Tuesday, December 15, 2020

UNKNOWN Season, Episode, Winter Snow - AVAILABLE

Bill Alexander's

The Magic of Oil Painting


UNKNOWN Season, Episode, Winter Snow - AVAILABLE

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Begin .srt file.

1

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Hi.


2

00:00:15,780 --> 00:00:16,200

Yes.


3

00:00:16,230 --> 00:00:21,440

Even vinta has this fun and

has the beauty thanks vendors.


4

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I see.


5

00:00:21,860 --> 00:00:22,700

You're locked in.


6

00:00:22,790 --> 00:00:23,480

No, no, no.


7

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They are days.


8

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They are just bombed.


9

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It was dang about the time

U S young on the slate.


10

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Rolling down the hairs.


11

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And building customers and,

and here is in license picks.


12

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I wish I could do it.


13

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The magic of oil painting is made

possible by a grant from Aaron brothers.


14

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Gee, I will show you how we put that

beautiful painting on this canvas.


15

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So think about vendor now, I took,

if you see my pallet here, I took


16

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a lady the yellow off all off.


17

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Don't use any yellow because

we need no warm colors.


18

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There thought red is already too,

too powerful, but you need white.


19

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And I have a ton of white on my

palette and Vandyke Brown pressure


20

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and blue alizarin, Crimson,

alizarin, Crimson, and Prussian blue.


21

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I tell you it's the nicest color you

can have for winter, because thank


22

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you about red noses, red cheeks sparks

in the eyes, and there's always kind


23

00:02:06,914 --> 00:02:10,755

of a red and a blue red, and there's

not really a red it's blue, red.


24

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Okay.


25

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So let me take off in order

to get that whole deal.


26

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I have conditioned the canvas first.


27

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I use look alizarin, Crimson, and Prussian

blue and muddle it up together here.


28

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I don't know it's enough blue

or it's enough alizarin Crimson,


29

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but I will find out tune.


30

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You see how I do it?


31

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I just guess at this and

this, and then I test it here.


32

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Is that the color I want?


33

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Yes.


34

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Look at that, that, that blue, red,

that blue, red and blue blue, it


35

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just gives me frost feelings already.


36

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So naturally I wants to make a sky.


37

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It should look deep.


38

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So start always from the top and

at big brush, dance it around,


39

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dance it around like this.


40

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From the top down, sit around like this,

but not too much paint on, not too much


41

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paint on, not too much paint on the desk.


42

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And as you were down the magic, right.


43

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Gets into your brush and gets

lighter, lighter, lighter,


44

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lighter, lighter, lighter.


45

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You see there.


46

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And it appears to you

now, like a deep sky.


47

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Beautiful again, got to talk

like that in order to encourage


48

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yourself and to be right with it.


49

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Now, clean your brush on the

bottom, this clean your brush.


50

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You got so much paint.


51

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You wouldn't throw that to buy.


52

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See, I just see there's

a river coming through.


53

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It's the icy river ice on the

river is no water anymore.


54

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Just like snow.


55

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No drift over that ice, you can

thank it could be a field, but you


56

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see in such short time, I already

have the mood of that painting.


57

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I conduct.


58

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You can have it more in blue.


59

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You can have it more on the red,

or you can add the touch of Vandyke


60

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Brown into that if you want it

a bit more in the muddy side.


61

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But I think this is a fresh ours,

blue, and Alison Clemson had a


62

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kind of a happy, there's a kind

of a happy thoughts in that pain.


63

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It makes me happy, put it this way.


64

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And what makes you happy?


65

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It's very, very important.


66

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Okay.


67

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So I cleaned my brush now.


68

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So in other words, I

conditioned that canvas.


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I conditioned that canvas.


70

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Now you're hypnotized obvious

with the clean brush, make sure


71

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that brush is clean and dry.


72

00:04:35,445 --> 00:04:38,715

In my class, I did let them

put on their skin in order


73

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to make sure the brushes dry.


74

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Soon, you add that

painting into the canvas.


75

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You are lost.


76

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Okay.


77

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Now I brush it out.


78

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Or I forgot to tell you when I started

on my canvas from now on, they are


79

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prepared with magic white and it is wet.


80

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I don't want to do it

in order to lose time.


81

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We have so little time on the, and

that is what makes me rush a lot.


82

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I wish I had more time.


83

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Yeah.


84

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And I could show you so much more.


85

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I could hold your hands

and Oh, what would be nice?


86

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So, but we have no time and I

have to go through it and I want


87

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you to see as much as possible.


88

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So, but otherwise that is all vet.


89

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But magic white and the magic

white is my biggest helper.


90

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It helps me creating, you saw it

start from the top and the management


91

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gets into my brush and there we are.


92

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Now I will create for my mountain,

take a good look, which will I do it.


93

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I use Vite and all this vide,

ah, you have to kiss that, right.


94

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It just, that breaks.


95

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It does all the things

you want and the touch of.


96

00:05:46,740 --> 00:05:53,640

Of, uh, I hope you find that paint

attached of, uh, uh, van Dyke Brown.


97

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Take a good look.


98

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How I mix it here.


99

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It's too light, but more blue and a

bit more alizarin Crimson into that.


100

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SI and mix it.


101

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So I turn it all over, turn it all

over like this and mix it like this.


102

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That's it like marble, can you see it?


103

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Good.


104

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I wish you would learn that if you

mix a dead and becomes a dead color


105

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and all the, it makes you happy.


106

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It makes me happy to see that as like a

stone, you lift up a stone and all them,


107

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the, the, the movement in the stone.


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The whole event is it keeps

you happy and keeps you going.


109

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Okay.


110

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Now I will do it roughly

the by I have it there.


111

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You don't have to do it exactly like that.


112

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You just, I just show you how,

how, how, how the technique works.


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See there.


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No, did this mounds.


115

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They are very, very in the snow.


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I make it quite light.


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The, you can have other

mountains standing there.


118

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I was a mom mountain there.


119

00:07:06,195 --> 00:07:11,535

No, I have lots of people falling in

and writing in how to handle that knife.


120

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If you've watched me good.


121

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I press awfully hard.


122

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And my knife is very flat on the canvas.


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Keep it free.


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Let on that canvas, not like this,

always flat on the canvas and


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push hard that knife is made to

that paint is quite a stiff knife.


126

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It got to be like that in order

to do what we want to do, if it


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would be a soft knife, he could

not handle that heavy, strong pain.


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So you see, now we have already,

the mountain is done and watch how I


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break even with the whole thing now.


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So I care about the outside on

top, always the outside on top.


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That means I found my

mountain peaks or my whatever.


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Around or steep or car

wherever I wants to be.


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That's the mountain.


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Now you use your mighty

brush again, dry and clean.


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And look what I do know.


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You know, we talked about the, the,

the painters vet, the magic right.


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Was on first and now I use that.


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What I do know, I mix it in, it becomes a.


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It becomes a kind of a missed

kind of a mist in the mountain.


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Look how easy that looks now,

you're here and you see it.


141

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It is quite hard touch.


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You cannot do it with yourself.


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Pain.


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Don't even try.


145

00:08:33,315 --> 00:08:38,164

I know mud and you know, we have

too many mud makers when you paint.


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When I had my classes, that

was always the main ID.


147

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How did I get rid of my mud?


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And I will show you if you do it, like

I show you here, you'll never make mud.


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You have a clean painting

and advice got for you too.


150

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Okay.


151

00:08:53,295 --> 00:08:55,965

Now I will highlight that I use white.


152

00:08:56,235 --> 00:08:59,505

You can use this plain white

for this particular one C


153

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and this paint nice and hard.


154

00:09:02,795 --> 00:09:05,435

And so we said the light

is coming from that side.


155

00:09:05,735 --> 00:09:08,945

So we cut it in like this

and look how it breaks.


156

00:09:09,545 --> 00:09:10,085

Yeah.


157

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Is it ever nice?


158

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They caught it in wherever you

think, and that the pain break with


159

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the lose, the loose, his touch of

your hands goes into that knife.


160

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Now you want all the thousand details.


161

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It should break on you

be on top of the snow.


162

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Yeah.


163

00:09:33,500 --> 00:09:36,590

I don't know what the devil,

I got to shake your hand for


164

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the, I shouldn't show you that.


165

00:09:38,450 --> 00:09:40,190

I usually don't have that.


166

00:09:40,640 --> 00:09:41,900

I'm the tiger.


167

00:09:51,050 --> 00:09:54,770

Yeah, sometime you have to brainwash

yourself to be there where you want to be.


168

00:09:55,939 --> 00:09:57,589

No, get the beautiful mountains.


169

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Now you don't have to light all of them if

you want, because you have a cloudy sky.


170

00:10:01,400 --> 00:10:06,800

There are openings and there's sun

patches or whatever, you can run it like


171

00:10:06,800 --> 00:10:08,900

that, but this is a kind of a winterish.


172

00:10:09,330 --> 00:10:11,760

Snow pack mountain there.


173

00:10:12,500 --> 00:10:13,430

And that's it.


174

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That's it.


175

00:10:13,900 --> 00:10:14,320

That's it.


176

00:10:15,900 --> 00:10:17,420

Hey, no.


177

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From the other side you use Vite,

take a look on this now, right?


178

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The same, right.


179

00:10:22,310 --> 00:10:26,990

And attach of blue Prussian blue

into that sea and Mexico of a happy


180

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blue, not ours, but white and blue.


181

00:10:31,070 --> 00:10:32,090

See how it looks.


182

00:10:33,020 --> 00:10:38,685

So, and now from the shadow side,

Around that happy blue and the, Oh,


183

00:10:38,715 --> 00:10:41,115

that doesn't it's a little bit too dark.


184

00:10:41,265 --> 00:10:43,365

Then you can add a little bit more Vite.


185

00:10:44,025 --> 00:10:47,985

She can lighten it up a little

touch, so it would be better.


186

00:10:48,355 --> 00:10:48,975

Okay.


187

00:10:49,065 --> 00:10:50,145

Yeah, that's better now.


188

00:10:51,665 --> 00:10:52,325

Hey Dan,


189

00:10:55,355 --> 00:11:00,035

here's your own judgment on the

colors, but otherwise the shadow


190

00:11:00,035 --> 00:11:02,945

side has a kind of a happy blue.


191

00:11:03,685 --> 00:11:07,935

The snow looks blue, wish they do with it.


192

00:11:07,965 --> 00:11:11,385

They'll get us beautiful

details that it makes it nice.


193

00:11:11,385 --> 00:11:15,314

And then you can cut it in here and there

that in valleys, under the whatever.


194

00:11:16,295 --> 00:11:21,095

Now in that distance, you can

soften it all up, having a clean


195

00:11:21,095 --> 00:11:24,485

brush again and mighty clean brush.


196

00:11:26,085 --> 00:11:33,585

So, and you can cut it down, cut

it down because this is up details.


197

00:11:33,855 --> 00:11:39,015

Cut it down a little bit and then

more, more, more, more so like the,


198

00:11:39,015 --> 00:11:41,565

it makes it nice and whatever there.


199

00:11:42,155 --> 00:11:43,025

Okay.


200

00:11:43,955 --> 00:11:45,605

No, I shout there.


201

00:11:45,665 --> 00:11:46,595

Uh, M.


202

00:11:47,385 --> 00:11:50,685

There's a happy little,

uh, like your river.


203

00:11:50,715 --> 00:11:51,885

What could be a field?


204

00:11:52,215 --> 00:11:57,195

There will be snow on, you can use

your fan brush if you want and have


205

00:11:57,195 --> 00:12:01,275

it in a blues tach that blues you,

what you use on the sky in the back.


206

00:12:01,455 --> 00:12:03,525

You can run it in here.


207

00:12:04,515 --> 00:12:05,985

Hey, long yoga.


208

00:12:11,265 --> 00:12:13,245

Thank you about this Vint draft.


209

00:12:16,200 --> 00:12:18,420

Then just driving, pushing over that.


210

00:12:19,080 --> 00:12:20,160

Eh, yeah.


211

00:12:20,160 --> 00:12:21,240

That's beautiful.


212

00:12:22,410 --> 00:12:24,600

Look at that lady.


213

00:12:24,600 --> 00:12:25,680

You open up here


214

00:12:28,700 --> 00:12:32,870

and you see it is not done like

this because no human being has


215

00:12:32,870 --> 00:12:34,340

a steady hand to make it steady.


216

00:12:34,580 --> 00:12:36,110

But with that on mighty swing.


217

00:12:36,110 --> 00:12:37,760

Yeah, you're serving it off.


218

00:12:39,410 --> 00:12:41,240

I just met the fellow here.


219

00:12:43,589 --> 00:12:45,780

And he was so excited to see me.


220

00:12:45,990 --> 00:12:49,560

He said, I painted the ride, you talk.


221

00:12:49,890 --> 00:12:51,599

And I never thought I could paint.


222

00:12:51,689 --> 00:12:52,939

And I wanted the mountain.


223

00:12:52,949 --> 00:12:55,500

He said, and I had to call my wife after.


224

00:12:55,500 --> 00:12:57,120

And he said there was a mountain.


225

00:12:57,530 --> 00:13:00,800

I never could do it before

because he said I did it.


226

00:13:00,800 --> 00:13:02,240

I acted the way you talk.


227

00:13:02,630 --> 00:13:04,579

And I wish you would think like that.


228

00:13:05,030 --> 00:13:06,380

It's a good way of doing it.


229

00:13:06,605 --> 00:13:09,095

Because you are powerful,

you are in command.


230

00:13:09,095 --> 00:13:11,585

You are the commander, the

XIV, the bottle washer.


231

00:13:11,585 --> 00:13:12,605

You are everything there.


232

00:13:13,865 --> 00:13:14,435

Okay.


233

00:13:14,945 --> 00:13:18,665

Now the next step, I will put a bit

light on, especially in the back,


234

00:13:18,665 --> 00:13:21,185

you know, obvious next comes next.


235

00:13:21,275 --> 00:13:21,815

Right.


236

00:13:21,875 --> 00:13:23,015

Attach right here.


237

00:13:23,015 --> 00:13:27,875

Just take a bit right on my palate

and my, my, my fan brush and


238

00:13:27,875 --> 00:13:29,855

call it in the far right there.


239

00:13:31,214 --> 00:13:35,495

Bed, maybe here in the bed and

here a little bit bad and that'd


240

00:13:35,495 --> 00:13:36,935

be a rough little bit off.


241

00:13:36,964 --> 00:13:37,535

Don't worry.


242

00:13:40,714 --> 00:13:41,015

This.


243

00:13:41,015 --> 00:13:43,505

Use your mighty mood, your mighty swing.


244

00:13:46,985 --> 00:13:47,835

Don't be scared.


245

00:13:48,485 --> 00:13:50,075

Couldn't work at Vail work.


246

00:13:50,105 --> 00:13:54,305

It will always work the way you

think, because you are creating,


247

00:13:54,515 --> 00:13:56,675

you have lot of creative power.


248

00:13:57,095 --> 00:13:59,765

A human being has so much creative power.


249

00:13:59,765 --> 00:14:01,445

There's just too much.


250

00:14:01,655 --> 00:14:03,185

If we just want to use it.


251

00:14:03,645 --> 00:14:07,365

You see now the next step will be,

I have used the chorus up here.


252

00:14:07,365 --> 00:14:12,575

The just once I used the same cars and

put in the, in that same color, but a


253

00:14:12,575 --> 00:14:13,975

huge amount and put a little bit fun.


254

00:14:14,015 --> 00:14:20,375

Like Brown, you see that little touch

of Vandyke Brown again, but more.


255

00:14:20,405 --> 00:14:21,785

You can see the darkness.


256

00:14:21,965 --> 00:14:22,775

That's the darkness.


257

00:14:22,775 --> 00:14:23,755

I want to say, start off.


258

00:14:23,965 --> 00:14:28,885

And then you can start off in the far

away, Bush trees, whatever you have there,


259

00:14:29,125 --> 00:14:30,925

and look at how beautiful those trees are.


260

00:14:30,925 --> 00:14:31,335

Come.


261

00:14:38,015 --> 00:14:42,765

Yeah, make it bigger,

make it bigger than here.


262

00:14:48,314 --> 00:14:51,824

And as you come forward, you

tend to go a little bit stronger.


263

00:14:53,204 --> 00:14:59,385

It can make up strokes on the bottom, like

a blue state, three trunks standing there.


264

00:15:01,185 --> 00:15:04,665

Same paint, maybe touch darker

now because I can move forward.


265

00:15:04,815 --> 00:15:06,465

Here's your same pain taking a look.


266

00:15:06,465 --> 00:15:07,095

How I do it?


267

00:15:07,545 --> 00:15:10,245

The Vandyke Brown, the same paint again.


268

00:15:10,335 --> 00:15:10,965

Then I can see it.


269

00:15:11,075 --> 00:15:11,975

Step Docker.


270

00:15:12,335 --> 00:15:14,675

As you come forward, it's

got to be a stepdaughter.


271

00:15:14,775 --> 00:15:20,735

Is he so that your step are there

and they have all the trees.


272

00:15:20,735 --> 00:15:21,365

Then there.


273

00:15:23,265 --> 00:15:23,714

Good.


274

00:15:23,984 --> 00:15:28,305

Now you can go forward and use

the same paint and a step darker.


275

00:15:28,364 --> 00:15:29,954

Can you see how I did it again?


276

00:15:30,614 --> 00:15:35,135

That means from lighter to darker,

to darker, to dark, and now you break


277

00:15:35,165 --> 00:15:37,234

even cover up what you think it should.


278

00:15:37,594 --> 00:15:39,364

It shouldn't be shown feed.


279

00:15:39,364 --> 00:15:44,555

That is a wonderful thing by creative

power, because you could, you cover


280

00:15:44,555 --> 00:15:46,625

up whatever you think it bothers you.


281

00:15:46,910 --> 00:15:49,100

And then the nice things are left.


282

00:15:50,120 --> 00:15:51,950

I want it a bit more powerful.


283

00:15:52,400 --> 00:15:55,340

I use a bit more one Dyke

Brown, the same spot.


284

00:15:56,380 --> 00:15:56,740

Yeah.


285

00:15:56,800 --> 00:15:57,520

Maybe dad.


286

00:15:58,060 --> 00:16:01,900

That means you from light to

dark, to dark and perspective.


287

00:16:02,110 --> 00:16:03,939

Humic it bit bigger, bigger, bigger.


288

00:16:03,939 --> 00:16:05,110

And all of a sudden you have lots.


289

00:16:05,710 --> 00:16:07,960

There are already lots of that.


290

00:16:08,590 --> 00:16:09,069

Okay.


291

00:16:09,310 --> 00:16:10,660

No, I will make it here.


292

00:16:10,680 --> 00:16:11,830

Like you're borderline.


293

00:16:14,175 --> 00:16:15,825

Yeah, I'll cut it in like this.


294

00:16:20,375 --> 00:16:21,755

Yeah, no fine.


295

00:16:21,875 --> 00:16:22,865

Let's finish that.


296

00:16:22,895 --> 00:16:23,435

Upright.


297

00:16:23,885 --> 00:16:25,055

The fan brush again.


298

00:16:25,235 --> 00:16:29,405

And you, you go in, you go in with what?


299

00:16:29,645 --> 00:16:32,945

Watch I cut in a little bit here.


300

00:16:34,085 --> 00:16:35,405

Come forwards in steps.


301

00:16:36,145 --> 00:16:37,715

You can touch in there.


302

00:16:39,665 --> 00:16:40,925

Maybe it caught in there.


303

00:16:41,955 --> 00:16:46,365

And then you can use the other

fan brush if you want to, and


304

00:16:46,705 --> 00:16:48,945

bring little peaks out there.


305

00:16:50,265 --> 00:16:55,605

A little bit of a D here, S

E D what I do peek out there


306

00:16:59,025 --> 00:17:06,045

and maybe a little peak out there that

gives you perspective for as far, as


307

00:17:06,045 --> 00:17:10,035

far as form, as far as their yeah.


308

00:17:10,969 --> 00:17:14,010

It can't go farther and you

can have a call if you want to.


309

00:17:14,240 --> 00:17:16,010

Um, but I didn't leave it like that.


310

00:17:16,040 --> 00:17:17,209

We really leave it like that.


311

00:17:17,479 --> 00:17:21,020

Then we can show you the

whole thing, the whole thing.


312

00:17:23,010 --> 00:17:26,970

You put in, you put in, uh, three trunks.


313

00:17:27,359 --> 00:17:30,810

See, see how I do it.


314

00:17:31,440 --> 00:17:35,490

Fire man, fire and fire.


315

00:17:35,490 --> 00:17:37,620

I mean, don't be shy.


316

00:17:38,040 --> 00:17:42,780

You know, I developed this on mighty ID

because in our, in my art classes, it


317

00:17:42,780 --> 00:17:45,090

was always noon, noon to noon, to noon.


318

00:17:45,390 --> 00:17:47,190

It was always my God come back.


319

00:17:47,190 --> 00:17:51,150

And then next week we finish up

that almighty painting or there was


320

00:17:51,150 --> 00:17:52,950

not a talk about it on mighty pain.


321

00:17:53,310 --> 00:17:57,450

I figured out my God, if I have to go

on living like that, I killed myself.


322

00:17:58,320 --> 00:18:03,180

So, and since I talked about that are

mighty brush and almighty paintings.


323

00:18:03,270 --> 00:18:06,690

Ed worked for me and I'm

sure it worked for you too.


324

00:18:07,500 --> 00:18:10,290

You see all those upstanding details.


325

00:18:10,470 --> 00:18:13,470

They are not Steph,

there they come divided.


326

00:18:13,500 --> 00:18:15,030

The why your hand is doing it.


327

00:18:15,090 --> 00:18:15,600

That's all.


328

00:18:16,620 --> 00:18:20,250

So the next steps you start

off from the back first.


329

00:18:20,850 --> 00:18:24,480

Now the next step would be again.


330

00:18:24,480 --> 00:18:26,360

You see, I go in with.


331

00:18:27,225 --> 00:18:31,365

Van Dyke Brown to the same

paint here again, a bit more.


332

00:18:32,385 --> 00:18:36,135

And I have a close up here

with the kind of a bushy thing.


333

00:18:36,615 --> 00:18:38,175

Oh, we make it highlight that


334

00:18:44,595 --> 00:18:45,705

and you come down.


335

00:18:51,285 --> 00:18:54,135

See even a bit more dark

again, the same thing.


336

00:18:54,615 --> 00:18:56,415

Remember what we are really doing.


337

00:18:56,625 --> 00:18:59,565

We create deep adapt.


338

00:18:59,565 --> 00:19:04,185

We created that by doing that,

you come, you put the far by sky


339

00:19:04,185 --> 00:19:07,755

called us on you come from as far

as far, as far as far as like that.


340

00:19:08,355 --> 00:19:09,375

And that really worked.


341

00:19:10,875 --> 00:19:12,225

So all right.


342

00:19:13,290 --> 00:19:15,570

Maybe like this now your desk.


343

00:19:20,879 --> 00:19:21,850

Oh, okay.


344

00:19:22,820 --> 00:19:26,270

See now, or I forgot something,

but we can still do it.


345

00:19:26,660 --> 00:19:27,710

They still can do it.


346

00:19:28,605 --> 00:19:30,584

Do it, obviously next comes next.


347

00:19:30,584 --> 00:19:32,445

I was a little bit too speedy.


348

00:19:32,895 --> 00:19:36,735

I wants to put that snow in

a little bit of a snow drift,


349

00:19:36,794 --> 00:19:38,504

kind of a snow coming down.


350

00:19:38,715 --> 00:19:39,435

See how I do it.


351

00:19:39,465 --> 00:19:40,574

Watch what I do here.


352

00:19:40,935 --> 00:19:46,455

I, I limber up my brush a bit of a

bluish white, but look at that brush.


353

00:19:46,485 --> 00:19:46,695

Aye.


354

00:19:46,955 --> 00:19:47,595

Aye, aye.


355

00:19:48,125 --> 00:19:48,935

Look at that brush.


356

00:19:48,935 --> 00:19:51,665

Now you see that is my brush.


357

00:19:51,814 --> 00:19:57,395

Can you see it with lots

of pain and make it right?


358

00:19:57,990 --> 00:20:01,170

They make it, so it doesn't,

there's just all over feeling


359

00:20:01,170 --> 00:20:03,720

of snowflakes coming down.


360

00:20:03,840 --> 00:20:06,270

You see, look at the

snowflakes coming down.


361

00:20:06,870 --> 00:20:08,940

You can have it in a certain push.


362

00:20:09,330 --> 00:20:09,740

See it.


363

00:20:09,740 --> 00:20:11,910

There's not always right to

let it come down the street.


364

00:20:12,060 --> 00:20:14,820

There are these for the snow

comes just beautiful, but we


365

00:20:14,820 --> 00:20:16,380

have a little bit of a vent here.


366

00:20:16,380 --> 00:20:20,750

Maybe there is a way a little bit,

then you can add it like this.


367

00:20:23,050 --> 00:20:23,570

Yeah.


368

00:20:24,480 --> 00:20:27,000

Go right into my, but this

should have, I should have done


369

00:20:27,000 --> 00:20:28,590

it before I put that three on.


370

00:20:29,450 --> 00:20:32,210

So I showed you how you shouldn't do it.


371

00:20:32,630 --> 00:20:36,080

You know, sometimes you have

to do it and teach us all this.


372

00:20:36,080 --> 00:20:36,380

All right.


373

00:20:37,004 --> 00:20:41,625

Not naturally, naturally teachers

always wear eye, but I come out of that.


374

00:20:41,625 --> 00:20:43,905

See, I, I know how to get that going.


375

00:20:44,554 --> 00:20:46,955

I go around it as much as they,

you can don't touch the tree


376

00:20:46,955 --> 00:20:50,044

because then you have it all dirty

and you messed up the whole sky.


377

00:20:50,794 --> 00:20:52,655

You see, it was good to make a mistake.


378

00:20:53,585 --> 00:20:56,195

I always was happy when my

teacher did make a mistake.


379

00:20:57,485 --> 00:21:00,245

So here I made it and I

show you how I did Devin.


380

00:21:00,294 --> 00:21:01,145

I get out of that.


381

00:21:03,735 --> 00:21:05,685

See, you don't cry, but then you go here.


382

00:21:05,685 --> 00:21:08,745

Overdose trees are already with new paint.


383

00:21:08,925 --> 00:21:16,845

You were over the little bit over there

and shout like the snow is coming up


384

00:21:16,845 --> 00:21:20,205

and any bit of the hose side there.


385

00:21:21,570 --> 00:21:26,070

Okay, now that this is decided this

is coming up and moving forward,


386

00:21:26,070 --> 00:21:29,520

as far as for you do the same

thing with rain, but with Reagan, I


387

00:21:29,520 --> 00:21:32,220

make strokes out of that and snow.


388

00:21:32,250 --> 00:21:34,770

I leave it, I leave it in flakes.


389

00:21:34,770 --> 00:21:35,700

I leave it in flakes.


390

00:21:35,700 --> 00:21:36,720

Like I show you here.


391

00:21:38,129 --> 00:21:38,370

See.


392

00:21:39,300 --> 00:21:42,120

No, you learn something here

again, how you make snow.


393

00:21:42,120 --> 00:21:43,890

And I would make rain here.


394

00:21:44,180 --> 00:21:48,230

I would do that like this and go with

the big brush over like this divide.


395

00:21:48,230 --> 00:21:51,950

The rain comes this way or this way,

or sometimes very sharp like that.


396

00:21:52,460 --> 00:21:53,090

See now.


397

00:21:54,800 --> 00:21:55,280

Okay.


398

00:21:55,340 --> 00:21:59,230

And now you hardly don't see it, my

mistake there and nearby your heart.


399

00:21:59,300 --> 00:21:59,870

Don't see it.


400

00:22:00,590 --> 00:22:03,870

And if, if it would show I would, I would.


401

00:22:04,800 --> 00:22:10,470

I would, let me show you, I would,

I would, he would, he would.


402

00:22:10,980 --> 00:22:16,850

I would extend, watch if I would ever have

spoiled us, then make it a bit bigger.


403

00:22:17,030 --> 00:22:20,510

You see, I am glad I can

show you that on my classes.


404

00:22:20,540 --> 00:22:22,280

Very, very often we had to do it.


405

00:22:22,280 --> 00:22:24,680

You know, we are just human

beings like anyone else.


406

00:22:25,100 --> 00:22:28,040

And if you make a mistake

covered up, if I had.


407

00:22:28,165 --> 00:22:32,715

If I had messed up that up in the front,

then I go just a little bit bigger.


408

00:22:32,775 --> 00:22:33,225

You see?


409

00:22:33,285 --> 00:22:37,335

No, I cover everything up

and everyone is happy again.


410

00:22:37,335 --> 00:22:41,295

And all the kids are saying,

and, and all the birds are saying


411

00:22:41,925 --> 00:22:43,715

and everything happy there.


412

00:22:43,745 --> 00:22:45,065

That's the wonderful thing.


413

00:22:45,725 --> 00:22:46,715

Okay.


414

00:22:47,255 --> 00:22:51,965

Now the next step, the next step

again, I put a little bit bigger


415

00:22:51,965 --> 00:22:57,275

tree trunk in here because there

you can do it like this sometime.


416

00:22:59,895 --> 00:23:05,145

That's a wonderful way of making three

trunks as a wonderful three chunks.


417

00:23:12,965 --> 00:23:16,895

He, the next step you put that on my team.


418

00:23:17,405 --> 00:23:19,205

I have the, in the front a tree.


419

00:23:19,205 --> 00:23:22,865

What I would like to show you too,

you can do it with your knife.


420

00:23:23,615 --> 00:23:25,565

They just rounded up like this.


421

00:23:26,805 --> 00:23:31,065

Straight, Crocket, whatever you want,

you can let it go right through.


422

00:23:31,305 --> 00:23:32,175

You can stop it.


423

00:23:32,175 --> 00:23:33,315

You can have it broken.


424

00:23:33,585 --> 00:23:38,655

Sometimes I put the winter damage, you

know, the, the damage in the winter time.


425

00:23:39,065 --> 00:23:39,245

Yeah.


426

00:23:39,245 --> 00:23:41,165

There's a tree standing there.


427

00:23:42,215 --> 00:23:44,015

See, okay.


428

00:23:45,155 --> 00:23:46,535

As a tree stand.


429

00:23:47,015 --> 00:23:49,185

Well, I go right to on my other pain.


430

00:23:49,185 --> 00:23:52,385

It is not like that, but I want

to show you do it your way.


431

00:23:53,045 --> 00:23:54,275

Do it your way.


432

00:23:54,635 --> 00:23:54,905

Yeah.


433

00:23:55,900 --> 00:23:56,610

Okay.


434

00:23:57,330 --> 00:23:57,690

No.


435

00:23:57,700 --> 00:24:05,250

Then the other side I used white from

the other side, you see like this and


436

00:24:05,250 --> 00:24:15,420

you have the, the light side and make it,

so it looks like, but light and shadows,


437

00:24:15,990 --> 00:24:18,060

he and the dog had very show for better.


438

00:24:24,375 --> 00:24:26,594

You can make it around

by pulling it to the bed.


439

00:24:27,854 --> 00:24:34,185

It gives you a bit of a round three, and

then you can put maybe here that store.


440

00:24:34,185 --> 00:24:38,084

And we showed there on that other pain,

you can put the happiness stone in


441

00:24:38,084 --> 00:24:40,604

there, or kind of a heritage and that B


442

00:24:43,725 --> 00:24:46,125

and a bit more light from the light side.


443

00:24:50,970 --> 00:24:51,810

Make it breaks.


444

00:24:51,850 --> 00:24:52,770

He looked at that.


445

00:24:52,770 --> 00:24:53,640

That's what counts.


446

00:24:53,970 --> 00:24:57,900

This is breaks on you because it

shows you a thousand little details.


447

00:24:58,680 --> 00:24:59,310

Hey, that's good.


448

00:25:00,020 --> 00:25:00,800

I know.


449

00:25:00,920 --> 00:25:03,860

And now we will use blue and white again.


450

00:25:04,130 --> 00:25:06,590

That's your blue and white.


451

00:25:07,274 --> 00:25:10,335

Take some vitals here and blue sea.


452

00:25:10,514 --> 00:25:13,925

And now you can add a little

bit of a happy shrub in the


453

00:25:13,925 --> 00:25:15,305

happy blue look at that.


454

00:25:15,725 --> 00:25:17,524

It gives you kind of a vinta spark.


455

00:25:18,544 --> 00:25:19,655

There is he,


456

00:25:23,115 --> 00:25:25,205

he can add it here a little bit.


457

00:25:26,165 --> 00:25:29,105

That gives you a little bit of

a lift up, whatever you want.


458

00:25:29,705 --> 00:25:32,105

On the other side there,

you can do that too.


459

00:25:32,945 --> 00:25:33,264

Yeah.


460

00:25:33,284 --> 00:25:35,105

A little bit of a vendor spark.


461

00:25:41,580 --> 00:25:41,639

Yeah.


462

00:25:43,429 --> 00:25:47,000

Now, if you want, you can put some

branches on before I showed you branches


463

00:25:47,000 --> 00:25:53,270

with the, with the, with the pallet knife,

but with the fan brush, now I show you a


464

00:25:53,270 --> 00:25:59,870

little branch for that little liner brush,

just to make it a bit of a softer paint.


465

00:25:59,870 --> 00:26:00,679

If you can.


466

00:26:01,200 --> 00:26:05,820

And just cut it in from the stand

down like this and like this


467

00:26:06,240 --> 00:26:10,380

and like this and like this fee.


468

00:26:10,500 --> 00:26:14,850

And in no time, you, God

had gone to buy you one.


469

00:26:16,500 --> 00:26:17,790

I have you, right.


470

00:26:17,800 --> 00:26:19,200

That I really like that.


471

00:26:19,560 --> 00:26:20,970

It's a winter mood.


472

00:26:28,460 --> 00:26:28,790

Yeah.


473

00:26:30,149 --> 00:26:31,290

I didn't know.


474

00:26:31,469 --> 00:26:34,439

Yeah, yeah, yeah.


475

00:26:34,850 --> 00:26:38,330

You see, now we come to a happy ending.


476

00:26:39,409 --> 00:26:46,340

We come to a happy ending and the

vendor mood stare makes you larder


477

00:26:46,370 --> 00:26:48,080

gives you a lot of happy feelings.


478

00:26:48,560 --> 00:26:50,659

I thank you for watching me.


479

00:27:03,980 --> 00:27:09,560

in response to overwhelming viewer

requests, K O C E has prepared a personal


480

00:27:09,560 --> 00:27:14,300

guide to bill Alexander's magic of

oil painting three, to receive your


481

00:27:14,300 --> 00:27:18,200

copy of this instructional book on

bill Alexander's painting technique.


482

00:27:18,645 --> 00:27:21,074

Please send $8 to magic.


483

00:27:21,105 --> 00:27:25,965

Three post office box two seven

Oh three Huntington beach,


484

00:27:25,995 --> 00:27:29,145

California nine two six four seven.


485

00:27:33,965 --> 00:27:38,824

The magic of oil painting is made possible

by a grant from Aaron brothers art marts.


486

00:28:38,440 --> 00:28:39,180

No, no, no, no.


End .srt file.


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