Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Reflections on a Sunset - AVAILABLE

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Do you get into the sun?

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Sunset, look into that wonderful

sons that I see already.

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The old captain is coming on is railing

up there and he has a kindergarten.

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Pipe.

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And he looks into the sun and he said,

Hey, tomorrow we have nice, better.

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The sun is shining.

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There's sons.

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That is so wonderful.

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And so calm as a good feeling.

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So I want you to paint, I'm sorry.

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Uh, on mighty sunset.

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And all of us before you do

that, you got to put it tune on.

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You have to be yourself and say, I will

put that sunshine on there, which right.

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Can be in the red color and

the bluish color and whatever.

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We see so many sunsets, sometime

you call your whole family.

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I say, God, washed that sunset.

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It's just such a beautiful

what makes it sometimes zoo?

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So nice.

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That's the fresh air.

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Maybe you are, but what's in the air.

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What's there.

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Okay, good.

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Now I have dreamed up kind of a more sky,

uh, Lou Lou waterline here, and have a

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really interesting sky like to create.

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You never know how it comes

out on the end, but usually

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when you aim for something, I'm

sorry, then it will come out.

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All right.

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So I got that magic Vitus honor.

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Eddie.

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Good.

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Now I will add the little bit of

Taylor green, but you see how I do it?

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Look, I just

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So letter, so the letter

as just sodas and bedroom.

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No.

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See, and you can put it right

in the water too, but just so

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E that gives you that that is

depends on the time the sun's that

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can be the sun already is, has set.

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And, and you see this, the leftovers, you

see the sun beams coming out there, or you

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can see the sun is steady so high up and

it was on beams coming down to the water.

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It's so many vice of whatever you

think you have, you see sometime.

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Sometimes it's good to use a camera.

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We have cameras.

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Now we live in a time where we can

record it all on and can bring it home.

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And there are certain I have, I remember

one song that I shot every minute.

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Every minute they had the car, the

camera mountains, and every minute that

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your mother click and it was fantastic.

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How every time in one

minute already, how the.

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Who atmosphere has changed then when you

paint, you just bring it up and see it.

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And it's just a big head.

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But when you do it 20 times, 40,

50 times a hundred times, I think

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I have done it so many times.

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It's not even funny anymore.

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So I just go on and do whatever.

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I think that's what I wants to do today.

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Good.

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No.

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I very, I very, I very well start off

with the Indian, yellow, Indian, yellow.

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It's really a wonderful,

wonderful sunset color.

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Indian yellow.

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See here, Indian, yellow, and white.

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I have it pulled it out

first, Indian, yellow one.

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Right.

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See here.

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That's why the sun, what is sun

sets stared at for the sunset?

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Give them such a big sky, huge space you

can beside ID and then say, look at that.

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That's what they want.

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And that's what dance in Nevada

would dance in the water there that

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if you'll follow the whole thing.

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And start off, maybe like, like I show

you here and then we're up and let the,

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what that little bit of Indian yellow

come in there that a bit of Taylor

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green coming in there and it gives

you a beautiful evening color there.

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See the disappears into the little

bit of a blue blue, and that's fine.

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And now you can go in little

touch of her red, like this.

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Come in from the outside,

come in from the outside,

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and then you can fire it

right into the water too.

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He know that the, I got the nice beginning

and you can see that that's what the

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sunsets and that little touch of red,

that little touch of red, you are from

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the outside in here to look at that

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and you dance it right into the water

and your mind, you see the water

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line and then go on and on and on.

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So how about now we go up?

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I will use, uh, maybe I

come down from the top.

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Then I would use a passion blue and

alizarin Crimson, lots of alizarin,

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Crimson, lots of alizarin, Crimson,

and a little bit of pressure and blue.

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The watch desk color.

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you can have a darker, if you want to.

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I put a little bit more passion blue

and alizarin Crimson on, mix it up.

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Nice here and start from the top again.

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I want it a bit darker.

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And then you can leave it bumpy.

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You can leave it very, very smooth.

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It's up to you again, which why

you think it suits you the best.

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And as you come down, as it get

lighter, you know, you mix it already

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up with this, with this Taylor green.

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Yeah.

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And here in the water on the

end, I would have that too dark.

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Here to the, then that, that,

that reflects right in there.

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So, no, we will, we will, we will use

the lights, lose our light corridors.

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Right.

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And whatever you can cobble up here on

Indian, yellow could be a little touch

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of red in that garbage, that all up.

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It gives you a kind of a E Y C.

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Yeah.

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That's why they want good.

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You an Indian.

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Yeah, Kayla Green comes

straight through here.

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You see that?

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It's beautiful.

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They're

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so, so, so, so, so no, no, we were,

we will make it darker here too.

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Yeah.

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Just grab whatever have

here on the pallet.

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Cause I want you to get

that reflection there.

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This reflection in there.

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No, I will use my fan brush.

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Nice, happy fan brush and I, where

I will create alizarin Crimson.

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Kind of a cloud happy cloud,

just wandering off there,

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but few farm it to buy.

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You'd think you would like to see,

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see the colors mixed with

the colors on the canvas.

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So you already know

roughly how it will look.

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and if you want, then you can fire it

in that cloud right in the water too.

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Then you, you, you, you, you can.

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Maybe have the, where we were, it

will have a darker on top darker

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and darker and darker on top.

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So you've kind of covered a

little, you form your, I show

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you what I do as hard to explain.

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I just.

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Go along with my, my little happy

feelings, but I have, and, and as you

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know, I have to lighten it up, but

the sun is coming from and the sun is

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coming from, I'm going to show you.

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again, fire off right into the

sun, Duke, all that white and

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Indian, yellow as light as a con.

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This is the lightest colors I have here.

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And that is what it's on, whether it's on.

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So, you know, that dance is into

devoted to here is he, but then it

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will hit the cloud on the bottom.

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isn't that wonderful because he, how you,

you, you, the light is coming from here.

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It really hits this vine now this way.

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And then you cannot, you are not wrong.

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If you just go by what you see, you

see dishonest down there and all the

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in clouds, they have a little bit of

sunshine hitting them on the bottom.

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See how this spreads out.

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I think that's a wonderful way of

expressing yourself, no ever use Dez

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for this on this and not just get red

or red on the outside, the come in with

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the grad ed into the card and there,

and you can use alizarin Crimson, even

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on the end here, then you have it.

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Maybe you have long lines

or you have fluffy clouds.

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I have long lines there right now because

in that distance, Long lines are nice.

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the long lines.

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Come out here again.

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No as DACA you get around.

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No, as lighter, the middle will appear it.

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Just, just the illusion you create

that on mighty optic illusion.

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So.

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No, you have to work it

out if you want it lighter.

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Now, if I want it lighter,

I have to make a darker.

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Now that is funny.

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Isn't it.

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As they have to make it dark in

order to get the lighter, the.

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There is need that this the lightest I

ever can get, there is no color meet.

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Men has not made the color

of a capture sunlight.

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That's not there.

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We know that is actually 24%.

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It's amazing.

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When I talked to a chemist, he said, when

it goes under the light, under the light

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meters, there is no light in the paint.

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But when you have the sun that burns

your eyes out, the pain never burns.

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Your eyes saw it.

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That means you have to create illusion.

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It is so light and an artist to make

this light, make our dark ground.

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Now I will show you, I

will make it darker around.

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That's a good lesson though.

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The in order to really get.

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You got light in there

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and make it dark around here,

but it's in the water to

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see.

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And as, as more darker, I do it

as more lighter that appears.

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Now you would see it.

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Yeah, and I need that in the water too.

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You have to make it

darker in the water too.

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I have to use my big brush cause you.

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Fiddling around for too long, with

little brushes and that's no good.

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I only want to show you how you get

that light brighter in order to get that

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light brighter, you fire off like this.

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Do you know I ever fire off like this?

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he, all of a sudden that

appears light enough.

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He the same here.

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And you see out of his arm, you see

the light, you didn't see it before.

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That means with otherwise.

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That is why you are an artist.

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You have to create this illusion.

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So good now, even here now you

can make those clouds darker.

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See Mick does clouds darker.

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See then that light will show better.

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I think we learned a lot today.

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Sometime you, you paint along when

you aim for, he wants to bring that

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light out and you just can't bring

it out because, because of our

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paint, paint is not made like that.

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So, no, we were fair.

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Get the sun as bright as I can.

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Uh, that's the brightest

I can get out there.

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There's no way this.

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I can get something.

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No, he didn't have water.

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It's the same thing.

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Uh, I have it bring it down

to that's the water line.

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That's what is on the set

and the right down there.

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he by far and back, you

make water movements.

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As far as moving, it's not standing stair.

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Something like this,

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he knows he will highlight those

clouds and watch that pop up.

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Now he does that.

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It's on his cloud there.

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And then you move it up,

move it up, roll it in

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he ain't know here again.

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Brush your brush, have a

clean brush all the time.

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And you're firing there.

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Got the big brush now.

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And

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go in here.

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I have to be very careful because

when you hit that dark, then

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sometime that dark Vashi office,

often you can hear on the, on the.

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Arbus clean the brush there,

then you have it, right?

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No, we will use our knife.

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And we will create our mighty waterline.

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Yeah, it's a knife.

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The, the knife gives you the, the, when

you pound that paint on, can you see

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all of us under the sun popped up there?

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The.

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that's nice.

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Had is nice second.

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see here, just bring

it down, bring it down.

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Then you use your big brush clean,

make sure it's a clean brush and you.

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Give him that Sidebench swing.

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See that makes long lines all of a sudden.

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And that is nice.

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No, we barely, very far with the water.

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Get it in here.

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just dance it in four and back

and make it perspective visor.

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If you can then automatically

you have the sun.

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Dancing along right from the top down.

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And if you need more, you

just ask for more, that's all.

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If you feel it needs more than

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that's the middle point.

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And again, when you're finished with

that, use your big brush clean and.

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00:21:54,240 --> 00:21:58,020

See that's it puts long

lines and that's nice.

250

00:21:58,870 --> 00:22:00,150

See, that's what it is.

251

00:22:01,110 --> 00:22:01,980

That's what it is.

252

00:22:02,430 --> 00:22:11,040

No, you, you, you, you, you can, can

have, uh, ever use a one inch brush.

253

00:22:11,640 --> 00:22:12,960

It might be too big.

254

00:22:13,200 --> 00:22:18,930

And I would say that it's,

uh, I learned in the sun here.

255

00:22:30,120 --> 00:22:32,040

Hey dad, dad, dad, dad

256

00:22:39,650 --> 00:22:41,540

can make upstrokes if you want to.

257

00:22:41,990 --> 00:22:45,320

It's good to the, and the

rest we will show you.

258

00:22:45,350 --> 00:22:48,020

We'll show you we'll show you very show.

259

00:22:48,060 --> 00:22:48,410

Yeah.

260

00:22:50,280 --> 00:22:56,450

D then you use your big brush

and make water that's on the

261

00:22:56,450 --> 00:23:01,610

bottom again and make were smooth

262

00:23:04,610 --> 00:23:07,490

and create kind of a

263

00:23:10,700 --> 00:23:11,810

shoreline there.

264

00:23:21,855 --> 00:23:24,105

Nice how you moved up here

265

00:23:31,275 --> 00:23:33,945

and make a chart and peaceful.

266

00:23:34,335 --> 00:23:38,145

We were, he was blue, black.

267

00:23:38,730 --> 00:23:42,150

Taylor green and lots of

268

00:23:45,370 --> 00:23:46,740

lives in Crimson.

269

00:24:02,570 --> 00:24:03,110

Look at that.

270

00:24:09,675 --> 00:24:15,585

The does upstrokes give you that feeling

of, of, uh, whatever standing there.

271

00:24:19,235 --> 00:24:24,004

and then you fire it

right into the water to E.

272

00:24:25,245 --> 00:24:25,875

No with that.

273

00:24:26,865 --> 00:24:29,925

And another time you can

somebody to get her there.

274

00:24:30,285 --> 00:24:39,255

And if you want, now you can use bits of

color red and Indian yellow, and you can

275

00:24:48,515 --> 00:24:49,865

use some colors there.

276

00:25:01,320 --> 00:25:02,340

He liked this,

277

00:25:06,680 --> 00:25:09,860

have that sideways sideways move.

278

00:25:10,160 --> 00:25:12,050

Straighten it out again like this.

279

00:25:12,860 --> 00:25:16,850

And if you want, now you can have long

280

00:25:21,590 --> 00:25:21,830

281

00:25:22,890 --> 00:25:26,670

Here's your beautiful,

not straight lines.

282

00:25:33,830 --> 00:25:34,220

283

00:25:38,000 --> 00:25:39,500

has nice to work like that.

284

00:25:50,115 --> 00:25:50,415

Good.

285

00:25:50,645 --> 00:25:50,945

Good.

286

00:25:51,005 --> 00:25:51,875

Good, good.

287

00:25:53,135 --> 00:25:55,685

No, he was the big brush.

288

00:25:55,955 --> 00:25:57,395

Make water out of that here.

289

00:25:59,345 --> 00:26:02,735

And then you, you, you just put

290

00:26:06,545 --> 00:26:07,325

this India.

291

00:26:09,254 --> 00:26:13,514

E and by the, does, it

gives you a happy little

292

00:26:16,754 --> 00:26:19,095

whatever in the water there.

293

00:26:20,985 --> 00:26:21,375

Good.

294

00:26:22,875 --> 00:26:27,225

You see now showed you

something in the sunset colors.

295

00:26:28,004 --> 00:26:34,445

I hope you enjoyed it and firing.

296

00:26:37,635 --> 00:26:39,014

Thank you for watching me.

297

00:26:39,225 --> 00:26:40,334

I hope you enjoyed it.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Reflections on a Sunset - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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