciting and an excite

yourself before you start.

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So that's what I do right now.

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I make myself really sitting in

that, on muddy water there and the

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Barone, everything is bubbling and,

and, and, and browsing and boiling.

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And, and when you have that in

your heart, then you can paint.

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Okay.

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The magic words on the canvas is bad.

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I cleaned my brush, clean my mighty brush.

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And no let's say we have, uh, I will use

again, taking a look again, how I cut it

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off Prussian blue and alizarin Crimson

is quite a color, but this time it will

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add a touch of Vandyke Brown into that.

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And man should and here again,

the man-child and here again,

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and then make a little test.

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We tested first.

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This is what you want.

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That darkness is really what you want.

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If you're happy with it, go on.

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If you think you should have

a bit more red, add a bit more

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alizarin Crimson, or you want it

more dirty, add a bit, move on.

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Dyke Brown is depends on

what she wants to add.

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No, but I think that would be just as key.

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I really want.

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I'm quite lucky with my, because

I do it for so long and I already

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know when I touch my paint for

newcomers would be find out about it.

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Okay.

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So we talked about that range

guy who let them ready to go.

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Bye.

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Bye.

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They look at that and just fire them.

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Like I show you here, fires and fire then.

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Yeah.

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And then I burned myself,

candida, the end of the clouds,

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and then the voter's coming.

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Rain is coming down.

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Rain is coming down, hitting the

water, but now we make it a bit more

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USI rain or weather, weather, the

vibe I would like to see my rain.

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I will add a little bit

of, uh, Taylor green.

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I got this a little bit in my

Taylor green and a little bit

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of, uh, It gives you more moist.

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It has a kind of a more moist feeling.

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The now, you know, you can

do it wherever you want.

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In what direction do you ever want?

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See, no, I just pull it out.

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That is the speed of the wind.

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You can go more shallow, but I

would say that just the speed of the

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weather and the wind, what I dream

up here and, and, and that's fine.

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Okay.

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Good.

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Good.

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Good, good hypnotize.

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The whole thing a little bit hypnotize,

the whole thing a little bit.

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And you see already in such a short

time, you have created the veteran

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movement that a movement already by

the movement, but that's fine now, but

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putting this as much down as you want.

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Because you have to overlap.

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Obviously think how high in your

mind you speech that's canvas.

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I already know what the

horizon line will be.

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Pull it below the horizon line.

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Always don't matter.

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Pull it down to the bottom

then you never miss.

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Well, there's this that's one arm stroke.

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You don't worry to cover that up, but

this is often when you're stuck and you

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have white sticking out and you're the

make sure you have it all deep enough.

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There's it is easy to, to, to

add the rest of your painting.

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See, okay, now we have already a

feeling of rain now, you know, when

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that hypnotize the whole thing first,

so you can use a fan brush now.

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And you can add, you

can add to your clouds.

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I will use a texture of white, maybe

yellow, and the red kind of, uh, that,

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that kind of a Vite of white color then.

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And you can easy, eh, it kind of,

uh, uh, turbulent clouds either here,

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maybe here, either here, either here.

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But way who thinks here, right.

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And the way dang, eh, but leave

it dark on the bottom more.

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Now I wash my brush and I

hypnotize the whole thing.

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Hypnotize, the whole thing.

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By the devil.

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I always use that word hypnotizing

because I really feel the

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canvas is listened to me.

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And that is a wonderful feeling.

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Even I do that, I really

feel it becomes a cloud.

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It becomes fuzzy.

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It becomes, uh, uh, for me or around or

whatever, whatever, and you, you move your

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hands towards whatever you wants to do.

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See.

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Okay.

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That that is all right.

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That's fine.

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Now let's pull that more down to this.

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00:14:39,135 --> 00:14:45,495

You have a nice smooth go in there,

but when the rain hits the water,

247

00:14:45,495 --> 00:14:50,444

what happened, it is kind of a

little explosion all the time.

248

00:14:50,834 --> 00:14:54,105

And I will use, I will use, I will use.

249

00:14:54,479 --> 00:14:57,660

For my movements for my movement.

250

00:14:57,780 --> 00:14:58,890

Maybe we should take a look.

251

00:14:58,890 --> 00:15:05,040

I, I use a touch of Taylor green,

the swimming pools, swimming

252

00:15:05,040 --> 00:15:06,719

pools are painted like that.

253

00:15:07,020 --> 00:15:10,560

And I try to think about that.

254

00:15:10,650 --> 00:15:12,150

That would be the horizon line.

255

00:15:12,689 --> 00:15:18,880

Put it together in your mind,

which why you think yeah.

256

00:15:22,575 --> 00:15:25,545

Maybe a couple of upstrokes

couple of upstrokes

257

00:15:30,465 --> 00:15:31,275

first like that.

258

00:15:32,175 --> 00:15:33,795

No, no,

259

00:15:37,695 --> 00:15:38,595

it doesn't matter.

260

00:15:38,595 --> 00:15:39,045

Really.

261

00:15:39,165 --> 00:15:43,155

You create it is a teaching idea.

262

00:15:43,215 --> 00:15:47,925

Maybe I should show you the

roar, maybe on this canvas.

263

00:15:47,925 --> 00:15:48,885

Let me, let me.

264

00:15:49,170 --> 00:15:52,979

Let me draw a side move before we

really get into the whole thing.

265

00:15:53,609 --> 00:15:54,420

This is to her.

266

00:15:54,449 --> 00:15:55,770

That is the sea.

267

00:15:55,979 --> 00:15:59,069

You see the whole sea is line,

but you see it from the side now

268

00:15:59,310 --> 00:16:01,079

and the vendor's coming this way.

269

00:16:01,680 --> 00:16:06,239

So at very come up a wave here,

the, and was down like that.

270

00:16:06,479 --> 00:16:11,910

Then there's the other wave here coming

up and was down like that and use it

271

00:16:11,910 --> 00:16:16,050

as the other one here as already a

higher one coming to the shoreline.

272

00:16:16,410 --> 00:16:17,819

And it goes up like this.

273

00:16:17,939 --> 00:16:18,319

You see.

274

00:16:18,750 --> 00:16:19,920

Coming up like this.

275

00:16:21,180 --> 00:16:26,339

I just give you an idea about the

side move now where you want to stop.

276

00:16:27,360 --> 00:16:28,199

Let's talk first.

277

00:16:28,229 --> 00:16:29,280

It's a, it's a class.

278

00:16:29,300 --> 00:16:30,439

It says teaching ID.

279

00:16:30,589 --> 00:16:31,819

We got to learn that.

280

00:16:32,420 --> 00:16:34,610

And I really, I looked into that.

281

00:16:34,910 --> 00:16:36,140

No, you want to stop?

282

00:16:36,410 --> 00:16:39,650

I would say you can really

put the stop right there.

283

00:16:40,069 --> 00:16:42,979

You have white caps, you

know, here you will have white

284

00:16:42,979 --> 00:16:44,959

caps there and there maybe.

285

00:16:45,420 --> 00:16:48,510

And they run in here and they're,

you know, they just go in, they go

286

00:16:48,510 --> 00:16:53,839

in there and light comes from there,

but then, and you can think that's a

287

00:16:53,839 --> 00:16:56,689

thing, what you want to stop, right?

288

00:16:56,689 --> 00:17:02,329

Where the water standing up there

and have that little curve there,

289

00:17:02,600 --> 00:17:10,639

or you want to stop there, see, and

the waters, or you want to stop.

290

00:17:11,895 --> 00:17:15,464

The water hits the bottom

and reams up again.

291

00:17:16,125 --> 00:17:18,675

See, and then it's there.

292

00:17:18,944 --> 00:17:24,194

It's still start on one on one

spot and it was on and on and on.

293

00:17:24,494 --> 00:17:31,185

No, I will show you that Tundra ID, maybe

that might help you to understand, or then

294

00:17:31,365 --> 00:17:33,165

there's we have like a tunnel in there.

295

00:17:34,935 --> 00:17:36,795

Well that's as I'd move what I show you.

296

00:17:36,945 --> 00:17:39,645

And then maybe here always

understanding up there.

297

00:17:39,945 --> 00:17:43,005

And then, then we have

both the, this time.

298

00:17:43,005 --> 00:17:45,825

I want us to paint something

where you understand both.

299

00:17:46,875 --> 00:17:51,285

So he got the rough idea of what I

aim here, but this time, our view

300

00:17:51,285 --> 00:17:56,265

is from here down, I showed you the

site, like you cut up the ocean.

301

00:17:56,970 --> 00:18:00,419

And this time the ocean is coming

down the road and he up to me.

302

00:18:00,679 --> 00:18:01,040

No.

303

00:18:01,850 --> 00:18:03,470

So I have to handle that.

304

00:18:03,710 --> 00:18:06,379

No, watch I take a good look here.

305

00:18:06,379 --> 00:18:08,780

I use one Dyke Brown, fresh and blue.

306

00:18:10,040 --> 00:18:14,810

Again, alizarin Crimson is a

heady color, but you can add a

307

00:18:14,810 --> 00:18:17,450

bit more Taylor green into that.

308

00:18:17,629 --> 00:18:18,350

No, man.

309

00:18:18,350 --> 00:18:19,129

Shut up again.

310

00:18:21,470 --> 00:18:24,379

I know fire in fire in.

311

00:18:24,915 --> 00:18:25,605

Flier.

312

00:18:25,605 --> 00:18:31,485

And maybe here, here, here, here.

313

00:18:43,784 --> 00:18:45,675

Hey, bullet Dawn, bitch.

314

00:18:45,675 --> 00:18:46,455

Why you want,

315

00:18:51,975 --> 00:18:57,375

eh, I love that you can see there's a

beginning of, of, of almighty movements

316

00:18:58,095 --> 00:18:59,805

and, and that's in the distance.

317

00:18:59,805 --> 00:19:00,675

That's in distance.

318

00:19:00,675 --> 00:19:04,035

You can highlight that you can go on and

do all kinds of other things you want.

319

00:19:04,835 --> 00:19:05,075

Okay,

320

00:19:12,275 --> 00:19:13,625

fine, fine.

321

00:19:13,685 --> 00:19:14,225

Fine.

322

00:19:16,805 --> 00:19:19,295

We will get the rain shoes in there too.

323

00:19:19,535 --> 00:19:20,795

Now I just covered it up.

324

00:19:21,750 --> 00:19:21,990

Okay.

325

00:19:22,230 --> 00:19:28,740

And then you'll find again, more pain,

more pain, the same, the same colors,

326

00:19:29,070 --> 00:19:41,370

a new far near here, around here,

here, here, here, and here and here.

327

00:19:42,179 --> 00:19:43,710

And there's the other one for Rhonda?

328

00:19:43,750 --> 00:19:48,360

That the dock and the dock and

all that, the shower light.

329

00:19:54,435 --> 00:20:00,105

Can you see already a C is moving in

on you, David, a couple of strokes are

330

00:20:00,105 --> 00:20:04,945

at a, you create this on mighty woo.

331

00:20:06,705 --> 00:20:11,655

Create that kind of wind this wind,

but event always let the water

332

00:20:11,655 --> 00:20:16,065

come up and flying away up and

flying whatever we got the vendor

333

00:20:16,065 --> 00:20:18,525

already from that side, let it fly.

334

00:20:18,735 --> 00:20:21,735

That's depends on what, what,

how high you want to go now?

335

00:20:21,915 --> 00:20:23,475

How vile you wants to think.

336

00:20:24,810 --> 00:20:30,240

Oh, we will get later on into that

to see, but you need the dog there

337

00:20:30,899 --> 00:20:33,180

and you see how fast you lie down.

338

00:20:33,330 --> 00:20:36,659

But I do know I just

cut in the whole thing.

339

00:20:37,080 --> 00:20:38,310

I cut it all in.

340

00:20:38,520 --> 00:20:43,409

I know I try to Dane what I want, where

I wants to have that water hitting down

341

00:20:43,560 --> 00:20:47,220

what I was to have that water standing

up, what I want to create that role.

342

00:20:48,240 --> 00:20:52,320

It's nice if you paint on the longer

canvas, because it gives you more.

343

00:20:53,115 --> 00:20:56,895

No, I will think, I will think

maybe I just cut in here.

344

00:20:58,705 --> 00:20:59,615

coming up.

345

00:20:59,705 --> 00:21:02,705

They're coming up there.

346

00:21:03,155 --> 00:21:07,415

Maybe he had standing up, he had stayed

standing up by the air so that one of

347

00:21:07,415 --> 00:21:12,035

their own, but the time it hits there,

the bottom, it has the mighty bottom

348

00:21:12,335 --> 00:21:14,735

and the door voter draws, shadows.

349

00:21:15,155 --> 00:21:19,514

You know, when you have water in a

glass, It looks always nice and clean.

350

00:21:19,845 --> 00:21:23,625

And when I start painting the C,

I thought you need more white.

351

00:21:24,074 --> 00:21:25,875

I really couldn't understand this.

352

00:21:25,875 --> 00:21:30,195

The sea, the water draws, shadows to see.

353

00:21:30,195 --> 00:21:36,105

I create, I just create a dark there

because I would like to show dark.

354

00:21:36,135 --> 00:21:37,034

Then I can show light.

355

00:21:37,615 --> 00:21:40,955

If I have dog, I can have

light ever have dogs.

356

00:21:40,985 --> 00:21:42,335

I can have the light.

357

00:21:43,115 --> 00:21:44,524

See there you are.

358

00:21:46,635 --> 00:21:47,985

And make it viral, make it.

359

00:21:47,985 --> 00:21:50,084

You have, I feel watch though.

360

00:21:50,605 --> 00:21:53,554

That is really something

that's really something I was,

361

00:21:53,885 --> 00:21:57,365

because it's hard to remember.

362

00:21:57,395 --> 00:22:02,254

We always talked about watch it and look

vibe because then you might remember what

363

00:22:02,254 --> 00:22:04,625

was the last, but I could never get it.

364

00:22:04,655 --> 00:22:05,735

I never could hold it.

365

00:22:06,395 --> 00:22:09,455

I think here he ain't do

it with your happy brush.

366

00:22:10,365 --> 00:22:15,465

Create create up and downs and

foreign bags and, and whatever.

367

00:22:15,795 --> 00:22:20,535

And in light and shadows and here,

maybe we need more dark there.

368

00:22:20,985 --> 00:22:22,125

Murdoch there.

369

00:22:25,365 --> 00:22:30,195

I should have a little bit more keto

green because it's better there.

370

00:22:30,645 --> 00:22:36,555

That Taylor green is a kind of a turquoise

color voter has lauded transparency.

371

00:22:38,545 --> 00:22:40,305

I said, it's a vet color.

372

00:22:46,605 --> 00:22:47,025

See that?

373

00:22:47,115 --> 00:22:48,525

Can you see this colors here?

374

00:22:48,855 --> 00:22:51,045

They give you a vet feeling.

375

00:22:52,545 --> 00:22:53,865

I just feel this way.

376

00:22:57,315 --> 00:23:00,105

She know I have already

a good, good beginning.

377

00:23:01,665 --> 00:23:06,255

So we use our mighty fan brush

and we highlight the whole thing.

378

00:23:09,300 --> 00:23:18,419

Highlight the whole thing that

very B watch this Vite, right?

379

00:23:20,159 --> 00:23:24,929

And we attach off of turquoise

test of Taylor green.

380

00:23:25,260 --> 00:23:32,639

She has the touch of Taylor green into

that off-white of why IRAs create there.

381

00:23:33,270 --> 00:23:34,470

They create there.

382

00:23:35,685 --> 00:23:36,135

Yeah.

383

00:23:36,405 --> 00:23:36,855

Yeah.

384

00:23:38,565 --> 00:23:41,385

That's the F that's the

bubbling behind there already.

385

00:23:42,645 --> 00:23:44,985

You can pull it down, pull it down.

386

00:23:50,725 --> 00:23:52,115

that's the role behind

387

00:23:57,275 --> 00:24:01,505

no, we have to create that

feeling of rain hitting Desi.

388

00:24:03,360 --> 00:24:06,720

Let that steam let it

steam where the rain hits.

389

00:24:07,080 --> 00:24:08,280

He has just happened.

390

00:24:08,720 --> 00:24:09,050

Uh,

391

00:24:13,649 --> 00:24:21,379

they let the steam let that be the

there's all kinds of explosions

392

00:24:21,379 --> 00:24:23,090

of whatever's down hits the water.

393

00:24:23,600 --> 00:24:30,885

The rain comes down, hits the water

and automatically it's it's uh, It's

394

00:24:30,885 --> 00:24:32,895

flying in the air and flying in the air.

395

00:24:34,035 --> 00:24:34,545

Okay.

396

00:24:34,545 --> 00:24:35,355

That's nice.

397

00:24:35,385 --> 00:24:36,885

That's nice already.

398

00:24:37,455 --> 00:24:42,855

The Nan, you create us Whitecaps,

obviously little Tetro, turquoise.

399

00:24:42,855 --> 00:24:45,465

You know, they take a

look here when you watch.

400

00:24:45,495 --> 00:24:47,445

I just add a little turquoise.

401

00:24:47,805 --> 00:24:50,055

So that little touch of turquoise is good.

402

00:24:50,325 --> 00:24:51,375

It's healthy there.

403

00:24:54,545 --> 00:24:54,905

Yeah.

404

00:24:55,415 --> 00:24:57,575

Now maybe you can backfire from here.

405

00:24:57,575 --> 00:24:57,995

He see.

406

00:24:58,485 --> 00:25:01,425

Backfire from here there.

407

00:25:03,075 --> 00:25:05,295

See, that's nice.

408

00:25:05,295 --> 00:25:06,205

That's nice.

409

00:25:09,005 --> 00:25:13,385

And the next step we backfire here

a little bit here a little bit.

410

00:25:13,445 --> 00:25:13,565

Yeah.

411

00:25:19,565 --> 00:25:21,455

But let it, let it hang in the air.

412

00:25:21,515 --> 00:25:22,625

Let the water hanging there.

413

00:25:22,895 --> 00:25:25,655

We, this decided this painting is not the.

414

00:25:26,190 --> 00:25:28,380

It's just a variety buyer today.

415

00:25:28,830 --> 00:25:29,820

He is underneath.

416

00:25:29,820 --> 00:25:34,290

We can create a kind of a, of a

beginning of where it really starts.

417

00:25:34,320 --> 00:25:41,880

All the trout starts there and the need

here and underneath here, watch the

418

00:26:02,180 --> 00:26:05,240

the against the light, the

dark was showed far better.

419

00:26:13,850 --> 00:26:14,780

that's fine.

420

00:26:15,800 --> 00:26:21,140

They, now the next step we will,

we will be very three eight.

421

00:26:24,720 --> 00:26:35,540

The will aid, uh, uh, eh, and do

it like that, just touch it and,

422

00:26:35,860 --> 00:26:40,940

and, and, and wash it, catch it.

423

00:26:41,000 --> 00:26:45,830

And then you let the wind blow into that.

424

00:26:46,340 --> 00:26:49,760

Just all of that flight, not fly.

425

00:26:53,159 --> 00:26:53,580

Yes.

426

00:26:53,610 --> 00:26:56,010

And now it's already Tony, not Tony.

427

00:26:56,010 --> 00:26:56,280

Yes.

428

00:26:56,280 --> 00:26:59,490

Tony now turning a C that's fine.

429

00:26:59,699 --> 00:27:03,419

Then here, always on really turns over.

430

00:27:03,840 --> 00:27:08,159

Now I will use a texture of Turkers

that the Turkers right on top.

431

00:27:08,300 --> 00:27:08,820

P it.

432

00:27:25,520 --> 00:27:28,250

yeah, that gives you a nice, bad feeling.

433

00:27:29,000 --> 00:27:33,830

And then here, underneath, and the

neat there, I will put a little

434

00:27:33,830 --> 00:27:40,429

bit, watch this as a color, yellow

and turquoise yellow and kind of a.

435

00:27:42,135 --> 00:27:44,385

Transparency color there,

436

00:27:49,235 --> 00:27:55,355

kind of a transparent color there, but

go over the curve, go over the curve.

437

00:28:07,294 --> 00:28:08,435

Hey, it's coming.

438

00:28:08,435 --> 00:28:09,185

Nice.

439

00:28:09,574 --> 00:28:10,895

It's coming nice now.

440

00:28:11,064 --> 00:28:11,435

Ready?

441

00:28:12,155 --> 00:28:12,485

Nope.

442

00:28:12,544 --> 00:28:14,945

You wants to have that tunnel there.

443

00:28:16,145 --> 00:28:18,844

You, you, you, you make a dark, right?

444

00:28:18,905 --> 00:28:20,014

Dan, make it darker.

445

00:28:20,014 --> 00:28:20,675

Dez.

446

00:28:20,675 --> 00:28:26,225

He, I would like to see that, that kind

of beauty here on that particular spot.

447

00:28:28,675 --> 00:28:29,355

Of the building.

448

00:28:30,254 --> 00:28:31,965

Hey, something like this.

449

00:28:34,845 --> 00:28:35,355

See,

450

00:28:38,855 --> 00:28:41,705

but keep the brush strokes,

keep it automated because

451

00:28:41,975 --> 00:28:44,495

that makes your painting.

452

00:28:44,585 --> 00:28:47,284

That will make your,

your regimen of water.

453

00:28:47,815 --> 00:28:48,784

That's nice.

454

00:28:49,325 --> 00:28:51,635

I am quite happy with how they do it.

455

00:28:51,635 --> 00:28:52,325

I know.

456

00:28:59,310 --> 00:29:06,990

See now here is something you would

like to do just at the real top here.

457

00:29:12,960 --> 00:29:19,800

Hey, stop breathing for a while and just

pull it down and just, you have that glue

458

00:29:19,830 --> 00:29:23,220

on top, that little bit of glue on top.

459

00:29:27,455 --> 00:29:29,165

Yeah, no, we have it standing up.

460

00:29:29,435 --> 00:29:30,695

We learned two things.

461

00:29:30,695 --> 00:29:31,024

Now.

462

00:29:31,504 --> 00:29:34,415

It usually starts on one

end and you must Mustang.

463

00:29:34,445 --> 00:29:41,705

Now this course down Dawn here hits

the bottom and beams up again, you

464

00:29:41,705 --> 00:29:45,274

know, start beating me up again.

465

00:29:45,754 --> 00:29:52,534

They tried to understand

that, you know, you're just.

466

00:29:52,889 --> 00:29:58,379

You're just, just, uh, you know, you put

that together, then you get the whole ID.

467

00:29:58,679 --> 00:30:00,179

What it really is Alibaba.

468

00:30:08,419 --> 00:30:11,690

See, but now you can fly

your little games here.

469

00:30:12,740 --> 00:30:15,350

Uh, watch this.

470

00:30:15,800 --> 00:30:21,320

You can, you can have the

little things flying around.

471

00:30:26,630 --> 00:30:33,770

See, let's get into the dog, the dance

and dance and dance, the water in there.

472

00:30:34,130 --> 00:30:35,300

Dance in the dark.

473

00:30:36,980 --> 00:30:39,920

Hey, there you are.

474

00:30:40,730 --> 00:30:42,410

Hey, that comes nice now,

475

00:30:45,530 --> 00:30:50,540

but now you, you put her this.

476

00:30:51,525 --> 00:30:52,785

Pulled that up.

477

00:30:53,295 --> 00:30:59,625

They put this up like this,

the, no, you get it together.

478

00:30:59,625 --> 00:31:00,435

Nice.

479

00:31:00,465 --> 00:31:01,185

Can you see it?

480

00:31:03,035 --> 00:31:07,715

No, we have our own standing up

there and you have a shadow in

481

00:31:07,715 --> 00:31:10,295

between that you can ease easy.

482

00:31:10,295 --> 00:31:11,795

Add no here.

483

00:31:11,975 --> 00:31:18,815

Thanks the can easily add in

order to compliment the distance.

484

00:31:19,350 --> 00:31:20,820

Me behind.

485

00:31:22,170 --> 00:31:24,030

Depends on how high he wants to go.

486

00:31:26,340 --> 00:31:27,630

No, we will.

487

00:31:27,720 --> 00:31:28,380

We will.

488

00:31:28,440 --> 00:31:30,360

We were, they were

489

00:31:35,570 --> 00:31:35,900

neat

490

00:31:42,440 --> 00:31:42,740

here.

491

00:31:42,740 --> 00:31:45,650

Your money, you just,

what, what do you know?

492

00:31:45,650 --> 00:31:46,550

What do I know?

493

00:31:46,580 --> 00:31:48,080

Let the water do the barking.

494

00:31:48,405 --> 00:31:52,035

That's just the movement of,

of, of that boiling water.

495

00:31:52,035 --> 00:31:53,775

You think about boiling water

496

00:32:00,425 --> 00:32:05,045

and here you could have

the light on top, like C.

497

00:32:14,520 --> 00:32:15,110

okay.

498

00:32:15,500 --> 00:32:16,610

This is nice and dark.

499

00:32:16,630 --> 00:32:17,870

That be dark there.

500

00:32:18,920 --> 00:32:26,030

The next step will be, I will pull

in, I will pull in a shoreline.

501

00:32:26,240 --> 00:32:32,480

I use white and a touch of

red, white, and Tasha of red.

502

00:32:32,570 --> 00:32:33,770

You see there?

503

00:32:36,764 --> 00:32:38,554

Um, pull it into the dark.

504

00:32:38,855 --> 00:32:42,575

We make it, make it like what,

what you see all of a sudden

505

00:32:43,044 --> 00:32:45,784

it there's a peer's underwater.

506

00:32:47,594 --> 00:32:49,064

Try to think like that.

507

00:32:49,544 --> 00:32:52,004

I want you to think like

that, put it this way.

508

00:32:52,304 --> 00:32:58,745

I got to think in that direction, this is

still stand here that still stand here and

509

00:32:58,745 --> 00:33:06,514

there's dry sand and there's wet sand and

the wet sand is darker than the dry sand.

510

00:33:06,995 --> 00:33:08,675

You see there, you got to stop Eddie.

511

00:33:09,600 --> 00:33:14,310

And now you can really work out all

kinds of ideas, but let that disappear

512

00:33:14,400 --> 00:33:20,550

underwater all of a sudden, the no in,

in, uh, in, in your mind that there's

513

00:33:20,550 --> 00:33:26,070

all underwater and that's coming

out or the water already, though.

514

00:33:26,070 --> 00:33:29,850

If you can think in that direction, you

are thinking you're on the right track.

515

00:33:30,860 --> 00:33:32,030

You're on the right track.

516

00:33:33,650 --> 00:33:34,850

Yeah, that's good.

517

00:33:34,910 --> 00:33:36,800

Fi can you see.

518

00:33:38,765 --> 00:33:39,915

Disappear now.

519

00:33:40,215 --> 00:33:42,075

I wish we had more time.

520

00:33:42,315 --> 00:33:43,485

There's lots of things.

521

00:33:44,685 --> 00:33:50,265

I paint sometimes stones underwater

and coming out out of water and

522

00:33:50,265 --> 00:33:51,945

having disappearing underwater.

523

00:33:51,945 --> 00:33:55,155

But you paint before that,

I want to show you something

524

00:33:55,155 --> 00:33:57,105

else and the time is not there.

525

00:33:57,705 --> 00:34:01,635

I couldn't, I couldn't spare

that time for that, but you

526

00:34:01,635 --> 00:34:03,405

can aim for all those things.

527

00:34:04,515 --> 00:34:04,815

See.

528

00:34:07,020 --> 00:34:13,170

No, the next step will be, I will add,

I will add the stone, but I will add the

529

00:34:13,170 --> 00:34:23,160

kind of, eh, take a look here when Dyke

Brown, Persian blue alizarin Crimson.

530

00:34:23,909 --> 00:34:26,279

You seem to, it's

obviously the same colors.

531

00:34:26,429 --> 00:34:31,560

Here's more, more darker and a little

terrified that gives you that, that

532

00:34:31,620 --> 00:34:37,799

marble feeling I ever put in, maybe

a mighty stone standing there.

533

00:34:37,889 --> 00:34:37,919

534

00:34:43,219 --> 00:34:43,730

see.

535

00:34:44,569 --> 00:34:47,959

And then there's the other stone

standing there besides not too big.

536

00:34:48,720 --> 00:34:54,750

Maybe we push that stone along that you

see the different on, on whatever you do.

537

00:34:56,370 --> 00:34:56,850

Okay.

538

00:34:58,670 --> 00:35:00,770

He likes that right into the sand.

539

00:35:01,220 --> 00:35:03,860

Even that sand would reflect.

540

00:35:13,900 --> 00:35:14,690

Okay.

541

00:35:21,245 --> 00:35:23,675

I hope you can see it later on.

542

00:35:23,795 --> 00:35:28,895

If we have time demonstrate there

some stones, how the water runs off,

543

00:35:29,045 --> 00:35:33,065

but let me do it here for us before

we go on and do anything audits.

544

00:35:36,215 --> 00:35:40,235

I make sure I have my water, all,

all the right to the, to the.

545

00:35:41,880 --> 00:35:44,040

To the shoreline like that.

546

00:35:44,250 --> 00:35:44,940

That's good.

547

00:35:48,000 --> 00:35:56,540

They know eminent and the clear, but the

little bit of a highlight in red, yellow,

548

00:35:57,170 --> 00:36:03,440

blue, kind of a stone color, the no light.

549

00:36:04,070 --> 00:36:07,040

We have the light coming wherever

it's coming from that side.

550

00:36:07,460 --> 00:36:08,180

See then you.

551

00:36:22,460 --> 00:36:23,060

okay.

552

00:36:23,270 --> 00:36:26,900

This stone, we maybe give

him a happy plateau there.

553

00:36:31,280 --> 00:36:32,960

That's close right into the sand.

554

00:36:45,485 --> 00:36:50,435

uh, for the knife to the sand, then

you can pull that off like this

555

00:36:57,665 --> 00:36:59,735

and he had put it off like this.

556

00:37:03,845 --> 00:37:04,505

Can you see.

557

00:37:06,465 --> 00:37:07,515

Can you see?

558

00:37:07,545 --> 00:37:08,625

Can you see?

559

00:37:08,775 --> 00:37:09,225

Good.

560

00:37:14,565 --> 00:37:21,435

Yeah, no, we add to that stone

here and there and the riser

561

00:37:21,435 --> 00:37:24,705

by flexing into the water too.

562

00:37:26,805 --> 00:37:29,805

But now I will show you

something interesting.

563

00:37:30,435 --> 00:37:31,425

Interesting.

564

00:37:32,355 --> 00:37:33,555

That very big.

565

00:37:34,334 --> 00:37:37,484

Clean brush number one.

566

00:37:42,455 --> 00:37:42,605

okay.

567

00:37:42,615 --> 00:37:43,714

Clean brush.

568

00:37:43,745 --> 00:37:47,495

I need here and pull that down first.

569

00:37:47,615 --> 00:37:49,055

Pull that down first.

570

00:37:49,834 --> 00:37:51,334

Pull that down like this.

571

00:37:58,265 --> 00:37:58,834

let's see.

572

00:37:59,495 --> 00:38:00,785

Use the big brush.

573

00:38:01,174 --> 00:38:02,555

Use your big brush.

574

00:38:06,335 --> 00:38:10,055

Clean, make sure you have a clean brush

575

00:38:20,555 --> 00:38:23,645

and blended in like this on the bottom.

576

00:38:24,515 --> 00:38:28,865

He blended in like this good.

577

00:38:30,015 --> 00:38:32,985

See now you can use your fan brush.

578

00:38:33,915 --> 00:38:35,654

You can use your fan brush.

579

00:38:41,525 --> 00:38:41,795

Yeah.

580

00:38:41,855 --> 00:38:52,295

Mighty fan brush Vite, but the touch of

blue that's in the shadow, Tasha blue.

581

00:38:53,975 --> 00:38:56,855

He Mustang that the stay in

the shadow behind that stone.

582

00:38:57,810 --> 00:38:58,859

He does good yet.

583

00:38:59,009 --> 00:39:01,470

Touch me maybe a little touch more, right.

584

00:39:02,240 --> 00:39:03,690

And then do it like the,

585

00:39:12,819 --> 00:39:17,029

see the, what you see,

you see what you see.

586

00:39:17,240 --> 00:39:20,089

But what I do here that is very important.

587

00:39:20,120 --> 00:39:20,839

Watch this.

588

00:39:21,500 --> 00:39:24,140

I pulled that paint up like that.

589

00:39:24,990 --> 00:39:28,020

Pull that pin up like that up like that.

590

00:39:28,410 --> 00:39:36,210

And what you get, you get the feeling of

the water's running off because the line's

591

00:39:36,210 --> 00:39:41,790

getting ten two, and as you go up and it

looks like the water stairs running off.

592

00:39:42,270 --> 00:39:46,980

Now you can start from the top, but

very, very light here and there.

593

00:39:47,490 --> 00:39:51,750

You must always think this

vote is constantly running off.

594

00:39:52,980 --> 00:39:55,110

Constantly running off.

595

00:39:55,710 --> 00:39:56,250

You see?

596

00:39:56,250 --> 00:40:00,380

No, add a bit more, an adamant more there.

597

00:40:02,509 --> 00:40:04,520

They liked the, leave it open

598

00:40:08,900 --> 00:40:12,950

and here, eh, eh,

599

00:40:16,279 --> 00:40:17,690

and do the same thing.

600

00:40:18,500 --> 00:40:19,490

Pull it up there.

601

00:40:20,235 --> 00:40:21,285

Pull it up there.

602

00:40:21,285 --> 00:40:28,665

See, pull it up, pull it up here to

see no, you get the feeling of that.

603

00:40:28,665 --> 00:40:33,515

Stone is always VAT that's

it's just coming new all over.

604

00:40:33,515 --> 00:40:39,065

And yet that stone yet VAT and, and,

and, uh, and, and then it runs off

605

00:40:39,065 --> 00:40:42,875

again, but then you can really work

on if you wants to make it nicer.

606

00:40:43,055 --> 00:40:43,145

Yeah.

607

00:40:43,205 --> 00:40:46,295

What I do here as

assembly, I would create.

608

00:40:48,555 --> 00:40:51,734

Yeah, on the edge of the stone

where the water is, but you see

609

00:40:51,734 --> 00:40:54,435

it sidewards maybe there and here.

610

00:40:54,435 --> 00:41:07,294

I would like to see a dripping off, see

this work in that direction and that good.

611

00:41:07,774 --> 00:41:10,174

Good you then in between, yes.

612

00:41:10,205 --> 00:41:15,214

That just, that's some kind of a very

loose lines that, that stone looks bad.

613

00:41:15,274 --> 00:41:15,995

All of a sudden.

614

00:41:16,830 --> 00:41:18,960

And when you get that, you are

615

00:41:22,770 --> 00:41:28,770

maybe he had on top little bit of blue

and an ever see, no, no, you, you, you

616

00:41:32,210 --> 00:41:33,770

put it this way long.

617

00:41:34,580 --> 00:41:38,600

That looks quite very calm,

but you can, you can start off.

618

00:41:39,855 --> 00:41:44,715

As the, between the stores, usually your

things, the stone shatter the whole thing.

619

00:41:45,105 --> 00:41:46,995

Then you can start, uh,

620

00:41:55,025 --> 00:41:55,745

kind of a,

621

00:41:59,225 --> 00:42:00,485

but leave openings.

622

00:42:00,815 --> 00:42:02,585

Don't, don't fill it in too much.

623

00:42:02,885 --> 00:42:04,055

She has leave openings.

624

00:42:04,455 --> 00:42:05,365

The new lead.

625

00:42:05,365 --> 00:42:06,464

You need the dog.

626

00:42:06,524 --> 00:42:10,634

If you don't have the doc, then,

then you could fill the whole

627

00:42:10,634 --> 00:42:15,855

thing in, and then you lose the

whole thing that I had to think.

628

00:42:16,334 --> 00:42:18,555

Somebody in that direction see.

629

00:42:26,825 --> 00:42:27,425

fine.

630

00:42:27,455 --> 00:42:27,995

Fine.

631

00:42:28,025 --> 00:42:28,475

Fine.

632

00:42:28,805 --> 00:42:33,635

Now here as a sample, you could,

you could draw a big blob of

633

00:42:33,635 --> 00:42:39,005

water coming, like the like uh

634

00:42:44,585 --> 00:42:47,885

and, and go over again and

have, have it through that.

635

00:42:48,810 --> 00:42:49,080

Did

636

00:42:55,320 --> 00:42:56,640

you understand this ID?

637

00:43:00,660 --> 00:43:02,070

And they're

638

00:43:08,850 --> 00:43:09,150

good.

639

00:43:12,660 --> 00:43:18,750

But go in and complete, complete,

like have like a big blob blind there.

640

00:43:19,200 --> 00:43:21,420

See, and now you form your sand.

641

00:43:22,140 --> 00:43:28,680

You can form your sand with, with the same

stairs, you know, you must think here.

642

00:43:29,220 --> 00:43:38,130

Uh, yeah, you must think the water, the

water's coming up higher, lower, higher,

643

00:43:38,130 --> 00:43:41,250

lower, and belt, certain stairs there.

644

00:43:41,805 --> 00:43:45,855

So you can, I, sometimes he was

at our mighty big brush there

645

00:43:46,935 --> 00:43:49,814

and, and cut it in like this.

646

00:43:50,115 --> 00:43:54,794

Oh, watch, can you see

little stairs there?

647

00:43:54,794 --> 00:43:57,705

All of a sudden that is very healthy.

648

00:43:58,424 --> 00:43:59,865

That looks very healthy.

649

00:44:00,254 --> 00:44:05,294

And especially towards the water

where the, where the sand is more wet.

650

00:44:06,225 --> 00:44:07,995

See, and now.

651

00:44:08,490 --> 00:44:10,230

Whatever you do, you can.

652

00:44:10,560 --> 00:44:14,730

I see artists, their pain, uh, footsteps.

653

00:44:15,450 --> 00:44:26,370

What was going on or lots

of shell stones and emotes.

654

00:44:27,180 --> 00:44:31,430

Then I draw a little, little

dark line around that first.

655

00:44:31,460 --> 00:44:37,460

No, it literally the dark line like

that water standing up there and then.

656

00:44:39,435 --> 00:44:39,825

Yeah.

657

00:44:40,785 --> 00:44:45,465

And then you can go on here

and extended, whatever.

658

00:44:45,915 --> 00:44:46,755

Maybe here

659

00:45:02,255 --> 00:45:03,305

we can do it like that.

660

00:45:03,455 --> 00:45:04,295

If you want to.

661

00:45:05,759 --> 00:45:09,089

But you can, you can roll

it in, it can be pushing.

662

00:45:09,240 --> 00:45:11,310

It can all push here long.

663

00:45:12,509 --> 00:45:14,549

It's depends on what

you really wants to see.

664

00:45:14,549 --> 00:45:22,020

No, I would say the vent, the, the height

of the water draws a calm down there,

665

00:45:22,200 --> 00:45:24,029

but they don't have to be all the time.

666

00:45:24,210 --> 00:45:29,790

They could be all are dancing and

bubbling and, and, and, and boiling again.

667

00:45:29,819 --> 00:45:32,700

You see the here you're boiling it.

668

00:45:35,820 --> 00:45:40,140

And then it comes down to calms down,

but that's up to you, whatever you

669

00:45:40,140 --> 00:45:45,030

would think you wants to have in your

voice, whatever you want us to think.

670

00:45:58,190 --> 00:46:01,520

no, here, the tips I would

like to have very light.

671

00:46:02,235 --> 00:46:06,465

The tips I would like to have very

light because that comes up in the

672

00:46:06,465 --> 00:46:10,185

height of the, of the daylight.

673

00:46:10,185 --> 00:46:12,135

Again, that's not so low anymore.

674

00:46:12,225 --> 00:46:12,495

See.

675

00:46:23,615 --> 00:46:25,384

Bartlett and which way you want.

676

00:46:25,984 --> 00:46:31,535

So there is no rules and regulations

just follow the, the, the common sense.

677

00:46:31,984 --> 00:46:36,694

Uh, the common sense

movements in the water.

678

00:46:36,995 --> 00:46:41,694

It is so hard, especially when I had

my classes for students sometimes.

679

00:46:42,610 --> 00:46:48,330

Whatever, whatever you wants to see

the, I just show you movements, how I

680

00:46:48,330 --> 00:46:52,170

move my hands on, how I get that, that

bubbling in and how I get that in.

681

00:46:52,320 --> 00:46:57,630

But that's just my, my, my version

of tanking, you can, uh, might

682

00:46:57,630 --> 00:47:01,970

work out technique is the important

spot, but I think I should show

683

00:47:02,510 --> 00:47:04,220

and usually take from there.

684

00:47:04,280 --> 00:47:11,000

You should think you're on why all of a

sudden the attack to make that underneath.

685

00:47:11,470 --> 00:47:17,190

Still in there a bit more glamorous

that you think you can see into that.

686

00:47:17,190 --> 00:47:21,750

And you see the, the, the, the, the

transparency of the water there.

687

00:47:25,730 --> 00:47:26,660

Okay.

688

00:47:28,670 --> 00:47:36,290

They, no, we will go and dance in more,

but look, look at how my hands are flying.

689

00:47:37,380 --> 00:47:38,490

Thank you at the event.

690

00:47:38,790 --> 00:47:39,960

Thank you at the event.

691

00:47:40,170 --> 00:47:40,950

Thank you.

692

00:47:41,010 --> 00:47:41,820

Are the wind.

693

00:47:42,300 --> 00:47:43,020

Thank you.

694

00:47:43,020 --> 00:47:50,040

Are the wind and all this, try

to, to follow kind of, uh, what

695

00:47:50,040 --> 00:47:54,090

have been blows it, that that

direction would have been blossom.

696

00:48:15,395 --> 00:48:20,915

see, create, create a bit of highlights

there and there, maybe here a little

697

00:48:20,915 --> 00:48:23,675

bit again, that has other beginning.

698

00:48:26,910 --> 00:48:29,510

Yeah, no, we will set in the stone.

699

00:48:30,590 --> 00:48:32,330

We will set in the stone there.

700

00:48:38,800 --> 00:48:39,180

Yeah.

701

00:48:39,780 --> 00:48:40,130

Yup.

702

00:48:40,370 --> 00:48:40,640

Yup.

703

00:48:40,760 --> 00:48:41,270

Yup.

704

00:48:42,140 --> 00:48:43,130

See there.

705

00:48:51,859 --> 00:48:52,040

yeah.

706

00:48:52,279 --> 00:48:54,859

Highlight that you can have it higher.

707

00:48:55,189 --> 00:48:59,450

You know, you go to Laguna beach

there and you see those sharp stones.

708

00:48:59,750 --> 00:49:01,460

They could stand up like this.

709

00:49:01,850 --> 00:49:07,759

They are really standing up like this

and they can paint them if you want.

710

00:49:07,819 --> 00:49:11,390

You can, you can see.

711

00:49:12,345 --> 00:49:13,214

That doesn't matter.

712

00:49:13,245 --> 00:49:15,915

You can paint him behind each

other next to each other.

713

00:49:16,245 --> 00:49:19,785

You go to Oregon, you

paid paying the haystacks.

714

00:49:20,355 --> 00:49:21,734

They call it haystacks.

715

00:49:21,734 --> 00:49:23,265

They look like his steaks.

716

00:49:33,995 --> 00:49:34,355

yeah.

717

00:49:36,035 --> 00:49:38,495

UTI for beautiful.

718

00:49:38,975 --> 00:49:41,075

Now you highlight that again.

719

00:49:41,475 --> 00:49:44,515

With the red and the blue and the right.

720

00:49:44,955 --> 00:49:46,155

I create a color.

721

00:49:46,185 --> 00:49:47,055

Take a look here.

722

00:49:47,355 --> 00:49:50,985

I munch all the colors in a bit of

blue from there, but the thread.

723

00:49:51,315 --> 00:49:55,185

So I get the feeling

that you are the judge.

724

00:49:55,185 --> 00:49:58,835

No, I just wants to think

that would be perfect.

725

00:50:02,515 --> 00:50:04,325

See a light side.

726

00:50:08,715 --> 00:50:09,285

There.

727

00:50:09,765 --> 00:50:11,355

And again, the same color.

728

00:50:11,835 --> 00:50:12,975

You can highlight this.

729

00:50:12,975 --> 00:50:13,965

If you want to

730

00:50:18,555 --> 00:50:24,945

see there and you pull

it into the studio water,

731

00:50:30,945 --> 00:50:32,175

that is nice.

732

00:50:33,399 --> 00:50:34,830

Again, here, behind.

733

00:50:36,870 --> 00:50:41,490

I would use a touch of blue

and white, blue and white.

734

00:50:42,839 --> 00:50:44,790

That's kind of a bad color there.

735

00:50:49,700 --> 00:50:52,970

blue invite something like this.

736

00:50:55,940 --> 00:50:56,029

Okay.

737

00:50:56,720 --> 00:51:01,970

See, but no, no, you, you, you.

738

00:51:02,895 --> 00:51:07,715

Put that right in that big

water, I guess, watch this.

739

00:51:08,015 --> 00:51:15,455

I will say this, the there's coming up

there and, and, and this, this, this,

740

00:51:15,455 --> 00:51:23,285

this wave broke down and ended up there

and, and the waters like we did on that

741

00:51:23,285 --> 00:51:28,475

stone first try to cut up the water.

742

00:51:28,655 --> 00:51:30,575

That means the water's running down.

743

00:51:31,515 --> 00:51:32,745

Vetted stone.

744

00:51:32,925 --> 00:51:34,485

This is a fantastic idea.

745

00:51:34,825 --> 00:51:40,355

The way I show you that

here, see this movement up.

746

00:51:40,715 --> 00:51:43,175

That means movements down

the water's running down.

747

00:51:43,985 --> 00:51:46,775

The heavy paint is on the board,

Matt guesstimate, anything

748

00:51:46,775 --> 00:51:48,605

that means that it just does.

749

00:51:48,605 --> 00:51:48,755

Right.

750

00:51:48,875 --> 00:51:52,325

I feel like that it really

does run off like that.

751

00:51:53,525 --> 00:51:55,595

Eh, uh, okay.

752

00:51:55,715 --> 00:51:56,135

Good.

753

00:51:56,985 --> 00:51:57,225

Good.

754

00:52:02,975 --> 00:52:03,775

Yeah.

755

00:52:04,385 --> 00:52:09,785

Maybe here you have the other side,

maybe here be pronounced the water

756

00:52:09,785 --> 00:52:15,575

in the back and the back of that,

that stone that's only off like that.

757

00:52:16,235 --> 00:52:21,365

And then you come into to here

and you fire in like that.

758

00:52:27,075 --> 00:52:29,715

Bit more bit more powerful color.

759

00:52:30,225 --> 00:52:34,965

Maybe like this, he like

bubble it in, boil it in there.

760

00:52:39,175 --> 00:52:39,985

Yeah.

761

00:52:40,815 --> 00:52:41,415

Here.

762

00:52:41,925 --> 00:52:42,345

Good.

763

00:52:44,985 --> 00:52:48,495

The olive is on that

whole stone is in the vet.

764

00:52:49,305 --> 00:52:53,775

You can go around, you can have here

a little bit behind, a little bit.

765

00:52:58,430 --> 00:52:59,180

You have to watch this.

766

00:52:59,180 --> 00:53:00,290

You done hit this stone.

767

00:53:00,650 --> 00:53:03,860

Usually I, I paint around the stone first.

768

00:53:07,580 --> 00:53:08,570

Hey, good.

769

00:53:14,810 --> 00:53:15,970

How high are you on Sabbath?

770

00:53:16,040 --> 00:53:16,850

Water flying.

771

00:53:23,900 --> 00:53:26,450

make it break there and

make it break there.

772

00:53:39,200 --> 00:53:39,590

good.

773

00:53:40,340 --> 00:53:43,370

You know, all of a sudden you

have it quite nice and bubbly.

774

00:53:44,600 --> 00:53:44,840

Right?

775

00:53:44,840 --> 00:53:46,190

Nice and bubbly.

776

00:54:06,275 --> 00:54:07,835

so that's fine.

777

00:54:08,615 --> 00:54:11,585

They're getting warmer and warmer now.

778

00:54:11,615 --> 00:54:12,515

The next step.

779

00:54:13,065 --> 00:54:20,625

I will, I will use my little line,

my liner brush, and I will make some,

780

00:54:24,095 --> 00:54:24,185

okay.

781

00:54:24,575 --> 00:54:26,675

Some sandpipers been happy.

782

00:54:26,675 --> 00:54:28,355

They're running.

783

00:54:28,385 --> 00:54:29,765

One is running watch.

784

00:54:29,765 --> 00:54:36,245

That that thing is

running, running like mad.

785

00:54:37,215 --> 00:54:39,255

Try to think one is running.

786

00:54:39,645 --> 00:54:43,485

One is standing and they're

all busy all the time.

787

00:54:44,175 --> 00:54:46,725

They're very busy all the time.

788

00:54:47,805 --> 00:54:50,625

They're very busy all the time.

789

00:54:53,955 --> 00:54:56,295

And boy, is he ever learning?

790

00:54:57,705 --> 00:54:59,085

Is he ever running?

791

00:55:11,180 --> 00:55:12,800

yeah, you can reflect them in the water.

792

00:55:12,800 --> 00:55:13,700

If you want to.

793

00:55:14,660 --> 00:55:16,970

They can be in the sand.

794

00:55:17,780 --> 00:55:20,120

He can have a little

reflection in the sand of him.

795

00:55:20,960 --> 00:55:21,560

Yeah.

796

00:55:21,950 --> 00:55:23,330

He, the other one is quiet.

797

00:55:23,360 --> 00:55:27,890

The standing desk around as

a beacon of water and it's

798

00:55:28,110 --> 00:55:30,920

it's around, around like this.

799

00:55:32,715 --> 00:55:38,055

You have to think if you paint animals,

you have to think sideways four of us

800

00:55:38,235 --> 00:55:44,955

upside down and running and standing

stairs and, and the, and the still

801

00:55:44,975 --> 00:55:48,585

see the footsteps, the two footsteps.

802

00:55:54,725 --> 00:55:54,955

Yeah.

803

00:55:54,955 --> 00:55:55,325

Yeah.

804

00:56:08,899 --> 00:56:12,049

he it's turning to you

is looking to you now.

805

00:56:14,600 --> 00:56:18,020

And the other is others on the side.

806

00:56:18,950 --> 00:56:20,720

He says, just walk.

807

00:56:20,720 --> 00:56:21,470

Nice.

808

00:56:21,529 --> 00:56:22,279

It's just walk.

809

00:56:22,310 --> 00:56:22,940

Nice.

810

00:56:23,420 --> 00:56:24,109

He has.

811

00:56:24,525 --> 00:56:26,865

He, he has to decide what he will do.

812

00:56:27,555 --> 00:56:32,015

He has to make a decision when he

sees somebody that guys around each,

813

00:56:32,015 --> 00:56:36,435

the other, they just decide something

814

00:56:43,925 --> 00:56:47,105

and you see him walk and nice

815

00:56:50,765 --> 00:56:51,245

there.

816

00:56:52,440 --> 00:56:54,990

So that's the why you get

your animals together.

817

00:56:54,990 --> 00:56:57,810

You see together your stones together.

818

00:56:57,810 --> 00:57:04,260

You're you're, that's why I like

to see my whole Dean's done.

819

00:57:04,920 --> 00:57:12,360

And you still have some sea gods

up here flying around there's one.

820

00:57:13,440 --> 00:57:16,020

The, yeah.

821

00:57:16,050 --> 00:57:20,550

And there's other happy Seguard

maybe it comes down like this.

822

00:57:21,674 --> 00:57:30,584

They usually come in to clump and there's

other happiest Eagar lying like this, and

823

00:57:30,584 --> 00:57:36,705

you can go on and on how many seagulls you

want, how many seagulls you really want?

824

00:57:39,515 --> 00:57:49,205

See then you tip you tip the tips of the

Seger, gave him a bit of a white tip.

825

00:57:50,420 --> 00:57:57,840

They're there, they're

there and what is going on?

826

00:57:58,220 --> 00:57:59,120

You got it.

827

00:57:59,690 --> 00:58:01,430

See, you got it all done.

828

00:58:02,030 --> 00:58:04,010

And I couldn't even do anymore.

829

00:58:04,040 --> 00:58:04,640

Really?

830

00:58:05,570 --> 00:58:07,100

That's all they wants to show you.

831

00:58:07,100 --> 00:58:08,540

I hope you enjoyed it.

832

00:58:08,960 --> 00:58:10,430

And thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, William Alexander - Magic Art Instructor #105 - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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