Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Wooded Island - AVAILABLE

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look at that wonderful painting

with that beautiful mountain

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and that beautiful Island there.

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Wouldn't you like to be there?

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Nice to park your camera on the side

and unload and have your breakfast there

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and enjoy that happy fresh morning.

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This is what they be.

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Show you.

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Then we start paying

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the magic of oil painting is made possible

by a grant from Aaron brothers, art marts.

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Hey, that's what we have to do.

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I have to put myself in that our mighty

Bubby, you know, I never could start

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painting before brainwashing myself.

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I use a bad word.

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Brainwashing is quite a bit of a hard.

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The thing to talk about, but

I got to be in that pain with

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my bed, my but all my insight.

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So do that too.

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I wish you would.

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When you see a painted that I could never

say, Oh, there's a little bit of blue

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sky, or there's a mountain there and

there's an Island there and it's that.

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And that, and that.

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No, no, I have the smell

I F I smelled Ireland.

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I smelled the air.

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I feel that.

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Cold or the heat, or you're

tied to feel the whole thing.

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Then it becomes a part of you that whole

painting and then becomes a dumb, easy.

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It is so easy.

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Now let me show you how we start,

what we see on that painting.

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So first I put the magic right

on every time you see what I do.

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On the white canvas.

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I always put the management on.

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I hate to do that.

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There's a minute time.

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I lose on my painting there.

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So the canvas is red.

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What you see there?

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A happy blue sky.

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Now look how I take

that, uh, that paint off.

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See, I use my big brush, dry and

clean and go into depression blue,

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but the blue is so dark, but the white

is on the canvas and look how it.

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Changes here.

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I mix what I do really.

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When I put that paint on the

canvas, I am mixing with advice and

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that blue, what was so dark here.

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It is so light there because the

white, the wet Vitus and the canvas.

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Okay.

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I take more of like this.

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You see you find it a bit, maybe the blue

sky and you make, make it very happy.

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And that is called lighter on

the bottom and there and there.

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Maybe lift as a hair,

shoot it off like that.

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And see another time already.

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You got the kind of a happy sky there.

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Now we want the vote.

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Usually the sky is always reflecting,

flexing in the water, then do the same

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thing on the bottom and the water.

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You can do it just like this.

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First like this

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and make it darker to the bottom.

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The sky reflects in the water.

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Let's get lighter, lighter.

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And what you see now you have a horizon

line and you see a deep, it is not flat.

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It is illusion.

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You create the optic illusion.

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okay.

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Make sure I have a dry brush now,

hypnotize, the whole thing like

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this, but then you hit monetized.

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That means do it from the light

into the dark, not from the dog.

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I go from the bottom up and

collect the dirt on top.

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See, so that is where you

get your, your speed and.

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Then he in Nevada.

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That's all I see.

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That's all right.

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I have it on a nicely spread out.

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Yeah.

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Okay.

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The next step, I will put

that happy mountain in there.

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Look what I do take it

would look on my palette.

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Provide after they're use a little

bit Vandyke, passion blue, little bit.

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I live in Crimson.

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For that distance, I would keep it

more on the blue and alizarin Crimson.

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If I go close, I use a touch of

Vandyke Brown and then mix it.

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Yeah, I like this.

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Take a look, take a good look there.

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I think to the sister and leave it

like marble again, never, never.

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Mixer dead.

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That means when I say dead don't mix

the two, this is nothing left anymore.

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Just one color, have all kinds

of movements in that pain.

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So now I take it off and put

it on that almighty canvas.

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You don't have to do it exactly like that.

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I aim for roughly.

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I wants to have the

impression of that painting.

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So we fire in there.

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Maybe dad is that mountain.

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They they're standing up like

this and this and you off.

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Right.

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Uh, and here,

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but when you use the knife, you see how

hard I press and make sure you don't

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have too much paint on the canvas.

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The make sure you have too much, you

don't have so much paint on your canvas.

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How I scraped.

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But what I really am now is

the upper lines, all the upper

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lines at once you have it.

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Correct.

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And maybe on this side, it's

the other little mountains.

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Nice to see you.

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They're standing there.

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All right.

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Then we do it like this, maybe

getting my other peak there, whatever

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you see, whatever he would like to

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And you're now there's a tree

here and here we bought through

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because I can see you need a part

of the mountain on the other side.

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See, now that's all you did.

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Now.

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I use my bank brush my on mighty brush.

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Make sure you got no pain dinner

on, on the brush and cut that in

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like this C cut it in like this.

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See what happened now.

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It is our paint is very

strong and thick and hard.

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The paint I use, I never

can paint with the paint.

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It's very soupy or very sloppy.

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It got to be a solid pain.

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And you see what I did create

kind of a missed out at the missed

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the, in this coming up there.

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Beautiful.

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So the next step will be, I will.

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I will.

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They will.

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He will.

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I will.

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I will put the sunshine on the mountain.

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Light is coming from that side there.

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Oh, okay.

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Hey there.

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And that fly in, looking at

size a part on the bottom.

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Eh, whatever you wants to highlight.

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Now you can do it here and there,

the bed and then the bed and hear

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it again and hear it again, pull it

down, but there's not much paint on.

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I don't use too much paint.

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It looks like, but I really don't.

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SI always from the light side, if the

light comes from this side, light it

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from this side, or the light comes from

the front light or just from the front

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side, light is always easier to, but

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it's easier to work with, eh, maybe

here, behind that a little bit bad.

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They becomes a life already.

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Now from the other side,

you use Vite and blue.

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Let me show you a touch of blue and white.

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I Mexico happy little blue there.

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Take a look.

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How I do it.

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See kind of a happy light blue and

you highlight from the other side.

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Is it a bit on the dark side.

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So add a little bit more white.

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Oh, that's better.

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You know, you just highlight,

see how it comes alive.

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The whole mountain becomes a life now here

and there, wherever you think a little

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bit of blue in between that gives you

more life in that our mighty mountain.

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Look at that beautiful, you know, I paint

for so many years and it still excites me.

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It still excites me when I can

put that paint on like this.

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And I am the commander and the

chief and the bottle washer.

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I do everything with so much

power and this is important.

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I don't know what it is.

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It makes me feel I cannot make a stroke.

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Uh, As assembler, I could

not make it just low.

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Like this all has to be,

I have to scare my canvas.

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They like that.

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That's fine already.

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The happy mountain is there.

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Now we were use the big brush.

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There's a kind of a grout

in between like your.

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Wilderness trees.

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I will use the same color.

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This watch it.

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The same color I have here.

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The mountain I come attached

forwards a bit blue into that.

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See, they'll tell you have blue into that.

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And I got, I come a stage four.

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You see, watch and make those moves.

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Like I show you here.

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Or I just go roughly by that painting.

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This time, you remember the other showers?

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I always showed you just a

painting, but we got so much

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mail and people ask me of advice.

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It would be nice to see the

finished product before you start.

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And that's why we decided

to have a painting.

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And before we start, so they made

me paint all those paintings before.

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Okay.

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No, that's it.

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And always from the dark into the light,

from the dark and the light, like you

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see on top it's dark and it gets light

and have those strokes like this.

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It gives you like it standing up.

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You see lines are standing up there.

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Sea lions are standing up.

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So in that instance, you don't

need any tree trunk there.

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Okay.

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Now I will have the next step.

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The next step again, I use the same take.

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You would look how I come forward.

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Now you see this color, this color.

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I just add to the same shoe up here.

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I started a bit more blue, maybe

now, a little touch of Vandyke Brown

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and it makes it a little touch dog.

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I see that she has a touch darker.

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It's a harmony color.

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And then you go through

like this, see there area.

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And then you really dang what I

pay in this land, sky water in the

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sunshine and the rain and the storm.

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It's there.

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It's still nothing.

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All it's about land sky,

mountain trees and water.

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That's our belief in that.

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So it is not too difficult.

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See, here I make, upstrokes take a look.

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You learn upstrokes like this.

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And in that instance, it gives me a

feeling of somebody standing up there.

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Right.

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Okay.

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The next step again, where B the

big brush, the mighty brush and

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cut it in, go into that and cut

it down a little bit like this.

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Kind of down a little bit like

this, it depends on what you

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wants to make out of that.

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So, and then you do it like this.

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He already, it has that water feeling.

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Here you are.

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And now you use your mighty

knife and attach off.

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Right.

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And you can have a tattoo

over red, if you wants to.

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White and the red, you

kind of ochre color.

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I mixed myself.

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Then you can, but on the horizon

line there, or the shoreline, the

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shoreline, not the horizon line here.

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Yeah.

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Use your big brush.

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Clean it up again.

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One on my stroke long, like this.

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Now we have a happy little Island, always.

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Next comes.

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Next comes next.

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You saw sky first, the far

by mountain, middle ground.

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I know we go into the foreground

and I will fire in a little happy.

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I use zap green, a touch

of SAP green with that.

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Now here we shall call us already

and it, you have undyed Brown and we

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can go right into that paint here.

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It's nothing wrong with that.

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And the Tasha of blue Gino and mix it up.

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Yes.

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Perfect.

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For what I want to do there, and you

fire in a happy, you can have it higher,

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lower, whatever you wants to see the

there put the happy little Island and,

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and you make sure you don't have blocks.

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Don't block it.

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Just, just make sure you have addressed.

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Um, Like trees with branches

and with, Hey daddy.

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I hope you can see it, right?

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Yeah.

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Happy little Island now.

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We, well, we were put the

couple tree trunks in there.

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You see, look how that works.

258

00:14:59,990 --> 00:15:00,890

Beautiful.

259

00:15:00,949 --> 00:15:01,760

Beautiful.

260

00:15:01,849 --> 00:15:02,660

No problem.

261

00:15:02,660 --> 00:15:03,140

There.

262

00:15:08,405 --> 00:15:12,745

then you can use a touch of blue, even

that little blue, but he got there and

263

00:15:12,815 --> 00:15:14,975

have a little bit of a stone formation.

264

00:15:14,975 --> 00:15:20,915

If you want to see some stones on that

particular Island, and maybe there, they

265

00:15:20,915 --> 00:15:24,965

had a kind of a sand in front of it.

266

00:15:25,745 --> 00:15:29,435

So we use yellow, white,

and the Tetra for ed Moore.

267

00:15:29,455 --> 00:15:29,915

Right.

268

00:15:30,645 --> 00:15:34,695

And we cut any kind of a shoreline

there is he that happened.

269

00:15:34,695 --> 00:15:42,315

And that happened in the sand bar in front

of that Island and happy little sandbar.

270

00:15:43,815 --> 00:15:49,845

And Ferrando that Island,

uh, isn't that beautiful.

271

00:15:50,445 --> 00:15:58,515

Now I can see the kids would like to swim

over there and mothers don't do that.

272

00:16:00,345 --> 00:16:04,125

You ground yourself, kids

never ground themselves.

273

00:16:04,185 --> 00:16:04,875

They're tough.

274

00:16:05,515 --> 00:16:10,385

You know, you highlight

that a little bit green.

275

00:16:13,475 --> 00:16:14,135

That's done.

276

00:16:14,495 --> 00:16:14,705

Now.

277

00:16:14,795 --> 00:16:18,815

The next step you can use a

Bay brush is a mighty brush.

278

00:16:18,845 --> 00:16:20,195

It works faster for you.

279

00:16:20,555 --> 00:16:23,345

Passion blue, SAP green.

280

00:16:26,025 --> 00:16:30,045

Precious blue SAP, green, but look

how much paint I use, maybe you're

281

00:16:30,045 --> 00:16:31,604

making a good close up on this.

282

00:16:31,604 --> 00:16:33,765

How I mix that paint together.

283

00:16:34,694 --> 00:16:36,255

Just makes it all together.

284

00:16:36,255 --> 00:16:41,925

The expression blue and the SAP green

and this here, but I, it into the brush.

285

00:16:42,165 --> 00:16:46,214

See, our paint is harder because

the harder paint very much smear.

286

00:16:46,574 --> 00:16:48,645

It will always make figures.

287

00:16:48,944 --> 00:16:52,964

And that's what I want now I

fire in here, but you see good.

288

00:16:52,994 --> 00:16:53,625

Try again.

289

00:16:53,625 --> 00:16:54,464

If you don't mind.

290

00:16:57,465 --> 00:17:02,835

Push the brush like this aside,

move the, that side move and

291

00:17:02,835 --> 00:17:04,724

now it is touch and move.

292

00:17:04,755 --> 00:17:10,135

Like I touch it and move, touch

and move, move, move, move.

293

00:17:10,464 --> 00:17:15,585

Eh, eh, eh, eh, then you have all

the thousands of details there.

294

00:17:20,954 --> 00:17:22,784

And then here I need needed dark.

295

00:17:22,815 --> 00:17:27,135

Anyway, light will only show

on dark and here we do it.

296

00:17:27,274 --> 00:17:28,425

Provide that other pain.

297

00:17:28,425 --> 00:17:33,855

Yes, I will do with roughly you don't

have to do it exactly like that again,

298

00:17:34,185 --> 00:17:39,135

is he how I pushed that paint after

palette, more pressure and blue, maybe

299

00:17:39,135 --> 00:17:42,645

touch off, zap green, more into that.

300

00:17:43,034 --> 00:17:45,014

And then you file on this side.

301

00:17:45,014 --> 00:17:50,264

If you want again, touch and move,

touch, and move, touch, and move.

302

00:17:55,305 --> 00:17:56,175

And the details.

303

00:17:56,175 --> 00:17:59,024

Look at the beautiful

branches flying around.

304

00:18:02,699 --> 00:18:03,389

Fired right.

305

00:18:03,389 --> 00:18:04,290

Empty the water.

306

00:18:04,649 --> 00:18:06,209

Now it should be darker there.

307

00:18:06,540 --> 00:18:12,780

So what you do then blue Prussian

blue and yellow turns green.

308

00:18:13,229 --> 00:18:14,969

See passion blue.

309

00:18:15,000 --> 00:18:16,649

That gives you a more dark.

310

00:18:22,290 --> 00:18:24,120

Oh, that's beautiful.

311

00:18:27,225 --> 00:18:28,365

The next step.

312

00:18:28,725 --> 00:18:34,365

I very put the little vent into the water

there and would put the nanny breeze into

313

00:18:34,365 --> 00:18:38,625

the water and we show you how to do that.

314

00:18:42,875 --> 00:18:43,235

White.

315

00:18:44,935 --> 00:18:47,195

lots of white, but it's

got to be a take, right?

316

00:18:47,225 --> 00:18:48,605

Not a sloppy right.

317

00:18:48,935 --> 00:18:50,225

Kind of a ticker vide.

318

00:18:50,345 --> 00:18:50,825

Nice.

319

00:18:50,825 --> 00:18:56,915

Like this brush is loaded and then you

give yourself a stroke there, but make

320

00:18:56,915 --> 00:18:59,015

sure you got it nice and straight.

321

00:19:07,125 --> 00:19:08,115

You can leave it like that.

322

00:19:08,145 --> 00:19:08,775

If you want to.

323

00:19:12,555 --> 00:19:14,385

There's like a little

window is gone through

324

00:19:17,955 --> 00:19:18,135

now.

325

00:19:18,135 --> 00:19:23,145

You're put this along this

along here, maybe a couple

326

00:19:23,145 --> 00:19:25,125

of upstrokes there on Island.

327

00:19:27,215 --> 00:19:28,905

That's all wonderful.

328

00:19:29,835 --> 00:19:30,735

The next step.

329

00:19:30,945 --> 00:19:32,805

The next step I put tree trunks in.

330

00:19:33,645 --> 00:19:34,515

Three trunks.

331

00:19:40,035 --> 00:19:40,905

Can you see that

332

00:19:44,905 --> 00:19:48,675

you have a facet Goss,

no fiddling around here.

333

00:19:48,675 --> 00:19:49,275

The same.

334

00:20:00,830 --> 00:20:06,950

if you see wilderness, you know, there we

are so fussy when I started out, I meet

335

00:20:06,950 --> 00:20:10,070

every little branch with so much fuss and.

336

00:20:10,785 --> 00:20:11,655

Then look good.

337

00:20:11,785 --> 00:20:13,155

It looks too stiff.

338

00:20:13,635 --> 00:20:18,555

Now I do it with just our mighty

little bit, my mighty inside, and it

339

00:20:18,555 --> 00:20:22,475

looks so much better and it's fresh.

340

00:20:23,225 --> 00:20:29,015

It has the freshness of

your, of your, of your time.

341

00:20:30,245 --> 00:20:32,645

If you've suffered on the

painting, you know, suffering,

342

00:20:32,675 --> 00:20:34,745

painting, that's a good idea.

343

00:20:34,745 --> 00:20:37,745

Suffering painting then.

344

00:20:38,280 --> 00:20:40,919

The people who are get your

pain, they suffer with you.

345

00:20:42,149 --> 00:20:43,199

Now I have a new idea.

346

00:20:43,199 --> 00:20:44,879

Now it's suffering pain.

347

00:20:45,270 --> 00:20:46,949

I will talk about that in the future.

348

00:20:47,760 --> 00:20:49,860

Okay, good.

349

00:20:50,370 --> 00:20:59,070

The next step I will use, I highlight

all that with yellow and you saw the

350

00:20:59,070 --> 00:21:03,870

brush was full of pressure and blue

and yellow and blue turns green.

351

00:21:04,139 --> 00:21:06,389

So, and I make it the same thing.

352

00:21:06,735 --> 00:21:10,425

See, like the shoe and I

fire him from the sunny side.

353

00:21:10,485 --> 00:21:11,205

See there.

354

00:21:12,524 --> 00:21:18,824

Uh, Oh, isn't that beautiful bit lighter.

355

00:21:18,824 --> 00:21:22,875

Even a bit lighter would be better

to push a bit more yellow into that.

356

00:21:23,235 --> 00:21:25,064

And that turns green on your brush.

357

00:21:28,715 --> 00:21:33,875

But when you do this kind of rocks,

there's always one touch and don't

358

00:21:33,875 --> 00:21:38,465

go over that one, touch that's one

stroke and that's almighty stroke.

359

00:21:39,065 --> 00:21:39,875

Don't forget it.

360

00:21:40,445 --> 00:21:44,165

When, when you start paying, you

use your tank, it's not nice enough.

361

00:21:44,165 --> 00:21:45,995

You are over that and you ruined it.

362

00:21:46,115 --> 00:21:47,795

Look how nice the attaches are.

363

00:21:48,420 --> 00:21:49,470

Leave it like that.

364

00:21:50,070 --> 00:21:53,310

I know we are always tempting

to do it better and by doing it

365

00:21:53,310 --> 00:21:57,840

better, we're always ruining it

now here to highlight that again.

366

00:21:58,140 --> 00:22:02,700

See, but when you watch me, how

I touch it is always one touch

367

00:22:03,270 --> 00:22:06,120

or beside it, you see one touch.

368

00:22:06,360 --> 00:22:11,550

If I go over that, I ruined that

wonderful tach don't ruin it.

369

00:22:13,650 --> 00:22:14,690

Okay.

370

00:22:14,720 --> 00:22:15,980

No, we will.

371

00:22:16,409 --> 00:22:21,629

Highlight their bad and a

bit over happy green grass.

372

00:22:21,629 --> 00:22:25,020

And then here maybe.

373

00:22:26,939 --> 00:22:30,899

And you got to have that on my D

I have a lot of songs in my mind

374

00:22:31,050 --> 00:22:33,389

when I paint, I F I hear tunes.

375

00:22:33,419 --> 00:22:39,629

I hear hear the voice is bubbling is

just wonderful around me, because then,

376

00:22:39,810 --> 00:22:42,270

then all that makes so much more sense.

377

00:22:42,330 --> 00:22:43,229

The here again.

378

00:22:43,500 --> 00:22:46,050

Now, if it is so dark on

top, I brighten it up.

379

00:22:46,050 --> 00:22:51,020

Look at that stroke alone, but it did

take a look at that beautiful tach.

380

00:22:51,560 --> 00:22:53,270

It's just fantastic.

381

00:22:56,370 --> 00:22:59,850

And this is what Vic's, you're

up by talking to yourself.

382

00:23:00,090 --> 00:23:03,870

Look at that beautiful touch

there, and it excites you.

383

00:23:03,870 --> 00:23:05,700

All those branches are flying out.

384

00:23:05,700 --> 00:23:09,290

Now all those branches are flying out.

385

00:23:09,290 --> 00:23:21,050

Now here, we created a little bit of

a foreground, eh, eh, that is busier.

386

00:23:24,345 --> 00:23:26,745

Your bank brush, pull that all down.

387

00:23:26,745 --> 00:23:28,305

I want you to make water out of that.

388

00:23:28,305 --> 00:23:31,665

There did all that in the

back of the, into the water.

389

00:23:41,405 --> 00:23:45,965

Now we put couple of happy

stones in there or whatever.

390

00:23:45,965 --> 00:23:49,865

Look with this kind of

a bluish color blue.

391

00:23:50,045 --> 00:23:51,425

I live in Clemson.

392

00:23:52,364 --> 00:23:54,344

I live in Clemson and passion blue.

393

00:23:54,344 --> 00:23:56,925

If you mix that right together,

you will have a lot of fun.

394

00:23:59,084 --> 00:24:00,975

You will have a lot of fun.

395

00:24:01,875 --> 00:24:03,225

I have to take my, or my theory.

396

00:24:04,334 --> 00:24:05,445

It works better.

397

00:24:06,475 --> 00:24:11,975

The other happy blue and that

light hits there and it's there.

398

00:24:13,415 --> 00:24:15,004

They let the knife do the job.

399

00:24:15,570 --> 00:24:16,320

That's odd.

400

00:24:16,320 --> 00:24:16,860

Beautiful.

401

00:24:18,090 --> 00:24:22,860

He know people that run in the happy

little road coming out of that, out

402

00:24:22,860 --> 00:24:29,669

of that Bush there, he let it come out

there and he has a blade of, I divide by

403

00:24:29,669 --> 00:24:32,610

divide of either perspective or Heights.

404

00:24:39,080 --> 00:24:39,379

Yeah.

405

00:24:41,720 --> 00:24:42,020

Yeah.

406

00:24:42,050 --> 00:24:44,690

Then we can put lines in.

407

00:24:45,120 --> 00:24:47,280

Slide them in here and there and there.

408

00:24:51,450 --> 00:24:54,150

And if you want, you can put

a bit of shadow in there.

409

00:24:54,720 --> 00:24:59,430

Uh, uh, like this, he is he

making it a bit darker there

410

00:24:59,460 --> 00:25:01,470

in, in, in the, in the Bush.

411

00:25:01,650 --> 00:25:05,940

See and come out because those

trees around drawing shadows,

412

00:25:06,030 --> 00:25:08,325

eh, On the, on that Linda road.

413

00:25:08,535 --> 00:25:11,505

And when it comes out, out that

door, it comes into the light.

414

00:25:11,715 --> 00:25:18,225

So it gives you a certain depth into

that E yeah, no, the next step we

415

00:25:18,225 --> 00:25:23,445

put the copy of the happy little

lines in here, like that there's

416

00:25:23,445 --> 00:25:27,915

a bar and happy little sand bar.

417

00:25:29,385 --> 00:25:31,095

And look what we got.

418

00:25:37,560 --> 00:25:43,030

Hey now naturally you put a

little bit of water lines in and

419

00:25:43,030 --> 00:25:44,389

let's do it a bit better here.

420

00:25:44,719 --> 00:25:50,330

And as you see it nice, it gives

you kind of a beautiful shoreline

421

00:25:50,330 --> 00:25:54,679

there, sandbar you up there and

fish out to the, to the int the

422

00:25:55,070 --> 00:25:58,490

Island or to the, to the water side.

423

00:26:00,860 --> 00:26:01,580

Yeah.

424

00:26:05,660 --> 00:26:08,570

The a couple of little lines

in front of there, but makes

425

00:26:08,570 --> 00:26:10,400

that voice move a bit better.

426

00:26:16,880 --> 00:26:20,630

No, what's your take about it?

427

00:26:21,620 --> 00:26:27,560

Aren't you happy to see a happy ending,

like this happy ending, like this.

428

00:26:28,590 --> 00:26:35,370

You wish you could stay there with the big

fishing rod and a basket full of food and

429

00:26:35,669 --> 00:26:38,219

catch this beautiful rainbow trouts there.

430

00:26:41,149 --> 00:26:41,780

Yeah.

431

00:26:43,399 --> 00:26:44,120

Bye-bye.

432

00:26:57,395 --> 00:26:58,355

it's too overwhelming.

433

00:26:58,385 --> 00:26:59,405

Viewer requests.

434

00:26:59,645 --> 00:27:04,504

K O C E has prepared a personal

guide to bill Alexander's magic of

435

00:27:04,504 --> 00:27:09,245

oil painting three, to receive your

copy of this instructional book on

436

00:27:09,245 --> 00:27:10,985

bill Alexander's painting technique.

437

00:27:11,445 --> 00:27:13,845

Please send $8 to magic.

438

00:27:13,875 --> 00:27:18,765

Three post office box two seven

Oh three Huntington beach,

439

00:27:18,795 --> 00:27:21,915

California nine two six four seven.

440

00:27:26,765 --> 00:27:31,625

The magic of oil painting is made possible

by a grant from Aaron brothers art marts.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Wooded Island - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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