Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, River Road Trees - AVAILABLE

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These like today.

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Oh God, it's just so wonderful.

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I thank God as I am in life.

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And now I plan a new painting.

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It's just wonderful

planning of a painting.

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It's a joy.

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See?

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No again, I have to bring all

the outside into my, to my head,

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you know, or to my thinking.

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And, uh, Fire that on a canvas, but

will it be, it will be a far by sky

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first, the four, my mountain range

and the Lake in between, and lots

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of foreground, lots of foreground.

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Now let's see how we work that out first.

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We will make you happiest guy again, the

happiest guy, blue, fresh and blue on top.

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Fashion glue on top the mask on.

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I put the magic right on.

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I didn't say it.

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I forgot it.

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I'm sorry.

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But I wouldn't like to be time

just to show you how you put Vite

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on that's the same, like a paint,

the fence posts or paint the house.

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But all of us, when I paint this

kind of a painting, I need a Vite

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paint in order to mix, you know, the

philosophy we are mixing on the canvas.

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See, and that's what I have to have

that vibe on without advice I never

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could, could do what I want to do.

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Okay.

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We say that's the four, this turns there.

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Maybe I caught kind of

even a yellowish tune, but.

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Yellow and blue, you know what happens?

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It turns green, be careful,

be careful with yellow.

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I will use a touch of yellow

and I mix it with red.

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How about that little touch of yellow?

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Mix it with red, mix it with red, but

could you see how I get rid of it?

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I, I just make sure I have not

much, much paint in my brush.

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See then damn, just something like

this, the something like this.

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That gives you that little bit of

extra, that extra distance color.

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It gives you more distance

there, more going up in the air.

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Maybe I will use my fan brush and make

for my little mouth clouds, but just bite.

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See, watch this, take the

bite off here D like that.

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And he's just far away, far

away, little bonding clouds.

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Yes, far away, a little wandering clouds.

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I must to make that a distance

in this particular painting.

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I am born rings, guy.

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Beautiful, beautiful.

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Everything is just, just T4 by far.

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I see.

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Sometimes you have tears in your eyes

and, and you wish you could be there.

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And I am not there.

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The ready.

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It gives you that feeling far

wide as a far by far by the

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grass is green on the other side.

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We put that little bit of a dream

in there and now I will, I will use

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my fan brush with a touch of blue.

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See how I take it off, take a look, touch

of blue and what they ever have here.

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He just kind of, uh, and then let's see

how for the darker and Eddy too dark,

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then put more white and bit more white

and just four by four, maybe touch a

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little in Crimson would go over it.

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Yeah, that's it.

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I'd call it.

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Can you see it here?

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Can you see it?

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Good, but thank you.

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But try have tears and you

guys by, uh, my head's fine.

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It's already far too loud, far

too strong, far too strong.

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Wash it out.

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If it is too strong, don't do it.

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I showed you how you shouldn't do it.

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That's so simple.

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It teacher can make mistakes,

but you cannot do that.

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See, but they look far, far away, long.

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He seen his father, my hairs, and have

tears in your eyes and have you want to

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be there and you can't and be there, but

see there's just a, and let it get light.

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Let it get light.

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Light down there

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far away, as far as you

can see, but always light.

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Even I use Vite.

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I will use Vite.

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Let me show you, let me show you.

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I use Vite with touch of red, with a

touch of red like this, and just fired

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and to make it more distance, more clouds.

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There's there's clouds movements.

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There's clouds line in the Valley there.

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See?

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Good, good.

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If you want, if you want,

let me show you something.

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If you're tough enough, live here.

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Brave enough.

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You can do it like this.

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You can have all of a sudden here,

here, here, the cloud moving up.

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See what happened?

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He would see it and you're

scared to paint like that, but

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that's just happened sometime.

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There's, there's a

movement, it's a movement.

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Something is dancing in the air.

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Good that gives you one here.

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Now you can have other little hair.

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I use the same colors, maybe a

little touch, more on par on par,

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but it's a little bit more power

into that bit more power into that.

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And they come a little bit closer.

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How I do it?

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You see how I do it?

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There you are.

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Now he can form maybe kind of a, a tree.

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You can see already trees on the hair.

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Yeah.

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But always dank doc and

light to the bottom.

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And here I make it to this tree trunks.

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Are that the standing, the

three trunks standing there,

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three trunks standing there.

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Three times I standing there

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see something like that,

something like that.

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Use a big brush and then

make upstrokes upstrokes.

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Up up, up, up, up, up

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That means I stand it all up.

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Now everything is standing up and here.

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Maybe I push it down a bit, but

with the flat brush and up a good.

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Good.

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We'll leave that.

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Just leave it like that for

the almighty distance there,

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then you can power in again.

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You can power in again, some, uh,

some, uh, clouds or some mist.

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No, you can use the big

brush if you want to.

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And you come forward

and have some SAP green.

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See how I do it.

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SAP green and the touch of Prussian

blue and a touch of a live in

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Crimson and makes yourself a kind

of a, I have to see it first.

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I might be wrong.

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It's a bit too green.

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I need a bit more, I need a bit

more alizarin Crimson, kind of

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a middle more distance color.

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So, no, I think I'm good.

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Stitcher green, more distance color

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D no, let's see.

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Yeah, that's better.

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see again, same Carlos.

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It looks a bit too flat, then

make it a bit more romantic.

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Like this.

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Give him a little bit of a

Hilden and a bit of up there.

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Maybe we think, and I know we

are somewhere in Oregon, Oregon,

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the other golden years there.

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Say it again.

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yeah.

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See, just build up a little bit of

whatever and it gives you an extra

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gives you see, now you can, you

can watch, you can do it like this,

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that gives you behind

this comes forward now.

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And then if you want,

you can raise that up.

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Right to that height.

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Yeah,

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there go.

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And if you don't want to lose it,

I show you some kind of a nice

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little trick, use a light color.

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I use a touch of green and

two that you see, what bit?

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Touch it a little bit of

light into the green and.

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Gone from there up the ad adds

a little bit more light there.

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Add a little bit more light there.

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See, by doing that, you drive that

further and this comes closer.

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See what you do, but make it

obvious with upstanding lines.

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It got to stand up.

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See?

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Good, good.

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No, no, no.

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We will be leaving.

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They will come more far, but SAP green.

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Flashing blue alizarin

Crimson more colors now.

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And I have fire in there.

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Darker colors.

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No, there's no four Hertz.

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So that D C cut it.

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You want more power, more so, more

excitement and fires and fires.

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And.

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Fires and like Bush, Bush as close as

he think about your clothes are here.

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See, there you are

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fires that into the water

fire, right into the water.

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Fire that into the water there.

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Fire that into the water.

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But before we were on, we will, we

will, we will make this kind of a thing.

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SI upstanding lines.

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It looks like the tree

trunks in that distance.

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They look at that.

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Beautiful.

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Just let something stand up there.

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It's something you're standing up.

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Here's your mighty imagination.

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You are next to God,

God, you are the creator.

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God gave you the right to do

all those wonderful things and

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he helps you if you wanted.

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That's the funny thing, God helps

the one, but helped himself.

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See, and here you have all the tree

trunks in there and all the excitement.

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And if you want, you want, if

you want, you can add a little

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bit of highlights there, yellow.

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See what I do, what I do.

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See what I do.

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I just use a, kind of a, a yellow

student and I just give him a little

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bit of, but it kind of highlights there

D kind of a little highlights there.

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That gives you kind of a top to top

trees to kind of branches there, lighted

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up there and a little bit cheesy.

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Beautiful.

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Isn't that wonderful in

a nice to live like that.

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and the diesel nice.

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The better, so good.

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And the sun is shining and

the birds are singing and all

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the voices singing around me.

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And that makes it a beautiful day.

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And that makes a beautiful painting

because you are not on my team mood.

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What you really should be when you paint.

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It's hard to struggle.

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See now I said fire and,

but darker in the Vata.

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Now watch this dark and the water.

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See, watch firing.

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Firing no mercy, no

mercy, no mercy, no mercy,

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darker, darker, still a dark

enough darker in the water.

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All this darker here then.

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That's it.

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That's that will be nice water now.

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see now, you, you, you, you can use, uh,

you can use the kind of a bluish touch,

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whatever you see in the background.

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See all that colors there.

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You can fire in.

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There can fire in a little bit of blue,

little bit of whatever, whatever does

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call us, show you there, the fires and.

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That did flex right in your water there,

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then that's wonderful.

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And if you come to the front, making it

a bit darker, make it a bit darker there.

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Make upstrokes upstrokes

upstrokes I'm still.

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See, something like this fired and fired

and see, no, no, no, you, you, you,

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you, you, you put it all together, pull

it out together, pull it out together.

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And you, you make water out of that.

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There you are now create a kind

of a happy little shoreline there.

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I should show it to you what they

do and see something like this.

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See red, yellow, and white gives

you a nice shoreline color.

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That's it?

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That's it.

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That's more like it.

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No, you put that nice

shoreline color in there.

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Look at that, tell it backs up

beautifully and talk to yourself.

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Talk to yourself.

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Be always, there are ways to learn.

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Oh, it's learned.

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you know, when I paint like that, I get

all these melodies come into my mind, and

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this is wonderful to live with melodies.

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Beautiful to live a happy

Lin-Manuel DS there's.

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The olive is under, comes a rhyme that

comes to harmony that comes to rhythm.

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And that all goes together

with your mighty painting.

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And no, no, I just fire in the big brush.

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See the paper she gonna do.

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No.

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That big brush.

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And you.

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And the corner and the corner and watch

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up on the floor, fire like that.

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Don't be scared, but fire not,

you can never make a street line.

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If you make it slow.

254

00:17:25,234 --> 00:17:26,315

There you are now.

255

00:17:26,345 --> 00:17:29,315

And just grab the brush, the dark brush.

256

00:17:32,430 --> 00:17:36,510

And I fire in fire in a

fire, in a fire firing

257

00:17:49,070 --> 00:17:53,450

all of a sudden, you see your

whole stream gone by there, your

258

00:17:53,450 --> 00:17:55,220

whole stream going by there.

259

00:18:00,795 --> 00:18:02,295

Do you like grass standing up?

260

00:18:03,405 --> 00:18:06,135

Beautiful, beautiful, beautiful sea.

261

00:18:06,215 --> 00:18:07,535

Everything works here, right?

262

00:18:07,985 --> 00:18:15,545

Everything's called and my way as

well should be then you fire and

263

00:18:15,545 --> 00:18:19,805

you're firing your fire and you

fire in a big tree right there.

264

00:18:20,355 --> 00:18:21,755

A big tree right there.

265

00:18:22,950 --> 00:18:27,000

See, I use the small brush,

then middle brush and I suggest

266

00:18:27,000 --> 00:18:28,860

almighty tree standing right there.

267

00:18:30,240 --> 00:18:36,540

Oh, look at that in a

nice and a nice and a nice

268

00:18:40,730 --> 00:18:44,240

and maybe the other one

is just happened here.

269

00:18:44,870 --> 00:18:46,640

It just happened here.

270

00:18:48,240 --> 00:18:49,680

Let it lay in a little bit.

271

00:18:49,890 --> 00:18:51,360

Don't make laws too straight.

272

00:18:51,690 --> 00:18:53,670

It just happened here.

273

00:18:54,900 --> 00:18:57,740

See, there you are now use your fan brush.

274

00:18:57,740 --> 00:18:59,660

If you want, use your fan brush.

275

00:18:59,660 --> 00:19:04,440

If you want to use your fan brush,

if you want and, and, and, and, and

276

00:19:04,550 --> 00:19:06,440

you, the light is good from there.

277

00:19:06,470 --> 00:19:09,170

Just highlight, make

it darker on this side.

278

00:19:09,200 --> 00:19:11,180

Very fast, very fast there.

279

00:19:11,780 --> 00:19:15,110

See it, make it a better rough,

rough looking rough look, and

280

00:19:15,380 --> 00:19:16,910

save it here on this tree.

281

00:19:18,254 --> 00:19:21,794

Not the straight lines,

not the straight lines.

282

00:19:22,695 --> 00:19:23,534

There you are.

283

00:19:23,715 --> 00:19:24,344

There you are.

284

00:19:24,885 --> 00:19:28,725

And highlight that from the light

side, highlight that from the

285

00:19:28,725 --> 00:19:32,114

light side, these will be like this

286

00:19:38,524 --> 00:19:42,455

got happy trees coming out and you

can just dab it on like the bark.

287

00:19:42,754 --> 00:19:44,524

You don't have to make straight lines.

288

00:19:47,340 --> 00:19:49,919

See in the beautiful,

289

00:19:53,790 --> 00:19:54,929

Hey, there you are.

290

00:19:56,219 --> 00:19:57,659

No straight lines.

291

00:19:58,229 --> 00:20:03,270

And this tree to give him fire,

given fire, give him fire.

292

00:20:04,110 --> 00:20:06,149

No mercy, no mercy, no mercy.

293

00:20:07,830 --> 00:20:10,830

And a beautiful to have

that on mighty Swain.

294

00:20:12,045 --> 00:20:16,425

And with that swing, you

get on mighty trees standing

295

00:20:16,425 --> 00:20:18,524

there and they all are life.

296

00:20:19,035 --> 00:20:19,875

They are life.

297

00:20:19,905 --> 00:20:25,995

They are not just a see now, now

you, you, you, you, you, you you're,

298

00:20:27,425 --> 00:20:33,875

he was a fan brush when Dyke Brown

and, and I, I in Crimson and I

299

00:20:33,875 --> 00:20:35,885

put some happy branches in there.

300

00:20:36,035 --> 00:20:36,514

You see.

301

00:20:40,875 --> 00:20:42,405

Some happy branches.

302

00:20:42,435 --> 00:20:43,635

They can hang down.

303

00:20:43,665 --> 00:20:45,915

They can come up, they can do alone.

304

00:20:45,945 --> 00:20:50,305

They can do a dog that is then you can

have other one there, the other one there.

305

00:20:50,305 --> 00:20:51,495

And then the other one there.

306

00:20:51,855 --> 00:20:53,235

See how nice they look.

307

00:20:53,715 --> 00:20:55,455

The fan brush is something funny.

308

00:20:55,545 --> 00:20:57,645

It's really look at that.

309

00:21:00,135 --> 00:21:02,865

They'll give you a very

loose, happy branches.

310

00:21:05,605 --> 00:21:08,835

Couple of little ones, couple little

ones, maybe a bigger one here.

311

00:21:09,450 --> 00:21:12,930

Yeah, that one was up there and it

was down and whatever, whatever.

312

00:21:13,680 --> 00:21:18,210

See the other one comes up

here and he was up there.

313

00:21:23,510 --> 00:21:25,010

See, okay.

314

00:21:25,640 --> 00:21:28,850

And then all the time

you get something nice.

315

00:21:29,600 --> 00:21:29,960

Done.

316

00:21:30,080 --> 00:21:32,240

That's something hanging down there.

317

00:21:32,270 --> 00:21:34,640

Like this bench is hanging down.

318

00:21:35,310 --> 00:21:39,630

The beautiful, happy the

branches hanging down there.

319

00:21:41,610 --> 00:21:44,040

This one has to have some branches too.

320

00:21:47,360 --> 00:21:50,030

There you are he here?

321

00:21:50,030 --> 00:21:52,220

Maybe one big one coming up.

322

00:21:52,730 --> 00:21:53,810

He wants to get up there.

323

00:21:53,840 --> 00:21:54,200

Yeah.

324

00:21:56,840 --> 00:21:59,390

And this one here goes down like that.

325

00:21:59,420 --> 00:22:00,380

Other one here.

326

00:22:01,740 --> 00:22:05,070

I saw you do whatever you want to

know how many vendors he wants to do.

327

00:22:05,070 --> 00:22:06,120

That's up to you.

328

00:22:06,870 --> 00:22:11,250

See, because overloading

is not good either.

329

00:22:12,330 --> 00:22:14,310

See, and that's no good either.

330

00:22:14,310 --> 00:22:15,450

And why should you do it?

331

00:22:16,140 --> 00:22:18,810

Because you don't get more

money anyway, for that,

332

00:22:22,290 --> 00:22:24,000

it looks ugly all of a sudden.

333

00:22:24,030 --> 00:22:25,950

And that's no good either, either.

334

00:22:25,980 --> 00:22:27,330

Neither, neither.

335

00:22:35,900 --> 00:22:43,520

They just make it the life, but the

life they know, then, then, then

336

00:22:43,640 --> 00:22:50,300

you, you, you, you use, you use

Vite, take a look, white and yellow,

337

00:22:50,490 --> 00:22:53,630

white and yellow, white and yellow.

338

00:22:54,530 --> 00:22:55,430

And you.

339

00:22:55,935 --> 00:23:05,205

You firing some movements there, but

what white light against light is crazy.

340

00:23:06,225 --> 00:23:07,545

I leave it up there.

341

00:23:07,935 --> 00:23:09,315

I leave the dark up there.

342

00:23:16,245 --> 00:23:21,045

He always outsmart your

canvas, always out.

343

00:23:21,565 --> 00:23:23,295

See here would be nice.

344

00:23:23,355 --> 00:23:24,795

Have that like grass.

345

00:23:24,825 --> 00:23:26,415

He it's all standing up there.

346

00:23:31,835 --> 00:23:32,945

Hey, that's what you do.

347

00:23:33,155 --> 00:23:37,835

Maybe here it's it's to me, it

is a little bit out of balance.

348

00:23:38,135 --> 00:23:41,975

I would like to fire in the kind

of a happy little Bush here.

349

00:23:42,485 --> 00:23:43,865

Maybe here would be good.

350

00:23:44,284 --> 00:23:44,645

Good.

351

00:23:44,645 --> 00:23:45,095

There.

352

00:23:51,750 --> 00:23:58,310

See the, how you balance, how you add,

how you get your, your painting just in

353

00:23:58,310 --> 00:24:00,350

the right shape, the right you want that.

354

00:24:00,860 --> 00:24:02,120

Highlight that now.

355

00:24:04,400 --> 00:24:04,670

Hey.

356

00:24:11,640 --> 00:24:17,970

No, , we'll give him maybe that

it's a happy in the road coming

357

00:24:17,970 --> 00:24:25,260

out there behind, and it's caused

by a C a happy little road.

358

00:24:25,590 --> 00:24:28,470

You see a bit here, maybe you

see a little bit of a tamper

359

00:24:28,920 --> 00:24:30,960

road going down the Creek there.

360

00:24:31,935 --> 00:24:37,485

And, and it gets big and big and make

it inviting, make it perspective, right.

361

00:24:38,225 --> 00:24:38,645

362

00:24:42,905 --> 00:24:44,105

Oh, that's nice.

363

00:24:44,315 --> 00:24:44,465

Yeah.

364

00:24:44,615 --> 00:24:47,225

As Vida you get it out as better as well.

365

00:24:47,225 --> 00:24:47,765

Look.

366

00:24:55,295 --> 00:24:55,625

Good.

367

00:24:55,835 --> 00:24:57,995

Good, good, good.

368

00:24:59,040 --> 00:24:59,490

Good.

369

00:24:59,850 --> 00:25:04,200

No, we maybe put, just put cupping.

370

00:25:04,610 --> 00:25:08,720

There's a fence post in one here on here.

371

00:25:09,680 --> 00:25:17,660

Maybe one here and maybe

one is lying down here.

372

00:25:17,660 --> 00:25:18,740

It's already collapsed.

373

00:25:19,640 --> 00:25:21,110

He has a collapsed one.

374

00:25:22,670 --> 00:25:24,110

Uh, good, good, good.

375

00:25:24,500 --> 00:25:27,020

And you highlight them too from the.

376

00:25:28,679 --> 00:25:35,720

From the right side from the right

side, maybe here from this side.

377

00:25:36,350 --> 00:25:36,439

Okay.

378

00:25:39,350 --> 00:25:39,439

Okay.

379

00:25:39,770 --> 00:25:42,590

And put some Vire in between.

380

00:25:43,189 --> 00:25:49,459

Try to think there's some barbed wire

going down there on down there, going

381

00:25:49,459 --> 00:25:51,980

down there and hangs here and here.

382

00:25:51,980 --> 00:25:54,290

And it's all collapsed.

383

00:25:54,290 --> 00:25:56,030

They're all twisted up there.

384

00:25:56,625 --> 00:26:02,955

See how he got to pay him together

with so much, for so much excitement.

385

00:26:03,255 --> 00:26:07,635

Maybe we put a little bit, I like

that light higher color there.

386

00:26:08,055 --> 00:26:11,685

Maybe a little bit higher

color there and maybe here too.

387

00:26:13,515 --> 00:26:17,475

He, that that's already a collapsed,

fancy, just a part and just put the

388

00:26:17,475 --> 00:26:22,995

carpet red caps on red caps on, and then.

389

00:26:23,700 --> 00:26:28,200

What the Debra, who do I think

I have more or less finished my

390

00:26:28,200 --> 00:26:30,149

happy little penny just correctly.

391

00:26:30,500 --> 00:26:30,710

No.

392

00:26:30,710 --> 00:26:31,490

Wherever you think.

393

00:26:31,610 --> 00:26:36,080

See, I went over with my Barb by

align, stare, correct that a little

394

00:26:36,080 --> 00:26:38,389

bit and make your trampy road.

395

00:26:38,419 --> 00:26:38,810

Good.

396

00:26:39,450 --> 00:26:43,550

And, and, and, and if

you want, now, you can.

397

00:26:43,995 --> 00:26:45,885

Around the sun is coming from there.

398

00:26:45,885 --> 00:26:49,635

You can run a little bit of a

shadow over the, over the road

399

00:26:49,635 --> 00:26:51,825

from the, from the things.

400

00:26:52,095 --> 00:26:54,975

And that's what you do.

401

00:26:55,815 --> 00:26:58,245

Good painting is done.

402

00:26:58,305 --> 00:26:59,535

I thank you for watching me.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, River Road Trees - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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