Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Winter Snow - AVAILABLE
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Hi.
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Yes.
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Even vinta has this fun and
has the beauty thanks vendors.
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I see.
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You're locked in.
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No, no, no.
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They are days.
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They are just bombed.
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It was dang about the time
U S young on the slate.
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Rolling down the hairs.
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And building customers and,
and here is in license picks.
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I wish I could do it.
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The magic of oil painting is made
possible by a grant from Aaron brothers.
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Gee, I will show you how we put that
beautiful painting on this canvas.
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So think about vendor now, I took,
if you see my pallet here, I took
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a lady the yellow off all off.
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Don't use any yellow because
we need no warm colors.
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There thought red is already too,
too powerful, but you need white.
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And I have a ton of white on my
palette and Vandyke Brown pressure
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and blue alizarin, Crimson,
alizarin, Crimson, and Prussian blue.
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I tell you it's the nicest color you
can have for winter, because thank
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you about red noses, red cheeks sparks
in the eyes, and there's always kind
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of a red and a blue red, and there's
not really a red it's blue, red.
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Okay.
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So let me take off in order
to get that whole deal.
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I have conditioned the canvas first.
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I use look alizarin, Crimson, and Prussian
blue and muddle it up together here.
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I don't know it's enough blue
or it's enough alizarin Crimson,
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but I will find out tune.
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You see how I do it?
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I just guess at this and
this, and then I test it here.
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Is that the color I want?
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Yes.
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Look at that, that, that blue, red,
that blue, red and blue blue, it
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just gives me frost feelings already.
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So naturally I wants to make a sky.
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It should look deep.
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So start always from the top and
at big brush, dance it around,
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dance it around like this.
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From the top down, sit around like this,
but not too much paint on, not too much
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paint on, not too much paint on the desk.
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And as you were down the magic, right.
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Gets into your brush and gets
lighter, lighter, lighter,
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lighter, lighter, lighter.
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You see there.
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And it appears to you
now, like a deep sky.
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Beautiful again, got to talk
like that in order to encourage
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yourself and to be right with it.
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Now, clean your brush on the
bottom, this clean your brush.
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You got so much paint.
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You wouldn't throw that to buy.
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See, I just see there's
a river coming through.
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It's the icy river ice on the
river is no water anymore.
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Just like snow.
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No drift over that ice, you can
thank it could be a field, but you
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see in such short time, I already
have the mood of that painting.
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I conduct.
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You can have it more in blue.
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You can have it more on the red,
or you can add the touch of Vandyke
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Brown into that if you want it
a bit more in the muddy side.
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But I think this is a fresh ours,
blue, and Alison Clemson had a
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kind of a happy, there's a kind
of a happy thoughts in that pain.
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It makes me happy, put it this way.
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And what makes you happy?
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It's very, very important.
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Okay.
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So I cleaned my brush now.
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So in other words, I
conditioned that canvas.
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I conditioned that canvas.
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Now you're hypnotized obvious
with the clean brush, make sure
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that brush is clean and dry.
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In my class, I did let them
put on their skin in order
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to make sure the brushes dry.
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Soon, you add that
painting into the canvas.
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You are lost.
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Okay.
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Now I brush it out.
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Or I forgot to tell you when I started
on my canvas from now on, they are
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prepared with magic white and it is wet.
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I don't want to do it
in order to lose time.
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We have so little time on the, and
that is what makes me rush a lot.
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I wish I had more time.
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Yeah.
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And I could show you so much more.
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I could hold your hands
and Oh, what would be nice?
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So, but we have no time and I
have to go through it and I want
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you to see as much as possible.
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So, but otherwise that is all vet.
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But magic white and the magic
white is my biggest helper.
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It helps me creating, you saw it
start from the top and the management
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gets into my brush and there we are.
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Now I will create for my mountain,
take a good look, which will I do it.
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I use Vite and all this vide,
ah, you have to kiss that, right.
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It just, that breaks.
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It does all the things
you want and the touch of.
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Of, uh, I hope you find that paint
attached of, uh, uh, van Dyke Brown.
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Take a good look.
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How I mix it here.
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It's too light, but more blue and a
bit more alizarin Crimson into that.
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SI and mix it.
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So I turn it all over, turn it all
over like this and mix it like this.
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That's it like marble, can you see it?
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Good.
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I wish you would learn that if you
mix a dead and becomes a dead color
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and all the, it makes you happy.
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It makes me happy to see that as like a
stone, you lift up a stone and all them,
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the, the, the movement in the stone.
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The whole event is it keeps
you happy and keeps you going.
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Okay.
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Now I will do it roughly
the by I have it there.
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You don't have to do it exactly like that.
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You just, I just show you how,
how, how, how the technique works.
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See there.
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No, did this mounds.
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They are very, very in the snow.
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I make it quite light.
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The, you can have other
mountains standing there.
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I was a mom mountain there.
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No, I have lots of people falling in
and writing in how to handle that knife.
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If you've watched me good.
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I press awfully hard.
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And my knife is very flat on the canvas.
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Keep it free.
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Let on that canvas, not like this,
always flat on the canvas and
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push hard that knife is made to
that paint is quite a stiff knife.
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It got to be like that in order
to do what we want to do, if it
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would be a soft knife, he could
not handle that heavy, strong pain.
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So you see, now we have already,
the mountain is done and watch how I
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break even with the whole thing now.
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So I care about the outside on
top, always the outside on top.
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That means I found my
mountain peaks or my whatever.
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Around or steep or car
wherever I wants to be.
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That's the mountain.
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Now you use your mighty
brush again, dry and clean.
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And look what I do know.
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You know, we talked about the, the,
the painters vet, the magic right.
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Was on first and now I use that.
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What I do know, I mix it in, it becomes a.
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It becomes a kind of a missed
kind of a mist in the mountain.
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Look how easy that looks now,
you're here and you see it.
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It is quite hard touch.
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You cannot do it with yourself.
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Pain.
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Don't even try.
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I know mud and you know, we have
too many mud makers when you paint.
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When I had my classes, that
was always the main ID.
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How did I get rid of my mud?
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And I will show you if you do it, like
I show you here, you'll never make mud.
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You have a clean painting
and advice got for you too.
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Okay.
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Now I will highlight that I use white.
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You can use this plain white
for this particular one C
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and this paint nice and hard.
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And so we said the light
is coming from that side.
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So we cut it in like this
and look how it breaks.
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Yeah.
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Is it ever nice?
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They caught it in wherever you
think, and that the pain break with
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the lose, the loose, his touch of
your hands goes into that knife.
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Now you want all the thousand details.
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It should break on you
be on top of the snow.
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Yeah.
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I don't know what the devil,
I got to shake your hand for
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the, I shouldn't show you that.
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I usually don't have that.
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I'm the tiger.
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Yeah, sometime you have to brainwash
yourself to be there where you want to be.
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No, get the beautiful mountains.
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Now you don't have to light all of them if
you want, because you have a cloudy sky.
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There are openings and there's sun
patches or whatever, you can run it like
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that, but this is a kind of a winterish.
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Snow pack mountain there.
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And that's it.
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That's it.
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That's it.
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Hey, no.
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From the other side you use Vite,
take a look on this now, right?
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The same, right.
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And attach of blue Prussian blue
into that sea and Mexico of a happy
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blue, not ours, but white and blue.
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See how it looks.
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So, and now from the shadow side,
Around that happy blue and the, Oh,
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that doesn't it's a little bit too dark.
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Then you can add a little bit more Vite.
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She can lighten it up a little
touch, so it would be better.
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Okay.
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Yeah, that's better now.
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Hey Dan,
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here's your own judgment on the
colors, but otherwise the shadow
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side has a kind of a happy blue.
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The snow looks blue, wish they do with it.
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They'll get us beautiful
details that it makes it nice.
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And then you can cut it in here and there
that in valleys, under the whatever.
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Now in that distance, you can
soften it all up, having a clean
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brush again and mighty clean brush.
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So, and you can cut it down, cut
it down because this is up details.
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Cut it down a little bit and then
more, more, more, more so like the,
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it makes it nice and whatever there.
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Okay.
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No, I shout there.
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Uh, M.
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There's a happy little,
uh, like your river.
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What could be a field?
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There will be snow on, you can use
your fan brush if you want and have
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it in a blues tach that blues you,
what you use on the sky in the back.
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You can run it in here.
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Hey, long yoga.
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Thank you about this Vint draft.
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Then just driving, pushing over that.
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Eh, yeah.
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That's beautiful.
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Look at that lady.
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You open up here
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and you see it is not done like
this because no human being has
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a steady hand to make it steady.
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But with that on mighty swing.
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Yeah, you're serving it off.
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I just met the fellow here.
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And he was so excited to see me.
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He said, I painted the ride, you talk.
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And I never thought I could paint.
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And I wanted the mountain.
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He said, and I had to call my wife after.
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And he said there was a mountain.
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I never could do it before
because he said I did it.
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I acted the way you talk.
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And I wish you would think like that.
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It's a good way of doing it.
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Because you are powerful,
you are in command.
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00:13:09,095 --> 00:13:11,585
You are the commander, the
XIV, the bottle washer.
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You are everything there.
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Okay.
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Now the next step, I will put a bit
light on, especially in the back,
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you know, obvious next comes next.
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Right.
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Attach right here.
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Just take a bit right on my palate
and my, my, my fan brush and
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call it in the far right there.
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Bed, maybe here in the bed and
here a little bit bad and that'd
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be a rough little bit off.
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Don't worry.
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This.
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Use your mighty mood, your mighty swing.
244
00:13:46,985 --> 00:13:47,835
Don't be scared.
245
00:13:48,485 --> 00:13:50,075
Couldn't work at Vail work.
246
00:13:50,105 --> 00:13:54,305
It will always work the way you
think, because you are creating,
247
00:13:54,515 --> 00:13:56,675
you have lot of creative power.
248
00:13:57,095 --> 00:13:59,765
A human being has so much creative power.
249
00:13:59,765 --> 00:14:01,445
There's just too much.
250
00:14:01,655 --> 00:14:03,185
If we just want to use it.
251
00:14:03,645 --> 00:14:07,365
You see now the next step will be,
I have used the chorus up here.
252
00:14:07,365 --> 00:14:12,575
The just once I used the same cars and
put in the, in that same color, but a
253
00:14:12,575 --> 00:14:13,975
huge amount and put a little bit fun.
254
00:14:14,015 --> 00:14:20,375
Like Brown, you see that little touch
of Vandyke Brown again, but more.
255
00:14:20,405 --> 00:14:21,785
You can see the darkness.
256
00:14:21,965 --> 00:14:22,775
That's the darkness.
257
00:14:22,775 --> 00:14:23,755
I want to say, start off.
258
00:14:23,965 --> 00:14:28,885
And then you can start off in the far
away, Bush trees, whatever you have there,
259
00:14:29,125 --> 00:14:30,925
and look at how beautiful those trees are.
260
00:14:30,925 --> 00:14:31,335
Come.
261
00:14:38,015 --> 00:14:42,765
Yeah, make it bigger,
make it bigger than here.
262
00:14:48,314 --> 00:14:51,824
And as you come forward, you
tend to go a little bit stronger.
263
00:14:53,204 --> 00:14:59,385
It can make up strokes on the bottom, like
a blue state, three trunks standing there.
264
00:15:01,185 --> 00:15:04,665
Same paint, maybe touch darker
now because I can move forward.
265
00:15:04,815 --> 00:15:06,465
Here's your same pain taking a look.
266
00:15:06,465 --> 00:15:07,095
How I do it?
267
00:15:07,545 --> 00:15:10,245
The Vandyke Brown, the same paint again.
268
00:15:10,335 --> 00:15:10,965
Then I can see it.
269
00:15:11,075 --> 00:15:11,975
Step Docker.
270
00:15:12,335 --> 00:15:14,675
As you come forward, it's
got to be a stepdaughter.
271
00:15:14,775 --> 00:15:20,735
Is he so that your step are there
and they have all the trees.
272
00:15:20,735 --> 00:15:21,365
Then there.
273
00:15:23,265 --> 00:15:23,714
Good.
274
00:15:23,984 --> 00:15:28,305
Now you can go forward and use
the same paint and a step darker.
275
00:15:28,364 --> 00:15:29,954
Can you see how I did it again?
276
00:15:30,614 --> 00:15:35,135
That means from lighter to darker,
to darker, to dark, and now you break
277
00:15:35,165 --> 00:15:37,234
even cover up what you think it should.
278
00:15:37,594 --> 00:15:39,364
It shouldn't be shown feed.
279
00:15:39,364 --> 00:15:44,555
That is a wonderful thing by creative
power, because you could, you cover
280
00:15:44,555 --> 00:15:46,625
up whatever you think it bothers you.
281
00:15:46,910 --> 00:15:49,100
And then the nice things are left.
282
00:15:50,120 --> 00:15:51,950
I want it a bit more powerful.
283
00:15:52,400 --> 00:15:55,340
I use a bit more one Dyke
Brown, the same spot.
284
00:15:56,380 --> 00:15:56,740
Yeah.
285
00:15:56,800 --> 00:15:57,520
Maybe dad.
286
00:15:58,060 --> 00:16:01,900
That means you from light to
dark, to dark and perspective.
287
00:16:02,110 --> 00:16:03,939
Humic it bit bigger, bigger, bigger.
288
00:16:03,939 --> 00:16:05,110
And all of a sudden you have lots.
289
00:16:05,710 --> 00:16:07,960
There are already lots of that.
290
00:16:08,590 --> 00:16:09,069
Okay.
291
00:16:09,310 --> 00:16:10,660
No, I will make it here.
292
00:16:10,680 --> 00:16:11,830
Like you're borderline.
293
00:16:14,175 --> 00:16:15,825
Yeah, I'll cut it in like this.
294
00:16:20,375 --> 00:16:21,755
Yeah, no fine.
295
00:16:21,875 --> 00:16:22,865
Let's finish that.
296
00:16:22,895 --> 00:16:23,435
Upright.
297
00:16:23,885 --> 00:16:25,055
The fan brush again.
298
00:16:25,235 --> 00:16:29,405
And you, you go in, you go in with what?
299
00:16:29,645 --> 00:16:32,945
Watch I cut in a little bit here.
300
00:16:34,085 --> 00:16:35,405
Come forwards in steps.
301
00:16:36,145 --> 00:16:37,715
You can touch in there.
302
00:16:39,665 --> 00:16:40,925
Maybe it caught in there.
303
00:16:41,955 --> 00:16:46,365
And then you can use the other
fan brush if you want to, and
304
00:16:46,705 --> 00:16:48,945
bring little peaks out there.
305
00:16:50,265 --> 00:16:55,605
A little bit of a D here, S
E D what I do peek out there
306
00:16:59,025 --> 00:17:06,045
and maybe a little peak out there that
gives you perspective for as far, as
307
00:17:06,045 --> 00:17:10,035
far as form, as far as their yeah.
308
00:17:10,969 --> 00:17:14,010
It can't go farther and you
can have a call if you want to.
309
00:17:14,240 --> 00:17:16,010
Um, but I didn't leave it like that.
310
00:17:16,040 --> 00:17:17,209
We really leave it like that.
311
00:17:17,479 --> 00:17:21,020
Then we can show you the
whole thing, the whole thing.
312
00:17:23,010 --> 00:17:26,970
You put in, you put in, uh, three trunks.
313
00:17:27,359 --> 00:17:30,810
See, see how I do it.
314
00:17:31,440 --> 00:17:35,490
Fire man, fire and fire.
315
00:17:35,490 --> 00:17:37,620
I mean, don't be shy.
316
00:17:38,040 --> 00:17:42,780
You know, I developed this on mighty ID
because in our, in my art classes, it
317
00:17:42,780 --> 00:17:45,090
was always noon, noon to noon, to noon.
318
00:17:45,390 --> 00:17:47,190
It was always my God come back.
319
00:17:47,190 --> 00:17:51,150
And then next week we finish up
that almighty painting or there was
320
00:17:51,150 --> 00:17:52,950
not a talk about it on mighty pain.
321
00:17:53,310 --> 00:17:57,450
I figured out my God, if I have to go
on living like that, I killed myself.
322
00:17:58,320 --> 00:18:03,180
So, and since I talked about that are
mighty brush and almighty paintings.
323
00:18:03,270 --> 00:18:06,690
Ed worked for me and I'm
sure it worked for you too.
324
00:18:07,500 --> 00:18:10,290
You see all those upstanding details.
325
00:18:10,470 --> 00:18:13,470
They are not Steph,
there they come divided.
326
00:18:13,500 --> 00:18:15,030
The why your hand is doing it.
327
00:18:15,090 --> 00:18:15,600
That's all.
328
00:18:16,620 --> 00:18:20,250
So the next steps you start
off from the back first.
329
00:18:20,850 --> 00:18:24,480
Now the next step would be again.
330
00:18:24,480 --> 00:18:26,360
You see, I go in with.
331
00:18:27,225 --> 00:18:31,365
Van Dyke Brown to the same
paint here again, a bit more.
332
00:18:32,385 --> 00:18:36,135
And I have a close up here
with the kind of a bushy thing.
333
00:18:36,615 --> 00:18:38,175
Oh, we make it highlight that
334
00:18:44,595 --> 00:18:45,705
and you come down.
335
00:18:51,285 --> 00:18:54,135
See even a bit more dark
again, the same thing.
336
00:18:54,615 --> 00:18:56,415
Remember what we are really doing.
337
00:18:56,625 --> 00:18:59,565
We create deep adapt.
338
00:18:59,565 --> 00:19:04,185
We created that by doing that,
you come, you put the far by sky
339
00:19:04,185 --> 00:19:07,755
called us on you come from as far
as far, as far as far as like that.
340
00:19:08,355 --> 00:19:09,375
And that really worked.
341
00:19:10,875 --> 00:19:12,225
So all right.
342
00:19:13,290 --> 00:19:15,570
Maybe like this now your desk.
343
00:19:20,879 --> 00:19:21,850
Oh, okay.
344
00:19:22,820 --> 00:19:26,270
See now, or I forgot something,
but we can still do it.
345
00:19:26,660 --> 00:19:27,710
They still can do it.
346
00:19:28,605 --> 00:19:30,584
Do it, obviously next comes next.
347
00:19:30,584 --> 00:19:32,445
I was a little bit too speedy.
348
00:19:32,895 --> 00:19:36,735
I wants to put that snow in
a little bit of a snow drift,
349
00:19:36,794 --> 00:19:38,504
kind of a snow coming down.
350
00:19:38,715 --> 00:19:39,435
See how I do it.
351
00:19:39,465 --> 00:19:40,574
Watch what I do here.
352
00:19:40,935 --> 00:19:46,455
I, I limber up my brush a bit of a
bluish white, but look at that brush.
353
00:19:46,485 --> 00:19:46,695
Aye.
354
00:19:46,955 --> 00:19:47,595
Aye, aye.
355
00:19:48,125 --> 00:19:48,935
Look at that brush.
356
00:19:48,935 --> 00:19:51,665
Now you see that is my brush.
357
00:19:51,814 --> 00:19:57,395
Can you see it with lots
of pain and make it right?
358
00:19:57,990 --> 00:20:01,170
They make it, so it doesn't,
there's just all over feeling
359
00:20:01,170 --> 00:20:03,720
of snowflakes coming down.
360
00:20:03,840 --> 00:20:06,270
You see, look at the
snowflakes coming down.
361
00:20:06,870 --> 00:20:08,940
You can have it in a certain push.
362
00:20:09,330 --> 00:20:09,740
See it.
363
00:20:09,740 --> 00:20:11,910
There's not always right to
let it come down the street.
364
00:20:12,060 --> 00:20:14,820
There are these for the snow
comes just beautiful, but we
365
00:20:14,820 --> 00:20:16,380
have a little bit of a vent here.
366
00:20:16,380 --> 00:20:20,750
Maybe there is a way a little bit,
then you can add it like this.
367
00:20:23,050 --> 00:20:23,570
Yeah.
368
00:20:24,480 --> 00:20:27,000
Go right into my, but this
should have, I should have done
369
00:20:27,000 --> 00:20:28,590
it before I put that three on.
370
00:20:29,450 --> 00:20:32,210
So I showed you how you shouldn't do it.
371
00:20:32,630 --> 00:20:36,080
You know, sometimes you have
to do it and teach us all this.
372
00:20:36,080 --> 00:20:36,380
All right.
373
00:20:37,004 --> 00:20:41,625
Not naturally, naturally teachers
always wear eye, but I come out of that.
374
00:20:41,625 --> 00:20:43,905
See, I, I know how to get that going.
375
00:20:44,554 --> 00:20:46,955
I go around it as much as they,
you can don't touch the tree
376
00:20:46,955 --> 00:20:50,044
because then you have it all dirty
and you messed up the whole sky.
377
00:20:50,794 --> 00:20:52,655
You see, it was good to make a mistake.
378
00:20:53,585 --> 00:20:56,195
I always was happy when my
teacher did make a mistake.
379
00:20:57,485 --> 00:21:00,245
So here I made it and I
show you how I did Devin.
380
00:21:00,294 --> 00:21:01,145
I get out of that.
381
00:21:03,735 --> 00:21:05,685
See, you don't cry, but then you go here.
382
00:21:05,685 --> 00:21:08,745
Overdose trees are already with new paint.
383
00:21:08,925 --> 00:21:16,845
You were over the little bit over there
and shout like the snow is coming up
384
00:21:16,845 --> 00:21:20,205
and any bit of the hose side there.
385
00:21:21,570 --> 00:21:26,070
Okay, now that this is decided this
is coming up and moving forward,
386
00:21:26,070 --> 00:21:29,520
as far as for you do the same
thing with rain, but with Reagan, I
387
00:21:29,520 --> 00:21:32,220
make strokes out of that and snow.
388
00:21:32,250 --> 00:21:34,770
I leave it, I leave it in flakes.
389
00:21:34,770 --> 00:21:35,700
I leave it in flakes.
390
00:21:35,700 --> 00:21:36,720
Like I show you here.
391
00:21:38,129 --> 00:21:38,370
See.
392
00:21:39,300 --> 00:21:42,120
No, you learn something here
again, how you make snow.
393
00:21:42,120 --> 00:21:43,890
And I would make rain here.
394
00:21:44,180 --> 00:21:48,230
I would do that like this and go with
the big brush over like this divide.
395
00:21:48,230 --> 00:21:51,950
The rain comes this way or this way,
or sometimes very sharp like that.
396
00:21:52,460 --> 00:21:53,090
See now.
397
00:21:54,800 --> 00:21:55,280
Okay.
398
00:21:55,340 --> 00:21:59,230
And now you hardly don't see it, my
mistake there and nearby your heart.
399
00:21:59,300 --> 00:21:59,870
Don't see it.
400
00:22:00,590 --> 00:22:03,870
And if, if it would show I would, I would.
401
00:22:04,800 --> 00:22:10,470
I would, let me show you, I would,
I would, he would, he would.
402
00:22:10,980 --> 00:22:16,850
I would extend, watch if I would ever have
spoiled us, then make it a bit bigger.
403
00:22:17,030 --> 00:22:20,510
You see, I am glad I can
show you that on my classes.
404
00:22:20,540 --> 00:22:22,280
Very, very often we had to do it.
405
00:22:22,280 --> 00:22:24,680
You know, we are just human
beings like anyone else.
406
00:22:25,100 --> 00:22:28,040
And if you make a mistake
covered up, if I had.
407
00:22:28,165 --> 00:22:32,715
If I had messed up that up in the front,
then I go just a little bit bigger.
408
00:22:32,775 --> 00:22:33,225
You see?
409
00:22:33,285 --> 00:22:37,335
No, I cover everything up
and everyone is happy again.
410
00:22:37,335 --> 00:22:41,295
And all the kids are saying,
and, and all the birds are saying
411
00:22:41,925 --> 00:22:43,715
and everything happy there.
412
00:22:43,745 --> 00:22:45,065
That's the wonderful thing.
413
00:22:45,725 --> 00:22:46,715
Okay.
414
00:22:47,255 --> 00:22:51,965
Now the next step, the next step
again, I put a little bit bigger
415
00:22:51,965 --> 00:22:57,275
tree trunk in here because there
you can do it like this sometime.
416
00:22:59,895 --> 00:23:05,145
That's a wonderful way of making three
trunks as a wonderful three chunks.
417
00:23:12,965 --> 00:23:16,895
He, the next step you put that on my team.
418
00:23:17,405 --> 00:23:19,205
I have the, in the front a tree.
419
00:23:19,205 --> 00:23:22,865
What I would like to show you too,
you can do it with your knife.
420
00:23:23,615 --> 00:23:25,565
They just rounded up like this.
421
00:23:26,805 --> 00:23:31,065
Straight, Crocket, whatever you want,
you can let it go right through.
422
00:23:31,305 --> 00:23:32,175
You can stop it.
423
00:23:32,175 --> 00:23:33,315
You can have it broken.
424
00:23:33,585 --> 00:23:38,655
Sometimes I put the winter damage, you
know, the, the damage in the winter time.
425
00:23:39,065 --> 00:23:39,245
Yeah.
426
00:23:39,245 --> 00:23:41,165
There's a tree standing there.
427
00:23:42,215 --> 00:23:44,015
See, okay.
428
00:23:45,155 --> 00:23:46,535
As a tree stand.
429
00:23:47,015 --> 00:23:49,185
Well, I go right to on my other pain.
430
00:23:49,185 --> 00:23:52,385
It is not like that, but I want
to show you do it your way.
431
00:23:53,045 --> 00:23:54,275
Do it your way.
432
00:23:54,635 --> 00:23:54,905
Yeah.
433
00:23:55,900 --> 00:23:56,610
Okay.
434
00:23:57,330 --> 00:23:57,690
No.
435
00:23:57,700 --> 00:24:05,250
Then the other side I used white from
the other side, you see like this and
436
00:24:05,250 --> 00:24:15,420
you have the, the light side and make it,
so it looks like, but light and shadows,
437
00:24:15,990 --> 00:24:18,060
he and the dog had very show for better.
438
00:24:24,375 --> 00:24:26,594
You can make it around
by pulling it to the bed.
439
00:24:27,854 --> 00:24:34,185
It gives you a bit of a round three, and
then you can put maybe here that store.
440
00:24:34,185 --> 00:24:38,084
And we showed there on that other pain,
you can put the happiness stone in
441
00:24:38,084 --> 00:24:40,604
there, or kind of a heritage and that B
442
00:24:43,725 --> 00:24:46,125
and a bit more light from the light side.
443
00:24:50,970 --> 00:24:51,810
Make it breaks.
444
00:24:51,850 --> 00:24:52,770
He looked at that.
445
00:24:52,770 --> 00:24:53,640
That's what counts.
446
00:24:53,970 --> 00:24:57,900
This is breaks on you because it
shows you a thousand little details.
447
00:24:58,680 --> 00:24:59,310
Hey, that's good.
448
00:25:00,020 --> 00:25:00,800
I know.
449
00:25:00,920 --> 00:25:03,860
And now we will use blue and white again.
450
00:25:04,130 --> 00:25:06,590
That's your blue and white.
451
00:25:07,274 --> 00:25:10,335
Take some vitals here and blue sea.
452
00:25:10,514 --> 00:25:13,925
And now you can add a little
bit of a happy shrub in the
453
00:25:13,925 --> 00:25:15,305
happy blue look at that.
454
00:25:15,725 --> 00:25:17,524
It gives you kind of a vinta spark.
455
00:25:18,544 --> 00:25:19,655
There is he,
456
00:25:23,115 --> 00:25:25,205
he can add it here a little bit.
457
00:25:26,165 --> 00:25:29,105
That gives you a little bit of
a lift up, whatever you want.
458
00:25:29,705 --> 00:25:32,105
On the other side there,
you can do that too.
459
00:25:32,945 --> 00:25:33,264
Yeah.
460
00:25:33,284 --> 00:25:35,105
A little bit of a vendor spark.
461
00:25:41,580 --> 00:25:41,639
Yeah.
462
00:25:43,429 --> 00:25:47,000
Now, if you want, you can put some
branches on before I showed you branches
463
00:25:47,000 --> 00:25:53,270
with the, with the, with the pallet knife,
but with the fan brush, now I show you a
464
00:25:53,270 --> 00:25:59,870
little branch for that little liner brush,
just to make it a bit of a softer paint.
465
00:25:59,870 --> 00:26:00,679
If you can.
466
00:26:01,200 --> 00:26:05,820
And just cut it in from the stand
down like this and like this
467
00:26:06,240 --> 00:26:10,380
and like this and like this fee.
468
00:26:10,500 --> 00:26:14,850
And in no time, you, God
had gone to buy you one.
469
00:26:16,500 --> 00:26:17,790
I have you, right.
470
00:26:17,800 --> 00:26:19,200
That I really like that.
471
00:26:19,560 --> 00:26:20,970
It's a winter mood.
472
00:26:28,460 --> 00:26:28,790
Yeah.
473
00:26:30,149 --> 00:26:31,290
I didn't know.
474
00:26:31,469 --> 00:26:34,439
Yeah, yeah, yeah.
475
00:26:34,850 --> 00:26:38,330
You see, now we come to a happy ending.
476
00:26:39,409 --> 00:26:46,340
We come to a happy ending and the
vendor mood stare makes you larder
477
00:26:46,370 --> 00:26:48,080
gives you a lot of happy feelings.
478
00:26:48,560 --> 00:26:50,659
I thank you for watching me.
479
00:27:03,980 --> 00:27:09,560
in response to overwhelming viewer
requests, K O C E has prepared a personal
480
00:27:09,560 --> 00:27:14,300
guide to bill Alexander's magic of
oil painting three, to receive your
481
00:27:14,300 --> 00:27:18,200
copy of this instructional book on
bill Alexander's painting technique.
482
00:27:18,645 --> 00:27:21,074
Please send $8 to magic.
483
00:27:21,105 --> 00:27:25,965
Three post office box two seven
Oh three Huntington beach,
484
00:27:25,995 --> 00:27:29,145
California nine two six four seven.
485
00:27:33,965 --> 00:27:38,824
The magic of oil painting is made possible
by a grant from Aaron brothers art marts.
486
00:28:38,440 --> 00:28:39,180
No, no, no, no.
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