Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Sky Reflection - AVAILABLE

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Wonderful to be with you again, a new D

new beginning for me, it's just always

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nice when they start the painting, because

when I start the painting already, I

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think that is the best painting I ever

have painted because I buried it up so

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big, big, big in my mind all the time.

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Usually when I'm finished.

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I know I could do better.

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I know I could have done

better by the devil.

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I didn't do that or that, or that.

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That's always the most, every penny you

criticize somebody, but when you start

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right, tell you, I always get very, very

powerful and I think, no, wait a minute.

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When I fire off on that particular

pain, I can see the colors already

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see the movements, the figures

I wants to paint that painting.

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It was a still life or whatever it is.

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It's nice though, too biggest.

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I've up to that point as you are

excited already when you start.

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So I'm really excited.

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I fire off at the magic right.

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Fired right into that on my Dick canvas.

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But please, please, don't put too

much magic right on, please, please.

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Don't do that.

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I really want you to paint and you cannot

paint then to become slick and slidy.

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You slide along with that magic, right?

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That's offered as less as less you

paint, you know, I had a gardener and

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they have a lot of grapes home and

it was funny when the gardener said

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to me, I said how we cut the dead.

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We have to cut it.

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No, in the winter time he said he didn't,

he didn't you or don't you hear that?

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Grape hollering, please

cut me down as more.

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You cut me down as more grapes.

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I will give you, I thought, Oh

my God, this is the opposite.

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There's not, you always

think there's more.

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I leave on the grapes and

the grape plants, you know,

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as more as we go, is there?

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No, it's just the opposite.

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And that's the same thing here.

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Canvas.

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I just gave you that as a Sandberg.

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Because as last year we put on it

got to be on as more successful.

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You've been the canvas you're

here, the camera's in dog.

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Please.

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Don't put too much magic right on, on me.

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Okay.

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Now, you know, no, you

know, your nose, your nose.

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No.

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No.

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Okay.

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See, I rub it in as hard as I can, please.

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Don't put too much magic, right

on as less you put on as nice.

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Are you paying any real loo?

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That's good.

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Good.

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and this is quite dry by this all.

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Nice.

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I matured as every lint pleases covered.

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Do it like that.

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For a sun and Vertica and

my God you're right in it.

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And the brush looks nice and dry

and you there's a certain tackiness

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to a two fee and it's hardly no

paint on when you see the brush.

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Yeah.

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Good, good.

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Let's do it that way.

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No, from now on don't

use too much magic white.

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This time.

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I have a certain color in my mind.

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They're very big,

interesting sky with violet.

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Is he washed this color?

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It is interesting color, but violet

alone is a bit too violent, too violent.

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I mix it usually with pressure and

blue pressure and blue and violet.

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The look at this that

gives you a beautiful tune.

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Can you see

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the vibe out there?

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So tied to mix it, violet, violet

color and pressure and blue.

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But I do hear just, you cannot see, but

you can see roughly that what it will be.

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So that's a kind of a fresh, I just

want to show you, call us this time.

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Yes.

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But more on top violet pressing

blue D and you mix it here.

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And then I fired right into the water.

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The two violet, then a

little touch, more blue.

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See, no, I converted more blue.

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Yeah, that's it.

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And when you, you want to light

that voter down and you only can lie

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down when you have a dark there and

lighter, lighter, lighter, lighter.

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And I, like I said to you already

before, and some of my showers.

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It works the opposite too.

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As long as you have the, either dark

in the horizon line and lightened

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front, it likes to water flat.

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And the same thing is with, if I want

to have it more, she, then I just give

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him a little bit more dark, watch this.

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She and I put the little bit more dark on.

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Can you see already?

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It likes it down more, but it got to be.

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Lighter lighter, lighter, lighter.

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Yeah.

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It appear in Uganda, the others on that

optical illusion, it is lying flat.

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And the same with a sky.

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You have a darker on top then

and lighter because this time

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we lined it up like that.

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That's good.

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The, maybe I hear, I will use now.

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I will use a, kind of a

different color in between.

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Let me show you wash your brush and I will

use Taylor green, Taylor green and violet.

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Now let's see how it looks.

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Watch he ever.

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Clean my brush.

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There was a bit of dirt on it.

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Shouldn't be, but little Taylor green

in between yellow, green, and vitrine.

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And then you brush it out like

this, that gives you kind of a.

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Beautiful horizon line.

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See, I conditioned my canvas now to what

I want, but then you got down into this.

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Don't go back up again.

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Then you just wipe it

off on my paper here.

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And as we do the job,

no, I just tie in this K.

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They're doing a nice idea.

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Now my hand mighty fan brush, and I

will have some happy clouds moving by.

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So I will use again.

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Lynn's touch of black now and the

same colors, pression blue and

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violet, because it has certain

harmony, a rhyme rhythm harmony.

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I still got it.

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As I should have asked for things.

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There'll be so fresh and so

powerful on your on canvas.

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dare he.

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I don't wash my brush.

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Maybe hear a little bit of a cloud air.

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It got lighter now because the

distance and because I don't, I use

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it upper Eddy maybe here and there.

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walking off there.

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We were here.

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Yeah.

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I gave him a written book.

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Passion.

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There's still something

in the inside of my brain.

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I find it off that here.

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He, okay, good.

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Hardly no paint on this.

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Hardly.

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No paint on.

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Good.

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No, we would say the light

is coming from the top down.

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I just coming from the top down, it's just

the horizon far away, lighter, lighter.

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Every he was white,

then it down with magic.

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Right?

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What are they doing?

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Right.

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But I would put a little touch

of red in there, then little

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tattoo for red and they adjust.

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Can you see, I just touch it a little bit.

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There you are then Dan.

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No, watch this or fire up there,

playing in there, fire in there.

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Oh God.

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Look at that.

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Taking it a little bit here.

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And then there

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a nice wash.

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Your brush.

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Wash your brush.

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You are mighty brushing

again in here's enough.

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It's enough magic, right?

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Still on my palette.

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So it is a big dinner.

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Yeah, I never

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Oh, Washington, Boston.

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It's not the beautiful

cloud, but such a mighty.

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You are next to God.

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You make the clouds.

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And that is our mighty cloud.

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Thanks big.

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Like I told you in the beginning,

when I start, I think that is

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the best painting I will paint.

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Is this particular painting?

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I will see a whole good doctor.

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It might be not, but it, at

least it comes out quite good.

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So busiest I've up for so much

power, little tattoo for it.

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here.

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You hardly can see device.

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You put on

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a little Tasha for ed.

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Let me show you that hit, maybe

you, you see me doing it and you

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don't know what I'm really doing.

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Again.

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I picked the paint up.

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It didn't the paint.

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I went to the magic white

sticks on the ticket paint, the

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right, and the Tetra for ed.

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Watch it.

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Exactly know the.

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How I put on actually,

what I do, I press it on.

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And the brush is spreading, spreading out.

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But look, this, now it looks

like it is not the tip of the PA

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the brush done it is the back.

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Watch this.

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It is this way.

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Can you see they, can you see,

Oh God, wasn't on my distro.

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Get that beautiful beard.

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Then you wash it in Washington and

go by the cloud by the powerful,

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powerful clothes coming up there.

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God,

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crazy.

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Crazy guy goes nuts brothers or I that's.

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All right.

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he's a little bit of a detailed there

that gives you, Oh, that's moving.

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That cloud is moving, moving with

the wind, you know, it's funny.

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Sometimes I feel, you know,

when you fly, you fly a lot in.

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Mid airplanes.

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Sometime you come into the clouds, the

airplane goes down and just into the

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clouds and you think something, Oh my God.

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I'm just writing on that cloud is right

underneath me and Oh, Oh, that's a raid.

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What the right ain't got the

bit that's on my declutter.

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Good, good.

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Takes you for a ride, right?

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They closed the door.

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I okay.

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Okay.

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So it'd be nice.

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We would be nice.

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Okay.

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So we say the sky is finished.

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Now, if you want to, you can do all that.

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What you saw in the sky, you

can do all that actually really

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right into your, to your water.

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put it into your water.

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I grounded myself.

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I didn't wash my brush.

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Can you see, see what I did wrong.

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Can you see my palette?

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Can you see the shine?

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I was sloppy.

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I didn't flush my fan brush

and it had that painting and

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see what's happened there.

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Good.

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That's a good lesson.

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I'm glad I could show you that.

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And then you cut your service here.

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Why did I liked what I'm doing?

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Oh, no, we fired any gun.

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It got to be nice and dry.

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Nice and dry.

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Uh, no I'm in, but she, okay.

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We will see that dark cloud is here.

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The, I just fired in like the.

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try to thank the opposite.

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It is not easy for some people.

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They have trouble.

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In my classes, some students

would turn the paint that canvas

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around, just turn it around.

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If you have, there's a certain balance

message you see, this is their, this is

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their, this is their, the, this would

be here more or less, that little cloud.

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This is a little bit higher.

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You see?

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Can you see it roughly how you

have to balance that this would be

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here and now in all, here, here,

finally here, we don't worry.

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there's fun tricks to it, you know?

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And then that's more your pain.

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There's more, you will learn

this via doing it quite right.

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Quite nice.

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There's no problem, but make sure

you don't have much paint on,

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can you see how dry I painted?

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So dry it is.

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Can you see the dust so dry?

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Keep your paint as dry as

possible, then you very be all

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based on mighty he Dez or deer.

261

00:16:05,145 --> 00:16:09,765

No, he got that off ID, but

how you space that into your.

262

00:16:10,920 --> 00:16:11,790

Whatever, whatever.

263

00:16:13,670 --> 00:16:17,300

And, and tell you what tricks sometime.

264

00:16:17,630 --> 00:16:19,040

And sometimes you don't hurt it.

265

00:16:19,040 --> 00:16:19,520

Right.

266

00:16:20,030 --> 00:16:22,760

Then I, I feel I was on my God.

267

00:16:22,760 --> 00:16:23,720

It doesn't balance.

268

00:16:23,720 --> 00:16:24,050

Right.

269

00:16:24,380 --> 00:16:29,960

Then I put the wind over

the water and covered up.

270

00:16:31,520 --> 00:16:32,990

See, you're not so dumb.

271

00:16:34,430 --> 00:16:36,230

Good, good, good, good, good, good.

272

00:16:37,040 --> 00:16:37,550

Okay.

273

00:16:40,755 --> 00:16:46,095

But you don't want to lose that flu

when it floats, then it floats right.

274

00:16:46,365 --> 00:16:48,585

The vide and the Tasha forever.

275

00:16:49,005 --> 00:16:52,875

It didn't the right sticks

on the take a right.

276

00:16:53,085 --> 00:16:54,315

And the Dick a corner.

277

00:16:54,345 --> 00:16:54,885

That's right.

278

00:16:55,235 --> 00:16:56,075

You know, I have it.

279

00:16:57,515 --> 00:17:00,635

Would it be here on top?

280

00:17:00,995 --> 00:17:03,065

This would be here.

281

00:17:07,905 --> 00:17:08,655

Can you see that?

282

00:17:09,645 --> 00:17:10,575

Bang, bang, bang, bang.

283

00:17:10,605 --> 00:17:12,435

Here's everybody's running

that's right up there.

284

00:17:16,484 --> 00:17:17,355

Tried to learn it.

285

00:17:17,355 --> 00:17:21,974

It's not a fun, you know, you

can see this has center line.

286

00:17:22,214 --> 00:17:27,795

So this goes up here and then this one

in there and it goes up they're there.

287

00:17:27,795 --> 00:17:28,305

They're there.

288

00:17:28,305 --> 00:17:29,115

They're there.

289

00:17:30,285 --> 00:17:31,514

And then you dance it then.

290

00:17:32,504 --> 00:17:32,565

Yeah.

291

00:17:34,740 --> 00:17:38,540

That's a nice, yeah, I bet you like it.

292

00:17:38,750 --> 00:17:39,560

Lots of fun.

293

00:17:40,250 --> 00:17:45,320

Lots of fun to create in this

are mighty direct to your own.

294

00:17:47,870 --> 00:17:49,610

He again, because right.

295

00:17:50,030 --> 00:17:55,580

And then naturally here, here,

they show it better dead on there.

296

00:17:56,149 --> 00:17:56,689

Here.

297

00:17:57,050 --> 00:17:57,949

He is an opposite.

298

00:17:58,040 --> 00:17:58,729

This is on top.

299

00:17:58,740 --> 00:17:59,360

This on top.

300

00:17:59,360 --> 00:18:00,919

Here is on the bottom.

301

00:18:01,845 --> 00:18:02,925

See that, that's the funny thing.

302

00:18:02,925 --> 00:18:05,115

How you can, you have to put it together.

303

00:18:05,115 --> 00:18:05,715

That's why

304

00:18:09,845 --> 00:18:12,545

my head is right there.

305

00:18:13,205 --> 00:18:14,645

And here, here, here, here, here.

306

00:18:14,825 --> 00:18:16,295

But I here, you're just there.

307

00:18:16,295 --> 00:18:17,315

Good in like that.

308

00:18:27,125 --> 00:18:28,265

So good.

309

00:18:29,639 --> 00:18:31,860

Hey, we have a nice, happy beginning.

310

00:18:32,490 --> 00:18:39,389

Now here in the water, in the

water first hypnotize it like

311

00:18:39,389 --> 00:18:42,090

this, hypnotize it like this.

312

00:18:43,860 --> 00:18:47,010

See, by having that solid

paint, I can hypnotize.

313

00:18:47,310 --> 00:18:48,000

Can you hear it?

314

00:18:50,370 --> 00:18:51,659

I touched the canvas.

315

00:18:52,649 --> 00:18:54,780

I was having a blurring in the water.

316

00:18:54,909 --> 00:18:56,639

See, make it blurring first.

317

00:18:57,510 --> 00:19:01,890

Then the next step would

be cut long lines down.

318

00:19:12,200 --> 00:19:12,620

see.

319

00:19:13,070 --> 00:19:15,350

And automatically this is water.

320

00:19:15,350 --> 00:19:20,510

Then when you cut the down this

way, long lines, he, their yard.

321

00:19:21,645 --> 00:19:28,215

UTI for beauty for now here on the

sky, I can hypnotize a little bit

322

00:19:28,215 --> 00:19:32,865

like this, but with other ones,

I only can't do that because.

323

00:19:34,290 --> 00:19:37,230

I have a paint on my can on my pilot.

324

00:19:37,560 --> 00:19:39,750

What allows me to do that?

325

00:19:40,110 --> 00:19:45,170

It got to be a techie, take a pain,

and you will find it in the art stores.

326

00:19:45,530 --> 00:19:49,970

Just go down and take a look,

look around and, and open up

327

00:19:50,000 --> 00:19:53,510

the tube is too much to vet.

328

00:19:53,870 --> 00:19:55,460

Put it back into shape again.

329

00:19:56,250 --> 00:19:59,429

Don't use it for this technique.

330

00:19:59,820 --> 00:20:03,540

There are other techniques where

you need didn't paint, but if you

331

00:20:03,540 --> 00:20:06,610

want to paint this right, then

that would be the only right.

332

00:20:06,770 --> 00:20:09,320

Do it to Andre to do it.

333

00:20:09,889 --> 00:20:10,340

Okay.

334

00:20:11,120 --> 00:20:11,479

Good.

335

00:20:11,899 --> 00:20:12,800

Where we were.

336

00:20:15,389 --> 00:20:16,439

Have fun this time.

337

00:20:16,439 --> 00:20:19,020

I just let it be really dark.

338

00:20:19,020 --> 00:20:23,550

I got in with black levy touch off violet.

339

00:20:24,240 --> 00:20:24,510

Yeah.

340

00:20:24,570 --> 00:20:25,830

Back violet.

341

00:20:26,790 --> 00:20:29,580

That's your passion blue.

342

00:20:30,060 --> 00:20:32,969

So you just kind of, you don't

see the colors here, but I

343

00:20:32,969 --> 00:20:34,560

know roughly what it will be.

344

00:20:34,740 --> 00:20:36,919

I would say I have.

345

00:21:01,470 --> 00:21:04,290

He okay.

346

00:21:04,320 --> 00:21:04,650

Yeah.

347

00:21:05,010 --> 00:21:06,930

Very dark, very dark.

348

00:21:06,960 --> 00:21:09,650

There's sometimes a beautiful

painting depending on what

349

00:21:09,660 --> 00:21:11,040

he wants to dream up there.

350

00:21:32,085 --> 00:21:32,535

Okay.

351

00:21:44,175 --> 00:21:44,685

Good.

352

00:21:46,005 --> 00:21:50,355

Now you use your big brush and you

just cut it into the water there.

353

00:21:50,565 --> 00:21:50,955

See

354

00:21:54,705 --> 00:21:55,125

nice.

355

00:21:55,725 --> 00:22:01,544

There's that the lines come down

there and to the water and the

356

00:22:01,544 --> 00:22:05,794

water, this touch there, the

dark up there and push it to buy.

357

00:22:05,804 --> 00:22:06,554

You need it.

358

00:22:06,855 --> 00:22:08,264

She pushed us to survive.

359

00:22:25,610 --> 00:22:27,140

he just pushed us along then.

360

00:22:27,320 --> 00:22:29,180

The device you need it.

361

00:22:29,270 --> 00:22:30,110

That's all it is.

362

00:22:30,140 --> 00:22:31,100

All of this.

363

00:22:35,300 --> 00:22:37,460

see, I show you mistakes.

364

00:22:37,760 --> 00:22:39,650

All of a sudden you put it a bit too long.

365

00:22:39,650 --> 00:22:39,920

There.

366

00:22:40,560 --> 00:22:44,670

Accidents are happening sometime, but

then when accidents have happened like

367

00:22:44,670 --> 00:22:47,010

that, then just don't get panicking.

368

00:22:47,250 --> 00:22:48,840

You just add a little bit here.

369

00:22:48,890 --> 00:22:49,280

Yeah.

370

00:22:51,920 --> 00:22:57,030

I just chose this kind of data because

it is always happened this year.

371

00:22:57,050 --> 00:22:59,960

This you, you see?

372

00:23:00,110 --> 00:23:04,670

No, then five if it just happened,

it just happened to just happen.

373

00:23:04,730 --> 00:23:05,360

Okay.

374

00:23:06,060 --> 00:23:06,420

Good.

375

00:23:06,670 --> 00:23:07,010

Good.

376

00:23:07,830 --> 00:23:10,160

Good, good, good, good, good, good.

377

00:23:10,640 --> 00:23:19,130

Now ever use violet and white, he

didn't touch a right and a bit of violet

378

00:23:20,210 --> 00:23:24,260

and we just firing a little bit of.

379

00:23:41,419 --> 00:23:45,590

he just fired any little bit

of whatever, their bit of light

380

00:23:49,370 --> 00:23:51,139

fires right into the water.

381

00:23:56,960 --> 00:24:04,310

Yeah, a little bit there really

bad C and then you just make

382

00:24:04,340 --> 00:24:06,110

water, all that, the whole thing.

383

00:24:09,440 --> 00:24:12,830

And now if you want, you

can use the same lines.

384

00:24:13,159 --> 00:24:17,330

You can make a little

bit of a shoreline there.

385

00:24:19,220 --> 00:24:19,730

SI.

386

00:24:21,735 --> 00:24:29,415

Vite and, and violin, violet, violet,

the little bit of a shoreline here and

387

00:24:29,415 --> 00:24:31,935

there, whatever you think that would show

388

00:24:35,344 --> 00:24:42,425

and then, then you, you, you, it didn't

have right for sick under the ticker.

389

00:24:42,425 --> 00:24:42,875

Right.

390

00:24:43,355 --> 00:24:47,435

I just make myself a

little bit of a watch this.

391

00:24:58,460 --> 00:24:59,150

look at that.

392

00:24:59,540 --> 00:25:02,500

Ooh, what a nice movement.

393

00:25:02,510 --> 00:25:02,720

What?

394

00:25:02,720 --> 00:25:04,130

Nice movements.

395

00:25:05,000 --> 00:25:06,200

Nice move, man.

396

00:25:13,070 --> 00:25:13,310

yeah.

397

00:25:13,580 --> 00:25:14,240

Nice.

398

00:25:15,200 --> 00:25:16,550

That's a nice.

399

00:25:16,890 --> 00:25:19,260

Far away painting.

400

00:25:28,050 --> 00:25:33,240

Look at that, just lie down, lie

down, come forward and make it

401

00:25:33,270 --> 00:25:35,940

bigger and bigger and bigger.

402

00:25:37,260 --> 00:25:44,580

I made it here we five and one, two,

and one more out, out there, back there.

403

00:25:48,165 --> 00:25:50,325

The, and you're all excited.

404

00:25:51,255 --> 00:25:56,345

You could put log of other stuff

in if you wanted to, but it's,

405

00:25:56,345 --> 00:25:58,935

it's a good teaching, good lesson

406

00:26:03,825 --> 00:26:09,045

and do it like that and do it like this.

407

00:26:10,679 --> 00:26:14,989

C and no, I use you don't have to.

408

00:26:15,199 --> 00:26:17,360

It's nice when you put it

all together in the middle.

409

00:26:17,360 --> 00:26:21,439

Now with this line, she would

cover up something you don't like

410

00:26:21,469 --> 00:26:24,679

too much that does the trick.

411

00:26:24,679 --> 00:26:27,679

Then they don't like certain things.

412

00:26:27,860 --> 00:26:29,179

Maybe I don't like this part.

413

00:26:29,389 --> 00:26:32,989

Then I quit a little line on top

and everything is covered up and

414

00:26:32,989 --> 00:26:34,939

everything is going haywire as good.

415

00:26:35,564 --> 00:26:38,895

Yeah, maybe a couple of lines

stairs, couple of nights there and

416

00:26:38,895 --> 00:26:40,364

here and here and here and here.

417

00:26:40,754 --> 00:26:42,945

And what more you want?

418

00:26:43,514 --> 00:26:46,564

See, I use my big brush

notes when they give him.

419

00:26:47,074 --> 00:26:48,185

Sure, sure.

420

00:26:50,314 --> 00:26:53,165

And we are finished.

421

00:26:53,524 --> 00:26:54,215

You enjoyed it.

422

00:26:54,905 --> 00:26:57,304

Lots of fun and so much power.

423

00:26:58,084 --> 00:26:59,074

Thank you for watching me.

424

00:26:59,375 --> 00:26:59,794

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Sky Reflection - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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