Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, The Sun Rises on Blue Lake - AVAILABLE

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Ben days are gray and you are blue.

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I tell you what to do.

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Grab your palette and put

on yellow, red, and blue.

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Oh, my God.

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Yeah, it's easier.

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Yeah.

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Red and blue.

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That's the primer colors.

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And then we have black and

white, black, and white is not a

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color, but yellow, red, and blue.

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You can walk to the country.

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You can paint everything you

want because you can have all

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the colors you want to mix.

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You have the greens in there, you have

the Browns and there is to try it out.

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First.

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When, when you start using those

colors, Tied to mix it, then you find

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out it's so easy to get it together.

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So I will show you a very easy thing

today, having all those wonderful

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colors, she put that on my team.

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I had it right on , but don't put

too much on, that's always a problem

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because you can ground yourself in magic

twice, and that's not the right idea.

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No, not too much.

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Yes.

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The canvas very, very nice vertical

and horizontal or criss-cross

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matter which way you get it on.

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As long as you get it on nice.

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And even, and make sure this, even

on the canvas, the I'm very dry now.

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That's nice.

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There's no problem, but when

there's too much magic, right.

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You start floating in in that.

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Right.

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And it wouldn't do good.

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No, I have to watch my barrage,

my arm, my deep barrage, and

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they watched the happy literate.

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sunset on.

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I use yellow.

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See how I take it off just yellow cross.

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And I aim for a blue sky on top.

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Now here's something I have to tell you.

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We all go through that problems.

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Gallo.

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If I use blue now, What

would I get a green sky?

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You see?

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And that's the problem.

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So what I do, I use a bumper and the

bumper between blue and yellow is red.

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You see, put a tread in between.

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No, let me do it very simple here.

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A fired right into the water.

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There will be water the

same as all the reflecting.

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The now, if I use blue, red, and blue,

there's no problem with getting green.

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The now I can dip in a little

bit to the blue and it will be

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blue because I have the red, the

red is the guard against green.

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He didn't know, I come into that.

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Beautiful.

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He did the same thing in the

water here on the bottom, and

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now I have that painting done.

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Isn't that wonder for no watch.

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go into details here.

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Um, that's the beginning,

you know, let's start off.

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Ever used the fan brush and we use Vite.

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See here, I take some right off with

yellow, but the is already on the canvas.

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And look what I do know he

was, but it gets more sunshine.

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I was on get brighter more right.

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More by, yeah.

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That's the middle point I aim for, for

land in between the water and Mount hood.

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So no, we can go in and

make it interesting sky.

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Bye.

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But obvious use red.

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Don't start off at blue because

you aim for the blue on top.

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Hey love with that

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red and yellow turns orange, and I

like to have that little orange right

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in between there and now I will use a

bit of white and gave a little bit of.

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the sunlight there and

he is the same here.

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And you do the same thing in the water,

the red, he, that reflects in the water.

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No, like this

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good.

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And red and yellow is no problem.

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It gives you a nice orange in between.

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No, I do the same, but they have up here.

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I once that right.

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I put it on here.

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Yeah.

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Something flexing in the water, but

I have, there could be an water.

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Yeah, you are.

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No, you have to wash your brush, keep

it clean, keep it nice and clean.

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And I will get the one inch brush and I

will use blue and a little bit of black.

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And now this time does give

me a bit of a darker sky up.

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There is a blue dirt, the blue, black.

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He had given me a nice, the nice

lights on sunset here, or the

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red, the blue and the dark there.

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So the evening starts to the same

thing in the water here with that.

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No, you can use the knife.

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If you want, you get better lines.

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I will use yellow and white and

make myself and the Tasha for ed and

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make myself a wheel sunshine color.

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And I have a.

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putting the same amount of water there

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same thing in the border there,

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but more, little bit more.

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Oh, that's good.

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That's good.

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And you can use the big brush and it will

help you straighten it out like this.

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You know, I have a nice

guy together, daddy.

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The next step will be, I use my

one inch brush and black and blue.

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See how I take it off black

and blue and I create a.

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that's the land in between.

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Just give him a dark line.

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Now I know that that has to be trees and

I would like to have Mount hood in there.

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So what I do now, I will use my friend

brush and whatever he wants to put him,

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I will say here is Mon toward there.

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And Mount hood is the most

easiest mountain to paint.

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She has the hood, like a Mexican,

some braille, uh, something like this

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and fire it right into the water,

to the fires right into the water.

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And then you got to Terry

having the sun in the back.

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I have, I don't worry about.

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Highlights, because it's

all just, it just all dark.

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You look into the sun.

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When you try to look into the

sun, you find out you make little

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pig guys, and you don't see any,

you lose the power of scene.

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And that means here.

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I don't worry too much.

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I just put the figures in and

I could not be even the wrong.

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Maybe I make that mountain

a little bit higher.

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we live here.

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We can see Mount hood every day.

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So there's no problem

now comes in next step.

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Okay.

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I will use my one inch

brush black and blue.

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And I put three and

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feel like it's 10 year

up, let it stand up there.

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It looks like trees are standing there

in order to do it a bit more powerful.

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I will have that mountain, but missed a

little bit of mist on the bottom here.

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Put it in a bit missed and

then the doc shows up better.

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Sometimes you have to play those games.

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You, you want us to bring it

out better than then you have to

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create some illusions and there's

a better illusionists when you

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have it a bit lighter there.

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That is good.

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has all, we put our trees in there, but

what I do when we wash my hands here, I

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just push it down and let it stand up.

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You see it automatically will build

trees and you make it higher and lower

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and up and down and whatever you think

you see there, the, then you create

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this kind of a, and then the next

step will be when you have it done.

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You can move it up a bit, the little bit

of a push-up the little bit of it, but

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watch this doesn't come too long that

the trees don't come too long out there.

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The, in that distance, you have, you done

worry about different type of trees there

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because odd it's so far by you see there.

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See look at that.

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Nice.

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And that's a very simple, I just

would, the ideas here, yellow,

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red, and blue three colors.

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And I will show you how you get

the three colors together and black

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invite black invite is not the color.

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You should know that too, because

it's just black invite and

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those colors do the whole job.

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And this is just a very simple

painting with yellow, red,

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and blue and black and white.

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yeah, I create just stand, stand up

three stair tied to stand them up there.

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So in that distance, then you

see trees are standing there.

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Trees are standing there

and it's up to your teeth.

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What you think you would like to

see, but more hope it's higher.

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something like this.

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Good.

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No, the next step would be,

I have to have reflection.

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So what I do here I go into the paint.

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You see, not below just into the paint

and pull it a bit down into the paint

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and pull that pain down in and down.

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See over that.

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Nice.

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Nice gives you a nice reflection there.

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Yeah, you are.

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Oh, make sure there's nice.

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And even

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it is the evening has all the dark there.

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Yeah.

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A reflection of water.

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You can have a darker, darker than on top.

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That gives you better reflection.

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And it really is.

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The water makes the whole thing darker.

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I don't know why because it's shiny

and you know, there's the kind of that

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shine brings the water out a bit more,

or the reflection out a bit more,

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a little bit there.

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we have to take our time for that.

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Here should be done.

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Tried.

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Nice.

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You know, I use my big brush,

make sure it's nice and dry.

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And I pull it down very

gentle, very gentle.

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And what I do, I don't do it this way.

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I do it.

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Flat, I push it flat down.

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It makes it, it flattens it out to bed.

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See, and that let it be here

on the bottom, then have

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a nice, a nice reflection.

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I can add a bit more on mr.

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Mt.

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Hood.

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I can pull that down a bit more.

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So yeah.

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Uh, that's coming nice.

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That's coming nice now and make sure

you don't have too much paint on.

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Otherwise you, you cannot.

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You ground yourself.

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The, I have to move it now, if it had

lot of paint on, I couldn't do this,

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what I do now, but, but the light very

light stroke, you very light stroke.

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The what it is, it gives you a little bit

that water Ruby, and that makes it nice.

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Now all of a sudden became

water and then you can move it

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a bit in and out if you want to.

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Okay.

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No, I use my knife and I wear, I

wear, I wear he when she wear and the

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I put a little glue into that mountain.

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So what I do here, I show you

see that little bit of a rim of.

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Of sunshine around because you

must think the sun is behind and

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you would laugh to see a little

bit of a glue there somewhere.

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And the only way yeah, I could see

that would be put to a bit of a yellow

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and white all around that mound.

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And that started glowing then.

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something like that.

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And he had to,

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yeah, that's nice.

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That's nice.

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Sometime it's a very fine job.

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You have to fiddle a little

bit, but that's the part of.

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Playing playing art.

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Oh, that's better.

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And you can do the same

thing in the water here.

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Now you use the big brush and you,

you move with the bedside breath.

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Something like this.

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See, and it makes it nice again.

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Then you use your knife

and you try to create,

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if you did a short shoreline

there, he says, and then shoreline.

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Yes.

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And then shoreline.

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But you have to be very careful with

big light there because you must

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always think this is too bright.

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What I put on now, the sun is behind.

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So I cannot let John jump around

and hit in there with that bright.

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So what I should do, I just showed you

how you shouldn't do it and not nice.

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The teacher's always right.

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Usually it'll catch you off blue.

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Tasha blue and white

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that's what's not good

then blue and right.

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E and mix it.

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Nice.

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Does she have, if she had to

call it the blues and I shared

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the color here, watch this.

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Now.

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I said that there's more like it.

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See, I don't know if we can see it.

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Good enough,

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blue and white,

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and you can go along wherever

you want and just create a

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little bit of movements there.

255

00:19:12,425 --> 00:19:13,594

And then when you come.

256

00:19:14,460 --> 00:19:17,730

He is still blue and white, still blue.

257

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And right.

258

00:19:19,290 --> 00:19:23,610

He hear the reflection in the

water would be blue and white.

259

00:19:24,960 --> 00:19:28,950

You hardly can see it, but it is

the way mother nature would be.

260

00:19:30,030 --> 00:19:34,920

I cannot allow myself to put

sunshine in front of a shadow place.

261

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Let's see what we have here.

262

00:19:46,250 --> 00:19:47,720

Oh, that's wonderful.

263

00:19:47,900 --> 00:19:49,010

You know, you can see it.

264

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Good.

265

00:19:50,240 --> 00:19:56,180

And then you put little waterlines

in here and here and here and

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keep it obvious in a blue.

267

00:19:58,730 --> 00:20:04,610

Keep it in the blue because he must always

think the sun is behind and the shade,

268

00:20:04,640 --> 00:20:09,830

whatever reflects there, it thinkers

like bluish and white, blue and white.

269

00:20:10,920 --> 00:20:12,570

You can lift it up a bit more.

270

00:20:12,570 --> 00:20:16,530

You can have a bit more

writing, but don't go too high.

271

00:20:20,660 --> 00:20:21,650

Hey, that's nice.

272

00:20:25,210 --> 00:20:26,930

Then you can let it disappear.

273

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You don't have to right to the end.

274

00:20:32,240 --> 00:20:35,930

See, do the same thing.

275

00:20:41,835 --> 00:20:42,764

And the same thing.

276

00:20:43,004 --> 00:20:50,325

No, we use white and yellow and

red are those three colors and

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00:20:50,325 --> 00:20:52,095

then make myself sunshine color.

278

00:20:52,165 --> 00:20:59,415

Now see the sunshine color,

yellow, red, and blue.

279

00:20:59,415 --> 00:21:01,155

I have all the colors in there.

280

00:21:01,754 --> 00:21:02,865

Yes and no.

281

00:21:02,865 --> 00:21:08,655

I would think you can put a brighter

light on here already because it's very.

282

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Whatever their reflections from

the glue gives you brighter light

283

00:21:15,690 --> 00:21:21,420

there and there, I might cross right

there to the, to that mountain.

284

00:21:22,590 --> 00:21:23,070

See,

285

00:21:30,830 --> 00:21:31,520

that's nice.

286

00:21:40,274 --> 00:21:44,764

Huh, and now you can dance down.

287

00:21:44,764 --> 00:21:46,685

You can dance down the right.

288

00:21:48,985 --> 00:21:49,465

Yeah.

289

00:21:50,855 --> 00:21:51,574

Use your knife.

290

00:21:51,605 --> 00:21:54,814

You can use your fan brush,

find out yourself about

291

00:21:54,814 --> 00:21:57,514

things you like to use this.

292

00:21:57,725 --> 00:22:02,044

As long as you have a kind of a.

293

00:22:03,180 --> 00:22:04,920

Sun did a reflection there.

294

00:22:05,910 --> 00:22:08,580

Sunshine reflect Joan,

295

00:22:15,530 --> 00:22:20,420

uh, something like this,

something like this.

296

00:22:20,450 --> 00:22:21,170

You see?

297

00:22:22,610 --> 00:22:26,930

No, we come down to the

bottom of the horror thing.

298

00:22:34,245 --> 00:22:39,915

You know what I do use the, you

finish your painting and let it dry.

299

00:22:40,605 --> 00:22:45,945

And then you make the session

sometime you feel it needs something

300

00:22:45,945 --> 00:22:47,715

here, it needs something there.

301

00:22:48,014 --> 00:22:49,304

Then you can do that.

302

00:22:49,935 --> 00:22:55,935

The, when this is dry, you know, then I

that's easy to do a lot of things then.

303

00:22:56,534 --> 00:22:57,585

So you can.

304

00:22:58,845 --> 00:23:03,975

You can do something more to that

if you want to, but then comes a

305

00:23:03,975 --> 00:23:05,985

point where you overdo it again.

306

00:23:11,274 --> 00:23:14,294

We just get it in night, Dez.

307

00:23:25,830 --> 00:23:31,260

Yellow red and blue, yellow, red, and Ru.

308

00:23:32,610 --> 00:23:33,570

Yeah.

309

00:23:42,600 --> 00:23:44,000

Yeah, yeah.

310

00:23:51,030 --> 00:23:52,920

Dan said right down to the end.

311

00:23:53,130 --> 00:23:55,860

Can we see how it turns

green already in the blue?

312

00:23:56,550 --> 00:24:00,810

That means with other, otherwise

I use Gallo alone and I showed

313

00:24:00,810 --> 00:24:01,980

you how you shouldn't do it.

314

00:24:02,220 --> 00:24:02,940

You remember?

315

00:24:02,940 --> 00:24:08,070

I want you already about that to

use the invite alone, the right.

316

00:24:08,070 --> 00:24:10,410

And red is nice, right?

317

00:24:10,410 --> 00:24:16,860

And red alone, that gives you the, that

gives you a far, far nicer color there.

318

00:24:17,730 --> 00:24:18,720

So use that.

319

00:24:22,169 --> 00:24:25,590

That's the problem always when you

have yellow, red, and blue, and you

320

00:24:25,590 --> 00:24:30,899

put the blue sky on top, and then

sometime you put clouds in and you use

321

00:24:30,899 --> 00:24:33,450

yellow and then you have green clouds.

322

00:24:33,780 --> 00:24:35,790

You see that's the problem sometime.

323

00:24:36,149 --> 00:24:38,220

So I warned you about that.

324

00:24:38,850 --> 00:24:39,480

You just

325

00:24:43,940 --> 00:24:48,560

Oh, there is actually nothing

more you could do to that canvas.

326

00:24:49,409 --> 00:24:54,689

But I do know I use my big brush

and I straightened that out like

327

00:24:54,689 --> 00:25:01,110

this E string, just out like this

and the paint is nice and strong.

328

00:25:01,409 --> 00:25:02,610

It will not smear.

329

00:25:04,020 --> 00:25:05,899

There you stay on top.

330

00:25:05,949 --> 00:25:06,750

If you want to.

331

00:25:13,004 --> 00:25:13,905

And that's it.

332

00:25:15,705 --> 00:25:21,195

No, you see what you can do with

yellow, red, and blue, and it

333

00:25:21,195 --> 00:25:24,795

will make you happy and their

hope we had the good demonstrate.

334

00:25:25,965 --> 00:25:26,805

Thank you for watching.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, The Sun Rises on Blue Lake - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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