Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Winter Forest - AVAILABLE

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Oh, God look at that are my Dematic

writers on no refire in other painting,

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but I tell you this lousy camera crew

here, they make me laugh so much in

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the morning and I could do such a

better job if I wouldn't laugh so much.

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It's good to laugh a little bit, have

a nice, happy laugh in the morning.

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So just this you get.

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Your stomach is moving up and down,

then you're in good shape, but I had

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to laugh too much, but as good, we

start out as a happy day and everyone

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is together and we make it happen.

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And that's a wonderful, it's a

wonderful and makes you itchy and is

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to, particularly as it's just wonderful.

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And are the just trees almighty three

and when their land and it happened in

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Creek coming out, everybody happy thing.

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The, in the beginning, I had

to draw it and fiddle around

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for hours until it was on.

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And then you covered up and

then you messed it up and.

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I draw everything in my mind.

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Everything is already there with

the big laugh, with the big smile

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and boy, a happy pain is coming out.

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So I look to the trees this time

first and make myself happy when

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this guy, it kind of a happy blue,

far away, but the very light.

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Very very, very, very light blue

and very, very, very, I drew the, I

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mix it with my magic right already

the, that magic writers arm.

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You saw me doing it and now

I just spread it out over the

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whole can with, and maybe I will.

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Aye.

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Aye.

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Aye.

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Aye.

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Aye.

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Make it kind of a touch.

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And the move movie, movie color affair.

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Just mix it right into the

blue, make it that into blue

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areas.

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This go up into yonder.

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Then here, here, we would put the

kind of a bluish tune on the snow sky.

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Goosy reflection is no, I

will use this as either.

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If I take it off, I just, I never

touched the blue more or less.

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I just take it off very gently

and have a bit of a blue there.

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Shadows.

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I would say the light is

coming from this side.

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I need maybe a little bit more of a blue

and you mix it right in with other pain.

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You see, there you are.

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Then I can use that blue for the valleys

and the highlights will be light.

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Maybe I will do something.

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Power for me.

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He was my fan brush bit of Vite.

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And just, just do you look to

the trees and you see that very

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bright, very bright color there.

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That's just be dancing there.

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You must always.

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Thank you.

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Look to the trees.

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Now you talked with the trees.

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They wouldn't listen to me.

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Uh, no, maybe here, let us,

I really add a little touch.

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I didn't do it.

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Little touch of Indian, yellow into that.

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Just a really little touch,

but just to read, look, this

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test your head attach here.

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That's kind of a sunshine

is lying in the snow there.

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Kind of a sunshine line.

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There's no, there.

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Hey far, right?

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Can you dream it long with me dream

along the way, mesh thing along with

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Mitch, I wonder what happened to Mitch?

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I never see him on TV anymore.

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It was a nice show.

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Happy group of people

saying , there's good.

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Maybe a bit more, right.

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And to be the here again, and then

just, just let us like the sun.

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This is come through there and

gives you a bit of a light marks.

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Oh, no, we were using a one inch brush

and I will pay in behind in the mist

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trees black, and it didn't have right.

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He's just kind of a color.

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Can you see?

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And I would stand up trees there.

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Oh, that's nice.

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Yes.

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Just movement, because you must think

you look to trees, uh, details disappear.

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You look through trees there.

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make it sort of like this

mess there's a sudden missed

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and certainly missed in that.

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Yeah, he was a bigger brush.

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He used a two, two inch brush

two and a half inch brush

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and didn't make it through.

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see already.

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I can see what that be.

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I can see what you could.

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Okay.

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He in the distance, there, there

some, some trees standing there

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here's the back of the brush and fire.

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And just a little bit upstrokes here.

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Nice.

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Yeah.

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This dude zing.

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When you do that, have a happy tune on

your lips and not, it has to be straight,

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can be one that's already breaking down

there and lying on the ground is vendor C.

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Thanks.

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Thanks.

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Winder destruction.

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They're happy.

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They're happy there.

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So, no, we were, we were, I like to

bring out this again a bit more but more.

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Vite and touch of Indian, yellow,

but you can, can you see here?

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You hardly don't see that Indian yellow

in, but it's in, it has sunshine.

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They would like to bring the bit of

powerful, powerful sunshine line there.

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and a nice, beautiful, beautiful.

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No, we were, we were, we were we,

uh, but first the chicken or the

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egg chicken or a, I was a chicken.

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Got to be first chicken.

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You got to be first before I start.

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I like the trees going on top.

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Let's prepare here.

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Let's prepare here because the trees

will be from here up and it's better.

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I do it now.

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Otherwise they have to in between, and

you cannot paint in between the trees.

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He sometime I do it.

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And then it's hard because when you

don't think very often as an artist,

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you just dream along and you say,

Oh, I wish I had done it before.

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Oh, that's beautiful.

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No, I very, he was this fan brush

and I will have trees standing there.

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You can go upside down and

down and set up crooked bit.

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Here it here.

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We to come together there.

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He is not right.

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Dark black.

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It is a kind of a there's this other tree.

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And there all the three is standing.

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There

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are the trees standing there.

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Oh, the three standing there.

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you know, all of a sudden

it all disappears in yonder.

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Uh, PAs in yonder,

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I was just a Pearson yonder

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I was thinking of one that that's up

to you, whatever you have planted.

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I just show you how nice it is

sometime to paint trees like

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this, then hardly no paint on you.

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See how thin I use it as dinner as less

paint you have, and you can get the lines

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in as strong or you are as more dishonest.

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You really get the, you know, that

light is shown up nice in between there.

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That's what I wanted.

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Maybe add a little bit more paint.

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There's a bit more pain

attached to a fight.

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I don't want it's too dark.

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See then as this should have

that, that vendor grayish too.

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There's just one, three here.

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Okay,

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that we got together, that she could

park, whatever you, whatever your

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feelings are fired and fired, then.

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the gray disappearing in the background.

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and it's faster.

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You do it with more swing.

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It's just easier.

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see now the next step would be, you can

use the same brush, clean them up and

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you use a dinner Vite dinner, right.

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No, this is sudden control necessary.

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The it's so hard to pain.

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It just dead on sometime.

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It's easier to just do it like this.

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I show you

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can you see it?

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It's easier.

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And, and you are more accurate.

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See the same on this tree here.

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See, and you, uh, you can, if you

want to, you can use your knife.

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It wouldn't be the same as ours.

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Watch this.

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You have more control.

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See now you understand use

whatever's best for you.

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A hand we all have.

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We all have a different touch.

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We all have a different, and some taches,

they are easier for you or easier for me.

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See here, maybe with the knife.

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It's good.

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I show you all the things I do

sometime, sometime in the knife

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mood, then I do it with the knife

and then do it with somebody else.

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And you don't have to do it everywhere

because they put all the leaves on there.

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And other trees are just in the

shadow of the leaves around there.

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You see?

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No, look, whatever's the best for you.

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Do that.

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But don't use it.

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Very thick paint.

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He was a bit of a dinner paint.

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Then the paint sticks on the ticker pain.

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Then you can just go and do

spots here, here, here, here.

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You must think there will be

a lot of the ground and they

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don't have to be everywhere.

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The, the, their draw shadows

against the trees and then

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you have it coming in spots.

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So come sand.

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There's so much calm and sand.

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I wish.

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Coming scent would be the winner and,

and by the politicians and by the

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church, people, everyone come and send.

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If people would use comes in what

the void in front of us, I tell

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you, come send in the family.

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It's just something wonderful.

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But when you got no sense, then

you got no dollars here at nothing.

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You are interpret first,

you make the sense.

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And then you make the dollar.

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Oh, okay.

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How nice nicest comes out.

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Eddie.

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I hope I can get it on time here.

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I fiddle around too long, but then I

just say, no, we do it in spots here

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and there and there, but it should be,

I see you were just spots then there's

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a sweetie that I try off seeing things.

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and it grows.

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It comes fast.

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No problem.

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yeah, no problem.

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So next comes next.

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The, now this is this.

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Just step where you just put

the highlights on and then

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you have it all nice together.

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And then we really, really, really does.

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Oh, I tell you, I tell you, let

me show you, let me show you

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the next step for B.

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I would create kind of a, uh, uh, kind

of a bigger fan brush, kind of, uh, uh,

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you happy Valley coming down there.

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See, so up and down and forth

and back, and you're here.

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Pull it down.

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Have that upper limb a

bit hard and pull it down.

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Maybe here

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then, then that's the next big step?

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Have the streets having a shed with there.

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He that makes it nice.

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Can create kind of a shadows somewhere in

between because three standing somewhere

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there and they draw all the streets.

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Oh, see how it comes to life.

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Surely you do all dusty things.

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Then everything is becoming easy,

easy, easy, have led movements there.

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Make, put it to life there's

movements from all the trees there.

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You no, you use black

and attached you of blue.

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You liked this and you fire in.

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No.

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Oh God, no mercy

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and show always a bit of sky.

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Oh, you got that painting coming in.

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Beautiful.

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Devalue one.

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Use it.

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You with our dry.

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Yeah.

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Lots of fun.

247

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Lots of excitement.

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Yeah.

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This one, I rarely make particular

make it so that they've been

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had blown it a bit down.

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and give him that little attached

to like the branches are flying out.

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You see like little

branches are flying out.

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Can't fit it around, but can you

see how the spots show up now?

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Like the sun hits here and there and then,

then they're in the end D then you can,

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you can have, uh, in between here and the

initial snow, you can create a bit of.

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Does kind of brand shadows

there, here and there.

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see.

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There you are.

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00:19:45,185 --> 00:19:47,735

And you bring it up to par.

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00:19:48,570 --> 00:19:53,730

And then the next step is you use

Vite and the same, like the highlights

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00:19:53,730 --> 00:19:57,030

here, let's highlight the branches,

262

00:20:00,170 --> 00:20:00,889

but make it shorter.

263

00:20:01,159 --> 00:20:02,149

Can you see flying?

264

00:20:02,840 --> 00:20:03,649

Watch this one.

265

00:20:03,710 --> 00:20:05,720

I tried to fly him out a little bit.

266

00:20:06,480 --> 00:20:07,470

Yeah, that's nice.

267

00:20:07,500 --> 00:20:08,250

Can you see that?

268

00:20:08,850 --> 00:20:09,570

That's nice.

269

00:20:09,930 --> 00:20:13,320

Not, not like a block,

not a block of paint.

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00:20:13,560 --> 00:20:15,060

Like things are hanging over.

271

00:20:15,060 --> 00:20:23,820

Can you see as a hanging over like leaves

and you fire in like the, like the,

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00:20:31,490 --> 00:20:32,810

is it tender paint?

273

00:20:33,405 --> 00:20:35,805

Maybe here we created kind of a,

274

00:20:41,264 --> 00:20:44,795

you can create your own

a little bit extra stare.

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00:20:45,335 --> 00:20:49,475

They look at this beautiful as just

make it through this, this, uh,

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00:20:49,895 --> 00:20:53,465

when the light hits it, the branches

to show the branches, you see,

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00:20:53,465 --> 00:20:55,985

look, but I'm just hanging down.

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00:21:00,754 --> 00:21:01,595

That's nice.

279

00:21:02,670 --> 00:21:08,250

But I ain't just hanging down

here over add like this tree.

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00:21:11,150 --> 00:21:11,840

This depends on.

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00:21:11,990 --> 00:21:13,640

Depends on how you attach it.

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00:21:27,530 --> 00:21:28,670

Yeah, you are.

283

00:21:29,685 --> 00:21:33,705

And you get to kind of a happy

linear painting together there.

284

00:21:35,235 --> 00:21:39,405

You know, when you paint so many

things when, but I do know, I always

285

00:21:39,415 --> 00:21:44,145

wish I could do something new showing

you just because I know I got to

286

00:21:44,145 --> 00:21:49,365

be a teacher here and I want you to

paint when you are on your own, then

287

00:21:49,365 --> 00:21:53,265

you really can do fantastic jobs.

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00:21:56,879 --> 00:21:59,790

He here, let her bad against a dark

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00:22:08,189 --> 00:22:08,490

he?

290

00:22:08,550 --> 00:22:10,260

No, no, no, no.

291

00:22:10,260 --> 00:22:16,919

You, you, you, you you're, you you're

a little more and know I ever say.

292

00:22:22,514 --> 00:22:28,774

Ah, he's at three there and

that's just the one asked him one.

293

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He is the shadow side.

294

00:22:32,584 --> 00:22:37,804

So she has her side and that

$3, a big shadow over here.

295

00:22:48,060 --> 00:22:53,399

And, but if it had time, he would

sometimes paint animals, like squirts

296

00:22:53,399 --> 00:23:00,930

running up and down the trees and,

and, uh, so it's not a fun here.

297

00:23:00,930 --> 00:23:07,950

We would highlight that now, like

a big bark it's so close that tree.

298

00:23:15,315 --> 00:23:20,345

E and it makes a

beautiful, happy painting.

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00:23:21,455 --> 00:23:23,315

Beautiful, happy painting.

300

00:23:29,735 --> 00:23:33,995

Hey, maybe here we light it up again.

301

00:23:35,820 --> 00:23:37,590

And that'd be dark in some spots.

302

00:23:39,240 --> 00:23:46,159

So, no, he have a big brand.

303

00:23:49,050 --> 00:23:53,659

over the whole painting coming from here.

304

00:24:01,530 --> 00:24:08,940

See, and now you pack the snow on top

of that branch and it makes it so nice.

305

00:24:12,930 --> 00:24:13,530

They'll get that

306

00:24:17,340 --> 00:24:17,640

back.

307

00:24:17,640 --> 00:24:22,620

The snore right on top of that

branch hanging over there.

308

00:24:23,760 --> 00:24:28,980

And if you have good sometime drip

it off of it just no matter what.

309

00:24:29,910 --> 00:24:31,170

And as far as

310

00:24:37,430 --> 00:24:42,230

see, and if it depends

on what your mood yeah.

311

00:24:45,990 --> 00:24:48,650

You can have one coming down here.

312

00:24:55,965 --> 00:25:01,034

One branch coming down there

and he, again, pack the snow

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00:25:01,034 --> 00:25:06,854

on, see here, back this.

314

00:25:06,895 --> 00:25:08,264

No on there.

315

00:25:10,485 --> 00:25:16,574

See, and then here you just have a rough

bark here, there, every bitch, whatever.

316

00:25:17,470 --> 00:25:18,420

Never there.

317

00:25:18,980 --> 00:25:21,000

And then naturally

you're on the front here.

318

00:25:21,000 --> 00:25:25,590

You can have a little bit of

extra grout there and create

319

00:25:29,550 --> 00:25:31,320

these by the way.

320

00:25:31,410 --> 00:25:35,100

I just got to fly up there,

like a little Bush there.

321

00:25:35,860 --> 00:25:36,930

He had mixed up painting.

322

00:25:37,170 --> 00:25:37,920

Really?

323

00:25:37,920 --> 00:25:40,380

I get the front on that painting.

324

00:25:42,270 --> 00:25:43,110

He the movements.

325

00:25:43,110 --> 00:25:44,280

I do show you here.

326

00:25:44,610 --> 00:25:46,620

It will be upstate this.

327

00:25:46,710 --> 00:25:47,070

See?

328

00:25:47,850 --> 00:25:50,910

And that gives me beautiful branch flying.

329

00:25:51,150 --> 00:25:52,740

The branches are flying around.

330

00:25:52,860 --> 00:25:53,520

Can you see

331

00:25:58,640 --> 00:26:06,140

then you, you, you fire

enrich no into that.

332

00:26:06,500 --> 00:26:08,840

Like this, you see you over there.

333

00:26:11,730 --> 00:26:17,700

But lots of paint on and just

show it here on the sunny side.

334

00:26:18,570 --> 00:26:18,960

Yeah.

335

00:26:22,430 --> 00:26:24,320

and that that's, I'd be in the dark.

336

00:26:24,530 --> 00:26:32,300

Maybe here you have kind of a

snow feeling and here you fire a

337

00:26:32,300 --> 00:26:35,360

little bit of the same loose Vite.

338

00:26:36,135 --> 00:26:39,735

And here you have that loose feeling.

339

00:26:40,445 --> 00:26:47,314

See, and what you got that painting is

more or less done and that's wonderful.

340

00:26:48,105 --> 00:26:49,125

Did you enjoy it?

341

00:26:49,425 --> 00:26:53,025

There's a very simple thing, but

use your dank in with light and

342

00:26:53,025 --> 00:26:56,445

shadows for the sun will hit what

draws a shadow against that tree.

343

00:26:56,745 --> 00:26:58,575

And then I'll run you

out to penny like this.

344

00:26:58,655 --> 00:26:59,285

That's beautiful.

345

00:26:59,735 --> 00:27:00,815

Thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Winter Forest - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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